Art by Medium: Board

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints and diamond dust in these works. Shaoul’s “My Heart Collection” is a vibrant ...

"Expressionist Abstract #4" is a 46 x 62 inches oil on board work by Philadelphia artist Morris Lewis Blackman. The painting is signed in the artist's monogram "MLB" and dated 1964-6...

"Industrial Cityscape, Chicago" WPA Modernism Mid-Century Cityscape 20th Century Aaron Bohrod (American 1907 – 1992) Industrial Cityscape 20 x 16 inches Oil on board Signed lower ri...

Moody, Expressive European oil painting. signed illegibly lower right. it looks to be German or Austrian.

Charles Merrill Mount was born Sherman Merrill Suchow in Brooklyn, New York in 1928. Mount attended Columbia University, leaving to study at the Art Students League of New York. In a...

Winold Reiss (1886-1953), who scholars increasingly recognize as a pivotal figure in early 20th-century American art, is known for his evocative portraits that capture the spirit and...

House Beautiful Cover Proposal. American Scene Social Realism Industrial WPA Antonio Petruccelli (1907 – 1994) Mixing Mortar 12 1/2 X 14 3/4 inche...

A fabulous evening maritime oil painting on board by the well known contemporary artist, Joseph McGurl. Nixes Mate in Boston harbor is the location. Signed by the artist lower right...

Charming landscape of a house with a red roof on a tree lined country road, surrounded by a beautiful mountain setting with blooming spring wildflowers, by an unknown artist named Co...

Afternoon ride is a pair of, 13 x 9 inches each, equestrian paintings by Pennsylvania painter James N Hess. One is signed in the lower left, one is signed in the lower right. Animal...

American life is captured in this Clyde Singer painting, Red Coat, where he depicts a woman walking down the street towards her destination in 1956. An accomplished American Scene pa...

Although I have no proof whatsoever, I like to think that this remarkable picture might have been painted by a young Georgio de Chirico shortly after his arrival in France in 1911. I...

THE JUGGLER Size: 61.5 x 39 cm (including frame) Oil on board A striking mid-century modernist figurative painting that presents a stylised performer rendered in bold geometric abst...

Daniel Sprick's "Iron Mountain" is an original oil painting featuring a scenic landscape from Glenwood Springs, Colorado. About the artist: "Upon first glance, viewers might thin...

Nathan Hoffman The Beach Estate stamped on the reverse Oil on artist's board 10 1/4 x 14 inches Provenance: Estate of the artist Born in Russia, the s...

At some point, the fine art/museum world will recognize how truly brilliant a trailblazing artist like Coby Whitmore is. His exploration of bold colors, flattened, simplified space, ...

William S. Butz (American, active Woodstock, N.Y., 1911-39) Field with Trees in Hilly Landscape Oil on canvasboard, 8 3/4 x 11 inches Framed: 15 x 17 inches (approx.) Signed on verso...

Ignacio Zuloaga was born in Eibar, Spain, in 1870, into an artistic family; his father, Eusebio Zuloaga, was a renowned metalsmith and arms designer, and his grandfather was a decora...

Harvest Time in Swiss Alps - Early 20th Century Figurative Landscape Sweeping early 20th century figurative landscape of a Swiss Alps harvest scene by Daan Donker (Dutch, early 20th...

WINTER VALLEY Size: 52.5 x 67 cm (including frame) Oil on board An expressive mid-century modernist landscape that captures a quiet riverside valley, executed in oil onto board. Th...

Still life with musical instrument. Circa 1940. Oil painting on very thick cardboard. The colors are soft and opaque, similar to gouache. The style of the painting could be define...

unframed size: 35 x 30 cm framed size: 40 x 35 cm Artist Statement: “My career in Film and Television design enabled me to travel extensively in Europe and the West Indies. During t...

An impressionistic, antique landscape painting depicting the rugged coastal beauty of Race Point Beach, Massechusets. The rocky coastline and rushing waves are rendered in luminous ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Judaica Oil Painting, Portrait of a Rabbi.

RED ROOFS Size: 45 x 53 cm (including frame) Oil on board A mid century modernist village street scene, painted in oil onto board. The composition is symmetrical and well-balanced,...

Imperial Pine III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Chinese painting, Japanese pigment and gold leaf on Japanese cardboard, dimensi...

George Hirsch - He gets his inspiration from the prototype of neo-classic painting for this groovy 1970s brothel. This is a complex figural work with m...

19th Century French School - Study Of A Head After The Antique Study of a head after the antique Oil on cardboard 45.7 x 32 cm Without signature

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

An impressionistic, antique landscape painting depicting the rugged coastal beauty of Race Point Beach, Massechusets. The rocky coastline and rushing waves are rendered in luminous ...

This bright and colorful floral painting, "Pinch of Pink", is an 8x8 still life oil painting on board by Maryann Lucas. Featured is a bountiful pink bouquet of flowers with green leaves. The maroon...

One of The Hampton's most popular and sort after urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. This is an early abstract Illusion painting on board from 1979 by Ceravolo. He was one of the artists, along with James Havard, Michael Gallagher, George Green, Joe Doyle and Jack Lembeck that were creating the Abstract Illusion movement in the the 1970's. This painting from 1979...

Untitled is an original colored artwork realized by the Belgian artist Martine Goeyens in 2018 Mixed colored acrylic painting on board. On the back, the label of the certificate of...

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted grey background, black abstract portrait with many colors. Here you certainly see the Picasso...

"New England Sunrise," 1910 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.75 x 14 inches. The work is signed by DeForest and dated Sept. 17, 1910 at lower left. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood de Forest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the de Forests made frequent trips abroad. Excursions to the great museums, which were prominent on the de Forests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old de Forest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. De Forest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, de Forest took a studio at the Tenth Street Studio Building in New York. During these formative years de Forest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade de Forest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...

"As I Waste Time on Earth" is an original oil pastel drawing on rag board by Reginald K. Gee. The artist signed it on the back. This piece depictts two faces in the lower left, two f...

Abel LAUVRAY (1870-1950) Rome, the Arch of Titus Oil on cardboard mounted on canvas Size: 48 x 65 cm Signed lower right Painting in good condition. A few fine cracks without liftin...

Scott likes to think of his work as what it might look like if an overly observant 5 year old kid from New Jersey left hieroglyphics for alien life forms to discover. A mixture of ...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Tree is an original artwork realized by George Henri Tribout in the early 20th Century. Original pencil drawing on paper glued on cardboard (40 x 30 cm). Signed G.T. This interest...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Sailboats at Sunset, Nantucket Oil on board, signed lower left, from the artist’s studio Presented in a new hand-made English ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Loch Awe and Kilchurn Castle is a landscape oil painting on board by 19th century artist Edward Train (1801 -1866). Train was a British artist, painting mostly landscapes in northern England and, like this one, in Scotland. The painting is signed E. Train (lower left) and dated 1850 or 1856, the last number being too faint to be certain. From 1850 to 1880 Train flourished as an artist. His work was exhibited from the 1830s. Born in Gateshead, Tyneside, Train left to take an apprenticeship with a London engraver. In the 1830s Train traveled with an expedition to the Hebrides and Shetland Islands. Here he became fascinated with the Scottish scenery that would become part of his repertoire of landscape art. Loch Awe lies in the west of Scotland in Argyll and Bute. Kilchurn Castle, built in the 16th century, lies on a peninsula inside the Loch, on the water's edge. Train would have traveled to the Highlands and painted the dramatic scene from the east banks of Loch Awe, across from the Castle. This painting captures the Highland mountains, loch and castle that was very much the ouevre of this artist's work. Train painted the Highlands decades before other renowned landscape artists of the 19th century, such as Alfred de Breanski, Louis Bosworth Hurt, Douglas and Duncan Cameron...

With Abstract Expressionist painting, one could argue that the earlier, the more historically important. This stunning non-objective action painting is characterized by vast swaths o...

Ken Davies Doorway, circa 1970 Signed lower left Oil on board 11 x 15 inches Provenance: The Heritage Gallery Inc., Columbus, Ohio, 1975 Private Collection, Columbus Acquired from the estate of the above Born in New Bedford, Massachusetts, Kenneth Davies...

Above it all, two vigorous young men stand on a mountain top. They are depicted in profile, looking out into a sublime, verdant vista of tree-lined mountains punctuated by a winding...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. It comes framed in a white wooden frame. Measurements...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

One of the hallmarks of great art is recognizing the artist's style instantly. This is the case with Richard Erdoes. His highly stylized comic figures are expressive and communicate the story delightfully and joyfully. Even though this work is rendered in flat, minimalistic two colors, the inventive shape relationships and positive and negative areas convey a very high level of artistic skill. The present work was done on assignment for the prestigious Standard Oil ( Exxon's predecessor ) corporation's company magazine, The Lamp. Although not a newstand magazine, The Lamp had the highest editional and artistic content. Work is unsigned and unframed. Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian...

"Circle Four Piece" by Elizabeth Gregory-Gruen Free hand cut 2-ply museum board, framed Cut Work - Elizabeth Gregory-Gruen's abstract, paper sculptu...

This is a set of three original artworks on board combining delicate detail with expressive brushwork. The outcome offers a soft, feminine aesthetic, with a flowing pink draped grace...

Born  Robert  Keith  Court  on  November  2nd  1970  in  the  market  town of Romford,  Essex,  England  to  a  working  class  family.  Courty,  is  his childhood  nickname  adopted  for  signature  reference  to  his  collection of signed neon artworks. Since  1987  Courty  has  dedicated  his  life  to  the  study  of  neon  lights and  immersed  his  mind  in  creating  beautiful  works  of  art  with  the  use of  vibrant  colours,  lighting  technology,  typography  and  the  written word,  predominantly  with  the  use  of  the  iconic  light  form  known  as 'Neon'. A  respected  and  well  known  English  craftsmen  of  the  100  year old  art  of  glassblowing  neon  tube  lights,  Courty  has  reached  master neon  glass  blower  level  and  is  forever  exploring  and  pushing  the boundaries  of  hand  made  neon  light  use  in  the  world  of  art  & sculpture from his East London based studio. Not  a  classically  trained  artist,  Courty  has  chosen  to  work  from industry  ground  level  and  has  spent  a  lifetime  working  hands  on  with creative  minds  from  around  the  world  in  the  art  &  design  arena, turning  ideas  and  visions  into  'illumination  reality'  on  a  spectacular level.  This  has  earned  him  the  reputation  of  being  'the  man  to  go  to' for  high  end  neon  fabrication.  Being  company  owner  of  commercial illumination  specialists  'Signs  Of  All  Kinds'  and  art  world  specialists 'Creative  Neon',  Courty  is  in  a  unique  position  to  produce  high  quality neon  art  that  combines  his  own  personal  creativity  with  his  knowledge and  technical  expertise  that  culminates  in  a  beautifully  crafted  light  art piece...

This piece, "Saffron Clearing", is a 36x36 oil painting on board by artist Carol Young featuring a vibrant barn in the midst of a yellow golden field and deep blue sky. The barn is a bluish violet with a scarlet red roof. A line of dark green trees are on the horizon. Young's use of complimentary colors make this painting jump out towards the viewer. About the artist: “I've always been an artist. At a young age I painted rocks...

'Portrait of Blue-Eyed Woman', oil on board, signed by artist, Ayral, French School (circa 1960s). Discovered in the South of France, this small portrait is painted with vibrant colo...

Ruz blue - original abstract acrylic painting. virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are ...

Wistful Pigeon, 2024 oil on board 25.5 x 20.5 cm 10 x 8 1/8 in signed, titled and dated Jo Aylward is a British ruralist whose paintings are embedded in the everyday experience of l...

Set of 4 capriccio landscape oil on board paintings from the area of Florence

Ciudad original nefigurative acrylic paintng. Virtual frame contemporary work by the mallorquin artist Toni CALDENTEY CALDENTEY, Toni - (Portocolom, Mallorca - Spain) The active not...