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Medium: Engraving
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT
AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

Located in Santa Monica, CA

AMERICAN REVOLUTION THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT, 1774 (LC Cresswell 664). Engraving and etching. Originally from "The London Magazine", April 1774. Pl...

Category

1770s Old Masters Art by Medium: Engraving

Materials

Engraving

AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776
AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776

AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776

Located in Santa Monica, CA

REVOLUTIONARY WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776 (LC Cresswell 703) Engraving from The London Magazine, Plate 7 3/8 x 5, trimmed within plate mark at right. Sheet...

Category

1770s Old Masters Art by Medium: Engraving

Materials

Engraving

Mademoiselle Cyclone
Mademoiselle Cyclone

Mademoiselle Cyclone

By Edgar Chahine

Located in Middletown, NY

A wonderful, rare image by a pivotal 19th century Printmaker whose work serves as a bridge between social realism and the exuberant, often gritty glamour of Parisian cabaret culture....

Category

Early 20th Century French School Art by Medium: Engraving

Materials

Drypoint, Etching

Dusk at Sedgwick Knoll
Dusk at Sedgwick Knoll

Dusk at Sedgwick Knoll

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Mezzotint

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise
De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

By Jacob de Gheyn II

Located in Middletown, NY

A 16th century image from the state-sponsored military manual that revolutionized European warfare tactics. Leiden: 1599. Engraving on laid paper with a partial chalice and grapes ...

Category

16th Century Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

Au Bord de la Mer (At the Sea Side)
Au Bord de la Mer (At the Sea Side)

Au Bord de la Mer (At the Sea Side)

By James Jacques Joseph Tissot

Located in Middletown, NY

An exotic hashira-e shaped work, an homage to the heavy influence Japanese printmaking had on the artist. London: 1880 Etching with drypoint on cream laid Van Gelder Zonen paper wit...

Category

Late 19th Century Realist Art by Medium: Engraving

Materials

Etching, Handmade Paper, Laid Paper, Drypoint

Notre-Dame Cathedral from the Seine
Notre-Dame Cathedral from the Seine

Notre-Dame Cathedral from the Seine

Located in Middletown, NY

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Category

Early 20th Century French School Art by Medium: Engraving

Materials

Etching, Drypoint

Entombment; Plate 2 from The Passion of the Christ
Entombment; Plate 2 from The Passion of the Christ

Entombment; Plate 2 from The Passion of the Christ

By Hendrick Goltzius

Located in Middletown, NY

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Category

16th Century Old Masters Art by Medium: Engraving

Materials

Engraving, Laid Paper

I Won't Eat You, original print, Kate Boxer
I Won't Eat You, original print, Kate Boxer

I Won't Eat You, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by Kate Boxer. Kate Boxer m...

Category

2010s Contemporary Art by Medium: Engraving

Materials

Drypoint

Le Cours La Reine, from the series Rouen Illustré
Le Cours La Reine, from the series Rouen Illustré

Le Cours La Reine, from the series Rouen Illustré

By Maxime Lalanne

Located in Middletown, NY

Paris: A. Salmon, 1883. Etching with engraving on white laid paper, 6 1/8 x 9 3/4 inches (156 x 247 mm); sheet 9 1/4 x 12 1/2 inches (235 x 318 mm), full margins. In very good condi...

Category

Late 19th Century French School Art by Medium: Engraving

Materials

Laid Paper, Etching, Engraving

Cowboy, Kate Boxer, original print
Cowboy, Kate Boxer, original print

Cowboy, Kate Boxer, original print

By Kate Boxer

Located in Deddington, GB

Cowboy is a limited edition drypoint etching made with carborundum on paper by printmaker and artist, Kate Boxer. The classic black and white artwork is somewhat reminiscent of the o...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

Plantes tropicales [Tropical Plants]
Plantes tropicales [Tropical Plants]

Plantes tropicales [Tropical Plants]

Located in Middletown, NY

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...

Category

Mid-19th Century French School Art by Medium: Engraving

Materials

Handmade Paper, Engraving

Stag, Kate Boxer, original print
Stag, Kate Boxer, original print

Stag, Kate Boxer, original print

By Kate Boxer

Located in Deddington, GB

Paper sizes may vary. Stag is a limited edition drypoint etching by artist and printmaker, Kate Boxer. The warm tones of the work and delicate use of line highlights the magnificence...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

Sailing Boats; From the journal Camera Work
Sailing Boats; From the journal Camera Work

Sailing Boats; From the journal Camera Work

By Heinrich Kuhn

Located in Middletown, NY

New York: Alfred Stieglitz, 1911. Halftone engraving from a gum bichromate print; 8 x 5 5/8 inches (203 x 142 mm), tipped onto a mounting sheet 8 x 11 3/4 in. 2 mm tear on lower rig...

Category

Early 20th Century Modern Art by Medium: Engraving

Materials

Engraving, Photogravure

Kraft und Mut (Courage and Strength), German antique engraving
Kraft und Mut (Courage and Strength), German antique engraving

Kraft und Mut (Courage and Strength), German antique engraving

Located in Melbourne, Victoria

'Kraft und Mut' (Courage and Strength) German wood-engraving, 1903. 320mm by 230mm (image) 280mm by 410mm (sheet)

Category

Early 20th Century Symbolist Art by Medium: Engraving

Materials

Engraving

It's Today I Think, Kate Boxer, limited edition print, contemporary
It's Today I Think, Kate Boxer, limited edition print, contemporary

It's Today I Think, Kate Boxer, limited edition print, contemporary

By Kate Boxer

Located in Deddington, GB

It's Today I Think is a limited edition drypoint etching by Kate Boxer. This vibrant colours in It's Today I Think captures a cowboy riding off into the sunset. Kate Boxer makes the ...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Drypoint

Graceland Mansion
Graceland Mansion

Graceland Mansion

By Jennifer Bartlett

Located in Houston, TX

Jennifer Bartlett Graceland Mansions, 1978-79 Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper 24 x 120 inches, unframed Ed...

Category

20th Century Modern Art by Medium: Engraving

Materials

Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC
'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

By Walter Tittle

Located in Myrtle Beach, SC

Walter Tittle, 'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 6 15/16 inches (299 x 176 mm); sheet size 15 11/16 x 9 inches (399 x 229 mm). A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

Category

1920s American Impressionist Art by Medium: Engraving

Materials

Drypoint

Black Panther, Kate Boxer, limited edition print, contemporary
Black Panther, Kate Boxer, limited edition print, contemporary

Black Panther, Kate Boxer, limited edition print, contemporary

By Kate Boxer

Located in Deddington, GB

Panther by Kate Boxer is a limited edition drypoint etching with carborundum. The bold black and white print is a statement artwork in any room. Kate Boxer makes the plates in her st...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Drypoint

Low Country (South Carolina)

Low Country (South Carolina)

By Elizabeth Verner

Located in Middletown, NY

An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...

Category

1930s American Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Salvador Dalí (1904–1989) – Lithograph with drypoint etching Auvergne paper
Salvador Dalí (1904–1989) – Lithograph with drypoint etching Auvergne paper

Salvador Dalí (1904–1989) – Lithograph with drypoint etching Auvergne paper

By Salvador Dalí­

Located in Varese, IT

Color lithograph with drypoint etching on Auvergne paper from the series 'Flordali (Les Fruits)', edited in 1969. Limited edition, numbered as LXXXI/CL in lower left corner. Hand-sig...

Category

1960s Surrealist Art by Medium: Engraving

Materials

Paper, Drypoint, Etching, Lithograph

Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg

Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg

By Franz Hogenberg

Located in Alamo, CA

This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...

Category

16th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Le Cocu Magnifique -- complete with 12 original etchings
Le Cocu Magnifique -- complete with 12 original etchings

Le Cocu Magnifique -- complete with 12 original etchings

By Pablo Picasso

Located in New York, NY

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

Category

Mid-20th Century Modern Art by Medium: Engraving

Materials

Drypoint, Etching, Aquatint

Canal aux Martiques
Canal aux Martiques

Canal aux Martiques

By Adolphe APPIAN

Located in Middletown, NY

Paris: 1872. Etching with drypoint on laid Japon paper, 4 1/2 x 8 1/8 inches (115 x 207); sheet 9 3/4 x 12 7/8 inches (248 x 327 mm), full margins. In good condition with some minor...

Category

Mid-19th Century French School Art by Medium: Engraving

Materials

Handmade Paper, Engraving, Etching

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map
Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Located in Paonia, CO

Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...

Category

1660s Realist Art by Medium: Engraving

Materials

Engraving

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)
Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

Delayed (Bus is late, the umbrella up and the long walk home thru rain begins)

By Art Werger

Located in New Orleans, LA

The bus is delayed and the night is cold and rainy as a lone woman raises her umbrella to brave the shadowy walk home after giving up on her ride She has just left the bus shelter a...

Category

21st Century and Contemporary American Modern Art by Medium: Engraving

Materials

Mezzotint

Instruction in the Palace of Pong-Lai
Instruction in the Palace of Pong-Lai

Instruction in the Palace of Pong-Lai

By Elyse Ashe Lord

Located in Middletown, NY

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

Category

Early 20th Century English School Art by Medium: Engraving

Materials

Handmade Paper, Gouache, Drypoint, Woodcut

Low Country (South Carolina)
Low Country (South Carolina)

Low Country (South Carolina)

By Elizabeth Verner

Located in Middletown, NY

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Category

Early 20th Century American Modern Art by Medium: Engraving

Materials

Archival Paper, Drypoint, Etching

Italian Mid 19th century White Carrara Marble bust. Portrait of young male.
Italian Mid 19th century White Carrara Marble bust. Portrait of young male.

Italian Mid 19th century White Carrara Marble bust. Portrait of young male.

Located in Firenze, IT

Italian Portrait White Marble Bust in a Heroic Attitude. Carrara statuary Marble. Tuscan school. Circa 1850.  Bust depicting a young man with bare shoulders. This model draws inspira...

Category

Mid-19th Century Academic Art by Medium: Engraving

Materials

Marble

William Hamilton Classical Greek Vase-Painting Engraving
William Hamilton Classical Greek Vase-Painting Engraving

William Hamilton Classical Greek Vase-Painting Engraving

By Pierre Francois Hugues D'Hancarville (author)

Located in Melbourne, Victoria

Subject : Ancient Greek vase-painting depicting a warrior, seated young man, and young woman. Technique : Copper-line engraving with original hand-colouring Background informatio...

Category

Early 1800s Other Art Style Art by Medium: Engraving

Materials

Engraving

The Punishments of China, 8 plates
The Punishments of China, 8 plates

The Punishments of China, 8 plates

Located in Middletown, NY

A collection of gruesome 19th century images illustrating the barbarism of the Qing penal code. London: William Miller, 1801. Six (6) stipple point engravings with hand coloring in...

Category

Early 19th Century English School Art by Medium: Engraving

Materials

Handmade Paper, Watercolor, Engraving

Abstract Mezzotint Print, Signed Edition #5/40, 2000s
Abstract Mezzotint Print, Signed Edition #5/40, 2000s

Abstract Mezzotint Print, Signed Edition #5/40, 2000s

By Anne Dykmans

Located in New Orleans, LA

This impression is #5 out of 40 Anne Dykmans was born in Verviers, Belgium, in 1952. She is a graduate of l’École Nationale d’Architecture et des Arts Visuels de La Cambre in Brussels, where she studied printmaking. Specialist of the Mezzotint (mezzotinto) technique, she is especially known for her prints of interior scenes, where light and dark come together in amazing chiaroscuro effects. She has presented her work in solo and group shows in Belgium and in many countries including; among others: France, Germany, Spain, Canada, Japan, China, and the USA. She was awarded in 1983 the Prix de la Jeune Gravure Belge in Antwerp. In 1986 she received the Prize of the 8th Biennale of Engraving of Fredrikstad, Norway. She won in 1988 the Gold Medal at the 2nd Triennial of Mezzotint Engraving of Sopot, Poland. Her prints are included in many private and public collections around the world. Anne Dykmans taught engraving from 1984 to 2017 at the Constantin Meunier...

Category

Early 2000s Abstract Art by Medium: Engraving

Materials

Mezzotint

Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed
Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed

Mel Bochner - UNNAMEABLE, Monoprint with collage, engraving & embossment, Signed

By Mel Bochner

Located in New York, NY

Fresh to market - UNIQUE! Mel Bochner UNNAMEABLE Monoprint with collage, engraving and embossment on hand- dyed Twinrocker handmade paper Signed in graphite recto Frame included - he...

Category

2010s Conceptual Art by Medium: Engraving

Materials

Handmade Paper, Engraving, Monoprint

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

Category

Late 18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Etching, Aquatint

Veduta della Piazza del Popolo
Veduta della Piazza del Popolo

Veduta della Piazza del Popolo

Located in Middletown, NY

Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...

Category

Early 19th Century Italian School Art by Medium: Engraving

Materials

Watercolor, Handmade Paper, Engraving

XXV 82 363 (Abstract Print)
XXV 82 363 (Abstract Print)

XXV 82 363 (Abstract Print)

By Pierre Muckensturm

Located in London, GB

Unframed. Edition of 1 copy, numbered 1/1. Dated, numbered, and signed by the artist in pencil. The copy offered for sale is No. 1/1. This work will be shipped rolled in a tube. Fo...

Category

2010s Abstract Art by Medium: Engraving

Materials

Paper, Engraving, Ink

Juan Genoves Spanish Artist Original Hand Signed Engraving 1996
Juan Genoves Spanish Artist Original Hand Signed Engraving 1996

Juan Genoves Spanish Artist Original Hand Signed Engraving 1996

By Juan Genoves

Located in Miami, FL

Juan Genovés (Spain, 1930-2020) 'Untitled', 1996 engraving, aquatint on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: GEN1205-005-1 Hand-signed by author ___________________...

Category

1990s Contemporary Art by Medium: Engraving

Materials

Engraving, Etching, Aquatint

Crustaceans - crabs, antique English natural history engraving print, 1837
Crustaceans - crabs, antique English natural history engraving print, 1837

Crustaceans - crabs, antique English natural history engraving print, 1837

Located in Melbourne, Victoria

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

Category

Mid-19th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Lone Tree Schoodic Point, mezzotint print of Maine coastline
Lone Tree Schoodic Point, mezzotint print of Maine coastline

Lone Tree Schoodic Point, mezzotint print of Maine coastline

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Mezzotint

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise
Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

By Jacob de Gheyn II

Located in Middletown, NY

An image from a 17th-century military drill manual depicting techniques for handling muskets and pikes. De Ghen II, Jacques / Jacob Wapenhandelinghe van Roers, Musquetten ende Spies...

Category

Early 17th Century Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving

See you at the palace, original print, Kate Boxer
See you at the palace, original print, Kate Boxer

See you at the palace, original print, Kate Boxer

By Kate Boxer

Located in Deddington, GB

See you at the palace is a limited edition drypoint etching with medium and gold leaf by Kate Boxer. The golden hooves of the cow give the work a majestic glow and brings life to the...

Category

21st Century and Contemporary Minimalist Art by Medium: Engraving

Materials

Drypoint

Château de Chaumont
Château de Chaumont

Château de Chaumont

By Maxime Lalanne

Located in Middletown, NY

Etching with drypoint on cream laid paper 4 x 6 1/2 inches (102 x 166 mm); sheet 5 1/8 x 7 5/8 inches (130 x 194 mm), full margins with a deckle edge. In good condition with light ye...

Category

Late 19th Century French School Art by Medium: Engraving

Materials

Laid Paper, Drypoint, Etching

The Camper
The Camper

The Camper

By Fernand Léger

Located in Paris, FR

Wood engraving, 1976 Edition : 38/50 Publisher : Éditions Théo Schmied (Paris) Printer : Théo Schmied (Paris) Catalog : [Saphire E 18, p. 290-291] 90.00 cm. x 65.50 cm. 35.43 in. x ...

Category

1970s Abstract Art by Medium: Engraving

Materials

Engraving

Blue Hydrangea
Blue Hydrangea

Blue Hydrangea

By Elyse Ashe Lord

Located in Middletown, NY

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

Category

Early 20th Century English School Art by Medium: Engraving

Materials

Gouache, Handmade Paper, Drypoint, Woodcut

Rabbit Series #3
Rabbit Series #3

Rabbit Series #3

By Radovan Kragulj

Located in San Francisco, CA

This artwork titled "Rabbit Series #3" 1980, is an original mezzotint with embossing by noted Hungarian artist Radovan Kragulj, b.1935. It is hand signed, dated, titled and inscribed A.P. (Artist Proof) in pencil by the artist. The sheet size is 25.5 x 19.5 inches, framed size is 26.75 x 20.75 inches. It is custom framed in a silver metal frame, with white backing. It is in excellent condition. About the artist: Radovan Kraguly...

Category

Late 20th Century Pop Art Art by Medium: Engraving

Materials

Mezzotint

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art by Medium: Engraving

Materials

Engraving, Laid Paper

¨Sospecha¨ 2006 signed limited edition original art print aquatint
¨Sospecha¨ 2006 signed limited edition original art print aquatint

¨Sospecha¨ 2006 signed limited edition original art print aquatint

Located in Miami, FL

Tomas Gondi (Mexico, 1948) 'Sospecha', 2006 aquatint on paper Guarro Super Alpha 250g. 6.5 x 7.5 in. (16.5 x 19 cm.) Hand-signed by author Unframed ID: GON-102

Category

Early 2000s Contemporary Art by Medium: Engraving

Materials

Engraving, Etching, Aquatint

"Heads of Elsie and Robert Cassatt" Mary Cassatt, Female, American Impressionist
"Heads of Elsie and Robert Cassatt" Mary Cassatt, Female, American Impressionist

"Heads of Elsie and Robert Cassatt" Mary Cassatt, Female, American Impressionist

By Mary Cassatt

Located in New York, NY

Mary Cassatt Heads of Elsie and Robert Cassatt, 1880 Initialed M.C on Van Gelder laid paper Drypoint on paper Plate: 4 7/8 x 3 7/8 inches Sheet: 10 3/4 x 7 1/4 inches Provenance Amb...

Category

1880s American Impressionist Art by Medium: Engraving

Materials

Paper, Drypoint

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.