Art by Medium: Board

Oil on canvas on cardboard Levan Urushadze is a Georgian contemporary artist born in 1960 who lives and works in Tbilisi, Georgia. Someone once wrote ...

SUNLIT CART Size: 37.5 x 44.5 cm (including frame) Oil on board A lively mid-century modernist style landscape oil painting, by Swedish artist Eric Elfvén (1921–2008), whose works h...

Big bales in summer fields by Rupert Aker Cotswold art . Orgiinal painting on canvas framed and ready to hang. Additional information: Oil Paint on Canvas 74 H x 74 W x 5 D cm (29....

Anthony Rickards This piece titled "Summer Park" was created using oil on board and is in a handmade swept composite frame. Keywords: park, summertime, grass, field, fields, tree, ...

Shlomo Itzkowitch, Israeli, born Poland, 1896-1973. Shlomo Itzkowitch was born in Lodz, Poland. He studied painting in his hometown. In 1918-1925, he moved to Germany and was active...

Green Victorian House with Autumn Leaves Multimedia architectural painting of the outside of a house in autumn by Linda Webb (American b. c. 1942). This piece features multiple diff...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, December 2, 1950 The Post described, “One night Art Editor Stuart was having a party. His three boys came downstairs four times and were conducted back up by their mother. The next time they came down, Papa Stuart waxed excited, firmly conveyed them aloft himself, and they did not show up again. Stuart was warmly congratulated on his success as a father. When the party broke up, the youngest lad was found asleep on the stairs. Stuart claims that the older ones never did come down again, but this was probably because they merely went to sleep in their beds from natural causes. George Hugehes has painted some other people’s offspring, to get over the idea that children all over America are eager to improve their minds by listening to sophisticated conversation.” (The Saturday Evening Post, December 2, 1950, p. 3) Exhibited: Norman Rockwell Museum...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Lucio Perna's surrogate cities and slums also carry with them the concept of "boundaries," which are meant to represent the limitations that each person carries within himself by cul...

This large oil painting depicting a sweet moment of maternal bonding was published as an interior illustration for Harper’s Bazar in May 1910. Jessie Willcox Smith gained renown for ...

Cartoon art is the original Conceptual Art. Renowned British Illustrator Smilby (Francis Wilford Smith) conceptualizes a Playboy cartoon so good that no caption is needed. The exist...

"Flying Cloud" Vintage 1938 Clipper Ship Gouache Painting This small piece by Victor Lind (Sweden, 19th-20th c.) depicts the Flying Cloud clipper...

Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet Antonio Petruccelli (1907 - 1994) Santas Feet At Midnight New Yorker c...

Oil on cardboard realized by Sirio Pellegrini in 1968. Hand signed lower right. Includes a beautiful wooden frame, one-of-a-kind realized by the Artist cm. 59x68.5.

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

This plain air painting captures a quiet landscape at dusk painted near the village of Zhitkovo in the Tver region, which is characterized by a harmonious combination of colors. The ...

"Untitled" is an original oil pastel drawing on ragboard by Reginald K. Gee. It features surreal drawings on a background of color fields in blue, green, purple, red, and yellow. The...

Thomas Struth (German, born 1954) Wall Detail, James Simon Galerie, Berlin, 2019 Medium: Inkjet print back-mounted on Alu-Dibond, set in archival cardboard (as issued) Print dimensio...

The punchline on many of these 1950s cartoons fades, but the visuals more than hold up - they shine. The sleek, graphic style of painting with flat, broad areas of color shows that ...

ISMAEL DE LA SERNA Spanish, 1898 - 1968 HARLEQUIN AND HIS DOG signed and dated "I DE LA SERNA 55" (upper left) oil on cardboard 42 x 27-1/2 inches (107 x 70 cm.) framed: 49-1/4 x 35 ...

Technique Mixed oil on wood. The artist, In order to give more character and personalization to this work of great effect and color, decorates the painting with his own fingerprints. In Antonio...

Yves Ganne (French, 1931 - 2019) La robe a pois, 1949 Oil on board Signed and dated ‘Y. J. Ganne 4.1950’ (upper left), further signed, titled and dated ‘Vendredi 8th July 1949’ 27.1/...

Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...

Oil on cardboard Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy of...

"Burning Mountain Cows" is an original oil painting on board by Heather Foster. The artist signed and dated the piece "HF 02" lower right. This painting depicts two cows in the foreg...

"As I Waste Time on Earth" is an original oil pastel drawing on rag board by Reginald K. Gee. The artist signed it on the back. This piece depictts two faces in the lower left, two f...

Dave Seeley's "Chrysalis" is a 2022 oil painting on canvas mounted to panel, offering an intimate and immersive depiction of the human form in a tightly coiled, almost fetal posture....

Art Sz: 19 1/2"H x 21 1/2"W Frame Sz: 25 1/2"H x 26 7/8"W Each card measures 2 1/4" x 3 1/2" The Parker Games Co Ltd London Derby Day race game published by Parker Games’ English...

Medium: Charcoal on Board Signature: Signed Upper Left Sight Size 20.00" x 28.00;" Framed 24.00" x 32.00"

A group of nine finely executed miniature oil paintings on cardboard, framed in a simple wooden frame. The subjects range from landscape scenes with soldiers to ducks by a riverside ...

Josie Morway is a self-taught artist who has been painting most of her life. She is a painter and designer working in Providence, Rhode Island. She has shown her artwork widely, from the DeCordova Museum in Massachusetts to the streets of Juarez, Mexico and Los Angeles. Her paintings are fragmented narratives, inspired by everyday words and phrases that bombard us - old signage...

Oil on canvas Vakhtang Khelashvili is a Georgian artist born in 1993 who lives and works in Tbilisi, Georgia. His artistic name is Ikotgy, he is futuristically minded and motivated ...

Oil on cardboard Vakhtang Khelashvili is a Georgian artist born in 1993 who lives and works in Tbilisi, Georgia. His artistic name is Ikotgy, he is futuristically minded and motivat...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Female Illustrator of the Golden Age Alice Barber Stephens renders in an academic style and women sitting in a chair and responding to something outside of the frame. Signed lower left. Most likely done for a major newsstand magazine like Harper's, Century or Scribner's Monthly. Work is framed under glass in a simple black wood frame. Perhaps period. Matt is new. Frame size: 20.5 x 14.5 From: Wikipedia Alice Barber Stephens (July 1, 1858 – July 13, 1932) was an American painter and engraver, best remembered for her illustrations. Her work regularly appeared in magazines such as Scribner's Monthly, Harper's Weekly, and The Ladies Home Journal. Early life and education Alice Barber was born near Salem, New Jersey. She was the eighth of nine children born to Samuel Clayton Barber and Mary Owen, who were Quakers. She attended local schools until she and her family moved to Philadelphia, Pennsylvania. At age 15 she became a student at the Philadelphia School of Design for Women (now Moore College of Art & Design), where she studied wood engraving. The Women's Life Class (1879), Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania. She was admitted to the Pennsylvania Academy of the Fine Arts in 1876 (the first year women were admitted), studying under Thomas Eakins. Among her fellow students at the Academy were Susan MacDowell, Frank Stephens, David Wilson Jordan, Lavinia Ebbinghausen, Thomas Anshutz, and Charles H. Stephens (whom she would marry). During this time, at the academy, she began to work with a variety of media, including black-and-white oils, ink washes, charcoal, full-color oils, and watercolors. In 1879, Eakins chose Stephens to illustrate an Academy classroom scene for Scribner's Monthly. The resulting work, Women's Life Class, was Stephens' first illustration credit. New Woman As educational opportunities were made more available in the nineteenth century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior by the art world, and to help overcome that stereotype women became "increasingly vocal and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "New Woman". Artists then, "played crucial roles in representing the New Woman, both by drawing images of the icon and exemplifying this emerging type through their own lives." Alice Barber Stephens, The Women Business, oil, 1897, Brandywine River Museum, Chadds Ford, Pennsylvania One example of overcoming women stereotypes was Stephens' Woman in Business from 1897, which showed how women could focus not only in the home, but also in the economic world.[8] As women began to work, their career choices broadened and illustration became a commendable occupation. People's ideas about education and art started to merge, and the outcome of a certain sensitivity to the arts began to be seen as uplifting and educational. By using illustration as a means to further their practices, women were able to fit the traditional gender role while still being active in their pursuits for the "New Woman". According to Rena Robey of Art Times, "The early feminists began to leave the home to participate in clubs as moral and cultural guardians, focused on cleaning up cities and helping African Americans, impoverished women, working children, immigrants, and other previously ignored groups." Stephens took advantage of the explosion of illustration opportunities, including the opportunity to work from home. Women's education Edwin Forrest House, formerly the home of the Philadelphia School of Design for Women. Throughout the period before the civil war, textile and other decorative work became acceptable occupations for those who aspired to be in the middle class. The Philadelphia School of Design for Women, founded in 1848 by Sarah Worthington Peter was first among a group of women's design schools established in the 1850s and 1860s; others appeared in Boston, New York, Pittsburgh, and Cincinnati. It began as a charitable effort to train needy and deserving young women in textile and wallpaper design, wood engraving, and other salable artistic skills, providing a means for training women who needed wage work. The Pennsylvania Academy of the Fine Arts (PAFA) was established in 1805 by painter and scientist Charles Willson Peale, sculptor William Rush...

color original abstract acrylic painting. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Julius Bissier referred t...

Scott likes to think of his work as what it might look like if an overly observant 5 year old kid from New Jersey left hieroglyphics for alien life forms to discover. A mixture of ...

"Old School Haying", is a 18x36 oil painting on board by artist Leslie Peck featuring two Amish farmers and their horses in the hay field harvesting food f...

Oil on cardboard Vakhtang Khelashvili is a Georgian artist born in 1993 who lives and works in Tbilisi, Georgia. His artistic name is Ikotgy, he is futuristically minded and motivat...

This urban landscape is certainly a British city possibly Bristol, the artist is believed to be John William Ashton, known as Will Ashton. The painting dates from around 1900, before WW1, there is a pillar box for post to the rear of the picture which displays certainly a British town or city and in our opinion almost certainly Bristol, England. This is a very small but well executed paining in oil by an accomplished artist, the painting itself measures 4.5 x 6.5 inches and has been mounted in a new and suitable frame by our professional framer who's decision to mount the picture as shown was clearly an admiral choice. I have enclosed a biography of Will Ashton. This painting is unsigned. Sir John William Ashton, OBE, ROI (20 September 1881 – 1 September 1963) was a prolific Australian Impressionist artist and director of the Art Gallery of New South Wales from 1937 to 1943. Early life Ashton was born in Clifton, York, England, the only son of artist James Ashton, and his wife Mary Elizabeth Ashton. His father immigrated to Australia, arriving at Adelaide, South Australia in January 1884 and founding a school of painting in "unpretentious but commodious" premises on The Parade, Norwood in 1885. His wife and son arrived at a later date, but generally given as in 1884. Ashton attended Prince Alfred College, where his father was art teacher, from 1889 to 1897. Neither academically nor athletically inclined. On leaving school, he received further training from his father; Hans Heysen was a fellow student. He left for London in 1900, where he studied at the Olsson-Talmage studios, then in 1902 at the Académie Julian in Paris for a year. Ashton had several paintings accepted by the Royal Academy of Arts, London, and the Salon de la Société des Artistes Français, around which time he adopted the name "Will Ashton" to avoid confusion with his father or Julian Ashton (no relation). In 1905 he returned to Adelaide, where his "Boulevard Montparnasse, Paris" was hailed as a masterpiece, and purchased by the Art Gallery of South Australia. After holding exhibitions in Sydney, Melbourne, Perth and Adelaide, in 1908, he won the Wynne Prize for landscapes. In the years 1912–1914 he painted in Britain, Europe, and Egypt. He returned to Australia for a year, but was back in London with his family 1915–1917. He made other trips in company with Lionel Lindsay...

Title of the work: Costa Brava Artist: Rafael Durán Benet Technique: Oil on canvas mounted on board Dimensions: 15 x 18 inches Support: Board Condition: Unframed Period: 1990s ...

I think this is one of the finest paints Gustavo Novoa has done. It's from his early period in the mid-1970s. I am privileged to own it. The artist creates a dreamy world of magica...

Oil on canvas glued to board. Oil measures 25x40 cm. Frameless. Illegible signature.

Sarah van der Helm's "Brave Heart" is an oil painting depicting a white horse with a flowing white mane. Devoting herself full-time to her art, Sa...

Linda Stein, Rolling Wave 127 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Rolling Wave 127 is from Linda Stein's Missives series--a body of work born from her earli...

"Man, How Did They Know Me?" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. It features a few abstract portraits...

Signed lower right, 'Edmond Woods' (American, 1905-1990) and painted circa 1975. Born in Ogden, Edmond Woods first studied under LeConte Stewart at th...

Linda Stein, Voyage Beyond 122 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Voyage Beyond 122 is from Linda Stein's Missives series--a body of work born from her ear...

"Nourishment, Shelter, Clothing, Art" is an original oil pastel drawing on illustration board by Reginald K. Gee. The artist signed the piece on the back. This piece features an abst...

Astley David Middleton Cooper (American, 1856 - 1924) Signed: A.D.M. Cooper 90 " Indian Encampment by the River ", 1890 Oil on Board 20" x 30" Housed in a Walnut Frame with a L...

"No More Electric Toothbrushes - Part I" is an original oil pastel drawing on illustration board by Reginald K. Gee. The Artist signed the piece on the back. This piece features abst...

View of the Ariccia Bridge and the Alban Hills This finely executed plein air landscape depicts the monumental bridge of Ariccia and the town with the surrounding Alban Hills, painted by German landscape artist Joachim Ludwig Heinrich Daniel Bünsow (born 1821 in Kiel, died 1910 in the same city). Executed in oil on paper mounted on cardboard, the work dates from his Italian period between 1853 and 1858. Not signed. Bünsow received his artistic training at the Royal Danish Academy of Fine Arts in Copenhagen from 1839 to 1848, studying under Johann Ludwig Lund and Christoffer Wilhelm Eckersberg. In 1844, the Copenhagen Art Association acquired his painting "Tellingstedt in Dithmarschen." Following his studies, he traveled to Dresden, where he became associated with the circle around Johan Christian Dahl. A scholarship from the Copenhagen Academy enabled Bünsow to reside in Rome from 1853 to 1858. During this period, his landscapes evolved from the finely toned, naturalistic style of his early work to more atmospheric and idealized compositions, influenced by Louis Gurlitt. Bünsow's early works from his time in Copenhagen are characterized by fine tonality and naturalistic rendering, reflecting the style of his teacher Christoffer Wilhelm Eckersberg. His Italian landscapes, however, exhibit a more atmospheric and idealized approach, influenced by Louis Gurlitt. Notably, Bünsow produced high-quality drawings during his time in Rome, some of which are preserved in the Kunsthalle zu Kiel. Historical Context: The Ariccia Bridge In the early 19th century, the local authorities sought to improve the Appian Way's safety and accessibility. The solution involved constructing bridges to span the Ariccia valley and adjacent ravines. In 1843, Pope Gregory XVI commissioned a six-arched bridge to address the elevation differences. Following his death in 1846, Pope Pius IX continued the project, entrusting architect Ireneo Aleandri with the design and Giuseppe Bertolini with the execution. Completed in 1854, the bridge stands as a significant 19th-century engineering achievement. Featuring three tiers of elegant neoclassical arches inspired by Roman art, it measures 59 meters in height and 312 meters in length. Travertine columns at both ends commemorate the Roman milestones...

Oil measures 30x30 cm. Frame measures 52x52 cm. He was born in 1951. Under the direction of the teacher Pedro Bermejo, he began his artistic career, quickly standing out and observing in his works an unusual mastery of drawing. A highly mature painter who has known how to stop time in all his works. His themes are preferably costumbrist, although in his work it is usual to see 18th century themes, with horse carriages, hats, umbrellas and still lifes. Observing his work reminds us, due to the theme, of Maestro Palmero...

WOMAN IN REPOSE Size: 36 x 32.5 cm (including frame) Oil on board A small yet very impactful mid century abstract figurative oil composition, by the established Swedish artist Ivar ...

Elizabeth Higgins Biography b. 1960 Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an insp...

Todd Carpenter's (US based) "Light Fades" is an oil painting that depicts a black and white valley with pine trees and foggy mountains. Bio/artist statement: Todd Carpenter is a Lo...

Jogen Chowdhury - Untitled Ink on Canvas Board 20 x 16 inches, 2024 (Framed & Delivered) This ink work by Jogen Chowdhury reveals his mastery of line and psychological portraiture....

Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing presses...