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Art by Medium: Engraving

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Medium: Engraving
Portugal: A Large 17th Century Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume de Portugal et des Algarves Divisee en see Archeveches, Eveches et Territoires Par le Sr Sanson" was originally created by Nicholas S...
Category

1690s Art by Medium: Engraving

Materials

Engraving

The Centenarian
Located in Storrs, CT
The Centenarian. 1930-31. Drypoint. Appleby 144. 10 5/16 x 10 3/8 (sheet 17 3/8 by 12 3/8). Edition 100. A rich impression on cream-colored 'Whatman' laid paper with full margins. Signed and numbered in ink. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

1930s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Summer
Located in Storrs, CT
Summer. 1914. Drypoint. Appleby 46. 6 7/8 x 4 7/8 (sheet 11 5/8 x 9 3/16). Edition 77. A fine impression printed on cream wove paper on the full sheet with deckle edges. Signed in pe...
Category

1910s Modern Art by Medium: Engraving

Materials

Drypoint

Soup
Located in Storrs, CT
Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...
Category

1920s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Harvest in Switzerland by Alexandre Mairet - Engraving 26x36 cm
Located in Geneva, CH
Work on paper without frame from Alexandre Mairet
Category

1910s Modern Art by Medium: Engraving

Materials

Engraving

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

1950s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Foggy Night (the way home or a Stephen King setting)
Located in New Orleans, LA
This impression is #22 Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer Sylvan Cole to exhibit at Associated American Artists Gallery, launching her career as a professional artist/printmaker. With the publication of her book, The Mezzotint: History and Technique, published by Abrams, 1990 and 1996, Carol added author and teacher to her credits. In the ensuing years she has expanded her repertoire of mediums beyond printmaking into other works on paper and painting. In compositions reflecting an appreciation for antiquated machinery and vintage textiles, Wax creates imagery that, in her own words, “… speaks to an inner life perceived in inanimate objects.” She uses stylization and imagination to reinvent subjects, transforming an ordinary typewriter into a monumental icon...
Category

2010s American Modern Art by Medium: Engraving

Materials

Engraving, Mezzotint

The Little Model - Original Drypoint by Lino Selvatico - 1910
By Lino Selvatico
Located in Roma, IT
Hand signed. Includes passepartout (cm. 53x37). Lino Selvatico was an Italian painter. The elegance of his portraits is close to the atmosphere of the Post-Impressionism. This artwo...
Category

1910s Art by Medium: Engraving

Materials

Drypoint, Etching

Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...
Category

Mid-18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving, Mezzotint

Young woman in period costume from St. Gallen, Switzerland - Engraving 9x14 cm
Located in Geneva, CH
Work on paper Dimensions of the "passe-partout" frame 19.9 x 14.8 cm
Category

19th Century Realist Art by Medium: Engraving

Materials

Engraving

Indiarum Occidentalium Tractus Littorales cum Insulis Caribicis / Pascaert van W
By Louis Renard
Located in New York, NY
This early 18th-century engraved map was published by Louis Renard in Amsterdam. The image size is 19 x 22 " (48.3 x 55.9 cm) plus margins. A beautifully engraved Dutch sea chart. Shown is the entire Caribbean basin including the eastern seaboard up to Cape Cod and includes Bermuda. Florida is shown with the classic flattened southeastern coast that was derived by Hessel Gerritz. Noted are the routes taken by the Spanish treasure...
Category

18th Century Other Art Style Art by Medium: Engraving

Materials

Engraving

Purpura and Dragon, by Jakob Demus
Located in Palm Springs, CA
Purpura and Dragon, Op. 211, Diamond drypoint by Jakob Demus. Demus said of this print: ""I found the shell in Naples, the Taoist dragon was inspired by the famous handscroll by Chen...
Category

1980s Contemporary Art by Medium: Engraving

Materials

Drypoint

Figure - Drypoint on Cardboard by Mino Maccari - Early 20th Century
Located in Roma, IT
Figure is an original modern artwork realized by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original dry-point drawing on Ivory cardboard. Hand-signed in pencil n...
Category

Early 20th Century Art by Medium: Engraving

Materials

Drypoint

Two Handcrafted Foster Brothers Frames with Mezzotint by William Henderson
Located in New York, NY
Two Hand Crafted Foster Brothers Frames, Gilded, c. 1920 Wood and gold leaf 22 7/8 x 18 x 3/4 inches each Note: One frame contains a mezzotint by William Henderson. Established by S...
Category

1920s Art by Medium: Engraving

Materials

Gold Leaf

Narcissus
Located in London, GB
REDOUTE, Pierre-Joseph. Narcissus Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of botanic...
Category

19th Century Naturalistic Art by Medium: Engraving

Materials

Handmade Paper, Engraving

Big Horse, Black & Moorhead 46 very scarce 1932 engraving + drypoint signed 8/30
Located in New York, NY
Stanley William Hayter Big Horse (Black & Moorhead 46), 1932 Engraving & Drypoint on antique white Canson Vidalon laid paper affixed to original matting Hand signed, numbered 8/30 an...
Category

1930s Abstract Expressionist Art by Medium: Engraving

Materials

Engraving, Drypoint

Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13)
Located in Fairfield, CT
Artist: Salvador Dali (1904-1989) Title: Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid and carbonated television, Im...
Category

1970s Surrealist Art by Medium: Engraving

Materials

Mixed Media, Drypoint, Lithograph, Screen

Le Singe et le Leopard
Located in San Francisco, CA
Artist: Salvador Dali (Spanish surrealist, 1904-1989) Title: Le Singe et le Leopard Year: 1976 Medium: Engraving with hand color stencil Edition: Inscribed E....
Category

1970s Surrealist Art by Medium: Engraving

Materials

Engraving

Crispin de Passe Engraving of the Grand Écuyer (Squire) of France
Located in New York, NY
Crispin van de Passe The Younger (c. 1594-1670) Grand Écuyer de France or Grand Squire of France, c. 1620-1660 Engraving Sight: 11 3/4 x 15 3/4 in. Framed: 18 3/4 x 22 5/8 in. Crisp...
Category

17th Century Old Masters Art by Medium: Engraving

Materials

Engraving

William Woollett after Annibale Carracci - 19th Century Engraving, Italian Town
By William Woollett
Located in Corsham, GB
A charming engraving by William Woollett (British 1735-1785) after Annibale Carracci (Italian 1560-1609) depicting a picturesque rural landscape on the outskirts of an Italian town. ...
Category

19th Century Art by Medium: Engraving

Materials

Engraving

Mid 19th Century Figurative Scene from "Great Exhibition of 1851", London
By Lowes Cato Dickinson
Located in Soquel, CA
Hand-colored steel engraving of a the Turkish section of the Great Exhibition of 1851 by Lowes Cato Dickinson (British, 1819-1908). On verso i...
Category

1850s Aesthetic Movement Art by Medium: Engraving

Materials

Watercolor, Engraving

Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category

Early 18th Century Naturalistic Art by Medium: Engraving

Materials

Engraving

Mr. Thirteen (the insignificance of the significant)
Located in New Orleans, LA
"Mr. Thirteen" is an etching, engraving and drypoint created in 1995, edition: 12 signed in pencil. The print has an embossed chop in the lower right corner, a capital P in a circl...
Category

1990s Surrealist Art by Medium: Engraving

Materials

Etching, Engraving, Drypoint

Drypoint: Hand saw by Jim Dine, black and white tool still life sketch
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and plate size ( 9 x 6 in. / 23 x 15 cm.) are the same. This drypoint comes from the archive of the publisher Petersburg Press. Signed by the artist, numbered 7/10, and dated 1972 lower center in pencil. Edition 10: this impression 7/10. Here, the blade of a hand saw...
Category

1970s Modern Art by Medium: Engraving

Materials

Drypoint

Red Damsel (Human looks at small Tinker Bell like figure)
Located in New Orleans, LA
Lois Ward's "Red Damsel" is a color mezzotint created in 1994 in a very small edition of just 10. This impression is #2 of 10. A young human figure in green gazes down on a Tinker B...
Category

1990s American Modern Art by Medium: Engraving

Materials

Mezzotint

Lovers Conversation - Etching by A. Suares - 1926
Located in Roma, IT
Lovers is from Illustrations for Cressidra, a print on paper realized by André Suares in 1926.  Etching and drypoint Edition of 200 print. Good conditions.
Category

1920s Symbolist Art by Medium: Engraving

Materials

Etching, Drypoint

Cartusia Bruxellensis Monastery in Brussels: A 17th C. Hand-colored Engraving
Located in Alamo, CA
This is a 17th century hand-colored copperplate engraving entitled "Cartusia Bruxellensis" by Lucas Vorsterman, the Younger, after a drawing by Jacob van Werden or Jacques van Weerden, published in 1659 in Antonius Sanderus' book 'Chorographia sacra Brabantiae sive celebrium aliquot in ea provincia ecclesiarum et coenobiorum descriptio . . . Brussel' (A sacred chorography of Brabant, or a description of several famous churches and convents in that province). It also appeared in other publications by Sanderus. In the 17th century, Brussels was within the Duchy of Brabant. This engraving depicts a bird's-eye view of the Scheut Carthusian Monastery in Brussels. Scheut is a district of Anderlecht, a municipality of Brussels, Belgium. The monastery housed monks, who took a vow of silence, in 20 rooms. There is a central courtyard with trees and shrubs. Monks are depicted strolling along its pathways. The cells for the friars are in the middle the cloister. There are people along the streets in the foreground and to the right of the large, imposing monastery. Some are on horseback, others are walking. In the lower right, what appears to be a dog pulls a small cart containing barrels, possibly of beer or wine. Districts and neighborhoods are labelled in the background, including Scheut, Anderlecht and Ransfort. A very ornate cartouche in the lower left contains Latin and the artist's attribution. Another decorative cartouche in the upper central area contains the title. This beautifully hand-colored and detailed engraving is printed on laid, chain-linked paper with wide, full margins. The sheet measures 17.25" high and 21.25" wide. It has Latin text on the verso. It has a central vertical fold, as issued, which is reinforced on the verso. Two small spots in the lower margin may actually represent drops of watercolor paint used to color the engraving. It is otherwise in very good condition. Antonius Sanderus (1586-1664) was a Flemish Catholic cleric and historian. He was born "Antoon Sanders", but Latinized his name like many writers and scholars of his time. He was the author of several books, including 'Chorographia Sacra Brabantiae', which was illustrated with this engraving. Lucas Vorsterman the Younger (1624-between 1666 & 1676) was a Flemish Baroque engraver and draughtsman. He produced engravings after the work of contemporary painters and for books by Antwerp publishers. Jacob van Werden or Jacques van Weerden (active 1643-1669), was a Flemish draughtsman, cartographer, military engineer and archer who was active in the Habsburg Netherlands. His drawings were used as designs for prints executed by various printmakers. He worked on maps, topographical views, historical scenes, portraits and book illustrations. He had a career as a military engineer and a member of the guard of the Spanish King. He advised on various military engineering projects and was an engineer of the Spanish army...
Category

Mid-17th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Voyages fantastiques ...
Category

1950s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Wa-Bish-Kee-Pe-Na: 19th C. Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Wa-Bish-Kee-Pe-Na, The White ...
Category

1830s Naturalistic Art by Medium: Engraving

Materials

Engraving

Bout a Bout (Translation: From End to End) - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Christine Ravaux created Bout a Bout which is signed by pencil. This impression is...
Category

Early 2000s Modern Art by Medium: Engraving

Materials

Mezzotint

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

1950s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

Ramshackle Barn (de-accessioned from the Denver Art Museum)
Located in New York, NY
Asa Cheffetz Ramshackle Barn (de-accessioned from the Denver Art Museum), ca. 1929 Wood-engraving Pencil signed, numbered 27/100 and titled by the artist on the front 13 × 10 1/4 inches Unframed - affixed to matting De-accessioned from the collection of the Denver Art Museum Asa Chaffetz, "the engraver's engraver" This is the original numbered wood engraving from 1929; not a later re-print This print was honorable mention in the International Exhibition of prints, Art Institute of Chicago, 1929 Exhibited: New England engraved: The prints of Asa Cheffetz: An Exhibition of his wood engraving & an exploration of his life as an artist. Springfield, MA: Museum of Fine Arts, 1984 (A different example) Asa Cheffetz Biography: Born in Buffalo, New York, Cheffetz studied at the School Of The Museum Of Fine Arts in Boston under Philip Leslie Hale...
Category

1920s Realist Art by Medium: Engraving

Materials

Engraving

Männlicher Kopf im Profil (Male Head in Profile) /// German Expressionism Modern
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Männlicher Kopf im Profil (Male Head in Profile)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 219, page 45; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Overall size with attached page: 8.5" x 10.63" Sheet size: 8.5" x 5.38" Image size: 4" x 3.38" Condition: Toning to sheet (as normal). In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...
Category

1910s Expressionist Art by Medium: Engraving

Materials

Engraving, Woodcut

XIX century. A jeweled bow with tassels, in low gold. Neapolitan area.
Located in Firenze, IT
XIX century. A jeweled bow with tassels, in low gold. Neapolitan area. The jewel is a pendant, with a ring positioned on the back that allows you to pass a necklace even of a not sma...
Category

Late 19th Century Art Nouveau Art by Medium: Engraving

Materials

Gold

A. Schultz, Riders in Central Park (New York City)
Located in New York, NY
Such an innovative image on the classic 'Riders in the Park' theme! Further, the use of drypoint and the rather direct -- even aggressive -- drawing style, bring it into the German E...
Category

1930s American Modern Art by Medium: Engraving

Materials

Drypoint

19th Century Engraving by American Impressionist Herman Hyneman
Located in New York, NY
Herman Hyneman (American, 1849-1907) Untitled, c. 1880 Engraving Sight: 13 x 8 1/2 in. Framed: 26 1/2 x 20 1/2 x 3/4 in. Signed bottom The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...
Category

1880s American Impressionist Art by Medium: Engraving

Materials

Engraving

Persia & Afghanistan: A Framed Hand-colored 17th Century Map by John Cary
By John Cary
Located in Alamo, CA
This colorful and detailed early 18th century copperplate map by John Cary entitled "A New Map of Persia from the Latest Authorities" was published in London in 1801. It depicts Persia, the region of modern day Afghanistan, the Caspian Sea, the Sea of Aral, the Persian Gulf...
Category

Early 19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Columbines Pl.162 Original mezzotint by J.W. Weinmann
Located in Paonia, CO
“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...
Category

1740s Other Art Style Art by Medium: Engraving

Materials

Mezzotint

Le Harle Femell (The Female Merganser) /// Ornithology Martinet Bird Animal Art
Located in Saint Augustine, FL
Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Harle Femell (The Female Merganser)" (Plate 953) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...
Category

1770s Realist Art by Medium: Engraving

Materials

Engraving, Watercolor, Laid Paper, Intaglio

Tool Drypoint: Wrench by Jim Dine, black and white tool still life sketch
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category

1970s Modern Art by Medium: Engraving

Materials

Drypoint

The Tribute Money - engraving after Rembrandt - 19th Century
Located in Roma, IT
The Tribute Money is an engraving on ivory-colored paper realized after Rembrandt by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belo...
Category

19th Century Old Masters Art by Medium: Engraving

Materials

Engraving

Erotic Scene - Héliogravure by Micheal Von Zichy - 1911
Located in Roma, IT
Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...
Category

1910s Modern Art by Medium: Engraving

Materials

Paper, Engraving

Thomas Willis, MD, 17th C. Pioneer of Neurology & Psychiatry: 18th C. Portrait
Located in Alamo, CA
This is an 18th century copperplate engraved portrait of the 17th century physician and scientist Thomas Willis, MD from "The Heads of Illustrious Person...
Category

1740s Art by Medium: Engraving

Materials

Engraving

Em Qualquer Canto (Anywhere) The complete portfolio of 13 engravings
Located in San Francisco, CA
This portfolio titled "Em Qualquer Canto (Anywhere)" by Brazilian artist Marcio Perigo, b. 1949 is composed of 13 original engravings on German paper, all hand signed, numbered 4/20 ...
Category

Late 20th Century Abstract Expressionist Art by Medium: Engraving

Materials

Engraving

Arising
Located in Fairlawn, OH
Arising Mezzotint, 1942 Signed in pencil lower right (see photo) Publisher : Issued by the Miniature Print Collectors Society. Edition: 200 Condition: Mint Archival framing wit...
Category

1940s American Modern Art by Medium: Engraving

Materials

Mezzotint

Gray Evening Sorrento
Located in Palm Springs, CA
This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth centur...
Category

21st Century and Contemporary Contemporary Art by Medium: Engraving

Materials

Mezzotint

"Untitled" 2003 Original BAT (Bon a Tirer) Sugarlift Engraving Aquiatint Mexican
Located in Miami, FL
Sergio Hernandez (Mexico, 1957) Untilted, 2011 woodcut on paper 28.6 x 21.7 in. (72.5 x 55 cm.) Excellent condition, unframed Edition of 30 Ref: HER-107
Category

2010s Contemporary Art by Medium: Engraving

Materials

Ink, Engraving, Etching, Aquatint

Looking Up (left profile of a man looking toward the heavens)
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes several spirit-like creatures seeming to wander in an unknown landscape He moves images around on the paper to create ...
Category

Late 20th Century Surrealist Art by Medium: Engraving

Materials

Mezzotint

Scopes
Located in New Orleans, LA
The marriage between the art of science and the art of seeing was cemented by the invention of the lens. It is FIROS #48 in the catalogue raisonne. Carol Wax originally trained to b...
Category

Late 20th Century American Modern Art by Medium: Engraving

Materials

Mezzotint

Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Southampton, NY
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category

1950s Modern Art by Medium: Engraving

Materials

Drypoint, Etching

L'homme calculateur, Société internationale d'art XXe siècle
Located in Southampton, NY
Engraving on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate with symbol and unnumbered, as issued. Catalogue raisonné references: Ernst, Max, et al. Ma...
Category

1930s Modern Art by Medium: Engraving

Materials

Engraving

Orpheus. Drypoint print, Black & white, Blue, Polish artist
Located in Warsaw, PL
Contemporary figurative monochromatic mezzotint print by Polish artist Ewa Kutylak. Print depicts a wanderer with a lantern going down the road. On the left there is a mysthical crea...
Category

Early 2000s Contemporary Art by Medium: Engraving

Materials

Paper, Drypoint

Composition (Cramer 99), Le Septieme Chant, André Masson
Located in Southampton, NY
Engraving on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Le septième chant, la mort d'Isidore Ducasse, Jeudi 24 Bove...
Category

1970s Surrealist Art by Medium: Engraving

Materials

Engraving

Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793) Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...
Category

1780s Old Masters Art by Medium: Engraving

Materials

Laid Paper, Engraving, Intaglio

THE TRAWLERS
By George Elmer Browne
Located in Portland, ME
Browne, George Elmer (American, 1871-1946). THE TRAWLERS. Drypoint, not dated. Edition size not stated. Titled and signed in pencil. In excellent condition.
Category

20th Century Art by Medium: Engraving

Materials

Drypoint

17th century etching black and white landscape harbor ruins figures scene
Located in Milwaukee, WI
"Harbour Scene" is an engraving by Claude Gellee (Le Lorrain). The artist signed the piece in plate lower left. 7 3/4" x 9 5/8" art 18 1/8" x 20 1/4" frame Biography Claude Lorra...
Category

Mid-17th Century Old Masters Art by Medium: Engraving

Materials

Engraving

In Memory of an Historic Phrase
Located in New Orleans, LA
Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5. Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...
Category

1970s Modern Art by Medium: Engraving

Materials

Mezzotint

Flowering Pomegranate & Rock Rose: A 17th C. Besler Hand-colored Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Cistusflore Albo, Balaustium Flore Minori Romanum, Cotinus", depicting flowering Pomegranate, Rock Rose...
Category

1640s Academic Art by Medium: Engraving

Materials

Engraving

Frog Cog
Located in New Orleans, LA
Carol Wax describes her circular images as "most often quasi abstract works that refer to ancient islamic designs using the shapes and attributes of animals, in this case the frog. T...
Category

Late 20th Century American Modern Art by Medium: Engraving

Materials

Mezzotint

A river. Drypoint print, Limited edition, Black and white, Polish artist
Located in Warsaw, PL
Contemporary figurative black and white drypoint and copperplate print by Polish artist Ewa Kutylak. This surrealistic print depicts a man watering a river, there are fish in the wat...
Category

Early 2000s Contemporary Art by Medium: Engraving

Materials

Paper, Drypoint, Mezzotint

Engraving art for sale on 1stDibs.

Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.

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