Art by Medium: Engraving
to
618
2,754
923
747
213
158
Overall Width
to
Overall Height
to
1,091
932
2,211
642
39
172
193
145
130
148
168
396
184
177
781
751
702
346
320
271
139
41
30
22
12
8
5
5
1
2,664
1,956
90
2,356
1,121
1,087
733
668
509
371
361
244
243
216
181
172
157
154
148
122
118
115
106
4,876
184,137
97,031
77,961
75,951
184
110
70
67
49
781
911
2,676
1,527
Medium: Engraving
Little Coutance, Geneva by Georges Bastard - Engraving 36x26 cm
Located in Geneva, CH
Work on paper
Category
1890s Realist Art by Medium: Engraving
Materials
Engraving
$152 Sale Price
74% Off
After Johann B. Homann (1664-1724) - 19th C, General Map of Spain and Portugal
Located in Corsham, GB
General map of Spain and Portugal divided into its current provinces by D.T. Lopez, newly drawn by F. L. G. in Nuremberg at the Heret of Homann, 1782. A double-page engraved map with...
Category
19th Century Art by Medium: Engraving
Materials
Engraving
Luis Lara, ¨Reflejo¨, 2000, Mezzotint, 28x19.7 in
Located in Miami, FL
Luis Lara (Mexico, 1972)
'Reflejo', 2000
mezzotint on paper Velin Arches 300 g.
28 x 19.7 in. (71 x 50 cm.)
Edition of 13
ID: LAL-305
Unframed
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Mezzotint, Etching
Arturo Montoto, ¨Contrariedades¨, 2005, Engraving, 22.8x30.5 in
Located in Miami, FL
Arturo Montoto (Cuba, 1965)
'Contrariedades', 2005
engraving on paper Velin Arches 300 g.
22.9 x 30.6 in. (58 x 77.5 cm.)
Edition of 50
ID: MON-103
Unfr...
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching
Luis Lara, ¨Adicción¨, 2000, Mezzotint, 29.5x22 in
Located in Miami, FL
Luis Lara (Mexico, 1972)
'Adicción', 2000
mezzotint on paper Velin Arches 300 g.
29.6 x 22.1 in. (75 x 56 cm.)
Edition of 13
ID: LAL-304
Unframed
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Mezzotint, Etching
Conway, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Conway'
Engraving by William Watts (1752-1851) after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland'...
Category
18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
The Bull & The Cow and Calf, English animal cow cattle engraving, 1807
Located in Melbourne, Victoria
Early 19th century cattle engraving from Rees' Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic...
Category
Early 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Arturo Montoto, ¨Indecisión¨, 2005, Engraving, 18.5x13.6 in
Located in Miami, FL
Arturo Montoto (Cuba, 1965)
'Indecisión', 2005
engraving on paper Guarro Biblos 250g.
18.6 x 13.6 in. (47 x 34.5 cm.)
Edition of 30
ID: MON-104
Unframed
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching
Turtledove of Senegal: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle a Collier, du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 161 from 'Histoire Naturelle...
Category
1760s Naturalistic Art by Medium: Engraving
Materials
Engraving
Study of Five Heads - Original Etching by J.-J. Boissieu
Located in Roma, IT
Study of Five Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810).
Five study of heads of which two profiles (a female and a male) are lightly sketched with the drypoint technique, and we could appreciate the incredible draftsmanship. Instead, the bigger three portraits are very detailed and etched with a superb technique. Although the subjects are drawn in different scales and with different degrees of finish, each portrait has the dignity of a unique piece and the composition is very balanced.
In particular on the lower margin at the center there is the portrait of "Le Père Cotrot, Garçon Teinturier à Lyon'", an elderly man, toothless and with a large-nosed, slightly turned to left, with a hat and unbuttoned jacket over waistcoat, shows all his wrinkles in a very realistic way.
Signed on plate on lower right margin “De Boissieu”.
This old master’s original print with fresh impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time and light foxing along the margins, do not affect the image.
Jean-Jacques de Boissieu (Lyon,1736 –1810)
Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught.
His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...
Category
Late 18th Century Old Masters Art by Medium: Engraving
Materials
Drypoint, Etching
La Gironde, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'La Gironde', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This coastal department is the seat of the Bordeaux wine regi...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Pavel Mora, ¨Escultura en el paisaje¨, 2017, Etching, 26.8x34.1 in
Located in Miami, FL
Pavel Mora (Mexico, 1985)
'Escultura en el paisaje ', 2017
etching on paper Guarro Biblos 250g.
26.8 x 34.1 in. (68 x 86.5 cm.)
ID: MOP-102
Unframed
Category
2010s Contemporary Art by Medium: Engraving
Materials
Paper, Ink, Engraving, Etching, Screen
Raúl Martínez, ¨Flores y Frutas¨, 1978, Silkscreen, 20.2x26.3 in
Located in Miami, FL
Raul Martinez (Cuba, 1927-1995)
'Flores y Frutas', 1978
silkscreen on paper
20.2 x 26.3 in. (51.3 x 66.8 cm.)
Edition of 30
ID: MRT-302
Unframed
Category
1970s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching, Aquatint, Screen
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Art by Medium: Engraving
Materials
Engraving
Tere Metta, ¨Untitled¨, 2002, Etching, 14.4x17.9 in
Located in Miami, FL
Tere Metta (Mexico, )
'Untitled', 2002
etching, aquatint on paper Guarro Biblos 250g.
14.4 x 18 in. (36.5 x 45.5 cm.)
ID: MET-102
Unframed
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching
Industry and Idleness Plate 5: The Idle 'Prentice Turn'd Away & Sent to Sea
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses.
From a set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted and ready to frame
Edward Smith (fl. 1823-49)
The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...
Category
1830s Art by Medium: Engraving
Materials
Engraving
$186 Sale Price
20% Off
Joseph Addison: 18th C. Portrait of Philosopher, Poet, Playwright and Politician
Located in Alamo, CA
This is an 18th century copperplate engraved portrait of Joseph Addison, Esq. by Jacobus Houbraken after a painting by Sir Godfrey Kneller, from "The Heads of Illustrious Persons of Great Britain", published in London in 1748 by John & Paul Knapton. It depicts a bust portrait of Addison in an ornamental oval. He is turned to his right, but he is looking directly at the viewer. He is wearing a dark coat over a white shirt. Below the oval are items relating to plays, music, as well as the rod of Asclepius and books lying in foreground on the right.
Joseph Addison (1672-1719) was an English essayist, poet, playwright and politician. he founded The Spectator magazine with his friend Richard Steele. In 1712, Addison wrote his most famous work, "Cato, a Tragedy". It focussed on the last days of Marcus Porcius Cato Uticensis, He was dealing with issues of individual liberty versus government tyranny. The play was particularly popular in America. It is credited as an inspiration for the American Revolution. General George Washington had Cato performed for the Continental Army at Valley Forge during the winter of 1777-78.
Several famous quotations from the American Revolution were inspired by passages in Cato, including: Patrick Henry's famous "Give me liberty or give me death!", inspired by Act II, Scene 4: "It is not now time to talk of aught, But chains or conquest, liberty or death.") and Nathan Hale...
Category
1740s Art by Medium: Engraving
Materials
Engraving
Duff House, Bamffshire, Scotland. Cordinier C18th landscape engraving
Located in Melbourne, Victoria
‘Duff House, the Seat of the Earl of Fife, in Bamffshire’
Engraving by P Mazell After C Cordiner,
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Sco...
Category
18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Le Testament de Tristan - Drypoint Etching attr. to S. Dalì - 1969
Located in Roma, IT
Le Testament de Tristan - From "Tristan et Iseult" is a modern artwork realized in 1969
Colour-printed drypoint etching, from the series of 21 etchings of “ Tristan et Iseult”.
Han...
Category
1960s Surrealist Art by Medium: Engraving
Materials
Paper, Etching, Drypoint
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Art by Medium: Engraving
Materials
Engraving
Gillingham Mill, Dorsetshire. Mezzotint by Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Gillingham Mill, Dorsetshire'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...
Category
Mid-19th Century Victorian Art by Medium: Engraving
Materials
Mezzotint
Nude XVIII - XXI Century, Contemporary Figurative Drypoint Etching Print
Located in Warsaw, PL
MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
Category
2010s Contemporary Art by Medium: Engraving
Materials
Paper, Drypoint, Etching
Bas Rhin, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. du Bas Rhin', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
Part of the Alsace wine region surrounding Strasbourg. T...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Corpus Christi College. Oxford University. Antique English C19th engraving
Located in Melbourne, Victoria
'Corpus Christi College'
Engraving by John Le Keux after Frederick Mackenzie, 1837. From James Ingram's 'Memorials of Oxford'.
135mm by 175mm (platemark...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Queen's Gate, at Caernarfon, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Queen's Gate, at Caernarvon'
Engraving by William Watts (1752-1851) and William Angus after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select ...
Category
18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Art by Medium: Engraving
Materials
Engraving
Ivy Bridge near Plymouth, Devon. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Ivy Bridge near Plymouth'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Irelan...
Category
18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Enrique Martinez Guillen, ¨La cara del tambor¨, 2001, Drypoint, 25.6x19.3 in
Located in Miami, FL
Enrique Martinez Guillen (Cuba, 1964)
'La cara del tambor', 2001
dry point on paper Guarro Super Alpha 250g.
25.6 x 19.3 in. (65 x 49 cm.)
Edition of 30
ID: MA...
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Paper, Drypoint
Industry and Idleness Plate 2: The Industrious 'Prentice Performing: Duty
Located in Bournemouth, Dorset
William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses.
A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame
Edward Smith (fl. 1823-49)
The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...
Category
1830s Art by Medium: Engraving
Materials
Engraving
$186 Sale Price
20% Off
La bouteille
Located in Dallas, TX
This is a three-plate color mezzotint, edition 74/90.
The mat dimensions are 20 x 16 inches.
Signed "Schkolnyk" at lower right.
Category
20th Century Art Deco Art by Medium: Engraving
Materials
Mezzotint
The New Bridge, On The River Dee, Wales. Paul Sandby C18th landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'The New Bridge, On The River Dee, Near Chirk Castle'
Engraving by Peter Mazell After Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in...
Category
18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Hautes Pyrenees, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. des Hautes Pyrenees', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is home to the wine producing region, ...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
"Blue Volcano" 2016 Original Signed Engraving Embossed 17x14in Color Abstract
By Vicente Rojo
Located in Miami, FL
Vicente Rojo (Mexico, 1932-2021)
'Volcán azul', 2016
engraving, sugarlift, embossed on paper Guarro Biblos 250g.
17 x 13.8 in. (43 x 35 cm.)
Edition of 40
Ref: ROJ-157
Category
2010s Contemporary Art by Medium: Engraving
Materials
Etching, Aquatint, Engraving
Minotauros - Vintage Héliogravure by Franz von Bayros - Early 20th Century
Located in Roma, IT
"Minotauros" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924).
From Map...
Category
1920s Symbolist Art by Medium: Engraving
Materials
Engraving
Beauties of Claude Lorrain mezzotint - Plate 6
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category
1820s Art by Medium: Engraving
Materials
Engraving, Mezzotint, Etching
Fighting Bulls and Frogs, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving, Etching
Ape and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Early 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving, Etching
White Stork "Ardea Ciconia": An 18th Century Hand-colored Engraving by Nozeman
Located in Alamo, CA
This is a rare 18th Century hand-colored large folio-sized copperplate engraving entitled "Ardea Ciconia" (White Stork) by Cornelius Nozeman in volume II of his publication 'Nederlan...
Category
1780s Naturalistic Art by Medium: Engraving
Materials
Engraving
Northamptonshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved view of 'Peterborough...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
A Cottage in a Cornfield. Mezzotint by David Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'A Cottage in a Cornfield'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...
Category
Mid-19th Century Victorian Art by Medium: Engraving
Materials
Mezzotint
The Arrow - Illustration for Cressidra - Etching by A. Suares - 1926
Located in Roma, IT
The Arrow is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.
Etching and drypoint
Edition of 200 print, Including a Passepartout
Good conditi...
Category
1920s Symbolist Art by Medium: Engraving
Materials
Etching, Drypoint
Sergio Hernández, 'La burra no era arisca', 2015, Aquatint, 29.1x29.1 in
Located in Miami, FL
Sergio Hernández (Mexico, 1957)
'La burra no era arisca', 2015
sugar aquatint on paper Guarro Biblos 250g.
29.2 x 29.2 in. (74 x 74 cm.)
Edition of 30
Unframed
...
Category
2010s Contemporary Art by Medium: Engraving
Materials
Paper, Ink, Engraving, Etching, Aquatint
"Blue Butterflies" 2014 signed unique Bon A Tirer original engraving etching
Located in Miami, FL
Sergio Hernández (Mexico, 1957)
'Blue Butterflies', 2014
Engraving, etching, aquatint, sugarlift on paper
22.5 x 42 in.
Series number: BAT (Bon a Tirer)
Unframed
...
Category
2010s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching, Aquatint, Ink
Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper
Located in Soquel, CA
Kaiser Wilhelm Memorial Church in Berlin - Drypoint Etching on Paper
Detailed drypoint etching by Wolfgang Tritt (German, 1913-1983). The Kaiser Wilhel...
Category
Mid-20th Century Impressionist Art by Medium: Engraving
Materials
Paper, Ink, Drypoint
Cumberland, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Flatford Mill. Mezzotint by David Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Flatford Mill'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...
Category
Mid-19th Century Victorian Art by Medium: Engraving
Materials
Mezzotint
Cosmogonies No. 7
Located in Columbia, MO
Cécile Reims (French, 1927–2020)
Cécile Reims’s work is distinguished by its masterful technique, intricate detail, and deep engagement with themes of transformation and the natural ...
Category
1950s Surrealist Art by Medium: Engraving
Materials
Cotton, Paper, Drypoint, Etching
Black-Faced Heath Breed, sheep lithograph with original hand-colouring, c 1845
Located in Melbourne, Victoria
'Race a tete noire, des Bruyeres' (Black-Faced Heath Breed - Ram).
Lithograph with original hand-colouring by Hermann Eichens (1813-1886) from a drawing by W. Nicholson after a pain...
Category
Late 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Hertfordshire, English County Antique map, 1847
By Isaac Slater
Located in Melbourne, Victoria
Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved v...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Theseus and Achelous, Ovid's Metamorphoses, French Classical engraving, 1768
Located in Melbourne, Victoria
Copper-line engraving by Massard after Charles Monnet (1732-1808).
Theseus returns from the Calydonian hunt and is met by the river god Achelous.
From...
Category
Mid-18th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Nude - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Nude is an original print in etching and drypoint on white paper realized by an anonymous artist of the Mid-20th Century.
In very good conditions.
The artwork created through confid...
Category
Mid-20th Century Modern Art by Medium: Engraving
Materials
Drypoint, Etching
Loir and Cher, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de Loir and Cher', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is mainly known for its production of Sel...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Frau in der Wanne (Woman in Tub) /// German Expressionism Schmidt-Rottluff Nude
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Frau in der Wanne (Woman in Tub)"
Series: Die Aktion
*Unsigned edition
Year: 1915
Medium: Original Woodcut Engraving on cream smooth wove paper
Limited edition: Unknown, (there was also a signed edition on laid paper with wider margins in an unknown edition size)
Printer: F.E. Haag, Melle, Hanover, Germany
Publisher: Verlag der Wochenschrift DIE AKTION, Berlin, Germany
Reference: "Das Graphische Werk Bis 1923" - Schapire No. 171, page 37; Söhn No. 40502
Framing: Recently framed in a contemporary gold moulding with 100% cotton rag matting and Artglass
Framed size: 16" x 13.25"
Sheet size: 11.5" x 8.75"
Image size: 10" x 7.25"
Condition: Faint UV staining to sheet and light toning at edges. It is otherwise a strong impression in excellent condition
Extremely rare
Notes:
Provenance: private collection - Kiel, Germany. Comes from the famous "Die Aktion" publication, Vol. 5, No. 13 published March 20th, 1915. Text on verso as issued. There is an example of this complete issue in the permanent collection of the Museum of Modern Art, New York, NY.
In 1911 Franz Pfemfert, a cantankerous critic of capitalism and Wilhelmine society, founded Die Aktion as a political and literary journal. In April of the following year, a new subtitle declared the journal a "weekly for politics, literature, and art." Although politics remained the priority, Die Aktion began featuring visual art coverage as well as original prints and illustrations.
Artist Max Oppenheimer...
Category
1910s Expressionist Art by Medium: Engraving
Materials
Engraving, Woodcut
Un Debarquement en Angleterre (A Disembarking in England)
Located in Fairlawn, OH
Un Debarquement en Angleterre
(A Disembarking in England)
etching, drypoint, aquatint, roulette and spirit ground, 1879
Signed with the artist’s red owl stamp, Lugt 977 (see photo)
...
Category
1870s Impressionist Art by Medium: Engraving
Materials
Drypoint
Boat - Mezzotint Print by Robert Naly - Mid 20th Century
By Robert Naly
Located in Roma, IT
Boat is a Contemporary artwork realized in the half of the 20th Century by Robert Naly (1900 - 1983).
Mezzotint print.
Hand-signed.
Numbered, edition of 50 prints.
Good conditio...
Category
Mid-20th Century Modern Art by Medium: Engraving
Materials
Drypoint, Etching
After Sir Henry Raeburn RA - Framed 1937 Mezzotint, Boy & Rabbit
Located in Corsham, GB
A fine mezzotint engraving, after an original oil painting by Sir Henry Raeburn RA. Published by Gladwell & Co ltd, London 1937. Mounted in an elegant Hogarth-style frame. Indistinct...
Category
Early 20th Century Art by Medium: Engraving
Materials
Mezzotint
Jean Racine Portrait: 17th C. Engraving by Edelinck in Perrault's Les Hommes
Located in Alamo, CA
This is a 17th century portrait engraving of Jean-Baptiste Racine by Gerard Edelinck (1640-1707), published in Charles Perrault's 'Les Hommes Illustres' in Paris in 1696. Jean Racine (1639-1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille. Racine's works were primarily tragedies. He wrote Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther for young readers. His writing is renowned for its elegance, purity, speed, and fury. The American poet Robert Lowell described his style as a "diamond-edge" and the "glory of its hard, electric rage". Racine's works often displayed his psychological insight, the passion of his characters, and the stark reality of his plots and stage descriptions. In 1672, he was elected to the Académie Française, and two years later he achieved the title of "treasurer of France", and later the honorary title of an "ordinary gentleman of the king" to King Louis XIV, and subsequently a secretary of the king .
This beautiful engraved portrait is printed on chain-linked, laid paper with wide margins. The sheet measures 17.13" high by 10.75" wide. There is a small spot in the lower margin and a few tiny faint spots in the margins, but the print is otherwise in very good condition. The original descriptive text pages, 81 & 82, are included.
Provenance: This engraving was owned by Arthur Pomeroy, 1st Baron Harberton and the Viscount Harberton (1723-1798). He was an Irish politician, who represented County Kildare in the Irish House...
Category
Late 17th Century Old Masters Art by Medium: Engraving
Materials
Engraving
The Death - Etching by André Suares - 1926
Located in Roma, IT
The Death is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.
Etching and drypoint
Edition of 200 print
Good conditions.
Category
1920s Symbolist Art by Medium: Engraving
Materials
Etching, Drypoint
Indre and Loire, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. d'Indre et Loire', steel engraving with original outline hand-colouring., 1856, from Levasseur's 'Atlas National Illustre'.
This area is known for its production of Chenin b...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
L'Herault, France. Antique map of a French department, 1856
Located in Melbourne, Victoria
'Dept. de Saone et Loire', steel engraving with original outline hand-colouring., 1856, from Levasseur's Atlas National Illustre.
This area is home to a wide variety of vineyards a...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Engraving art for sale on 1stDibs.
Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.