Art by Medium: Board

Flowers in a vase. Cardboard, oil, 27x21 cm

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

A very charming mid 20th Century, Post Impressionist work by Paul Altman. Despite the limited information available about Altman, it doesn't diminish the ...

Signed oil on board riverscape circa 1940 by popular French impressionist painter Alexandre Louis Jacob. The piece depicts a view of tall trees, cottages and a caravan on the banks o...

Diana Kurz Small Green Pale, circa 1960-61 Collage and mixed media on board 12 1/2 x 10 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's fa...

Georges Stein 1864 -1917, was a French painter and draughtsman. Stein is well known for his Parisienne Boulevard scenes, this is a typical scene, which was the most popular subject...

Sometimes when you are near the water you forget how time passes. The sea surface and transparency are mesmerizing, small ripples stop the gaze and the gaze, as if under hypnosis, ca...

Still Life American Scene Social Realism 20th Century Woodstock Modern Dudensing Konrad Cramer (1888 – 1963) "Black Glass Bowl and Napkin" 16 ½ x 14 inches Oil on Board Singed lower...

"Expressionist Abstract #4" is a 46 x 62 inches oil on board work by Philadelphia artist Morris Lewis Blackman. The painting is signed in the artist's monogram "MLB" and dated 1964-6...

Sunset in Paris. 2006, oil on cardboard, 33x45,8 cm Paris evening cityscape. View on the bridge. Colorful painting with yellow-pink sun, dominant color blue-lilac

This is a beautiful Cape Cod Massachusetts spring landscape with a rural farm and water behind it was painted by American artist Aldro Thompson Hibbard (1886-1972). Hibbard was born in Falmouth, Vermont and later became one of the founders of the Rockport Art Colony, living on Cape Ann in Massachusetts and summering in Jamaica, Vermont. Trained at the Boston Museum School, Hibbard carried forth the tenets of traditional academic art into the 20th century. He became very well-known for his New England...

Fighter Boxing Woodstock American Scene WPA Era Mid 20th Century Social John Ruggles (1907-1991) Sight: 17 1/2 x 13 1/3 inches. Framed: 22 x 18 inches...

This temple was built on the site of a wooden one in honor of the victory over the Poles in 1650. The Kazan temple was the royal house temple. The Kazan Church was built in a style c...

Signed and dated impressionist oil on board landscape by Neapolitan painter Ulisse Caputo. The work depicts a view of Pont des Arts bridge in Paris, France at sunrise in winter. The ...

These birches grow in a specially protected area of Tsaritsyno Park, and one of the ponds is visible in the background. The view is especially beautiful in the rays of the setting su...

Alison Groom Harbour Ripples. Original textured landscape painting. Oil on textured acrylic medium on board. Total Artwork Size: H 59cm x W 83cm x D2cm. Sold Unframed. Harbour Ripp...

This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City. Emmanuil Snitkovsky is an internationally known artist, sculpture and poet. Emmanuil Snitkovsky was born into a family of artists and scholars from the Odessa Art College in Russia. Immersed in the traditions of Russia art, he approaches form, line, space and color with relentless vision and impeccable technique. Two highly successful artists, the husband and wife team of Emmanuil and Janet Snitkovsky have exhibited a selection of eight large Judaic paintings at the Chabad Chassidic Art Institute (Chai Gallery) in Crown Heights. Three of those paintings are truly singular visions of Jewish Art that cause us to stop and reassess our preconceptions about the meaning and importance of their subjects. Emmanuil and Janet Snitkovsky were both born in the Ukraine in the 1930′s. Emmanuil was trained in Odessa in public monument art, and Janet majored in fashion at the Lvov Decorative Art Institute. After both narrowly survived the devastation of the Second World War in Stalin’s Russia, they began to collaborate on state sponsored art works in 1962. For ten years, they worked on grandiose public sculptural projects to commemorate the fallen Russian heroes of the Second World War in Moscow, Kiev, Tula and Kazan. They were exemplary Soviet Realists working for the Soviet regime. Eventually, this career became untenable for them, both as artists and as Jews, when they clashed with Soviet officialdom over a commission to commemorate the Babi-Yar massacre. The Soviets refused to acknowledge this massacre of 100,000 Jews and eventually suppressed the memorial. In 1978, Emmanuil and Janet arrived in New York and began to recreate their artistic lives. In the ensuing 25 years, they have been quite successful, exhibiting widely in the United States and Europe. They have nurtured a hybrid style of painting and sculpture called “Renaissance Revival” combining contemporary and classical subjects in a stylized realism that evokes both the American regionalist Thomas Hart Benton and the Italian Renaissance master Sandro Botticelli. The works are highly proficient, polished, and commercial productions in a quirky decorative style. They have continued to accept sculptural projects that have not shied away from kitschy realistic sculptures of Charlie Chaplin as “The Kid,” The Little Tramp” and Buster Keaton as “Cameramen.” In some ways, they have appropriated American culture just as they once accepted Soviet culture. Janet, a graduate of the Lvov College, was invited- by virtue of the high honors she achieved there- to matriculate at the Lvov University of Art. Such an opportunity is extremely rare for anyone, particularly for someone of Jewish descent. Their works of art are included in collections of the Japanese Imperial Family...

Imagine standing on a hillside in the late afternoon. The air is dry and golden, heavy with the scent of earth and wheat. In the far distance, the land rolls out endlessly — soft fie...

Janet Keith Autumnal Original Abstract Landscape Painting Oil paint on Board Image Size: H 76 cm x W101 cm x D 0.30 cm Sold Unframed Free Shipping
 Please note that in situ images ar...

Tree silhouette. Oil on cardboard, 43x53,5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at ...

Signed lower left. In this painting, Morrell brings to life a bustling seascape off the coast of Rockport. The work showcases his artistic signature, with an impressionistic brushs...

In December, when frost sets in, you can see a rare appearance of clouds over the city with small tonal nuances, while the predominance of cold silver colo...

This piece is unframed.

'Eventide' portrays a rocky beach in the evening light. The sea on the horizon glows under the warm sky with reflections of the sky's colour appearing in the waves. The pebbles and s...

George Weissbort (Belgian / British, 1928 – 2013) A MANDOLIN AND AN APPLE Oil on canvasboard 18.1/8 x 22 in. (46 x 55.7 cm.) George Weissbort was born in Brussels in 1928. Seven ...

Early work - Mixed media on board Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with bound...

David Shingler's (NC based) "Unloading Truck" is an oil painting that depicts a industrial scene of a construction worker standing with a full loading truck Bio/artist statement: ...

"The Key" Abstract Mixed Media Painting 48 x 48 in by Yoram Katz Medium: Mix Media on board Size framed: 50 x 50 in ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel Ar...

Paul Emmerson original artwork abstract ….impressionist…. pattern Painting with acrylic on board with collage using Venilia, Flock and Newsprint Paul Emmerson is available online and in our gallery with Wychwood Art...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...

Birch grove. Oil on cardboard. 27, 5 x 21, 3 cm

'Hidden Portraits XXVIII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agei...

A 19th century painting of a lady and a man in conversation. In a quiet, sunlit drawing room, a young lady sits by the window, bathed in the soft, diffused light of a late afternoon...

GRAPES & PEARS Size: 28.5 x 34 cm (including frame) Tempera on board A brilliantly executed and charming surrealist still life composition, executed in tempera on board and dated 19...

Painting with sunny winter landscape looks great in the interior, the artwork will give you only pleasant emotions and good mood. Sunny winters days are beautiful! Soft and fluffy sn...

Roger Smith (British, 1932 – 2004) Eight, 2a Oil on board Signed and titled (on the reverse) 18 x 12 in. (46 x 30.5 cm.)

Joseph LÉPINE (Rochefort 1867 – Paris 1943) The Church of Caillac - Lot Oil on cardboard H. 33 cm; W. 41 cm Signed lower left Joseph Lépine quickly moved to Bordeaux, where he studied under Louis-Alexandre Cabié, a well-known landscape painter in the region and teacher of many early 20th-century artists. Despite the master's warnings, he sought to confront the Parisian modernity of the late 19th century and discover Impressionist and even early Post-Impressionist styles. There, he became a student of the neoclassical painters Courtois and Girardot, both former students of the great Jean-Léon Gérôme. In 1897, he exhibited at the Salon, where he sent landscapes of Provence. He became a member of the Société des Artistes Indépendants in 1905, the same year that the Fauves Matisse, Derain, and Vlaminck participated in and became known at the Salon d'Automne. A purchase by the French government of the 1908 Salon des Indépendants, "Vieille boutique," now housed at the Menton Museum, officially launched his career. He exhibited that year in London at the Royal Albert Hall, at the invitation of the Allied Artists' Association, demonstrating the painter's distinguished status within the international art scene. In Paris, the artist met several well-known painters of the time in the Montmartre and Montparnasse neighborhoods, including Matisse and Signac. His painting is based in particular on his approach to material, light, and color, whose juxtapositions present a play of saturation and composition based on apparent reserves. After the First World War, Lépine returned more to his home region, where he painted landscapes around Bordeaux and up the Dordogne River to the charming landscapes of the lower Corrèze. He painted Beaulieu-sur-Dordogne, Argentat, and also the Lot region, with the built-up escarpments of Saint Circq Lapopie. The city of Bordeaux and the French government acquired two of his works, representing a landscape near Verdelais and a view of the Saint-Michel Church in Bordeaux, in 1939 and 1941. Considered today a very important figure in Bordeaux painting...

Stinchcombe Hill by Rupert Aker [2022] View along the Cotswold escarpment from Stinchcombe Hill Additional information: Original Oil on board Image size: H:30 cm x W:30 cm Complete...

Edward Morland Lewis, Welsh, 1903-1943 The Arch Road, Ferryside, 1930s circa oil on board 46 x 38 cm 18 1/8 x 15 in Edward Morland Lewis was born in Carmarthen in 1903. He trained a...

Albert Heckman Woodstock Landscape Oil on board 12 x 16 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art...

Vladimir Glushenkov (1948-2009) (May 21, 1948, Riga - December 26, 2009, Riga) - painter, graphic artist, poet, translator. Vladimir Glushkenkov was born in family with Russian-Poli...

Young, beautiful and warm, like the beauty of summer, like a sweet cherry.

Roy Newell Untitled, 1953 Signed and dated Roy Newell-1953 Oil on board 3 1/4 x 7 1/4 inches Provenance The Collection of Dr. and Mrs. Maximilian Le Witter Estate of the above Roy...

Summer Garden Study I by Dylan Lloyd [2022] original and hand signed by the artist Oil on Canvas Image size: H:30 cm x W:24 cm Complete Size of Unframed Work: H:30 cm x W:24 cm x D:...

This abstract geometric wall sculpture was done by fiber artist, Jin-Sook So (b. 1950, Korea). So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transpar...

Mary Creamer, born Edna Pearl King (American, 1892-1975 ?) Signed: Mary Creamer, (lower, right) " Small Shed under Trees with Foothills in the Distance ", circa 1940s Oil on canva...

This is a unique, gesturally abstracted oil painting on board by South African artist Johan van Vuuren. His portraits are expressive and evocative, with beautiful colour combinations...

Dimensions with frame: 33 x 40,5 x 3,8 cm. Signed and dated "R.Martin 1903" in the lower right corner. This atmospheric oil on canvas by René Martin captures the quiet beauty of a t...

Composition with lemon Cardboard, oil, 31.5x23 cm

Bright flowers in the garden Cardboard, oil, 44x58.5 cm

Framed Size - 43.7 x 45.7 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils...

Louis Goyet (1907-1982) Self-Portrait with Pipe Oil on cardboard H. 44.5 cm - W. 35.5 cm Unsigned Louis Goyet is another example of a working-class painter. Living in the Lyon subur...

​​​​William Lucas Lucas (British, early 20th century) 'Southdale Jock', thought to be a field or English springer spaniel signed and dated 'W LLucas 1926' (lower right) and inscribed...

Pencil and watercolor on board. Hand-signed by artist w/stage instructions. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, a...

Sometimes I want to painted a small sketch. What I am doing. It takes almost the same amount of time as a regular etude of medium size 25 x 35 cm. Since...

Oil on panel, inscribed and dated '1946' bottom right Image size: 19 1/2 x 15 1/2 inches (49.5 x 39.5 cm) Period frame This painting stands out for its use of full-bodied brushstrokes and thick impasto application of paint. It depicts an Italian harbour in the 1940s, probably on one of the islands in the bay of Naples, such as Procida. The Artist Ezelino Briante was born and trained in Naples and he traveled around Italy and abroad (France, Switzerland, Sweden, Brazil, United States of America) looking for naturalistic subjects that he preferred. This celebrated painter studied at the Accademia di Bella Arti di Napoli and his scenes of Italy won him great support and fame in Italy and internationally. His paintings of Italian piers, in particular those of Campania; well known are also his marine landscapes of Sorrento, Capri, Maiori, Amalfi Coast and Sorrento Coast...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

QUIET SEASON Size: 50 x 63.5 cm (including frame) Oil on board This serene and atmospheric mid-century landscape painting that captures the quiet stillness of a snow-covered shoreli...

Pair of 19th century British equestrian oil paintings British, 19th Century Boards: Height 25cm, width 32cm Frames: Height 35cm, width 42cm, depth 4cm This attractive pair of 19th-century oil paintings beautifully captures the elegance and charm of Victorian sporting art. Rendered with fine detail and vibrant hues, the paintings are enhanced by their original wooden frames and equal dimensions, making them ideal for display as a complementary set. Each artwork features a 19th-century racehorse alongside its jockey, portrayed with striking use of colour and a keen eye for character. In the first composition, a chestnut horse is shown being led across an open landscape by a gentleman in stylish rural dress, likely the owner. The jockey, seated confidently atop the animal, wears vivid blue silks. The lower right corner bears a faint signature, and the reverse of the canvas includes indistinct handwritten text, presumably of the horse’s name. The second painting shows another similarly hued racehorse, this time in profile, with its jockey dressed in bold yellow silks and a burgundy riding cap. The back of this canvas is clearly marked with the name ‘Red Robin’. Rich in colour and full of period charm, this matched pair of antique equestrian paintings would appeal to collectors of horse racing...

Brightly colored yellow pop art painting of a wolf with clowns floating in the background. The wolf character is reminiscent of the classic Looney Toons ch...