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Medium: Engraving
Italianate Landscape, mezzotint by Richard Earlom after Claude le Lorrain
Located in Melbourne, Victoria
Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).
From 'Liber Veritatis; or A Collection of Prints after the original designs of Claude le Lorrain...
Category
Late 18th Century Italian School Art by Medium: Engraving
Materials
Mezzotint, Engraving, Etching
Spanish 1986 signed limited edition original art print etching 15x11 in.
Located in Miami, FL
Andres Nagel Tejada (Spain, 1947)
Las partes del mundo IV, 1986
Etching and aquatint on paper
Image size: 7.08 x 4.92 in (18 x 12.5 cm.)
Sheet size: 14.96 x 11.22 in. (38 x 28.5 cm.)...
Category
1980s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching, Aquatint
Champignon de la France, a French antique mushroom engraving, 1791
Located in Melbourne, Victoria
'Le Bolet Bisannuel' & 'Le Bolet Coriace'
A French copper-line engraving with original printed colouring of mushrooms by Jean Baptiste Francois Buillard (1742-1793).
From Bulliard's 'Histoire des Champignons de la France', a series of engravings describing the mushrooms of France, published in Paris in 1791. This series of engravings are 'probably the first botanical work completely colour-printed without retouching by hand' (Great Flower Books...
Category
Late 18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
18th C. Portrait of Edward Stanley from Henry VIII's Court after Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of "Edward Stanley" created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Edward Stanley, 3rd Earl of Derby...
Category
Late 18th Century Old Masters Art by Medium: Engraving
Materials
Engraving, Etching
Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Art by Medium: Engraving
Materials
Etching, Aquatint, Engraving
Seducting Couple - Original etching - 1951
By André Derain
Located in Paris, IDF
Andre DERAIN
Seducting Couple
Original drypoint etching
Stamp signature of the artist
On vellum 45 x 34 cm (c. 18 x 14 in)
Excellent condition
Category
1950s Modern Art by Medium: Engraving
Materials
Drypoint, Etching
Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category
Early 19th Century Naturalistic Art by Medium: Engraving
Materials
Aquatint, Engraving
Cape Atragene, Henry Andrews antique botanical pink flower engraving print
Located in Melbourne, Victoria
'Atragene Capensis - Cape Atragene'
Native of the Cape of Good Hope.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1...
Category
Early 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
View of Emden, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Located in Alamo, CA
This is a 16th century original hand-colored copperplate engraved map of a bird's-eye View of Embden, Germany entitled " Emuda, vulgo Embden vrbs Frisia orientalis primaria" by Georg Braun & Franz Hogenberg, in volume II of their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1575.
This is a beautifully colored and detailed map of Emden, a seaport in northwestern Germany, along the Ems River and perhaps portions of over Dollart Bay, near the border with the Netherland. The map depicts a bird's-eye view of the city from the southwest, as well as a view of the harbor and an extensive system of canals. Numerous ships of various sizes, as well as two rowboats containing numerous occupants are seen in the main waterway in the foreground and additional boats line two canals in the center of the city. Two men and two women are shown on a hill in the foreground on the right, dressed in the 16th century style of nobility. Two ornate crests are included in each corner. A title strap-work cartouche is in the upper center with the title in Latin. The crest on the right including Engelke up de Muer (The Little Angel on the Wall) was granted by Emperor Maximilian I in 1495.
This is an English translation of an excerpt of Braun's description of Embden: "In Emden, the capital of East Frisia, rich merchants live in very fine houses. The city has a broad and well-situated harbour, which in my opinion is unique in Holland. Frisia and the whole of the Netherlands, for the ships can anchor here right under the city walls. They have also extended the harbour as far as the New Town, so that up to 400 ships can now find shelter here when the sea is rough."
The emphasis on the harbor and waterways within the city highlights the importance of Emden's place as a seaport at this time. Embden developed from a Dutch/Flemish trading settlement in the 7th-8th centuries into a city as late as late 14th century. In 1494 it was granted staple rights, and in 1536 the harbour was extended. In the mid-16th century Emden's port was thought to have the most ships in Europe. Its population then was about 5,000, rising to 15,000 by the end of the 16th century. The Ems River flowed directly under the city walls, but its course was changed in the 17th century by the construction of a canal. Emden has canals within its city limits, a typical feature of Dutch towns, which also enabled the extension of the harbor. In 1744 Emden was annexed by Prussia and is now part of Germany. It was captured by French forces in 1757 during the Seven Years' War, but recaptured by Anglo-German forces in 1758. During the Napoleonic French era, Emden and the surrounding lands of East Frisia were part of the short-lived Kingdom of Holland.
References:Van der Krogt 4, 1230, State 2; Taschen, Braun and Hogenberg...
Category
16th Century Old Masters Art by Medium: Engraving
Materials
Engraving
Tamarin (Tamarind), French botanical herbal medicinal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Early 19th Century Victorian Art by Medium: Engraving
Materials
Engraving
Soup
Located in Storrs, CT
Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil.
Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour.
In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography.
In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories.
In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé.
During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful.
In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category
1920s Modern Art by Medium: Engraving
Materials
Drypoint, Etching
South Front of Queen's College. Oxford University. Antique C19th engraving
Located in Melbourne, Victoria
'South Front of Queen's College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (p...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Sergio Hernández, 'Untitled', 2014, Engraving, 29.5x33.5 in
Located in Miami, FL
Sergio Hernández (Mexico, 1957)
'Untitled', 2014
engraving on paper Velin Arches 300 g.
29.6 x 33.5 in. (75 x 85 cm.)
Edition of 30
Unframed
Category
2010s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching
New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category
Late 18th Century Naturalistic Art by Medium: Engraving
Materials
Etching, Engraving, Aquatint
Cetaces - Dauphin ordinaire (Dolphin), French antique engraving
Located in Melbourne, Victoria
'Cetaces - Dauphin ordinaire'
Engraving with original hand-colouring by Beyer after Edouard Travies (1809-1865).
From Dictionaire Universel d'Histoir...
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
George II, King of England, royalty portrait engraving, circa 1780
Located in Melbourne, Victoria
'George II'
Copper-line engraving by Pierre Francois Basan (1723-1797) after Founan.
Basan (1723-1797) was a French engraver and publisher.
George II (1683-1760) was King of Great Britain and Ireland, Duke of Brunswick-Leneburg (Hanover) and Archtreasurer and Prince-Elector of the Holy Roman Empire from 11 June 1727 until his death. He was the last British monarch to have been born outside Great Britain, and was famous for his numerous conflicts with his father and, subsequently, with his son. As king, he exercised little control over policy in his early reign, the government instead being controlled by Great Britain's de facto first Prime Minister, Sir Robert Walpole...
Category
Late 18th Century Renaissance Art by Medium: Engraving
Materials
Engraving
Xisco Mensua Spanish /artist 1995 original signed framed engraving print n12
By Xisco Mensua
Located in Miami, FL
Xisco Mensua (Spain, 1960)
Untitled from Portfolio "Junio - Julio", 1995
engraving on paper
12.6 x 9.5 in. (32 x 24 cm.)
Edition of 6
Frame 16x20 in.
ID: MEN1253-001-006_12
Hand-sign...
Category
1990s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving
Harry Wickey, Snug Harbor (Riverside Drive, NYC)
By Harry Wickey
Located in New York, NY
The sailors are still in uniform in this post-World War I print of young people meeting at a semi-secluded park setting, Snug Harbor, along Riverside Drive...
Category
1920s Ashcan School Art by Medium: Engraving
Materials
Drypoint
Nestor Arenas, ¨Yellow Structure I¨, 2021, Etching, 21.3x27.2 in
Located in Miami, FL
Nestor Arenas (Cuba, 1964)
'Yellow Structure I', 2021
etching, aquatint on paper
21.3 x 27.2 in. (54 x 69 cm.)
Edition of 10
ID: ARN-101
Unframed
Category
2010s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching, Aquatint, Screen
Wa-Kawn, A Winnebago Chief: An Original Hand-colored McKenney & Hall Engraving
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall engraving of a Native American entitled "Wa-Kawn, A Winnebago Chief, No. 83 (The Snake)", published by Rice, Rutter & ...
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Xisco Mensua Spanish artist 1995 original signed framed engraving print n7
By Xisco Mensua
Located in Miami, FL
Xisco Mensua (Spain, 1960)
Untitled from Portfolio "Junio - Julio", 1995
engraving on paper
12.6 x 9.5 in. (32 x 24 cm.)
Edition of 6
Frame 16x20 in.
ID: MEN1253-007
Hand-signed by a...
Category
1990s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving
Lap-Pa-Win-Soe, Delaware Chief: Original Hand-colored McKenney & Hall Engraving
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall engraving of a Native American entitled "Lap-Pa-Win-Soe, A Delaware Chief, No. 71", published by Rice, Rutter & Co. in...
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Ivy Bridge near Plymouth, Devon. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Ivy Bridge near Plymouth'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Irelan...
Category
18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Spanish artist "Personaje I, 1987 original signed engraving art print
Located in Miami, FL
Alfonso Fraile (Spain, 1930-1988)
'Personaje I', 1987
engraving on paper
Overall size: 30 x 22.1 in. (76 x 56 cm.)
Edition of 50
ID: FRA1262-004-050
Hand-signed by author
___________...
Category
1980s Contemporary Art by Medium: Engraving
Materials
Engraving
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1788 ...
Category
1780s Victorian Art by Medium: Engraving
Materials
Watercolor, Laid Paper, Engraving, Intaglio
One Can't Tell Why - Proof from the Disasters of War
Located in New York, NY
Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
Category
1810s Old Masters Art by Medium: Engraving
Materials
Drypoint, Etching, Aquatint
Nestor Arenas, ¨Yellow Structure II¨, 2021, Etching, 27.2x21.3 in
Located in Miami, FL
Nestor Arenas (Cuba, 1964)
'Yellow Structure II', 2021
etching, aquatint on paper
27.2 x 21.3 in. (69 x 54 cm.)
Edition of 10
ID: ARN-102
Unframed
Category
2010s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching, Aquatint, Screen
Gladiolus Carneus - Henry Andrews antique botanical pink flower engraving print
Located in Melbourne, Victoria
'Gladiolus Carneus - Flesh-coloured Gladiolus'
Native of the Cape of Good Hope, Africa.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botani...
Category
Early 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Valeriane (Valerian), French botanical medicinal herbal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Early 19th Century Victorian Art by Medium: Engraving
Materials
Engraving
Champignons, French antique mushroom chromolithograph, 1910
Located in Melbourne, Victoria
'217 Hydnum imbricatum 218 Hydnum zonatum'
Antique French mushroom / fungi chromolithograph.
From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fungi, illustrated by chromolithographs from watercolours by the illustrator Aimé Bessin...
Category
Early 20th Century Naturalistic Art by Medium: Engraving
Materials
Lithograph, Engraving
Untitled (Three Ducks Taking to Flight)
Located in Fairlawn, OH
Untitled (Three Ducks Taking to Flight)
Drypoint, c. 1940
Signed lower right
Provenance: Estate of the Artist
Winchell Heirs by descent
Condition: Excellent
Image/Plate size: 10 1/2 x 8 1/4 inches
Sheet size: 12 1/2 x 10 5/16 inches
Created while the artist was a commercial artist working in Minneapolis, after his tenure of being an instructor at the Minneapolis Institute of Art in the 1930's.
Paul H. Winchell (1903 – 1971) was a printmaker, illustrator, teacher, and gilder according to Crump, 2009 (Minnesota Prints and Printmakers, 1900- 1945, Minnesota Historical Society Press). He was the son of Mrs. Looman Winchell of Shepherd Rd as noted in a 1937 newspaper article (Painsville, O. Telegraph). Winchell grew up in North Perry, Ohio and then studied and worked as an instructor at the Art Institute of Chicago. He studied with Leon Kroll (1884 – 1974), Boris Anisfeld...
Category
1940s American Realist Art by Medium: Engraving
Materials
Drypoint
Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category
Late 18th Century Naturalistic Art by Medium: Engraving
Materials
Etching, Engraving, Aquatint
Picasso, Visages, La Chèvre-Feuille (after)
Located in Auburn Hills, MI
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...
Category
1940s Modern Art by Medium: Engraving
Materials
Engraving
Le Soldat Du Chene, Osage Chief: Hand Colored McKenney Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Le Soldat Du Chene, An Osage ...
Category
1830s Naturalistic Art by Medium: Engraving
Materials
Engraving
John Paul Jones Commander of a Squadron - 13 Colonies United States...
Located in Santa Monica, CA
AMERICAN REVOLUTION - (Attributed to Richard Brookshaw)
JOHN PAUL JONES Commander of a Squadron in the Service of THE THIRTEEN UNITED STATES OF NORTH AMERICA, 1779 (Creswell LC1...
Category
1770s Old Masters Art by Medium: Engraving
Materials
Mezzotint
The Cat - Etching and Drypoint by Giselle Halff- 1950s
Located in Roma, IT
The Cat is an Original etching and drypoint print on paper realized by an Anonymous artist in 1950 ca.
Good conditions with some foxing.
Category
1950s Modern Art by Medium: Engraving
Materials
Drypoint, Etching
Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mico. Buff, Simia Argentata. Linn", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Art by Medium: Engraving
Materials
Engraving
Castle and Town of Tanlay, French architecture, mid 17th century engraving
Located in Melbourne, Victoria
'Prosp du Chasteau et Bourg de Tanlay'
Copper-line engraving by Matthaeus Merian.
From 'Topographia Galliae', a fine series of engravings of 17th-century French landscapes, garden...
Category
Mid-18th Century Rococo Art by Medium: Engraving
Materials
Engraving
Carte de Voeux - Galerie Michel (Paris)
Located in Paris, FR
Engraving, 2000
23.00 cm. x 17.50 cm. 9.06 in. x 6.89 in. (paper)
19.50 cm. x 14.50 cm. 7.68 in. x 5.71 in. (image)
A beautiful etching by the Brazilian artist built on a gradient...
Category
Early 2000s Abstract Art by Medium: Engraving
Materials
Engraving
Le peintre au cirque
Located in Wien, 9
- Plate 55 from the Suite 156
- with stamp signature
- dated in the plate 2.3.70
- edition 26/50
- cat. raisonné Bloch 1910
Category
1970s Modern Art by Medium: Engraving
Materials
Drypoint, Etching
The Letter
Located in Storrs, CT
The Letter. 1921. Drypoint. Appleby 107. 7 x 9 3/8 (sheet 10 1/2 x 15 7/16). Edition 100. Illustrated: Fine Prints of the Year, 1925; Salaman, Modern Masters of Etching: Edmund Blamp...
Category
Early 20th Century Modern Art by Medium: Engraving
Materials
Drypoint, Etching
Orchids: Framed 19th C. Hand-Colored Engraving of "Trichosma Suavis" by J. Fitch
Located in Alamo, CA
This beautiful, original hand-colored orchid lithograph entitled "Trichosma Suavis" Orchids by John Nugent Fitch is plate 114 in Robert Warner's publication 'The Orchid Album, Compri...
Category
1880s Naturalistic Art by Medium: Engraving
Materials
Engraving
Young Mahaskah, Ioway Chief: An Original Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
AThis is an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Young Mahaskah, An Ioway Chief, No. 80", published by Rice, Rutter & Co. in 1865.
This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" high and 11.75" wide and the sheet measures 10.63"high and 7.38" wide. There a few faint spots in the periphery of the print, but it is otherwise in very good condition.
Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Carlos Garcia De La Nuez Cuban Artist Original Hand Signed silkscreen
Located in Miami, FL
"Carlos Garcia De La Nuez (Cuba, 1959)
'Mi ADN', 2006
silkscreen on paper
19.7 x 23.7 in. (50 x 60 cm.)
Edition of 104
ID: GAR1649-004-104"
____________________________________________
"Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico.
He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta...
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Ink, Engraving, Aquatint
Three Engravings Depicting Sailing Yachts Competing in 1885 America's Cup Trials
Located in Alamo, CA
Three woodcut engravings produced in 1885 to commemorate the sailing yacht trials competition to determine the team to represent the United States in the America's Cup races off the New Jersey coast in that same year.
These three beautiful woodcut engravings are part of a group of six equally attractive prints, all framed identically in gold scrolled wood frames with pleasing light grey French mats, each with a medium grey band. Each frame measures 16.13" x 17.25" x 0.5". See Item Reference #LU117325094852 to view the other three prints in this series. These prints may be purchased individually for $1,075/each, as a set of three for $2,875/3 or as a set of six for $5,575/6.
Three American racing yachts, the Puritan, the Priscilla and the Bedouin, participating in the 1885 America’s Cup trials off the coast of New Jersey are shown in their qualifying races. The Puritan, owned by several members of the Eastern Yacht Club...
Category
1880s Other Art Style Art by Medium: Engraving
Materials
Engraving
THE CAPTURE OF MAJOR ANDRE
Located in Portland, ME
Smillie, James and Robert Hinshelwood and Alfred Jones. THE CAPTURE OF MAJOR ANDRE. Engraving after the painting by Asher B. Durand, 1845. Printed on cream-colored wove paper. 13 1/8 x 17 inches 333 x 431 mm.(image). In the margin, just under the image, left: "Painted by A.M. Durand," center: "Figures engr'd by Alfred Jones," right: "Landscaped engr'd by Smillie & Hinshelwood." Ttiled "The Capture of Major Andre" in the margin, Center, and further annotated "From a painting by A. B. Durandin the possession of the Honble James K.Paulding / Published by the American Art Union...
Category
1840s Art by Medium: Engraving
Materials
Engraving
"Katu-Belluren": A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a vine spinach plant entitled "Katu-Belluren" by Hendrik van Rheede tot Drakenstein, plate 46 from his 'Hortus Indicus M...
Category
Late 17th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Newstead in Nottinghamshire. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Newstead in Nottinghamshire, the Seat of Lord Byron'
Engraving by Thomas Malton after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views i...
Category
18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Surrealist Boat (Vaisseau fantome) - Original handsigned etching - (Field #69-7)
Located in Paris, IDF
Salvador DALI
Surrealist Boat (Vaisseau fantome), 1969
Original etching
Handsigned in pencil
Numbered /200
on Rives BFK vellum 58 x 45 cm (c. 23 x 18 in)
REFERENCE :
- Catalog rai...
Category
1960s Surrealist Art by Medium: Engraving
Materials
Drypoint
Returning to the Stable.
Located in Storrs, CT
Returning to the Stable. 1920. Drypoint. Appleby 64. 8 3/4 x 12 1/4 (sheet 11 7/16 x 16 1/8). Edition 100. A rich impression printed on cream laid paper wi...
Category
1920s Modern Art by Medium: Engraving
Materials
Drypoint, Etching
Dominus Nicolaus Vander Borcht /// Anthony van Dyck Full Length Portrait Flemish
Located in Saint Augustine, FL
Artist: (after) Anthony van Dyck (Dutch, 1599-1641)
Title: "Dominus Nicolaus Vander Borcht"
Year: 1703 (first or second state of three)
Medium: Original Engraving on laid paper
Limi...
Category
Early 1700s Old Masters Art by Medium: Engraving
Materials
Laid Paper, Engraving
Lincoln College, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Lincoln College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Lincoln, engr...
Category
Early 18th Century Realist Art by Medium: Engraving
Materials
Engraving
Wa-Kawn, A Winnebago Chief: Folio-sized Hand-colored McKenney & Hall Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Wa-Kawn, A Winnebago Chief", after a painting by Charles Bird Kin...
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Johann Weinmann: c.18th Engravings of Fruit in Decalcomania Frames
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century Art by Medium: Engraving
Materials
Mezzotint, Watercolor
Looking Up (left profile of a man looking toward the heavens)
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...
Category
Late 20th Century Surrealist Art by Medium: Engraving
Materials
Mezzotint
De Humana Physiognomonia
Located in Roma, IT
De Humana Physiognomonia - Libri IIII
Original Title: Io: Bap-tistae Portae Neapolitani. De Hum. Physiognomonia. Libri IIII. Ad Aloysium Card. Estensem
Vici Aequensis, Apud Iosephum Cacchium, 1586. Vol. In-4° / cm. 32x22
272 pp (typographic mystake for page 265 indicated as 272 an vice-versa)
Circulation: Rare First Edition
Format: In-4°
Pages: 272
Cover on ancient parchment, with title in ink (ancient calligraphy) on spine and “archivistic” decorations in leather and rope on same spine. Binding restored using original contemporary cover.
Frontispiece fully engraved with portrait of author within an imaginary composition; portrait of Cardinale d’Este, whom the work is dedicated to, follows with full page engraving.
Includes 85 engravings 4 of which full page, showing human physiognomies compared to animals’ in order to demonstrate the relationship between physical aspects and moral features.
Good and clean copy, in a nice state. Black stain on p. 97 and minor tear on p. 198. Some whitening on 3-4 pages which do no affect reading.
Rare first edition of a pillar of modern anthropology, and one of the most popular essays of Italian Renaissance, with important influence during the following 300 years.
First book to be printed in Vico Equense...
Category
16th Century Old Masters Art by Medium: Engraving
Materials
Paper, Engraving
Resurrection (aka Flying Figures; Border of the Lake)
Located in New York, NY
Arthur B. Davies (1862-1928), Resurrection (aka Flying Figures; Border of the Lake), drypoint and aquatint on zinc, 1916, signed with the estate stamp lower right. Reference: Price 2...
Category
1910s American Impressionist Art by Medium: Engraving
Materials
Drypoint, Aquatint
Sir Francis Bacon: 18th C. Portrait of Philosopher, Scientist, Author, Statesman
Located in Alamo, CA
This is an 18th century copperplate engraved portrait of Sir Francis Bacon, Viscount St. Albans, Lord Chancellor by Jacobus Houbraken in 1738 after a p...
Category
1730s Art by Medium: Engraving
Materials
Engraving
Engraving art for sale on 1stDibs.
Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.
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