Art by Medium: Engraving

Joan-Pere Viladecans (Spain, 1948) 'Entrebanc 17', 1974 lithograph on paper 22.1 x 30 in. (56 x 76 cm.) Unframed ID: VIL1324-007-000 Hand-signed by author

Artist: John James Audubon (American, 1785-1851) Title: "Scarlet Ibis" (Plate CCCXCVII - 397; part No. 80) Portfolio: The Birds of America (Havell Edition) Year: 1837 Medium: Origina...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: BAR1017-027-200 Hand-signed by a...

Joan-Pere Viladecans (Spain, 1948) 'Entrebanc 13', 1974 lithograph on paper 22.1 x 30 in. (56 x 76 cm.) Unframed ID: VIL1324-005-000 Hand-signed by author

Alfonso Fraile (Spain, 1930-1988) 'Personaje II', 1987 engraving on paper 30 x 22.1 in. (76 x 56 cm.) Edition of 50 ID: FRA1262-003-050 Hand-signed by author ________________________...

Artist: Louisa Chase, American (1951 - 2016) Title: Portfolio of Six Etchings Year: 1984 Medium: Six Drypoint Etchings with Aquatint, Signed and Numbered in Pencil Edition: 30 Paper...

Prize winning 1923 Dry Point Etching of Santo Domingo by George "Pop" Hart. Wonderful early 20th century modern etching of the Santo Domingo, capital of Dominican Republic by Georg...

Salvador Dalí­ The unicorn laser disintegrates the horns of cosmic rhinoceros from Conquest of the Cosmos II, 1975 Lithographic in colors with drypoint on BFK Rives. Hand signed lo...

Victor Guadalajara (Mexico, 1965) 'Capullo', 2005 Chine colle, engraving on paper Velin Arches 300 g. 22.9 x 30.8 in. (58 x 78 cm.) Edition of 99 ID: GUA-102 Unframed

Carlos Garcia de la Nuez (Cuba, 1959) 'Desde una Isla', 2005 engraving on paper Velin Arches 300 g. 28 x 39.8 in. (71 x 101 cm.) Edition of 99 Unframed ID: GAC-111 Hand-signed by author ___________________________________________________________ Carlos García de la Nuez. Born in Havana, Cuba, 1959. Lives and works in Mexico City, Mexico. He is a member of the renowned 1980s generation of Cuban artists, whose works differentiated from other contemporaries, noticeably in their intentional distancing from political criticism as a form of expression. This generation was interested in establishing and legitimizing new values of art for art’s sake, gathering inspiration from art movements happening outside of Cuba. Born in Havana, Cuba in 1959, the artist’s paintings explore abstraction and semiotics through the use of color, texture and scale. García de la Nuez participated in the historic 1982 exhibition titled 4x4 with colleagues Gustavo Acosta, José Franco and Moses Finalé.  In 1979 García de la Nuez entered the San Alejandro Academy of Arts and in 1983 completed his studies at the Instituto Superior de Arte in Havana. He received his Masters of Arts in 1988 from the Massachusetts College of Art and Design in Boston, upon receiving a scholarship from the Rockefeller Foundation. He spent a decade working and living in Paris, where he exhibited across Europe and was selected to participate in a silkscreen portfolio, Kinderstem, published by Domberger-Edition in Germany that featured García de la Nuez along with Max Bill, Sol LeWitt, Keith Haring, Christo, among others. In the early 1990’s García de la Nuez relocated in Mexico City, where he currently works and lives.  The artist’s works have been exhibited in various museums around the world including Boston, New York, Miami, Buenos Aires, Sao Paulo, Rio de Janeiro, Bogota, Mexico City, San Jose, Panama City, Canada, Paris, Berlin, Stuttgart, London, Madrid, Moscow and Havana.  His work has been awarded the Painting Award 13 de Marzo...

Artist: Salvador Dali (1904-1989) Title: Fauteuil à respirer pneumatique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Pneumatic breathing chair, Imagina...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...

In the mid-seventeenth century, views of historic landscapes and classical structures were increasingly popular among print collectors, and artists like the Frenchman Israel Sylvestre were eager to fill that demand. In this example, Sylvestre captures a view of the Arch of Constantine...

hand-coloured drypoint etching, edited in 1969. Limited edition, numbered 94/145 Signed in pencil by artist in lower right corner. Very good conditions. Framed size: 79 x 65 cm Paper...

This exquisite engraving by Andre Masson (1896–1987), titled Sans titre (Untitled), from the folio Le septieme chant, la mort d'Isidore Ducasse, Jeudi 24 Bovembre 1870, 7 Rue du Faub...

Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.46 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...

This 18th century hand-colored copperplate celestial map by Johann Doppelmayr entitled "Astronomia Comparativa in qua Planetarum Primaria Phaenomena" (Co...

Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831). The Pio-Clementino museum, named after the two popes wh...

The painting is being offered with a work and authenticity certificate

A spectacular wave breaking under a stormy sky . Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. Signed and numbered f...

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

'Crustacea' Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837. 210mm by 130mm (sheet)

Artist: Salvador Dali (1904-1989) Title: Baignoire à tornade liquide (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid tornado bathtub, Imaginations a...

Like Seeing Fallen Brightly Away is a portfolio of three etchings by artist David Urban made in collaboration with Durham Press in 1998. Moving away from ...

Salvador Dalí Hamlet, 1973-4 The complete portfolio, comprising 10 etchings and aquatint in colors with hand-coloring on Arches paper Each hand signed lower right Each numbered 96/1...

Artist: Serge Helenon (French, 1934-) Title: "Mon Jardin Zoologique (My Zoological Garden)" *Signed by Helenon in pencil lower right Year: 1989 Medium: Original Carborundum Engraving...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

18th-century celestial FLAMSTEED, John. Eridanus Orion Lepus London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas publish...

Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...

George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Hi...

Figures is an Etching and Drypoint realized by Mino Maccari in the Mid-20th Century. Hand-signed in the lower right part. Good conditions. Mino Maccari (Siena, 1924-Rome, June ...

Pablo Picasso (1881-1973) Femme au Turban, Vieux Gentilhomme, Borreau et Homme aux yeux fous (sheet 23 from Series 157, Bloch 1878; Baer 1883), etching and aquatint, 1970, with the a...

A charming engraving depicting the parable of the Prodigal Son in the Bible, found in Luke 15:11-32, after the original painting by Carington Bowles. Inscribed in plate. Presented in...

Pierre François Beaumont (ca. 1719-1777) after Philips Wouwerman (1619-1668). Inscribed in French in plate: 'Alte Flemish Painting which is in the Gallery of H. E. Mr. Count de Bruhl...

Artist: Salvador Dali Title: The Fight with Morhoult Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: 12/125 Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4...

This portfolio titled "Em Qualquer Canto (Anywhere)" by Brazilian artist Marcio Perigo, b. 1949 is composed of 13 original engravings on German paper, all hand signed, numbered 4/20 ...

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Harle Femell (The Female Merganser)" (Plate 953) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...

Earrings with cameos depicting Vesuvius and the sea with the sailing ship. Antique cameos, hand carved at the end of the 19th century. Cameo hand engraved on shell and filigree. Ital...

Drypoint and aquatint (brown ink) on cream paper. Signed "Rehn" in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. Fr...

Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103. Line etching, drypoint, sandpaper, soft ground with imprint of granulated tone paper and Zie...

Mezzotint Engraving with Some Hand Coloring image size 15.25 x 10 from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive scientific eight volume set w...

London: Seeley & Co., 1884. Etching with drypoint on cream wove paper, 6 1/4 x 9 1/4 inches (158 x 235 mm); 8 1/4 x 12 1/4 inches (210 x 311 mm), full margins with deckle edges. In ...

Venus and the Sapient is an original etching and drypoint realized by Leo Guida in 1975. Good condition. Edition of 25. Hand signed and dated in pencil by the artist. Leo Guida ...

This exquisite engraving after Edgar Degas (1834–1917), titled Danseuse (Dancer), originates from the celebrated album Degas Danse dessin (Degas Dance Dra...

Artist: Mark Kostabi (1960) Title: Oedipus Year: 1989 Edition: 47/56, plus proofs. Medium: Mezzotint on Rives BFK paper Size: 15.5 x 11.25 inches Condition: Good Inscription: Signed ...

This exquisite engraving by Pablo Picasso (1881–1973), titled Sans titre (Untitled), from the folio Picasso, Carmen (Picasso, Carmen), originates from the 1949 edition published by L...

From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...

Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and Butterflies Hand colored engraving – Plate XXVII 1778 edition Plate XXVII is from The A...

Salvador Dali (Spanish, 1904-1989), "Expulse Comme un Megot Par Les Magots" [Flung Out Like a Fag-End by The Big Wigs], Drypoint Etching with Pochoir coloring, 1974, from After 50 Ye...

CROSSINGS Contemporary artist Frederick Mershimer created the mezzotint engraving entitled "Crossings" in 1998. This impression is signed, titled, and dated in pencil. The printed ...

Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...

Salvador Dali (1904-1989) - Dragon Apple from Flordali suite Lithograph with drypoint etching from 1969. The edition 16/35 on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Han...

This exquisite engraving by Andre Masson (1896–1987), titled Sans titre (Untitled), from the folio Le septieme chant, la mort d'Isidore Ducasse, Jeudi 24 Bovembre 1870, 7 Rue du Faub...

Three Marrons, Diamond drypoint by Jakob Demus. In the 1986-1988 period Demus immersed himself in the depiction of flowers, and it was then that the most important works in this ge...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Salvador Dalí  Leda from The Mythology, 1963 Heliogravure and drypoint  Hand signed lower right Numbered  31/150 Image size: 50.5 x 40.5 cm Sheet size: 76 x 56 cm Published by...

Trees (Trees in Circle) Etching & drypoint with monotype inking, 1953-1955 Signed in pencil An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...

Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...