Art by Medium: Etching

The same urn, in perspective Beautiful artist proof, printed on antique laid paper, large margins, showing a precious urn. Etching with good contrasts and sharp details, signed on pl...

Veduta della Gran Caduta dell'Aniene in Tivoli Image dimensions: 63x46 cm. From the series “Le antichità de’ contorni di Roma (...)” an artist's proof of technical virtuosity with sh...

Robert Savoie, Canadian (1939 - ) - Blue Streaks, Year: 1976, Medium: Etching on BFK Rives, signed, numbered and dated in pencil, Edition: 38/50, Image Size: 17.75 x 19 inches, Siz...

This Map of Casablanca is an original etching realized by George Braun and Franz Hogenberg as part of the famous "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas o...

Drypoint and aquatint (brown ink) on cream paper. Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. From the s...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Boats is an original artwork realized by Gaetano Pompa (1933, Forenza- 1998) in the 1970s. The artwork was completed by hand watercoloring. The work is...

The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. This is one of the smallest prints done by Siet...

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche III Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

Jules Pascin, Bulgarian/French (1885 - 1930) - Interior Bedroom, Medium: Etching on thin woven paper, Image Size: 11.75 x 16 inches, Size: 14.5 x 18.5 in. (36.83 x 46.99 cm), Descr...

Untitled - Earthworm Abstract II Tighe O’Donoghue, American (1942–2023) Date: 1979 Etching with Aquatint, signed in pencil Image Size: 14 x 11 inches Size: 29.5 in. x 22 in. (74.93 c...

This View of Lyon is an original etching realized by George Braun and Franz Hogenberg as part of the Series "Civitates Orbis Terrarum". The “Civitates...

This artwork titled "Genesis 3th Day" 1962 is a n original colors etching , with embossing by noted American artist Dennis Ray Beall, b.1929. It is hand signed, titled, dated and num...

Etching on paper, épreuve d'artiste, 1973 LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art...

The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Image Dimensions: 5 x 7 / 8 x 10 cm. Not signed....

Buffalo is a wonderful brown burnt sienna ink linoleum original print on paper, realized in 1971 by the Italian master Aldo Pagliacci (1913-1991). Hand-signed, dated and numbered in...

Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a crea...

Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) created this limited edition Etching on Arches paper at the Lakeside Studio. The LITHOGRAPH PRINT is from a limited edition of 25 (Roman Numerals), printed in black on Arches Cover White (archival paper). with chopmarks and blindstamps. published by The Lakeside Studio (chopmark lower right). THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED BY THE ARTIST in pencil EXCELLENT condition. Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. From 1955-57 Petersen along with Mel Strawn founded the Bay Printmakers Society. He resumed exhibiting: International Color Lithography, Cincinnati Art Museum; Gravures Americaines d’aujourd’hui, Paris; & received an MFA on the GI Bill (with Nathan Oliveira) from the California College of Arts and Crafts where Richard Diebenkorn was on the faculty. Petersen meets Kerouac, Gary Snyder, Phil Whalen, Allen Ginsberg, McClure, and Rexroth. Petersen’s now famous “Stone Garden” essay is published in Evergreen Review. 1956 In storefront studio in Oakland, California, creates serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud...

Anton Maria Zanetti is a beautiful original etching and burin on laid paper, realized by the Spanish artist Joannes de Plano (active in 1770-1780), as the inscription reports aroind the oval portrait. Below image, at left the inscription: Anton: Mariae Zanetti se ipsum delineavit; below image, at right: Joannes de Plano sculpsit; below image, at center: Anton Mariae Zanetti Alexandr: f: / Artis Pictoriae, at Linguae Graecae peritiss: / Per XLII annos a publ: D. Marci Bibliotheca benemerenti / Hic dormit in Domino / Ano LXXIII Aetatis suae...

Braun G. & Hogenberg F., Praga, Egra, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Image dimensions: 39.5 x 47.5 cm. Dimensions: 41 x 52.5 cm. Wo...

Mid 18th century etching of native Floridians probably used for a book. Very good condition for its age. Etching measures 7 1/2 inches high by 5 3/4 inches wide. The beautiful custom...

ADRIAEN VAN OSTADE, Haarlem 1610 - 1684 Le Gourmet en compagnie, 1664 c.a Original etching and drypoint, signed in plate at lower left. Bibliography: Godefroy 50 VII/XII. (mm. 219x2...

This Manolo Valdes etching with unique color collage is the 34th edition of 50.

Artist: Enrico Baj, Italian (1924 - 2003) Title: Flavius Valerius Constantinus Chlorus Year: 1972 Medium: Aquatint Etching with Collage, Signed and numbered in pencil Edition: 24/70;...

Jacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...

Harry Sternberg, 'Blast Furnace #1', etching, aquatint and roulette, 1946, edition 250, Moore 147. Signed in pencil. A superb, richly-inked impression, w...

“Fall of Jericho" was commissioned by Vera List, Byrone, Connecticut, for her grandson Joshua Lincoln Mack’s Bar Mitzvah in New York. It was mailed with the invitation to the guests....

Hand signed, dated and numbered by the artist with pencil on the bottom. Etching, burin and black ink. Edition of 30 prints. Very good condition.

SALVADOR DALI Le Cerf se voyant dans l'eau from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 The dimensions of the image are 22.8 x 15.7 inches on 31 x 23.2 in...

Jules Pascin, Bulgarian/French (1885 - 1930) - 11 Rue Foyatier, Medium: Etching, signed in the plate, Image Size: 6.5 x 4.5 inches, Size: 8.75 x 6 in. (22.23 x 15.24 cm), Descripti...

Jules Olitski (1922-1977) is one of the most collected and accomplished artists associated with the color-field movement, if not 20th-century American abstraction. Possibly one of ...

Signed, titled and numbered from the edtion of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect th...

Etching and aquatint, 1975 Handsigned by the artist in pencil and numbered 62/75 Publisher : O. Lazar-Vernet, Paris Printer : Georges Leblanc et Morsang, Paris 37.70 cm. x 28.00 cm...

Dog in an Interior is an original etching, splendid abstract artwork realized by an Anonymous artist of the XX century. The state of preservation of the artwork is very good. Sheet dimension: 31.5x 22.5 cm. The artwork represents an abstract scenery with stong emotion created by lines, an Expressionistic style of creation mixed with abstract expression. The shadowy figure of dog...

Reeds by Phil Greenwood [2021] limited_edition Aquatint Etching Edition number 150 Image size: H:48 cm x W:59.5 cm Complete Size of Unframed Work: H...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

Medium: original etching. This impression on Canson et Montgolfier wove paper was printed in 1937 in an edition of 500 for the "Paris 1937" portfolio. Printed at the atelier of Jean-...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Signed, titled and numbered in pencil by the artist. Edition size 50. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art School of Besancon and t...

Jerusalem City of Gold, three panel triptych, pencil signed 186/190, brushed bronze framing. The City of Religion Beautifully captured in this m...

Braun G. & Hogenberg F., Praga, Egra, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Image dimensions: 39.5 x 47.5 cm. Dimensions: 41 x 52.5 cm. Wo...

A very fine copy of "Les Bars," an album of ten original etchings by the master Lobel-Riche, representing fashionable women in various Parisian social settings. This album, part of a...

Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences and the School of the Art Institute of Chicago. She received a MacArthur Foundation Fellows...

GEOGRAPHY, EAST Year: 1992 Medium: 2-color, soft ground etching Paper Size: 28 x 25 inches (71 x 64 cm) Plate Size: 19 x 18 inches (48 x 46 cm) Edition: 60 Price: $6,000 Suite of f...

Saunier, Hector (French, born Argentina, 1936-) . KITES. Aquatint and engraving in colors, 1974. Edition of 50. Titled, numberd, dated, and signed in pencil. 17 1/8 x 16 7/8 inches (...

Black and White Glove - Guanto Bianco e Nero is a beautiful etching on paper, realized in 1972 by the Italian artist Giacomo Porzano (1925-2006). This is a superb artist's proof, as...

White Horse, Woodhenge is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimensions 38.5x18 cm Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson, this contemporary original print represents a white horse in a primitive style on a black foreground, a "εpεkalov" prepresented ina detailed way as in the naturalistic essays, and a woodhenge, as it is reported on the right of each etchings. Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect. A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

This artwork titled "Schemerthorn Windmuhle, Holland" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by th...

One of 50 copies. JERZY DMITRUK (born in 1960) He studied at the Academy of Fine Arts at the Faculty of Paintings and Graphics. Dmitruk graduated in 1986 from the atelier of professo...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Perimeter Year: circa 1965 Medium: Etching with Aquatint, signed and numbered in pencil Edition: AP Size: 36 x 29.5 in. (9...

Braun G., Hogenberg F., Nurnberg or Nuremberg, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Very fine B/W aquatint showing a view of Nuremberg. Strongly influenced by Hartmann Schedel's Nuremberg Chronicles...

Artist: Bertram George Buchanan (English, 1873-1962) Titles: "The Seven Sisters", "Rye from the Hills", and "Pett Level" *Each work is signed by Buchanan in pencil lower right Circa ...

Artist: Theophile Alexandre Steinlen (Swiss, 1859-1923) Title: Entre Deux Trains Year: 1916 Medium: etching Edition: Numbered 100/100 in pencil Paper...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

Cracow Poland Etching of Polish Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see ph...

Artist: Hirst, Damien Title: Liberty Series: In a Spin Volume 1 Date: 2002 Medium: Etching on 350gsm Hahnmuhle paper Unframed Dimensions: 35.875" x 28" Framed Dimensions: 43....

Breathe [2019] limited_edition Etching and aquatint Edition number /40 Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:26 cm x W:26 cm x D:0.1cm Sold Unframed Please...

“Idolo Egizio” - Image Dim: cm 48 x 33, Dim: cm 59 x 44. Precious Etching on copper: Hand-colored subject on black ink bottom. Designed by Agostino Tofanelli and engraved by Luigi ...