Art by Medium: Etching

Surreal Fantasy is a 1967 original limited edition ( 18/30 ) black and white signed etching by Italian artist Alberto Longoni in good condition. ...

This artwork titled "An Old Friend" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbered 5...

S. Caterina della Ruota Church is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi ...

Head of Oedipus is an etching print on paper realized by Giacomo Manzù in 1970. Hand-signed and numbered. Edition of 125 prints. Published in the series of artwork: "Giacomo Manzù: Fifteen original etchings and aquatints", by Touchstone Suite, New York, 1970. Good conditions. Giacomo Manzù (Bergamo, 1908- Ardea, 1991), pseudonym of Giacomo Manzoni, was a famous Italian artist and sculptor. He devoted himself to sculpture, but also to drawings, etchings and paintings, often centered on female models...

Dans la Poudrière - from "Le Croquis du Front Italien" is an Etching and Drypoint realized by the Italian Artist Anselmo Bucci, in 1917. Hand signed on the right margin . Edition n. 68/100 specimens on Hollande paper. From the collection: “Croquis du Front Italien” , published in Paris by D'Alignan editions. Good conditions, except for a light yellowing of the paper. Anselmo Bucci (1887-1955) was an Italian painter and printmaker. He took part in the Salon des Indépendants from 1910 on. He enlisted in the Volunteer Cyclist Battalion in 1915 and he became one of the most famous Italian war...

Welliver, Neil. BROWN TROUT. Etching and aquatint, 1978. Edition of 50. Signed and numbered 16/50, and signed in pencil. 26 1/2 x 36 13/16 inches (sheet). ...

Abeilles is a black and White etching realized by Alfred Emile Méry in the 1866.  Titled in the lower. Image size:24x31. Very good impression with wide margins and a very fresh in...

Terral is a small, richly layered abstract composition by Christian Bozon, created using drypoint and aquatint. Broad areas of saturated red are set against lighter, textured passage...

Etching hand colored realized by Tommasi Ferroni in 1970s. Edition of 100. Hand signed and numbered. Very good condition.

Landscape is an original Modern artwork realized by Israel Henriet (Nancy, 1590 - 1661) in the second half of the XVII Century. Original B/W Etching on ivory cardboard. Inscripte...

Le Port de Monaco is an artwork realized by Appian. Etching, realized in 1874. Sheet 158 x 237 mm.. Curtis and Prouté 36. Meeting of a very beautiful proof on white laid paper, f...

Medium: Etching and aquatint Year: 2005 Image Size: 9 x 36 inches Sheet Size: 48 x 16 inches A strong abstract image using a mix of intaglio techniques, 4 feet in height. This is a ...

This artwork titled "Persenbeug Castle, Austria" c.1930 is a color etching and aquatint on watermarked Kasimir Vienna Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is ha...

One of 100 copies.MARIAN BOCIANOWSKI (born in 1954) In 1983 Bocianowski received his diploma in graphic arts from the Department of Graphic Arts at PWSSP in Łódź. He practices graphi...

Auguste Rodin, French (1840 - 1917) - Buste de Bellone, Year: 1883, Medium: Etching on Japon, Image Size: 6 x 4 inches, Size: 13 x 9 in. (33.02 x 22.86 cm), Reference: Thorson 11, ...

4 prints: Moon Rising 1, Moon Rising 2, Moon Rising 3, Moon Rising 4 Softground etching with chine colle Image size: 6.75 x 6 in. Paper size: 13.5 x 10 in. Frame size: 15.5 x 12.25 i...

Lido (Venice) Etching on chine collee, 1880 Part of the artist's "Venice Set" Signed upper right in plate :Otto H Bacher" (see photo) Signed with the estate stamp, Lugt 2002 recto lower right beneath image. (see photo) Created October 20, 1880 Reference: Andrew Venice No. 29 Provenance: Estate of the Artist Otto H. Bacher (1856-1909) Otto Henry Bacher was born in Cleveland, Ohio, to a family of German descent. He first studied art at the age of sixteen with local genre trompe l'oeil still-life artist, DeScott Evans. Although he studied with Evans for less than one year, Bacher's early work, comprised mainly of still lifes, betrays Evans's influence. After a short period in Philadelphia, where he studied at the Pennsylvania Academy of the Fine Arts, Bacher returned to Cleveland and met Willis Seaver Adams, an artist from Springfield, Massachusetts, who had just recently arrived upon the Cleveland art scene. Soon the two artists were rooming together. Adams was instrumental in the founding of the Cleveland Art Club, as well as the establishment of the Cleveland Academy of the Fine Arts, to the board of which Adams had Bacher appointed. Also during this time, Bacher began to learn the process of etching from local etcher and landscape painter Sion Longley Wenban. In 1878, Bacher and Adams left for Europe. After stopping briefly in Scotland, Bacher went on to Munich, where he enrolled at the Royal Academy. He quickly tired of the rigors of the academy, and soon he was studying with Cincinnati artist Frank Duveneck, the prime American exponent of the Munich School. In 1879, Bacher made a trip to Florence with Duveneck as one of the celebrated "Duveneck Boys." Early the following year, the group proceeded to Venice, where Bacher and several other artists established studios in the Casa Jankovitz. By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching. Soon Bacher, Duveneck, and other members of the Duveneck circle were experimenting in printmaking. Among the group's contributions were some of the first American examples of monotypes, which they called "Bachertypes" because they were printed using Bacher's press. It was also in Venice that Bacher met the venerable American expatriate artist, James McNeill Whistler. On learning of Bacher's press and his collection of etchings by Rembrandt, Whistler made himself a regular visitor to Bacher's studio, and he eventually took his own room in the Casa Jankovitz. Bacher spent much of the rest of 1880 with Whistler, the two artists sharing etching techniques. From Whistler, Bacher learned tone and line graduation; from Bacher, Whistler learned his etching techniques, including better ways of using the acid bath which produced less tedious and more efficient work. Bacher visited Whistler occasionally in the years that followed, and in 1908 he published With Whistler in Venice, his famous recollections of his time with the great artist. Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects. Bacher sent several of these works to America in 1881 to be included in the Society of American artists exhibition that year, and had a similar group of works shown at the Royal Society of Painter-Etchers' first exhibition at the Hanover Gallery in London. Following the exhibition, Bacher, along with several other of the American contributors, was elected a Fellow of the Society. Bacher collected twelve of his etchings of Venetian subjects and sold them in bound volumes through his New York dealer, Frederick Keppel. Bacher returned to Cleveland in January 1883 as a fully cosmopolitan artist. He set up a lavish studio furnished with exotic items and objets-d'art he had collected on his travels, and began to hold art classes as a means to supplement his income. He soon joined with Joseph De Camp in forming a summer sketch class in Richfield, Ohio. Bacher and De Camp also planned the Cleveland Room for a major loan exhibition in Detroit that year. During this period, Bacher increasingly painted in oil, and he began to produce sun-dappled canvases in an impressionistic mode. Unable to sell any paintings from this early period, however, Bacher left Cleveland for Paris in 1885, where he planned to undertake further studies. Stopping first in London to visit Whistler, Bacher stayed only briefly in Paris before heading to Venice, where he spent the remainder of the year. In January 1886, Bacher returned to Paris and enrolled at the Académie Julian, and also entered the atelier of Emile-Auguste Carolus-Duran. The life of the student seems never to have suited Bacher, as he stayed in Paris only through June, before departing again for Venice. For the next six months he, Robert Blum, and Charles Ulrich...

Guillermo Silva Santamaria, Colombian (1922 -2007) - Vencedor y Vencido, Year: 1963, Medium: Etching, Aquatint and Intaglio, signed, titled, numbered and dated in pencil, Edition: ...

Still Life is an original print in etching and drypoint on white paper realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through ...

Linda Plotkin, American (1938 - ) - Moshannon, Year: circa 1965, Medium: Etching on BFK Rives, signed, titled and numbered in pencil, Edition: 6/55, Image Size: 5.75 x 5.75 inche...

Chiesa e Monastero delle Vergini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good condition...

Composition is an original Etching realized by Gian Paolo Berto in 1975. Hand signed, sated and numbered by the artist with pencil on the lower right corner. Good condition on a wh...

This is an etched rendition of a painting by Frank Dicksee. Harmony is one of the most well-known pictures by Dicksee, depicting a young man staring adoringly into the eyes of a girl...

Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...

Chiesa di Paolo Primo Eremita is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower mar...

The Revelation is an original etching artwork realized by William Bromley for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankin...

Manhattan Excavation David Muirhead Bone, Scottish (1876–1953) Etching on wove paper, signed in pencil lower right Image Size: 12.25 x 10.25 inches Size: 18 x 13 in. (45.72 x 33.02 cm)

Medium: Etching Year: 2022 Edition Size: 35 Image Size: 8.088 x 6.75 inches Paper Size: Zerkall Copperplate Cream (yellow) (15" x 12") An hommage to Odilon Redon's 1878 print Eye-Ba...

Dove is anEtching realized by Enotrio Pugliese in 1963. Limited edition of 16 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugliese (May ...

Grace is an Original Etching and Drypoint realized by Willette (Adolphe Léon). Good condition included a white cardboard passpartout (49x32 cm). Titled "Grace!...Je suis une petite...

The Arrival of the Angel is an old master artwork realized by Simone Cantarini in 17th Century. Black and white etching. Image dimensions: 21x17 Mo...

Hand signed and dedicated in red pencil. Signed on plate top left. Ardengo Soffici was an Italian painter, intellectual, poet and writer. He was an exponent of the Futurism even if ...

Artist: Tom Marioni – American (1937- ) Title: Finger Print Year: 1991 Medium: Color soft ground etching with sugar lift aquatint, drypoint, fingerprint ...

I rare Edition, by Edizioni ERI-RAI, published in 80 pieces numbered and hand signed by the Artist. Very good conditions. This artwork is shipped from Italy. Under existing legislat...

Marc Chagall (1887-1985) - La Thora Rouge Etching and aquatint from 1981. An unnumbered and unsigned copy outside from signed edition of 60. Dimensions of sheet: 49.5 x 32.5 cm D...

William Walcot 1874 - 1943, was one of the most celebrated architectural draughtsmen and printmakers working in England between the two World Wars. Known as "the architects' etcher,"...

Palazzo Pontificio sul Quirinale is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margi...

Measure for Measure is an artwork realized in 1968. Colored Drypoint Etching. Printed by Ateliers Rigal at WUCUA. From the series Shakespeare I, 1968. Edition LXVII/XCV. Inscr...

Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...

Pierre Alechinsky (1927) - S aspiré Etching from 1988. The edition of 12/70. Dimensions of work: 70 x 70 cm. Hand signed. The work is in Excellent condition.

Etching realized by Fuchs in 1967. Hand signed lower right in pencil. Framed. Edition of 66/90.

1970's modernist anthropomorphic animals at a bar by Stephen Martin (American, 20th Century). Several animals sit at a bar, with a few in the b...

Chemin des Roches is a black and White etching realized by Appian in the 1860s.  Titled in the lower Image Size: 34x23 Very good impression. Realized for the "Société des Aquafor...

"John Wayne" original etching by Al Hirschfeld. Caricature portrait of John Wayne in "She Wore A Yellow Ribbon." Hand pulled from an edition of 200 plus 15 artist's proofs in 1982. H...

Pastoral is an abstract drypoint with aquatint by Christian Bozon, composed of layered fields of color that evoke a simplified landscape. A warm band of rust and ochre rests above a ...

Panthère noire is a wonderful etching and aquatint on cream-colored laid paper, realized in 1901 by Evert Van Muyden (1853-1922). Signed and dated on plate, this beautiful plate was...

Created with a sensitive attention to color and value, this work is one of many floral motifs Braque depicted in his lifetime. Deeply saturated tones of ochre and brown express a subdued mood, while the hints of highlights convey to the viewer a sense of brightness and energy. A cluster of yellow daisies emerge from a simple ochre vase...

Where Reindeer Roam by Tim Southall - As dawn breaks in the frozen north, a herd of reindeer roam across a winter landscape. This print is made on a copper plate using acid to etch t...

This soft ground etching was made using natural plants. Printed with etching inks on Fabriano paper. This print is a variable edition of 100, so each print is unique. Charlie Davies,...

David Shrigley Tea - I could live without it but it would not be a very good life, 2020 Etching on 250gsm Somerset Paper 38 x 29 cm - paper size 49 x 40 cm - Framed Edition 9 of 20 h...

The Physiognomy - The owl and peacock is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge...

¿Quién más rendido? is an original etching realized by Francisco Goya and published for the first time in 1799. Etching on wove paper. The plate is part of the Third Edition of "Lo...

Ophelie is a print realized in the late 19th Century by Edmond Hedouin after Eugène Delacroix. Etching on creamy paper. Signed on the plate, titled. Good condition with foxing due...

Signed in pencil Numbered 16/50 Chagall worked extensively in etching and aquatint during the later decades of his career, producing numerous independent compositions and illustr...

Ancient Roman Fresco from the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditio...

Signed, titled and numbered from the edition of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect t...

Etching and drypoint realized by Sergio Barletta. Hand signed and numbered. Edition of 30 in roman numbers. Very good condition.

Detailed mid-century modern figurative abstract etching by Gianpaolo Berto (Italian, 1940-2003). This etching features a central female figure, with layers of detailed embellishments...

Big Dipper, 1982 Ed Ruscha Aquatint in indigo and black, on wove paper Signed, dated and inscribed 'A. P. 4' One of ten artist's proofs aside from the edition of 10 Published by C...

Durham is a black and White etching realized by William Ridley (1764-1838), and printed in the 1860s.  Titled in the lower. Image size: 13x21. Very good impression with wide margi...