Art by Medium: Etching

This whimsical and surreal etching by Mexican artist Maximino Javier, dated 1984, embodies his unique visual language that blends fantasy, folklore, and satire. Executed with intrica...

'The Bear Trap' Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Fore...

London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, and bearing Frederick Marryat's anchor monniker. A well inked impression of this humorous print...

Etching on paper realized by Giovanni Gromo in 1980s. Hand signed in pencil lower right. Not numbered.

The Deserted Palace. 1928. Etching. Hardie/Carter 236. 8 1/2 x 10 (sheet 10 1/2 x 12 3/8). Edition 80, #53. A rich impression printed in bistre ink with pl...

Frantisek Kupka, Czech (1871 - 1957) - Abstract Composition (Color). Year: 1913, Medium: Color Etching on Richard de Bas, stamp signed and signed in the plate, Image Size: 6 x 13.5 i...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Cottages Beside a Canal, B228, Year: Of Original 1645, Medium: Etching, Image Size: 5.5 x 8.25 inches, Size: 13.75 ...

Image dimensions: 24.5 x 19 cm. Hand signed. Edition of 100 prints on Hollande paper. From the collection: “Croquis du Front Italien”, published in Paris by D'Alignan editions. Anse...

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous artist in the 18th century. ...

Original Ex Libris, includes passpartout. Etching on paper. Hand signed. 

This sepia-toned etching depicts a serene pastoral landscape, with a majestic mountain dominating the background while lush trees frame the foreground. The composition masterfully ba...

Pierre Alechinsky (1927) - Autour de chute Etching and aquatint from 1979. The edition of 23/60. Dimensions of work: 60 x 98 cm. Hand signed. Another example of this etching wit...

Chevaliers et Sorcieres is a black and White etching realized by Charles Amédée De Boret in the 1860s.  Titled in the lower. Image size: 31x23. Very good impression with wide marg...

Noblewoman is an amazing black and white etching on cream paper, made by the French artist and engraver, Jean Coraboeuf (1870-1947), grand prix de Rome in 1898 and successful worldly portraitist. Monogrammed on plate on lower right corner, signed and dated on plate on lower margin at the center, and hand-signed in black inck on lower right margin. This original print realized with a very fluid and sure touch, represents a noblewoman charms still today for her beauty and elegance. Because of the Neoclassical fashion, her hairstyle, her pose on the triclinium, it is possible to recognize the woman in the person of Paolina Borghese...

This artwork titled "Fireside Christmas" c. 1985 is an original color etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 158/250 in pencil by the artist. Published and printed by the artist. The image (plate mark) size is 11.5 x 17.65 inches, sheet size is 19.25 x 25.25 inches. it is in excellent condition, has never been framed. About the artist: Scott Fitzgerald received his Master’s Degree in Arts from California State University Fullerton, and went on to teach drawing and printmaking for 2 years at the university. During his college years, he focused his study in contemporary art and photography, creating mixed media works often with social comments. It was not until the sophomore year, he discovered the traditional art of etching in his printmaking class. Immediately, he embraced the complex and difficult technical process of making prints from etching on copper plates. Scott Fitzgerald established himself as a prominent printmaker in the next few years. With a strong interest in history, he accepted a commission to produce a series of etching depicting 15 Orange County historical landmarks. Besides producing very intricate prints in various sizes, he has engaged in many special projects. He worked with renowned English printer John Randle to produce a group of etchings...

Abstract modern aquatint etching in black and white, circa 1960. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard...

Salvador Dali The Betrayers of Their Hosts (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") Ref...

Theo Wujcik (1936-2014): Billy Al Bengston, 1970. Etching in black on wove paper. Unsigned. 9 x 8 in. (sheet), 10 x 9 in. (frame). Custom welded brass frame with resolved corners a...

Composition is an original black and white etching realized by Giulio Turcato in 1964. Hand signed on the lower right margin. Numbered on lower left. Edition of 102 copies (16/102)...

Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...

George Condo is a New York-based artist known for his psychologically charged paintings and drawings that combine traditional art references with cartoonish distortions. His work is ...

Head of Oedipus is an etching print on paper realized by Giacomo Manzù in 1970. Hand-signed and numbered. Edition of 125 prints. Published in the series of artwork: "Giacomo Manzù: Fifteen original etchings and aquatints", by Touchstone Suite, New York, 1970. Good conditions. Giacomo Manzù (Bergamo, 1908- Ardea, 1991), pseudonym of Giacomo Manzoni, was a famous Italian artist and sculptor. He devoted himself to sculpture, but also to drawings, etchings and paintings, often centered on female models...

Lithograph realized in 1990s. Hand signed and numbered in pencil. Edition of 120. Very good condition.

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

Artist: Gilou Brillant, French (1935 - ) Title: untitled 30 Year: circa 1974 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 58/110 Size: 30 x 22 in. (76.2 x 55...

Andre Masson, French (1896 - 1987) - Dragon vert, Medium: Etching and aquatint, signed and numbered in pecnil, Edition: 14/50, Image Size: 10.5 x 8 inches, Size: 16.25 x 13 in. (41....

Antoni Tapies (Spain, 1923-2012) 'Grille de papier colle', 1976 aquatint, collage, lithograph on paper Velin Arches 250 g. 24.9 x 35.5 in. (63 x 90 cm.) Edition of 50 Unframed ID: TA...

Theo Wujcik (1936-2014): Ed Moses, 1970. Etching in black on wove paper. Unsigned. 9 x 8 in. (sheet), 10 x 9 in. (frame). Custom welded brass frame with resolved corners and natura...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Hommage a Picasso (Cannes) (Cote d'Azur)" *Signed by Dali in pencil lower right Year: 1973 Medium: Original Drypoint Etching on Riv...

ANTON SCHUTZ MANHATTAN c 1940 Etching, signed in pencil, edition 100, no. 15/100. On thin simili-japan paper. Very slight toning around plate mark. Remnants of old tape on verso, s...

The illustrated title page to The English Dance of Death, designed and etched by Thomas Rowlandson, one of the most celebrated British caricaturists and satirical artists of the late...

Antoni Tapies (Spain, 1923-2012) 'Oval i blanc', 1982 etching, aquatint, carborundum on paper Guarro Biblos 250g. 22.1 x 30 in. (56 x 76 cm.) Edition of 99 Unframed ID: TAP1162-018 H...

ARTIST: Salvador Dali TITLE: 8 Mortal Sins Suite Anger Avarice Dalinean Envy Gluttony Lust Pride Sloth MEDIUM: 8 Etchings SIGNED: Each piece is Hand Signed PUBLISHER: Jean Schne...

Artist: Malcolm Morley, British (1931 - 2018) Title: Pigs Year: circa 1980 Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 23 x 18 inches Size: 30 in. x 22 in...

Marsh, Reginald. SUBWAY - THREE PEOPLE. S. 149. Etching, 1934. 9 x 7 inches; 228 x 178 mm. Numbered "10b," and signed in pencil "Reginald Marsh (F.M.)" b...

Miguel Castro Leñero (Mexico, 1956) 'Caballo de Batalla I', 2019 Engraving on paper Intaglio 300 g. 29.8 x 47.3 in. (75.5 x 120 cm.) Edition of 30 ID: CAM-101

Etching hand colored realized by Tommasi Ferroni in 1970s. Edition of 100. Hand signed and numbered. Very good condition.

The custody is as barbarous as the crime (Tan barbara la seguridad como el delito) is an artwork realied by Francisco Goya y Lucientes, 1867. Paris: Delâtre, 1867. Etching and burin. cm. 10.5x8.4.Sheet 21x16.2. Excellent proof of III state and first edition after the appearance of the letter and the bevel of the plate, published in the Gazette des Beau-Arts, vol. XXII, p. 196. Ref. Harris 26 Intact sheet with wide margins. Slight exposure yellowing around image. Francisco José de Goya y Lucientes (Fuendetodos, March 30, 1746 - Bordeaux, April 16, 1828) was a Spanish painter and engraver. Considered the pioneer of modern art, he was one of the greatest Spanish painters who lived between the late eighteenth and early nineteenth centuries. His paintings, drawings and etchings of him reflected the ongoing historical upheavals and influenced the most important contemporary and following century painters. Goya is often referred to as the last of the old masters and the first of the moderns. Born into a middle-class family in 1746 in Aragon, he was a pupil of painting from the age of 14 to José Luzán y Martínez, later moving to Madrid to study with Anton Raphael Mengs. In 1786 he became court painter to the Spanish crown and this first part of his career was characterized by numerous portraits of members of the Spanish aristocracy and royal family, as well as by the production of rococo tapestries for the royal palace. In 1793 he suffered from an undiagnosed serious illness which left him deaf, after which his work became progressively darker and more pessimistic. His subsequent paintings seem to reflect a bleak vision of existence, which contrasts with his resounding social ascent: in 1799, in fact, he became Primer Pintor de Cámara (First Court Painter), the highest rank for a Spanish court painter . In late 1799, commissioned by Godoy, he completed his Maja desnuda, a remarkably bold nude for the time and clearly inspired by the style of Diego Velázquez. In the early 19th century he painted The Family of Charles IV, again influenced by Velázquez. In 1807, Napoleon led the Grand Army in the Peninsular War against Spain. During the conflict Goya remained in Madrid and, although he never expressed his thoughts in public, it seems that these facts affected him deeply, as can be seen from some of his works such as The Disasters of War, The 2nd of May 1808, The 3rd May 1808. Other works of his maturity include a wide variety of paintings concerning madness, asylums, witches, fantastic creatures, and religious and political corruption, which suggest that he feared for his mental and physical health. His later period culminates with the Black Paintings of 1819-1823, made in the Quinta del Sordo, his home on the outskirts of Madrid where he lived, disillusioned by political and social developments in Spain, in a situation of almost isolation. Finally, in 1824, Goya decided to abandon Spain to retire to the French city of Bordeaux...

Artist: Manuel Robbe (French, 1872-1936) Title: Le Retour Des Pecheurs Year: 1933 Medium: Etching with aquatint Paper: B.F.K Rives Image (plate mark) size: 1...

Image dimensions: 10 x 7 cm. Untitled is an original mixed media colored etching realized by an italian master in 1994 Hand signed (not readable) and dated on the lower right margi...

Louis Icart, French (1888 - 1950) - Madame Bovary, Year: 1929, Medium: Color Etching, Signed in Pencil, Image Size: 16 x 20.5 inches, Frame Size: 40 x 43 inches, Reference: Figu...

Salvador Dali - The Winged Demon - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12"....

Manolo Valdes La Dama de Argel, 1997 Etching and collage on handmade paper Edition 10 of 50, published by Marlborough Graphics, NY 39 x 28 inches Includes a Certificate of Authentici...

Plate from Histoire Naturelle, générale et particulière, Tom. V, Pl. XXIX, p. 300. Paris, 1771. Etching and engraving on laid paper. Sheet size: 24.5 × 19.5 cm. A finely engraved z...

Le Renard is an etching realized by Jean Charles Baquoy in 1771. It belongs to the suite "Histoire Naturelle de Buffon". The Artist's signature is engraved lower right. Good condi...

ARTIST: Salvador Dali TITLE: Tauramachie Surrealiste The Giraffe on Fire MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: LXIV/C MEASUREMENTS: 20" x 26" YEAR: 1970 FRAMED:...

Washington At Pohick Church - 1932 Etching On Paper 1932 black and white etching depicting George Washington at Pohick Church by Ernest David Roth (German, 1879-1964). George Washin...

Artist: Joan Miro Title: Grans Rupestres II Medium: Aquatint Etching Size: 27"h x 35"w Frame: 47.25"h x 39" Edition: X/15 Inscription: Signed and numbered Catalogue Raisonne Citation...

The So-Called Tempio della Tosse, Near Tivoli. Interior Upright (Veduta interna del Tempio della Tosse) "Temple of the Cough" Etching, 1764 Signed in the plate From: Vedute di Roma...

Salvador Dali (Spanish, 1904-1989), "Le Dos Divin de Gala" [Gala's Divine Back], Drypoint Etching with Pochoir, 1974, from "After 50 Years of Surrealism", published by Atelier Rigal,...

Louis Icart Woman with Tall Hat Original etching and stencil Printed signature in the plate On vellum 19 x 29 cm (c. 8 x 12 in) Excellent condition

Table from Buffon's Histoire Naturelle, Générale et Particulière, Tom. XI Paris: Imprimerie Royale, 1771 Plate XIX, p. 276 Copper engraving Sheet size: approx. 24.5 × 19.5 cm This a...

Jim Dine Self Portraits (1971) Portfolio of nine drypoints, each from one 20.3 x 15.2 cm (8 x 6 inch) copper plate Printed in brown-black on she...

Artist: Manuel Robbe (French, 1872-1936) Title: Les Sardinieres Year: 1933 Medium: Etching with aquatint Paper: B.F.K Rives Image size: 11 x 15 inches Signature: Signed in pencil b...

This artwork titled "Diex, Carinthia, Austria" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. Published/printed by Graphics International, Austria. The plate mark (image) size is 13.75 x 10.75 inches, sheet size is 20.5 x 16.15 inches. It is in excellent condition, has never been framed. About the artist. Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman. His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...

Etching and drypoint on paper. Hand signed, dated and numbered. Editions of 20. Very good condition.

Image dimensions: 44.5 x 37 cm. Hand Signed lower right in pencil. Very good conditions.

Jim Dine has expertly sketched the accomplished French poet and coffee trader Arthur Rimbaud. A vignette of dark brown surrounds his thin, fine features, which are defined with a flu...

Dan Flavin (American, 1933-1996) Untitled (Triptych), 1996-98 Medium: Set of three aquatints on handmade rag paper Dimensions: each 50 x 40 cm (19.75 x 15.75 in) Edition of 60: Each ...

Etching and aquatint, 1964 Edition : 9/24 Publisher : Le Point Cardinal (Paris) Printer : Georges Visat (Paris) Catalog : [Sabatier 1975 68.121] 32.50 cm. x 25.50 cm. 12.8 in. x 10....