Recognized Dealers Clocks

Gilt-bronze and Tortoiseshell Clock and Barometer set by Gleizes French, 19th Century Height 115cm, width 30cm, depth 7cm In the Louis XV style, t...

Charles X Period Ormolu Mounted Jacob Petit Porcelain Mantel Clock French, c.1825 Height 36cm, width 18.5m, depth 10.5cm Set within a beautiful porcelain case, parcel gilt, and flor...

Designed for Olivetti management and never put into commercial production, this rare minimalist table clock has a thick domed glass body with internal hands, painted hour markers and...

With smoky Agate Buddha all mounted on a silvered bronze and enamel rose quartz base.

Antique Three-piece Louis XV and Sèvres style clock and ewer set French, late 19th century Dimensions: Height 36cm, width 34cm, depth 12cm Consisting of a central mantel clock a...

Impossible not to stop to admire it. Impossible not to observe every detail of its configuration. It is the Nomon Merlin 4 T Clock available in our online store with all the features that make it a very special wall clock. It is minimalism in its purest expression. All that apparent simplicity and no leftover trait is only essential in the place where it should be. The Merlin 4 T is a beautiful designer clock...

Simple, versatile, and sober clocks. the elegance lies in the lightness of their time signals, drawing an imaginary circle on the wall. Suitable to any space, it preserves the conce...

Nomon’s symbolic characters are born, characteristic for combining the brand’s distinctive materials, American walnut, or ash in oak finish, with metallic details. Nomon produces ...

FOR THE FIRST TIME, NOMON WORKS WITH SUBTLY FOLDED WOODEN STRIPS. THE SILHOUETTE CONNECTS US WITH NATURE, EMULATING AN OPEN FLOWER IN ALL ITS SPLENDOR. Clock made with natural walnu...

A most beautiful French ornolu mantel clock by Leroy à Paris A lovely French late Empire/early Charles X mantel clock with an ormolu case, c. 1825. The ormolu brass case depicts a celebration of Science and Learning. It is dominated by a rectangular superstructure containing the movement, flanked by an engine-turned column with a celestial globe on top on the left and an elegant lady reading a book on the right. The superstructure is surmounted by a bookcase and a bust of Socrates...

William IV rosewood and bronze bracket clock by Frodsham 185 & Baker, the brass eight-day movement striking on a bell, the backplate numbered ‘292’, the circular brass dial with roman numerals and an engine turned centre, signed ‘Frodsham & Baker Gracechurch St. London‘, in an architectural case with applied panels, the front decorated with a lion and foliage, the corners with quoins, the sides with scrolling leaves and palmettes, with a fan pagoda top with a retractable oriental gateway handle, on leaf scroll feet, with pendulum, winding key and case key. English, circa 1830. William Frodsham was an established London clockmaker. One of his sons, John Frodsham (1785-1849), went into partnership with Baker to form ‘Frodsham and Baker’ in 1809’. They were chronometer makers to the Admiralty and also made wall...

Silvered bronze mantel clock, signed on base and documented.

A Japonisme gilt-bronze and brass three-piece clock set French, Late 19th Century Clock: height 52cm, width 31cm, depth 12cm Candelabra: height 55cm, width 32cm, depth 9cm Made in F...

The central decoration of two lovers in a landscape. The base with a freely painted floral bouquet within a rococo cartouche. The arcuated top with a landscape.

The extraordinary beauty and superior craftsmanship of 17th century German clockmaking is on full display in this exceptionally rare horizontal tabletop timepiece dating to 1650 Augsburg. Created by Johannes Buschman the Younger, the eminent Buschman family of clockmakers are lauded for designing some of the finest timepieces to ever be created in the South German town of Augsburg during the late Renaissance and early Modern periods. A finely moulded ebony and turtleshell casing veneered in a mottled red hue holds the clock’s fusée and chain movement with verge escapement and balance with hogs-bristle regulation. A silver figure of Minerva, Roman goddess of war and wisdom, centers the Roman numeral-engraved chapter ring, indicating the time by pointing to the hour with an authoritative military staff as the sun rotates below her feet to indicate the minute. The incredible design is finished by a gilded backplate intricately pierced and engraved with a floral motif and the signature of Johannes Buschman. Clocks are one of the greatest and most important inventions of the Renaissance period, improving steadily into the Age of Discovery. Embodying a renewed interest in science, the arts and humanism, the first mechanical timepieces began appearing in the 14th century and were large, weight-driven devices placed in the turrets of public buildings that struck the hour and lacked hands and faces. This clock was created during the first period of household clocks, when spring-driven movements made it possible to create smaller and more complex mechanisms. Such creations, however, were a luxury accessible only to the wealthy upper classes. Affluent patrons placed pressure upon artisans to create more elaborate and ornate clocks...

Restauration gilt bronze mounted crystal lyre mantel clock French, circa 1820 Measures: Height 67cm, width 23cm, depth 14cm This superb mantel c...

A charming late 19th century French engraved miniature oval carriage clock with original travelling case. The petite miniature oval gilt brass ...

French Victorian style ebonized mantle clock with bronze putti and swan supported on a weighted ebony base with encased dial and beaded gold trim.

This endearing French mantel clock combines lustrous ormolu and sumptuous white marble, making for a light and yet majestic work that perfectly compliments the masterfully executed N...

Case The clock has a gilt-brass case which is a variation on the gorge case in that the top and bottom are ribbed, which adds to its elegance. It has bevelled glass windows on all sides so that the movement is almost entirely visible. The gilt brass platform escapement can be seen through a large rectangular window at the top. The clock is surmounted by a typically shaped carrying handle. At the back is a door giving access to the winding arbors. Movement The high-quality spring-driven eight-day movement is constructed between plates. It consists of going and striking trains, as well as alarm. The going train has an English lever...

This Grecian style mantel clock was crafted at the end of the 19th century and retailed by the acclaimed Maison Marnyhac, which was based on the Rue de la Paix in Paris. Founded ...

The combination of sumptuous, lustrous ormolu and finely decorated Sevres style porcelain makes this mantel clock an exceptional piece. Built in France and retailed by the prestigiou...

The magnificent neoclassical style clock set would make a beautiful addition to any elegant interior. The three-piece, antique French clock set comprising a central clock and a p...

A Fine Louis XVI Style Gilt-Bronze and Green Enamel Mantel Clock. French, Circa 1890. Stamped ‘Medaille d’Argent Vincenti & Cie 1855’ and with the initials ‘L.R’. This fine clock or timepiece has a spring-driven eight-day twin train movement by Vicenti et Cie, striking on a gong. The gilt-bronze case is of square-section with a stepped pediment surmounted by musical trophies above a Vitruvian scroll frieze and rosettes to each corner, below is a circular enamel dial with Arabic numerals and floral swags, set within a finely painted iridescent green enamel panel depicting a courting couple in conversation. The sides are similarly painted with fair maidens in a wooded landscape and the back cast with strap-work and Vitruvian scrolls; a circular hinged door opening to reveal the movement. Vincenti was a much respected clock maker, a Corsican who set up in 1823 in Montbeliard using machinery of his own design. Following his death in 1834 his business was carried on by Roux et Cie...

The acclaimed French bronze foundry, Delafontaine, created this remarkable mantel clock. At the time this piece was crafted, in c.1860, the company was directed by Auguste-Maximilien Delafontaine (1813-1892). The firm was famous for its high-quality artistic bronzes, which can today be viewed in major art collections, such as the Louvre in Paris. Shaped like an upside down ‘T’, this gilt bronze...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture. Additional Information: Material: Glass Color: Bamboo/Grape/Horizon Dimensions: W 13.5 x D 13.5 x H 54 cm Available in other color options: Grey/light pink,/red...

Neoclassical style porcelain and gilt bronze clock set by Barbedienne French, late 19th Century Clock: Height 53cm, width 27cm, depth 24cm Candelabra: Height 56cm, width 19cm, dep...

The case carved in high relief with scrolls and an acanthus leaf finial, the gilt face finely chased with further scrolls and signed on the dial, with a discreet/silent lever above t...

A superb Napoleon III Lyre clock by 'Raingo Press, Paris' with an exquistely painted enamel face and finely cast ormolu hands in the shape of lyre. The move...

A fine quality clock and barometer set by Carcany and Robin, after models on exhibition in the Louvre Museum, Paris. In the Louis XVI manner, of banjo form, the cases being in cr...

This beautiful porcelain mantel clock is designed in the shape of a shield which is propped up on a gilt bronze (ormolu) easel support, composed of two shields and a staff topped by ...

This charming late 19th century French clock set takes inspiration from a range of styles and periods, and is beautiful in its final e...

French Régence style gilt bronze clock garniture French, late 19th century Clock: Height 60cm, width 36cm, depth 20cm Candelabra: Height 67cm, width 25cm, depth 25cm This wonde...

This large and impressive gilt bronze mantel clock is by the French Michel-François Piolaine. The clock body is raised by an architecturally formed, plinth-shaped base, set to the fr...

Chan Chiao Chun Grand father clock model "Day 36 Look at me" From the series "Stay with me" Manufactured by Chan Chiao Chun Produced in exclusive for Side Gallery Eindhoven, The...

This striking and highly detailed mantel clock is made entirely of ormolu, and is surmounted by the figure of an Eastern nobleman. He wears typical dress of his location and period: ...

English Victorian iron clock face with green painted wooden back. (Not working)

Chan Chiao Chun Wall clock model "Day 32 - I have something for you" From the series "Stay with me" Manufactured by Chan Chiao Chun Produced in exclusive for Side Gallery Eidhov...

This mantel clock is a wonderful piece of French Neoclassical design. It is an unusual and very beautiful item, which has been expertly crafted from gilt bronze (ormolu). The clock will add elegance and sophistication to a mantelpiece. The clock features a table-form body which is topped by a classical urn. The urn is crowned by a pomegranate finial and mounted with twin handles in the shape of rams’ heads with rings in their mouths. The urn is decorated with twisted and cabled fluting, a belt draped with foliate swags, panelled motifs and a ropework band. The urn stands on a table-shaped body which is surmounted by outward-pointing pinecone finials and laurel branches. The stepped tabletop has scalloped corners and is decorated with an egg-and-dart and leaf-and-dart band, as well as a central Green Man mask. This top is supported on six legs which feature leafy scrolled tops draped with swags and hoof feet. Between the legs, there is a drum clock...

Neoclassical style French malachite and gilt bronze mantel clock French, late 19th century Dimensions: Height 48cm, width 30cm, depth 15cm This neoclassical Louis XVI style mant...

French Empire period gilt bronze mantel clock French, early 19th century Measures: Height 50cm, width 36cm, depth 12cm This mantel clock, wrought from gilt bronze during the French Empire period, features a rectangular base, set above four bun feet, the front of the base adorned with a gilt bronze relief panel...

This antique porcelain mantel clock demonstrates the 19th century nostalgia for the delicately elegant decorative arts under King Louis XV, also known as the Rococo style. Crafted by celebrated porcelain artist Jacob Petit, this exquisite clock is particularly notable for the way in which the porcelain has been shaped so as to give the clock such a whimsically free-spirited, scrolling shape. The clock is formed as a clock case upon a lower base, which are both decorated as a though a singular piece with green glaze on a white ground, accented with painted floral panels and extensive gilt highlights all over. The clock case, which is particularly exuberant in design, features a central, circular clock dial. The white enamelled dial is bordered with beaded ormolu, and features black Roman numerals and the inscription 'Scherer'- the name of the 19th century Parisian clock...

This beautiful clock was crafted in France in the late 19th century. The clock is a monument to this period of industrialisation and technological innovation, being decorated with an...

Austrian Biedermeier period gilt and polychromed wood clock. Chiseled gold Swiss movement, signed: P.Francois a' Nion.

Apollo mantel clock by Edvin Klasson Dimensions: D 7 x W 16 x H 25 cm Materials: coated and uncoated laser-sintered,nylon, vinyl wrapping film, dyed feathers, and, clock mechanism ...

Set of 2 Mirror Steel Twelve Wall Clocks by Sebastian Scherer Material: crystal glass, stainless steel Dimensions: ø 11.8 cm Also available in mirr...

An Art Deco clock in patinated bronze dating from 1925 and featuring geometric patterns and details of bluebells.

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

This beautiful mantel clock has been designed in an 18th century Rococo style, which was popularised by the Sèvres Porcelain Manufactory. The clock has been expertly cast in bronze a...

A large and exceptional Louis XVI style gilt-bronze and white marble figural mantel clock, by Grohé Frères, Paris. The dial signed ‘Grohé, A Paris'. ...

Gilt-bronze cartel clock and Barometer set by Lerolle Frères French, c. 1860 Measures: Barometer: height 71cm, width 43cm, depth 15cm Clock: height 7...

A lovely and attractive English trunk dial clock made c. 1840. The mahogany veneered case is of an original design with slightly shaped sides to the trunk and a Sheraton-like she...

Fine Gilt-Bronze Louis XVI style mantle clock on a white marble base. Signed "O. Lelievre, Susse Freres."

Chan Chiao Chun Wall clock model "Day 24 - Do you remember sunshine on that day" From the series "Stay with me" Manufactured by Chan Chiao Chun Produced in exclusive for Side Gal...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...

Comprising a central clock and a pair of flanking twin light candelabra, the clock with a bronze putto holding the clock and seated upon various ormolu decorations above an ormolu mo...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015,...

This beautiful clock set, which comprises of a mantel clock and a pair of vases, was designed in France in circa 1870 in a wonderful Renaissance Revival style. The set has been craft...

French neoclassical style lapis and gilt bronze clock set French, late 19th century Clock height 52cm, width 39cm, depth 15cm Vases height 38cm, width 16cm, depth 12cm This be...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture ...