Art by Medium: Etching

Plate XVI, p. 154, from Histoire Naturelle, Générale et Particulièr, Paris 1771. Copper engraving. Paris, 18th century. Sheet size: approx. 24.5 x 19.5 cm. A finely engraved zoologi...

Tome X – Plate LVII, p. 362, from Histoire Naturelle, Générale et Particulière., Paris 1771. Copper engraving. Paris, 18th century. Sheet size: approx. 24.5 x 19.5 cm. A refined ana...

Tome X – Plate LVI, p. 362, from Histoire Naturelle, Générale et Particulière, Paris 1771. Copper engraving. Paris, 18th century. Sheet size: approx. 24.5 x 19.5 cm. A finely engrav...

Tome X – Plate LIV, p. 348 from Histoire Naturelle, Générale et Particulière, Paris 1771. Copper engraving. Paris, 18th century. Sheet size: approx. 24.5 x 19.5 cm. An important com...

Tome X – Plate VIII, p. 50 from Buffon's Histoire Naturelle, Paris, 1771. Copper engraving. Paris, 18th century. Sheet size: approx. 24.5 x 19.5 cm. A finely executed anatomical eng...

Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, and the Russselet de Rheims, or Gross Russelet varities). Aquatint, engraving with some st...

Artist: Will Barnet, American (1911 - 2012) Title: The Skaters Year: 1988 Medium: Etching and Aquatint, signed and dedicated in pencil Edition: Trial Proof...

Artist: Dali, Salvador Title: Naphtali Series: Twelve Tribes of Israel Date: 1972 Medium: drypoint with stenciled color Unframed Dimensions: 25.75" x 20" Framed Dimensions: 34...

This piece is an original color etching and aquatint by Marc Chagall, done in 1975-76. From the album titled "Celui Qui Dit Les Choses San Rien Dire", co...

Isca Greenfield-Sanders Bright Beach Direct to plate photogravure and aquatint. Edition of 50

Lars BO Surrealist encounter (Le Rêve de Jean Valjean 7/8), 1975 Original etching Handsigned in pencil On Japan paper 36 x 45 cm (c. 14,1 x 17,7 inch) Edition limited to 100 unnumbe...

This artwork titled "Chemin de Halage" c.1930 is a color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943. It is hand signed and titled in penci...

Etching, 1998 Handsigned by the artist in pencil and numbered 6/100 Publisher : Editions de l'Herne (Paris) 48.00 cm. x 35.00 cm. 18.9 in. x 13.78 in. (paper) 29.00 cm. x 20.00 cm. ...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Aldate's From Carfax (1813) Aquatint with original hand colouring 27 x 21 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Portrait is an original Etching realized by Theodule Ribot in the 19th Century. Good condition.

IRIS 2 Date of creation: 2006 Medium: Etching on Paper Edition: 50 Size: 100 x 70 cm Condition: In very good conditions and never framed Observations: Etching on paper signed by the ...

This Ipomée (sweet potato) is one of a series of beautifully rendered flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary and...

This Amaryllis is one of a series of classically beautiful renderings of flowers by Franco-Iranian artist Marjan Seyedin. Marjan has a contemporary an...

ARTIST: Salvador Dali TITLE: Poems Secrets Frontispiece MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet, Paris EDITION NUMBER: 75/145 MEASUREMENTS: 15.15"...

Hand signed and numbered. Edition of 50 prints. Reference: Catalogue Battisti n.32. Armando Buratti (Rome, 1924), is an italian artist and painter. His first exhibition was held in...

Clark, Roland (American 1874-1957). JACK SNIPE. Etching, 1928. Edition of 70. Signed in pencil. 8 1/2 x 12 inches. In excellent condition.

Plate from Buffon's Histoire Naturelle, Générale et Particulière Tome III, Plate IV, page 224 Paris: Imprimerie Royale, 1771 Copperplate engraving on laid paper (approx. 24.5 × 19.5...

Plate from Buffon's Histoire Naturelle, Générale et Particulière Tome III, Plate V, page 202 Paris: Imprimerie Royale, 1771 Copperplate engraving on laid paper Plate mark visible; a...

Plate from Buffon's Histoire Naturelle, Générale et Particulière Tome III, Plate VI, page 202 Paris, Imprimerie Royale, 1771 Copperplate etching and engraving on laid paper Plate ma...

Plate from Buffon's Histoire Naturelle, Tome III – Pl. 9, p. 228 This finely engraved copperplate presents a comprehensive anatomical study of the head and brain, integrating muscul...

Plate from Buffon's Histoire Naturelle, Tome III – Pl. 10, p. 234 This copperplate engraving presents a systematic anatomical study of the human brain through multiple cranial secti...

Plate from Buffon's Histoire Naturelle, Tom. III – Pl. II, p. 234 This copperplate engraving presents a detailed anatomical study of the human brain and its principal internal struc...

Plate from Buffon's Histoire Naturelle, Tom. III – Pl. XII, p. 242 This copperplate engraving presents a detailed anatomical study of the organ of hearing, with particular emphasis ...

Plate From Buffon's Histoire Naturelle, tom. III – Pl. XV, p. 256 This copperplate engraving presents a comprehensive anatomical view of the urinary and major vascular systems withi...

Plate from Buffon's Histoire Naturelle. Tom. III – Pl. 13, p. 246 This copperplate engraving presents a comparative anatomical study of the auditory apparatus, combining sectional ...

Plate from Buffon's Histoire Naturelle, 1771 Edition, Tom. III – Pl. 16, p. 266 This finely executed copperplate engraving presents a detailed anatomical study of the posterior abdo...

Plate from Buffon's Histoire Naturelle, Tom. III Pl. XVII, p. 266 Copper engraving, 1771 edition This highly detailed copper engraving presents a complex anatomical study of the pe...

Plate from Buffon's Histoire Naturelle, Tom. VIII Pl. LIII, p. 396 Copper engraving, 1771 edition This finely engraved anatomical plate presents a detailed study of the male reprod...

Plate from Buffon's Histoire Naturelle, Tom. VIII Pl. LII, p. 396 Copper engraving, 1771 edition This finely executed copper engraving presents a comprehensive anatomical study of ...

Plate from Buffon's Histoire Naturelle, Tom. VIII Pl. LI, p. 396 Copper engraving, 1771 edition This finely engraved anatomical plate presents a detailed study of the intestinal tr...

Plate from Buffon's Histoire Naturelle. Tom. VIII, Pl. XXXV, p.244. This refined copper engraving presents a detailed anatomical study of the male reproductive organs of a quadrupe...

Plate from Buffon's Histoire Naturelle. Pl. XXXIII, p. 280 Copper engraving, 1771 edition This elaborate copper engraving combines anatomical dissection with external zoological re...

Plate from Buffon's Histoire Naturelle. Copper engraving, 1771 edition This finely detailed copper engraving presents an anatomical study of the stomach and renal structures of a q...

Plate from Buffon's Histoire Naturelle, Tom. VIII. Pl. XXXVII, p. 332 Copper engraving, 1771 edition This finely executed copper engraving presents a detailed anatomical study of t...

Plate from Buffon's Histoire Naturelle, Générale et Particulière, Tom. VIII Pl. XXXVIII, p. 332 Paris, Imprimerie Royale, 1771 Copper engraving on laid paper Approx. 24.5 × 19.5 cm ...

Histoire Naturelle, Générale et Particulière, Tom. VIII Pl. XXXIX, p. 332 Paris, Imprimerie Royale, 1771 Copper engraving on laid paper Approx. 24.5 × 19.5 cm This anatomical engrav...

Plate from Buffon's Histoire Naturelle, Générale et Particulière, Tom. VIII. Pl. XI, p. 332 Paris, Imprimerie Royale, 1771 Copper engraving on laid paper Approx. 24.5 × 19.5 cm This...

Plate from Buffon's Histoire Naturelle, Générale et Particulière, Tom. VIII. Pl. XLI, p. 332 Paris, Imprimerie Royale, 1771 Copper engraving on laid paper Approx. 24.5 × 19.5 cm Thi...

Plate from "Histoire Naturelle, Générale et Particulière", Tom. VIII Pl. XLIV, p. 356 Paris, Imprimerie Royale, 1771 Copper engraving on laid paper Approx. 24.5 × 19.5 cm This anato...

Plate from Buffon's Histoire Naturelle, Générale et Particulière, Tom. VIII Pl. XLV, p. 356 Paris, Imprimerie Royale, 1771 Engraving on laid paper Approx. 24.5 × 19.5 cm This anatom...

Histoire Naturelle, Générale et Particulière, Tom. VIII Pl. XXI, p. 154 Paris, Imprimerie Royale, 1771 Engraving on laid paper Plate size: approx. 24.5 × 19.5 cm This anatomical pla...

Plate from Buffon's Histoire Naturelle, Générale et Particulière. Paris: Imprimerie Royale, 1770s (Tom. VIII, 1771 ed.). Tom. VIII – Plate XXIII, p. 154 Copper engraving Sheet size: ...

From: Histoire Naturelle, générale et particulière Paris, Imprimerie Royale, 1771 Tom. VIII, Plate XIII (Pl. XIII, p. 154) Copperplate engraving on laid paper with visible chain lin...

Table from Buffon's Histoire Naturelle, Générale et Particulière, Tom. XI Paris: Imprimerie Royale, 1771 Plate XIX, p. 276 Copper engraving Sheet size: approx. 24.5 × 19.5 cm This a...

Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century art with unparalleled magnitude. Inspired by African and Iberian art and development...

Artist: Joan Miro Title: Astres et Danseurs Portfolio: Derriere le Miroir: 10 Ans d'Edition Medium: Etching with aquatint printed in colors Date: 1956 Edition: Unnumbered Frame Size:...

Cityscape Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and numbered in Pencil Edition of 150 Image Size: 19 x 18 inches Size: 30 x 22 in. (76.2 x 55....

Etching and drypoint realized by Alcione Gubellini in the mid-20th Century. Edition of 16. Hand signed and numbered in pencil. Excellent condition.

Medium: original etching. Executed in 1873, this is a portrait of the impressionist artist Armand Guillaumin. This is a fine impression with plate tone printed on cream laid paper fr...

This artwork titled "Sunrise" 1978, is an original color aquatint on rice paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered LXXIV/LXXV in red pencil...

Le Tasse de The (The Cup of Tea) Color aquatint and etching, c. 1906 Signed in pencil in the image (see photo) Edition: c. 100 Reference: Merrill Chase, Volume 1, No. 85 Condition: F...

Artist: Richard Bosman, American (1944 - ) Title: Revenge of the Cat Year: 1983 Medium: Sugarlift Etching with white ground, signed and numbered in pencil Edition: 33/40 Image: 24 x...

Cecily Brown (British, b. 1969) The Tribulations of St. Anthony, 2010 Medium: Aquatint etching on pearlescent paper Dimensions: 40 x 30.5 cm Edition of 25: Hand-signed and numbered C...