Recognized Dealers Mixed Media

Story illustration for “Spotlight” by Clarence Budington Kelland for The Saturday Evening Post, published August 15, 1936. The full caption reads: “‘My point,’ he said, ‘is that ...

Osi Audu Goosebumps 1, 2023 Yarn on canvas 15 x 15 x 2.5 inches 38.1 x 38.1 x 6.4 cm OA009 The work of Nigerian-American artist Osi Audu focuses on the dualism of form and void, the...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

Mixed media on panel

Mixed media on paper 34 x 12 in. Work is currently unframed. Framing is additional

"Madagascar Mangrove" archival print and acrylic paint encased in resin artwork by artist Raphael Mazzucco. Signed in front lower right corner.

Listing includes framing, free shipping in the US, and a 14-day return policy Untitled, 2015 by Enoc Perez. 11 x 8.5 inches. Unique hand cut and painted collage Signed on verso Artist Biography - Enoc Perez was born in San Juan, Puerto Rico in 1967. He currently lives and works in New York. Known primarily for his multi-layered paintings of modernist buildings, throughout his twenty year career the artist has nevertheless engaged with a variety of subjects that appeal to him from voluptuous nudes to still lives of Don Q rum bottles...

Drive 6, 2022 Mixed media on canvas 36 x 33 inches 91.4 x 83.8 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed in highly minimal...

Medium: Mixed Media on Board Sight Size 21.50" x 14.50", Framed 26.00" x 19.00" Signature: Signed Lower Left Illustration for the "Exhibition of the American Water Color Society."

Galaxy Brain by Leobardo Huerta Mounted Mixed-media Vintage photograph drawn on with pen and acrylic paint Image size: 13.75 in. H x 10.75 in. W Shee...

mixed media on paper not mounted or framed

A work by Carl Andre. "Five Hundred Terms for Charles A. Lindbergh" is an ink on paper on board and a classic text piece from the early 1960's by Post War artist Carl Andre. Andre’s poem "500 Terms for Charles A Lindbergh" is typical of his works which are composed by selecting individual words from source texts, and then ordering them on the page according to simple and self-evident criteria, which, in this case, is by alphabetical listing. Signed verso, "Five Hundred Terms for Charles Lindberg (Carbon) 1962 Carl Andre." Provenance: Collection of Hollis Frampton...

This mixed-media contemporary assemblage resembles a vessel and is designed to be hung on a wall. This striking composition by Alice Vander Vennen revisits a favourite form—the vess...

The piece titled CARTA DE NOVVS ORBI SVD AMERICA TAP PERV ANA, is by Miguel Angel Ríos, belongs to Ríos' acclaimed "Mapas" series from the 1990s, a body of work that critically addre...

FRACTIONS The Fractions are a large body of small works on paper that Larry Bell made using collaged pieces of discarded Mirage works. Each Fraction is composed of one or more 3×3” s...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

Untitled 03, 2017 White adhesive and white oil paint on canvas (Signed on reverse) 17 23/32 H x 13 25/32 W in 45 H x 35 W cm The work 'Untitled 03' was part of the exhibition “Subst...

This unique embossed white print was inspired by nature and features tree branch imagery. The sublime work of award winning artist Susan Collett has been featured and found an audi...

60 x 42.9 cms ( 23.62 x 16.89 ins) Edition of 26 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right Publ...

Signed "Howard Chandler Christy" Lower Left "There in a box hammock was Phil Hanrihan sprawling, a woman in a scarlet shawl clinging, her cheek against his." Story illustration for ...

Mixed media on panel

Once dubbed “the Grandfather of L.A. Modernism,” the Chicago-born Emerson Seville Woelffer was active as an innovative painter, collagist, and educator throughout his long and prolif...

mixed media on canvas

Elizabeth Alexander is an interdisciplinary artist specializing in sculptures and installations made from deconstructed domestic materials. Through labored processes separating decor...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

L’Orientale à la Mandoline by GEORGES MANZANA PISSARRO (1871-1961) Mixed media with gold on paper 31.5 x 41.5 cm (12 ⅜ x 16 ⅜ inches) Signed lower right, Manzana Executed in 1910 T...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

Ann Graves Tanksley, Untitled (Mother and Child), mixed media on Japan paper, c. 1960s. Signed 'A. Tanksley' in gold in the image, lower right. Linoleum cut in black ink on Japanese paper, with blue and gold brushed ink; cloth batik collage, and metallic gold star laid onto black construction paper. Created as a seasonal greeting. Inscribed on the inside panel is 'Merry Christmas and a Happy New Year. Love, John & Ann.' Archivally matted to museum standards. Unique. Image size 7 3/8 x 4 7/16 inches (187 x 113 mm); front panel size 8 11/16 x 5 3/4 inches (221 x 146 mm). ABOUT THE ARTIST “Her work reflects the influence of her travels, the residential colors, the simple work habits, the loneliness, and the love and devotion to one’s spiritual beliefs. There is a oneness of artist and concept. Her love of life, despite social barriers and frustrations, is promoted in her work for audiences to witness and accept... Her paintings evoke a spiritual awakening. One is drawn to the intensity of color that prevails and identifies the moods of feasts and celebrations. ...Life is full of anticipation and dedication, of acceptance and hope, of faith and survival. These are all present in the works of Ann Tanksley.” —Robert Henke, The Art of Black American Women: Works of Twenty-Four Artists of the Century, McFarland & Company, Inc., 1993. Ann Graves was born in 1934 and raised in the Homewood community in Pittsburgh, Pennsylvania. Drawn to art at an early age, Tanksley graduated from Carnegie Institute of Technology (now Carnegie Mellon University) in 1956 with a Bachelor of Fine Arts degree. Following graduation from college, she married fellow Homewood native John Tanksley, and the couple moved to Brooklyn, New York. He worked as a photo retoucher in the advertising industry. Tanksley devoted herself to raising her daughters while working as an art instructor before fully pursuing her artistic pursuits. She was an art instructor at Queens Youth Center for the Arts from 1959-62, the Arts Center of Northern New Jersey in 1963, and a substitute art instructor at Malvern Public Schools in 1971. She also served as an adjunct art instructor at Suffolk County Community College from 1973-1975. Tanksley continued her art education with studies at the Arts League of New York, The New School, the Paulette Singer Workshop in Great Neck, and the Robert Blackburn Printmaking Workshop, where she learned monotype printmaking. In addition to Blackburn and Singer, Tanksley studied with several renowned artists throughout her career, including Norman Lewis (artist), Balcomb Greene, and Samuel Rosenberg (artist). Tanksley was one of the first members of Where We At: Black Women Artists, Inc., a New York-based women’s art collective founded by artists Kay...

A ferry crosses an expanse of sea towards distant mountains in this photo based artwork by Mark Bartkiw. The high viewpoint, as though flying over the water, adds to the dream-like ...

Like the Ocean Like the Sea, 2021 Mixed media on canvas 88 x 72 inches 224 x 183 cm Udo Nöger creates luminous monochrome paintings that capture light, movement and energy expressed...

This contemporary mixed media graphic composition is by Mafu Jiang. Mafu Jiang’s striking contemporary artwork has been exhibited internationally and is rooted in his Chinese herita...

(59 x 45 inch framed + $2,000) New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social media. His “Mirrors” series suggest a close examination of self, and yet hands held to the face shield...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

"Ritmos Abstratos" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

Story illustration for Louisa May Alcott's classic story Little Women featuring Beth March playing the piano in Mr. Laurence's grand house. The full...

Robert Yasuda Sustain, 2020 Acrylic on fabric on wood 92 x 2.5 inches RY119 Robert Yasuda is known for luminous multi-panel paintings on carved wood tha...

12 repurposed industrial aluminum pipes with acrylic on wood panels. Each element has a 10.5-inch diameter. Overall dimensions variable

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Story illustration for "Child of the Terror" by Helen Fawley for The Saturday Evening Post, published February 1, 1941, page 17. The full caption reads: "'So happy to be German once...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

(85 x 61 inches framed + $2,400) New York-based, Armenian-born artist, Tigran Tsitoghdzyan, is especially interested in how people interact in this new era of technology and social ...

Book illustration for Making Money by Owen Johnson published by Frederick A. Stokes Company Publishers, 1915. The full caption reads “Your promise. No one is to know what I do.” ...

Acrylic, graphite and printed paper collage on board 42.6 x 36.8 cms (16 3/4 x 14 1/2 ins) This is the only collage in which Motherwell used a green package from Gauloises Caporal D...

The panel paintings ""Expanded Metal Tile Paintings"" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bl...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5%40 Flesh Wheel Barrow by Salvador Dalí (1904-...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

Mixed media on canvas Image size: 80 x 80 inches Frame size: 81 x 81 x 2 inches signed right lower front by the artist Capelán's work stands out for its rigorous handling of diverse...

Original cover illustration for The American Weekly, published October 9, 1949. Depicting a scene from “Cymbeline,” this illustration is from Pogany’s “Beauties of Shakespeare” cover series for the magazine. From the Estate of John McLaughlin. Medium: Mixed Media on Board Signature: Signed Lower Left William Andrew (Willy) Pogany was a native of Hungary and his first studies in Budapest and Paris were in engineering. Success in caricaturing led him to pursue and art career, first in London and then in America. His influences were the Oriental artists...

Signed lower front by the artist A Landmark Work of Conceptual Art: Terra Incognita (1995) by Miguel Ángel Ríos. a visually striking and intellectually potent work from the highly ...

It was a project for the Charles M. Schulz Museum in Santa Rosa California, to "wrap" Snoopy's dog house. The artwork comes to live together with this small cartoon, showing Snoopy t...

Hand-blown glass in a stunning deep ocean blue is formed into three elegant arcs to create this contemporary wall sculpture by John Paul Robinson. The Canadian artist’s ethereal work...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

Bram Bogart Sunday Morning 2007 Mixed Media 140 x 137 cms (55 x 54 ins) BB10401 Provenance The artist Bernard Jacobson Gallery London Jason Martin, Lond...

This contemporary mixed media wall composition resembles a vessel. When Alice Vander Vennen sits down to create a sculptural composition, she thinks of it as a visual poem-a story r...

This contemporary wall composition is created from mixed media. Alice Vander Vennen's uniquely beautiful, sculptural wall compositions are designed to tell a story-a story about tim...