Art by Medium: Board

An original tempera painting by American female artist Catherine Koenig. This work is currently featured in the Draw Near exhibition at Benjaman Gallery.

Pencil and watercolor on paper mounted on cardboard realized by Giovanni Gromo. Hand signed. Very good condition. Includes a contemporary wooden frame cm. 64x55.

Untitled II, by Luis Caballero Lithography Size: 15 in H x 10.7 in W Edition 8/75 Signed in the lower right corner. Numbered in the lower left corner. Great condition with flaws. ...

A Fabulous, 1950s Mid-Century Modern Still Life Painting of a Colorful Bouquet of Spring Flowers by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Completed in the vibrant,...

The painting "White Flowers Under the Window" is made with oil on canvas glued to cardboard and has a small horizontal format. In the center of the composition are white fragrant inf...

Artist: Hayk Gasparyan Work: Original oil Painting, One of a Kind Medium: Oil on Cardboard, Year: 2025 Style: Abstract, Figurative Title: Walking Size: 13.5" x 17.5" x 0.1'' inch (35...

A stunning jewel and pertinent example of Berthelsen's charming Still Life scenes. Here we find a white rose and two crimson flowers in a white vase set on top of a wooden glossy tab...

A gorgeously colored summer landscape by Important American Impressionist, Frank V Dumond. Fresh in color and elegant in the tonally complimentary French frame with silk liner. Atm...

A very beautiful early 20th century impressionist oil on board still life depicting colourful anemones in a blue vase by Victor Simonin. This important and very fine work was exhib...

A fine depiction of an autumn season landscape of Wetlands with a beautiful reflection of sunlight hitting the water. For this wonderful depiction, Nemethy uses a fine technique whic...

Miniature Textured Abstract Art Unique Original Painting using Pink Colours by Contemporary Artist Angela Wakefield Art measures 8 x 8 inches Frame measures 12.5 x 12.5 inches This...

Large 1970s abstract geometric acrylic and oil on plywood panel signed Rivel and dated 1977 to the bottom left. The painting is titled to the rear of the panel. Numbers of colour fields in muted shades jostle against one another. It is the shapes and the space between them which give energy to the painting whilst the colour palette restrains. The painting is highly textured as the artist has applied the paint thickly and energetically with both palette knife and large brushstrokes. At times layers of paint reveal underlying colours. This painting fits perfectly into the abstract genre with its focus on its formal qualities over and above its subject matter. Furthermore the artist experiments with reconstructing shapes and rejecting three dimensional perspective. A fine example of non objective art...

Anne Johnstone’s “Attempted Reconciliation” is an abstract figural acrylic painting on cradled board measuring 20 x 16 inches. Two abstracted figures lean together in a tender, ambig...

A charming Impressionist winter snow-covered pastoral scene depicting a neighbor's chat in the Hilltown Township in Bucks County, Pennsylvania. This piece is executed in an intimate ...

Katherine Chang Liu "Chain", Acrylic and collage on paper mounted on board with a Trompe L'oeil 3D effect. contemporary abstract painting Hand signed "Katherine Liu" Dimensions: 37...

Jay Patel ELEPHANT & THE KING Acrylic on Board Year: 2022 Size: 10x12x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1113 "Against a burnt orang...

Emmanuel Jolicoeur (Haitian, b. 1928) Untitled, c. 1960s Oil on board 23 7/8 x 11 in. Framed: 26 x 13 x 1 in. Signed lower left Emmanuel Jolicoeur was born on Christmas day in 1928 in Port-au-Prince, Haiti, and is the older brother of artist Wilson Jolicoeur. His work can be found in the collection of the Figge Art Museum in Davenport, IA. He was a member of the school Foyer des Arts Plastiques, created by a group of artists who wanted to address and remedy issues plaguing Haitian painters. Jolicouer was known to collaborate with Rene Exume and David Rouzier. In 1967, he moved to the United States, where he has resided since. His paintings have been sold at major auction houses including Sotheby's, and is represented by a number of galleries. He was included in Eva Pataki's book "Haitian Painting...

Ottone Zorlini (Treviso 1891 - São Paulo 1967) - Landscape with stairway. 25.5 x 33.5 cm (without frame) - 35 x 43 cm (with frame). Oil on cardboard, in wooden frame. Signed lower...

DIMENSIONS: (With Frame) H:36" L:29 7/8" (Without Frame) H:29.5" L:23 3/8" Donald Roy Purdy is an American painter whose work evolved through a range of styles and subjects over the...

Linda Stein, Profile Landscape 438.072 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Profile Landscape 438.072 is from Linda Stein's Profiles series--drawings, collag...

"In The Silence, James 1:17" (2025) by Thomas Kegler is an original, handmade oil painting that depicts a serene sunrise above a quiet lake. About the artist: Thomas Kegler’s growi...

This luminous painting by Oscar Lycke captures a tranquil sunset scene deep within a Nordic forest. The warm, golden light of the setting sun filters through the dense spruce trees, ...

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture), made by Susan Stover in 2025 wood, oil paint, varnish, waxed linen thread 30 x 30 inches Lightweight,...

Immerse yourself in the warm, nostalgic glow of a peaceful twilight. This exquisite oil painting masterfully captures the fleeting magic of sunset casting its amber light over a quie...

An exceptional work by George Waller Parker (1888-1957) of a home in the South Carolina Lowcountry. Perhaps the best example of Parker’s work to be offered in recent decades, this w...

Post-Impressionist summer pastoral scene of a house in the field with chickens in the garden and figure. Taking place in Bucks County, PA. Willett has portrayed this piece in a most ...

J. A. van Schooten (1870-1933) 'The mint, Deventer' Signed lower left J. v. Schooten Maroufle (oil on canvas on board) Dimensions without frame: 26 x 34 cm. Dimensions with frame: 4...

Dog Portrait of a Chihuahua 1896 Arthur von Ferraris (Hungarian, 1856-1936) Oil on cardboard Signed and dated (1896) right side 11 1/2 x 8 3/4 (17 x 14 1/4 frame) inches Provenance: ...

Still life with flowers oil/cardboard, 51x40 cm

Set against the dramatic silhouette of a cool-toned mountain range, “Divers with Blue Mountain” by British artist Dan Parry-Jones features two figures diving into a swimming pool, ca...

Mediterranean Beach Scene with Children and Parasols Impressionist Oil Category Paintings Materials Oil on board Style Impressionist, Post-Impressionist, Mediterranean Technic...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This collection brings together many small-format paintings, each of which is a unique butterfly, unique and full of inner light. They soar upward like light fragments of dreams, sca...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Anita Johnson Untitled (Monochrome Construct), c. 1960s Oil on illustration board Framed dimensions: 21 in. H × 16 in. W Presented in a contemporary black frame In this striking bla...

A wonderful Impressionist Snow covered pastoral scene of the colorful and quaint early morning Carversville Pa Bucks County. Willet has portrayed this piece in a most intimate, yet energetic way, and has packed much feeling into this large scale work. It is almost as if we are there in the snow in the early morning, bringing a beautiful feeling of nostalgia. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of Bucks County with the calm, endearing charm of a snowy morning. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. This piece is signed lower right and it comes housed in a wood carved antique gold tone wood frame ready to be displayed with hanging with wire on verso. Art measures 12.5 x 15.5 inches Frame measures 15 x 19 inches Christopher Willett, was born in 1959 in Bucks County Pennsylvania and is mostly known for his landscape paintings. Willett, a painter with a family lineage dating back to ancestors arriving in this country aboard the Mayflower and Victory, settling Plymouth. Some recorded family history finds a Willett ancestor, Augustine Willett whom was a Captain of historic repute under the command of General Washington. Additionally, in more recent history, Willett artisans became renowned for their designs and beautiful works in stained glass that adorn the Bryn Athen Cathedral- for the Pit Cairn estate. Willett, is also a descendant of the renowned painter Edward Hicks...

Series "THE ADVENTURES OF THE RED CAT RAMSES" paper on cardboard, acrylic,ink, pencils, mixed media.2024 Sold and sent unframed This intriguing artwork presents a whimsical, anthr...

Samuel David Landau American, 1895-1979 Country Road Oil on board 12 by 15 ¾ in, w/ frame 18 by 22 in Signed lower right Samuel David Landau was born in Warsaw, Poland, and emigrat...

Item is in excellent condition and has only been displayed in a gallery setting. This painting was procured direct from the artist's studio. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints and diamond dust in these works. Shaoul’s “My Heart Collection” is a vibrant ...

"Le Trianon à Versailles, 1925" Louis Gautier (French, 1855-1947) Oil on cardboard Provenance: Private Collection Marseille, France Signed and dated 1925 lower right. Titled, dated...

* No US duty or taxes to pay on this item * A beautiful 1950's Modern British oil on board depicting yelllow flowers in a glass jar. Very close to the work of Diana Armfield RA (b...

The artist painted this life-size sketch during a creative trip to the Russian North in the style of Alla Prima while studying in his fourth year at the Russian Academy of Painting, ...

This charming naivist painting by Swedish artist Olof (Olle) Casimir Ågren (1874–1962) depicts a horse standing gracefully beside a tree. Executed with bold, textured brushstrokes an...

Hampshire Garden I by Dylan Lloyd [2021] original Oil paint on board Image size: H:30 cm x W:24 cm Complete Size of Unframed Work: H:30 cm x W:24 cm x D:2.5cm Framed Size: H:40.5 cm...

From the "ADS" portfolio. Screen print on lenox museum board Hand signed and numbered by the artist. Edition PP 5/5 (There is a main edition of Edition of 190, 30 AP, 5 PP, 5 EP, 1...

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Titled and signed lower center and right.

Oil on artist board painting by the American artist, Marion Gray Traver. Signed lower left. Composition is done completely with a palette knife. Good condition. In original gold le...

original acrylic paper painting. virtual framed Son of Josep Tharrats i Vilà, in 1932 he moved to Béziers until 1935, when he returned to Barcelona to study at the Massana School. T...

French Impressionist oil on board of a wooded landscape presented in a period carved wood gilt and patinated frame with trade label to the reverse for a gallery in Grenoble. A charm...

Here for your consideration is a great example of the artwork of the well known American artist, Syd Solomon. Signed top left. Titled and dated verso 1978. The painting is oil and acrylic paint on mounted synthetic canvas. Condition is excellent. Overall framed measurements are 44.75 by 24.5 inches. Provenance: A Sarasota, Florida collector. SYD SOLOMON BIOGRAPHY American 1917-2004 Written by Dr. Lisa Peters/Berry Campbell Gallery “Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.” --Kurt Vonnegut Jr. from Palm Sunday, 1981 Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...

Julian Opie b.1958 Dance, Synced: Dance 2. 2024 screenprint in colors on museum board image: 33¼ h × 55 w in (84 × 140 cm) board: 37⅝ h × 58½ w in (96 × 149 cm) Signed and numbered ...

Mangroves in Casamance No.3 is a unique oil pencil on cardboard, glued on wooden frame painting by Spanish contemporary artist Calo Carratalá, dimensions are 80 × 139 × 4 cm (31.5 × ...

The artist painted this sketch from life near the Setun River in Moscow in 2004 in the Alla Prima style.This vibrant artwork features a lush, sunlit grove, skillfully capturing the i...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Cardboard Year: 2025 Style: Portrait Art, Title: Woman Portrait Size: 18" x 14...

'Woman with Blue Eyes', oil on board, by Peter Robert Keil (1985). A topless redhead gazes out to the viewer with her intense blue eyes. A mysterious blue hand sneaks into view from ...

Impressionist land/riverscape painting in oil on canvas board by Italian artist Dino Rossi. Signed bottom left and presented in a gold wood frame under glass. This artwork depicts ...

Matskin Ruvim Izrailevich (Russian / Israeli, 1926-1996) - Sabbath Prayer Oil on Canvas 1991 Hand signed in Cyrillic 36 X 32 inches (90x80cm) Rare judaica by a Soviet realist artist. Ruvim Izrailevich Matskin was born in 1926 in Kryvy (Ukraine). In 1955 he graduated from Kharkov State Art School, and in 1970 joined the Kharkov Artists’ Union. Since 1963 he worked at the Industrial Art dep. of the UkraSSR Art Fund. In the late 1880s he and his family moved to Israel. Matskin passed away in 2002. Took part in numerous exhibitions of fine art in the USSR Select Exhibitions Behind the Iron Curtain. The Art of Socialist Realism 20 Years after the Fall of the Berlin Wall 1989-2009, Berlino 2009 Guardando all'URSS. Realismo socialista in Italia dal mito al mercato, Fruttiere di Palazzo Te, Mantova 2015 World Exposition, Milano 2015 The exhibition was held at the Jeschke-Van Vliet gallery in Berlin, which was located in the former Berlin Wall zone, adding a layer of symbolic resonance to the project artists included Askhat Gazizulinovich Safargalin, Petr Ivanovich Kostinsky, Vyacheslav Vasilevich Tokarev, Boris Eremeevich Vladimirski, Alexander Deyneka His most well-known work was the monumental revolutionary "The Defence of Petrograd" from 1928. His mosaics cover the ceiling of Mayakovskaya Metro station in Moscow. Yuri Pimenov A founder member of the Society of Easel Painters, he was well known for documenting Moscow's changes from the 1930s to the 60s, as in his 1937 painting "New Moscow". Geli Korzhev and Yablonska Olena Nylivna Bibliografia: Behind the Iron Curtain. The Art of Socialist Realism 20 Years after the Fall of the Berlin Wall 1989-2009, catalogo della mostra a cura di A.L. Coruzzi, H. Bayati, Milano 2009, p. 87, n. 115 Guardando all'URSS. Realismo socialista in Italia dal mito al mercato, catalogo della mostra a cura di V. Strukelj, F. Zanella, I. Bignotti, Ginevra-Milano 2015, p. 237, n. 17 He was part of a tradition of Soviet Jewish artists that included El Lissitzky, and Natan Altman, Marc Chagall, Robert Falk, Anatoly Kaplan, Ilya Kabakov, Mikhail Grobman, Oscar Rabin...