Recognized Dealers Art

This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations. The artist de...

Kawase Hasui, 'Snow at Mukōjima (Yuki no Mukōjima)', woodblock print, 1931. A particularly fine impression, distinguished by its rich, saturated blues, subtle atmospheric gradations,...

Kawase Hasui, 'Evening Snow, Edogawa River, woodblock print, 1932. A particularly fine impression, distinguished by its saturated blues, delicate atmospheric gradations, and exceptio...

This contemporary pink glass bubble tabletop sculpture is by Cheryl Wilson Smith. Cheryl Wilson Smith is known for her uniquely beautiful glass work-its form, colour and texture are...

This contemporary wall sculpture features bubbles of pink glass. Each work is individually hand-formed, so slight variations in colour, shape, and texture from the images shown are ...

A large, striking 1920s American Modern industrial scene painting by notable Wisconsin painter, Hans John Stoltenberg (Am. 1879-1963). Artwo...

Hajime Namiki, 'Weeping Cherry 16 A', color woodblock print, 2012, edition 200. Signed in pencil and with the artist’s red seal. Titled, dated, and numbered '2/200' in pencil. A supe...

A Large, Striking 1920s Modern Portrait of a Seated Young Woman in a Studio Interior by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A well executed, early student wor...

Ohara Koson, 'Wading Egret', color woodblock, c. 1900 - 1910. Signed 'Koson' in black ink with the artist’s red seal beneath, lower left. A superb, skillfully-inked impression, with ...

Orange Turban Newest release - Hendrik Kerstens Available in three formats: 20x24", 30x40" and 50x60"

Award-winning photographer and director Juan Lamarca graduated as a film director from Universidad del Cine located in Buenos Aires, Argentina. He has lived and worked in Palm Beach...

Toshi Yoshida, 'Five-Storied Pagoda,' also titled 'Pagoda in Kyoto' (Gojū no tō / 五重の塔), color woodblock print, 1942, edition not stated. Signed 'Toshi Yoshida' in pencil; signed 遠志 (Tōshi) and sealed in the image, lower right; titled 'Five-Storied Pagoda', and dated in Japanese in the left margin, and bearing the characters 自刻 (jikoku, “self-carved”), confirming that Yoshida himself carved the blocks. A superb, atmospheric, impression, with skilled bokashi (gradations) and finely nuanced colors, on cream wove Japanese paper; the full sheet, in excellent condition, (apparently never mounted or framed). Self-carved and self-printed by the artist. Archivally sleeved, unmatted. Image size 9 1/2 x 6 3/4 inches (241 x 171 mm); sheet size approximately 10 1/2 x 7 7/8 inches (267 x 200 mm). Catalog References: The design is catalogued in the developing Toshi Yoshida Catalogue as Pagoda in Kyoto / 五重の塔, 1942, color woodblock. It is also documented by Art Platform Japan from the Fukuoka Art Museum's own collection data as 'Five-Storied Pagoda', 1942. Literature: Thomas Tabery and Kevin Schumacher-Shoji, eds., Farben Japans: Holzschnitte aus der Sammlung der Bayerischen Staatsbibliothek, Kerber Verlag, 2025, no. 146. Exhibited: Farben Japans – Holzschnitte aus der Sammlung der Bayerischen Staatsbibliothek, Bayerische Staatsbibliothek, Munich, March 27–July 6, 2025, no. 146. The Bavarian State Library's 2025 annual exhibition and the first exhibition in the institution's history devoted specifically to its Japanese color woodblock collection. More than 130 works spanning the 18th through 20th centuries were presented. Collections: Allen Memorial Art Museum, Oberlin College; Art Gallery of Greater Victoria, British Columbia; Bavarian State Library (Bayerische Staatsbibliothek), Munich; British Museum, Fukuoka Art Museum, Japan; Smithsonian National Museum of Asian Art. ABOUT THIS WORK Created in 1942, Pagoda in Kyoto (Gojū no tō / 五重の塔) is an early work by Toshi Yoshida, still closely connected to the shin-hanga aesthetic associated with his father, Hiroshi Yoshida, yet already demonstrating Toshi's exceptional command of the woodblock medium. A five-storied pagoda rises behind a screen of weeping willows beside a quiet pond, its architectural mass softened by the atmospheric light of evening. The composition is constructed through overlapping silhouettes and unusually delicate gradations of blue, violet, green, and rose, giving the scene a dreamlike stillness. This impression is distinguished by the exceptional subtlety of its printing. The sky passes almost imperceptibly from warm pink through lavender and violet, allowing the pagoda to dissolve into the surrounding atmosphere. The willow is built from several closely related greens and blue-greens, while the water is printed with restrained tonal modulation. These effects depend upon sophisticated bokashi and careful hand application of pigment and are markedly more nuanced than those seen in later impressions of the design. ABOUT THE ARTIST Yoshida Toshi (1911–1995) began training at the age of fourteen under his father, Yoshida Hiroshi, a leading artist of the twentieth-century Japanese printmaking revival known as shin-hanga (“new prints”), which continued the traditional collaborative system of Japanese woodblock printing. From 1932 to 1935, Toshi studied at the Taiheiyo-Gakai (Pacific Painting Association), which his father had helped establish. Before the Pacific War, Toshi traveled extensively with his father in Asia, Europe, Egypt, and the United States. He later continued his international travels, particularly in Mexico, the United States, Canada, and Africa. His early prints remained strongly influenced by Hiroshi's work and the highly refined techniques practiced in the Yoshida studio. Following his father's death in 1950, Toshi assumed responsibility for the studio while increasingly pursuing an independent artistic direction. Beginning in the early 1950s, he undertook a highly personal exploration of abstraction, creating and printing his own works in the sōsaku-hanga (“creative print”) manner, in which the artist assumes direct responsibility for the design, carving, and printing. During this exceptionally productive period, Toshi produced a large body of nonobjective woodcuts characterized by complex geometric structures, richly layered color, and experimentation with the expressive possibilities of the woodblock medium. His abstract work placed him among the more adventurous Japanese printmakers of the postwar period. The British Museum holds a substantial group of these works, including Misty Dance (1957), Frontier (1962), Mystery (1964), Isotope (1968), and Where (1972). In the early 1960s, Toshi also returned to representational subjects, eventually concentrating on large-scale scenes of African wildlife in its natural habitat. In 1984 he published the first of a series of illustrated children's books devoted to African animals (Dōbutsu Ehon Shirīzu), which he continued into the early 1990s. In 1966, with artist Yuki Rei...

Peregrine Heathcote’s paintings conjure a world of intoxicating glamour and intrigue, slipping across the boundaries of time to fuse iconic pre-war design with modern conceptions of ...

The uniquely magical kinetic sculptures of American artist Lyman Whitaker translate an unseen force of nature-the wind into a visible, graceful and mesmerizing dance. As a master in...

The uniquely magical kinetic sculptures of American artist Lyman Whitaker translate an unseen force of nature-the wind into a visible, graceful and mesmerizing dance. As a master in...

Anonymous 15th century Incanablua, England The Resurreccyon of our lorde Woodcut, 1498 From Jacobus de Voragine, The Golden Legend, in William Caxton’s English translation. Westminst...

Il San Pietro di Positano, 1984 is a Limited Edition Estate Stamped Digital C-Type Print by 20th Century American Photographer Slim Aarons. 16" x 20" print. Limited Edition Estate S...

Peregrine Heathcote’s paintings conjure a world of intoxicating glamour and intrigue, slipping across the boundaries of time to fuse iconic pre-war design with modern conceptions of ...

This contemporary cerulean colored glass wall sculpture was created by Cheryl Wilson Smith. Each work is individually hand-formed in glass, so slight variations in colour, shape, an...

A large, finely drawn Art Deco era, early Twentieth Century Modern figure study of a seated young female nude model by notable Native American artist, Joseph Theodore Waáno-Gano (Che...

This contemporary metal garden sculpture is made in the form of a white swan. This sculpture is available by commission. Please allow for 8-10 weeks upon completion for delivery. J...

"The Netherlands has a rich tradition of lace and textile making, a craft that has been closely connected to women’s lives and labour for centuries. In our latest work “Bonnet”, we u...

This contemporary turquoise glass bubble tabletop sculpture is by Cheryl Wilson Smith. Cheryl Wilson Smith is known for her uniquely beautiful glass work-its form, colour and textur...

The uniquely magical kinetic sculptures of American artist Lyman Whitaker translate an unseen force of nature-the wind into a visible, graceful and mesmerizing dance. As a master in...

Peregrine Heathcote’s paintings conjure a world of intoxicating glamour and intrigue, slipping across the boundaries of time to fuse iconic pre-war design with modern conceptions of ...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

This large abstract acrylic painting is by Charles Robb, son of the famous Canadian artist Jack Bush. Charles Robb’s lyrical, expressive paintings are highly regarded by critics an...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Ohara Koson, 'Flycatchers on snow-covered Nandina', color woodblock, 1929. Signed Shoson in the image, lower left with the artist’s red seal Shoson beneath the signature. A superb, r...

The uniquely magical kinetic sculptures of American artist Lyman Whitaker translate an unseen force of nature-the wind into a visible, graceful and mesmerizing dance. As a master in...

A Captivating 20th Century Modern Urban City Nocturne of the Chicago El at Night. A compelling and finely painted unsigned canvas by a practiced, trained artist depicting the entran...

Edouard Benedictus, 'Variations, plate 19' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Edouard Benedictus, 'Variations, plate 9' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in the...

Jan van de Velde II (1593-1641) Tobias Surprised by the Fish Etching and engraving on fine laid paper without watermark, c. 1620-1630 After Moses van Uyttenbroeck (Dutch, c. 1595–aft...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Clare Leighton, 'Washing Clothes, Corsica, 1934, wood engraving, edition 60, Boston Public Library 258. Signed, titled, and numbered '20/60' in pencil. A superb, richly-inked impress...

HAROLD L. DOOLITTLE (1883 - 1974) YOSEMITE 1924 Aquatint signed and titled in pencil and dated in the plate lower left 1924. Image 9 ¾ x 13 ¾, sheet 12 x 16 ¾. Doolittle excelled i...

Edouard Benedictus, 'Variations, plate 14' from the portfolio 'Variations Quatre-Vingt-Six Motifs Décoratifs en Vingt Planches', color pochoir, edition not stated, 1923. Signed in th...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Majorelle Garden, Marrakesh is a Limited Edition Estate Stamped Digital C-Type Print by 20th Century American Photographer Slim Aarons. 16" x 20" print. Limited Edition Estate Stamp...

A compelling 1950s Mid-Century Modern oil painting of City Apartment Rooftops. Signed illegibly upper left, (possibly reading Marcelle Blanchette? a Canadian woman artist from the er...

The uniquely magical kinetic sculptures of American artist Lyman Whitaker translate an unseen force of nature-the wind into a visible, graceful and mesmerizing dance. As a master in...

Kristine Moran, oil on wood panel, signed and dated verso

This contemporary outdoor abstract sculpture is comprised of two metal columns. Quebecois sculptor Stephane Langlois comes from a rural background and draws enduring inspiration fr...

Blast Furnace: Dynamic Machine Age industrial View of a Steel Mill by Notable New York Illustrator and Cartoonist Herb Field Jr. (Am. 1909-1999). Artwork size: 23 x 26 inches; oil...

A dynamic ca. 1940s American Machine Age Modern industrial scene, depicting a suspended gantry crane and factory workers. Possibly completed as an illustration study for a print adv...

This contemporary outdoor metal sculpture is geometric in shape. Philippe Pallafray's hand forged and welded stainless steel sculpture seems to defy gravity. The Quebec sculptor is ...

"And They're Off..." A Superb, Large Horse Racing Themed Painting by Famed American Realist Artist, Joseph Lorusso (Born 1966). Artwork size: 24 x 26 inches; oil on panel (framed...

A large, compelling Social Realist tenement and city street scene, "Central Ward, NJ" by notable American Modern artist, Walter Nowatka (Am. born 1945). Artwork size: 36 x 24 inche...

This outdoor contemporary geometric metal sculpture is made of red cubes. Claude Millette’s expressive architectural sculptures reflect his fascination with opposing ideas of moveme...

Toshi Yoshida, 'Woman In Bagdad', color woodblock print, 1954, edition not stated. Signed, dated, and titled, in pencil. A fine, richly-inked impression, with fresh colors, on cream-wove Japan paper; the full sheet with margins (1/2 to 7/8 inch); minor toning in the margins, otherwise in excellent condition. Self-carved and self-printed by the artist. Archivally sleeved, unmatted. Image size 14 13/16 x 9 7/8 inches; sheet size 16 1/4 x 11 inches (oban tate-e). Literature: Oliver Statler, Modern Japanese Prints: An Art Reborn, 1959, pp. 168–69. Eugene M. Skibbe, “Yoshida Toshi 1911–1999: Diversity, Change, and Continuity in the Yoshida Art Tradition,” Andon, no. 53, Society for Japanese Arts, 1996, pp. 5–14. Kendall H. Brown, “Yoshida Toshi: The Nature of Tranquility,” in A Japanese Legacy: Four Generations of Yoshida Family Artists, Minneapolis Institute of Arts, 2002, pp. 72–80; Woman in Bagdad catalogued p. 91, no. 55. Exhibitions: 'Japan & Beyond: The Yoshida Family Legacy in Japanese Woodblock Prints', curated by Kendall Brown and Quyen Le, The Ruth and Sherman Lee Institute for Japanese Art, Hanford, CA. February 3, 2004 - March 27, 2004. 'Color in Relief: Wood Block Prints from Origins to Abstraction', Georgetown University Library, 2016. Collections: Art Institute of Chicago, Clark Center for Japanese Art and Culture, Minneapolis Institute of Art, University of California Merced, University of Oregon (The Lavenberg Collection of Japanese Prints). ABOUT THIS WORK Woman in Bagdad belongs to an important group of figure studies Yoshida created in 1954 as he moved beyond the naturalistic landscape tradition associated with his father, Hiroshi Yoshida. The veiled figure is reduced to broad, interlocking shapes of deep brown, ochre, and blue-green, separated by narrow carved white lines. Yoshida appears to have printed the composition from a single block, applying individual colors to separately defined areas—a technique closely related to the white-line color woodcut developed by B. J. O. Nordfeldt and the Provincetown Printers and refined by Blanche Lazzell. The continuous white channels serve as both boundaries between colors and an active linear structure, transforming the figure into a near-abstract arrangement of flattened forms while retaining its human presence. Created at a pivotal moment in Yoshida's development, the print anticipates the increasingly nonobjective woodcuts that occupied him during the following two decades. ABOUT THE ARTIST Yoshida Toshi (1911–1995) began training at the age of fourteen under his father, Yoshida Hiroshi, a leading artist of the twentieth-century Japanese printmaking revival known as shin-hanga (“new prints”), which continued the traditional collaborative system of Japanese woodblock printing. From 1932 to 1935, Toshi studied at the Taiheiyo-Gakai (Pacific Painting Association), which his father had helped establish. Before the Pacific War, Toshi traveled extensively with his father in Asia, Europe, Egypt, and the United States. He later continued his international travels, particularly in Mexico, the United States, Canada, and Africa. His early prints remained strongly influenced by Hiroshi's work and the highly refined techniques practiced in the Yoshida studio. Following his father's death in 1950, Toshi assumed responsibility for the studio while increasingly pursuing an independent artistic direction. Beginning in the early 1950s, he undertook a highly personal exploration of abstraction, creating and printing his own works in the sōsaku-hanga (“creative print”) manner, in which the artist assumes direct responsibility for the design, carving, and printing. During this exceptionally productive period, Toshi produced a large body of nonobjective woodcuts characterized by complex geometric structures, richly layered color, and experimentation with the expressive possibilities of the woodblock medium. His abstract work placed him among the more adventurous Japanese printmakers of the postwar period. The British Museum holds a substantial group of these works, including Misty Dance (1957), Frontier (1962), Mystery (1964), Isotope (1968), and Where (1972). In the early 1960s, Toshi also returned to representational subjects, eventually concentrating on large-scale scenes of African wildlife in its natural habitat. In 1984 he published the first of a series of illustrated children's books devoted to African animals (Dōbutsu Ehon Shirīzu), which he continued into the early 1990s. In 1966, with artist Yuki Rei...

In most of the paintings, the artist uses an interior space as his subject, placing a table or similar object at its center. The use of symmetry and eye level often suggests an altar...

Legacy is the work of a Canadian metal artist, Julien Granger whose artistic practice includes works that are sculptural, functional, and dynamic. At the heart of this kinetic sculpt...

This contemporary mosaic composition by Laurence Petit is made from glass and ceramic pieces in blues. Colour is a very important element in all of Laurence Petit’s expressive artwo...

Glass artist Cheryl Wilson Smith’s grandmother used to create hand-stitched quilts from cut squares of fabric. This beautiful wall sculpture with its patchwork pattern, and its soft ...

From the Series Reliefs Aquaresin and Pigment 79 H x 16.5 W in. This striking artwork features three elongated, vertical panels, each uniquely textured with a rugged, charred surf...

A Fine, Modern 1930s Academic Anatomical Figure Study Drawing of a Standing Young Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well exe...

He has been called the ‘Light Sculptor.’ Quebec artist Jean-Pierre Morin is inspired by the light and shapes found in nature. The pleasing organic shape of this gorgeous sculpture is...

American, 19th Century Winter Evening Possibly the original painted model for Nathaniel Currier’s lithograph of 1854, Oil on canvas, c. 1854 Unsigned Provenance: Partial old Kennedy...

An iconic and historic work of art, Man Ray's Le Cadeau ("The Gift"), is an early ready-made created by the artist in 1921 during his Dada period. Typical of the perverse, subversive...