Art by Medium: Etching

Medium: Limited Edition Etching on Paper Style: Pop Art Painting Size: 15 x 11 inches Condition: This artwork is in great condition for its age. Please note: the number edition may...

Medium: original etching. This impression on cream laid paper was printed by Lienard and published in Paris by L'Art in 1879. The plate size is 7 3/4 x 11 3/4 inches (200 x 300 mm). ...

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

Color etching on wove paper Pencil signed and numbered 19/39 on the verso This work has been elegantly framed in a museum quality handmade wood frame by the prestigious fine art fram...

Pablo Picasso Madeleine, 1905 (Sheet 2 of the episode "Les Saltimbanques") Etching on copper in black on cream wove paper 4 3/4 x 3 1/4 inches Sheet size is 8 x 6 3/4 inches From th...

Etching on paper. Hand Signed and numbered. Edition of 25, in roman numbers. Excellent condition.

Robert MOTHERWELL Abstract Composition Original etching and aquatint Unsigned On Johannot vellum 37.5 x 28 cm (c. 15 x 11 inch) Published by Lazar Vernet in 1967 and limited to 200 ...

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

Leaf, Ruth. EVENING. Etching in colors, not dated. Signed, titled and numbered 17/100 in pencil. Edition of 100. 17 3/4 x 35 1/4 inches, 451 x 895 mm. (image), 25 3/4 x 42 inches, 65...

Artist: Theo Tobiasse, French/Israeli (1927 - 2012) Title: J'ai retrouvé mon père sur les rives du Jourdain. Cat. Nahan Year: 1983 Medium: Aquatint Etching with Carborundum, signed i...

Medium: Limited Edition Lithograph Style: Pop Art Size: 11.75 x 8.25 inches Condition: This artwork is in great condition for its age. Signature: Hand-signed Artist: Keith Haring...

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

One of the founders of Impressionism and certainly one of its greatest masters, Pierre-Auguste Renoir (1841 - 1919) was not a prolific printmaker, but he explored several different m...

Medium: original etching. This impression on laid paper was printed in 1912 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 4 1/4 x 9 1/2 inches (110 x 24...

atmospheric diptych by celebrated Latvian printmaker Guntars Sietiņš, executed in mezzotint and aquatint. This richly dark composition juxtaposes a dense field of smoke or vapor wit...

Anton Schutz, 'Westminster Abbey', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. A superb, richly-i...

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Pablo PICASSO Carmen, Cubist Face , 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catalog rai...

Letter of the Alphabet A from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Signed on the plate. Good conditions...

Medium: original etching. This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 5 1...

Pablo Picasso (1881 - 1973) Au Vieux Sculpteur au Travail I (Old Sculptor at Work I), c. 1933 Medium: Etching on Montval Laid Paper with Vollard Watermark Edition: Edition of 260 Artwork Size: 10.5 x 7.6 in Framed Size: 28.5 x 24.25 x 1.5 in This work is Framed Etching on Montval Paper, from the Vollard Suite, c. 1933 Image Size: 10.5 x 7.6 inches From the small margins edition at 260 proofs, unsigned Published by Vollard, Paris Printed by Lacourière, Paris Pablo Picasso’s Vollard Suite...

Artist Name: Barbara Kwasniewska Title: Belles de nuit - ladies of the Night Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signe...

Jim Dine The Christmas Print (Burg, 26), 2001 Drypoint, direct gravure, etching over offset lithograph with hand coloring by artist in oil stick, on T.H. Saunders paper, the full she...

Artist: Rembrandt Van Rijn (Dutch, 1606-1669) Title: Bust of a Man Wearing a High Cap, The Artist's Father Year: 1630 Medium: Etching Paper: Verge paper Image (plate mark) size: ...

Pablo PICASSO Carmen, The Sleeping Woman, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Catal...

Antique British Steamship Etching This moody etching by Joseph Kirkpatrick (British, b. 1874 d. 1936) features a steamboat in the midst of choppy w...

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...

This etching and aquatint in colours is hand signed in pencil by the artist "Miró" in the lower right margin. It is dated ‘1953’ beneath the signature. It is also hand numbered "20/7...

ARTIST: Salvador Dali TITLE: Hommage a Homere Helen of Troy MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Levine & Levine for Peterson Fine Art/Diversified Edi...

Stanley William Hayter, 'Green Shade', color etching and scraper, 1963, edition 50, (only 39 printed), B&M 278. Signed, titled, dated, and numbered '1/50' in pencil. A superb, richly-inked, luminous impression, with fresh, vivid colors, on Barcham Green textured cream wove paper; the full sheet with margins (2 3/16 to 3 1/4 inches), in excellent condition. Printed: intaglio black-green, contact lumogen yellow, soft roller phthalo green. Scarce. Image size 15 7/16 x 11 5/8 inches (392 x 295 mm); sheet size 21 1/8 x 16 inches (537 x 406 mm). Matted to museum standards (unframed). Collection: The British Museum ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17...

Etching on paper, realized as illustration for John Milton's "Paradise Lost". Striking and theatrically composed Old Master print depicting a dramatic allegorical confrontation betw...

KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...

Salvador DALI (1904-1969) Casanova : Birdy on the Tongue, 1967 Original etching Printed signature in the plate On Rives vellum 38 x 28 cm (c. 14.9 x 11 inch) REFERENCES : - Catalog...

Rufino Tamayo, Mexican (1899 - 1991) - Paisaje con Luna, Year: 1977, Medium: Mixografia on Arches Paper, signed and numbered in crayon, Edition: 16/100, Size: 19.75 x 27.25 in. (...

MARC CHAGALL (1887 – 1985) MATERNITE, 1926. Motherhood I: Honte / Disgrace (Kornfeld 65, Cramer 5, Sorlier, p. 20-21 Etching, Frontispiece from Maternite Au Sans Pareil, Paris, 1926. Marcel Arland, illustrated by Marc Chagall with five original etchings this being one of the five. Image size: 5 5/8 x 4 1/8. 1130 unsigned impressions on various papers. The story begins with a young woman being shunned by the whole village because she had given birth to a child and left its dead body...

This striking etching by Andre Masson from circa 1970 depicts the mythological Pegasus through the lens of Surrealist Figurative art and classical symbolism. Masson’s interpretation ...

Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (pla...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of Philip Gilbert Hamerton's "Etching and Etchers". In addition to bei...

Pierre-Yves Tremois Thésis and Pelée Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very goo...

Joan Miro (1893-1983) - Espriu - Miró II Etching and aquatint with carborundum from 1975. The edition of 15/50 on on Guarro paper with Sala Gaspar watermark. Dimensions of work: 70.3 x 85.7 cm. Hand signed. Publisher: Sala Gaspar, Barcelona. Reference: Dupin 870; Cramer 197. The work is in Good condition. -- Joan Miró’s Espriu...

Consulat à vieis an original artwork realized by Jean Baptiste Réville in early 19th. Century . Etching on paper. Titled and signed on plate on the right corner. Good conditions. ...

Pierre-Yves Tremois A loving couple Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm ...

One of four prints in Donald Sultan's 2008 portfolio Trumpet March, Red Trumpet is as striking a piece of minimalist art as it is quintessentially Sultan. While often classified as s...

Medium: original etching. Printed on laid paper and published in 1881 by the American Art Review. Plate size: 5 7/8 x 10 inches. Signed in the plate (not by hand). Condition: trimme...

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

A masterful work of art created by Frank Stella in 1995 as part of his Imaginary Places series, Despairia is a stunningly beautiful and bold screenprint, aquatint, etching, relief li...

In Trois Plants, François Houtin envisions a fantastical botanical specimen rising like an ornate tower of intertwined foliage and blossoms. Each element—stem, leaf, and tendril—is r...

Artist: Salvador Dali Title: Tourbillon-spirale from rose Portfolio: Neuf Paysages Medium: Etching Year: 1980 Edition: 3/49 Sheet Size: 14 7/8" x 14 7/8" Signature: Initialed (S.D.) ...

Artist: Pablo Picasso (posthumously) Title: Peintre et Modele en Robe Tricotee Medium: Etching Portfolio: Series 156 Date: 1978 Edition: 1/50 Stamped signature Frame Size: 16 7/8" x ...

Etching on Montval paper, hand colored, realized between 1927 and 1930. Table from "Les Fables de La Fontaine", published in 1952 by Tériade in and edition of 200. Hand signed in p...

Etching on Montval paper, realized between 1927 and 1930. Table from "Les Fables de La Fontaine", published in 1952 in and edition of 200. Hand signed in pencil. Very good condit...

This whimsical and surreal etching by Mexican artist Maximino Javier, dated 1984, embodies his unique visual language that blends fantasy, folklore, and satire. Executed with intrica...

Ex Libris  -  Giorgio Balbi - Better to Have Love is an Artwork realized by Alberto Helios Gagliardo in Mid 20th Century. Etching. Good conditions.

ARTIST: Salvador Dali TITLE: Flora Dalinae Lilium Musicum MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 26/200 MEASUREMENTS: 30.25" x 22" YEAR: 1968 FRAMED: No CONDITI...

Está firmado a plancha en la parte inferior y fechado del año 1931 El estado del grabado es bueno Se presenta bien enmarcado Medidas del grabado: 12 cm. x 12,5 cm. Medidas del ma...

Raymond PEYNET Astrology - Zodiac : Taurus, 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentified by the...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...

Miguel CONDE (1939-) The Balance of Pear Original etching Handsigned in pencil Numbered / 100 proofs Authenticated by the editor blind stamp On vellum 38 x 56 cm (c. 15 x 22 in) Ve...

For Alberti, For Spain!  is a contemporary artwork realized by Joan Mirò in 1975. Mixed colored etching. Hand signed and numbered on the lower margin. Edition of XXVIII/LX. There ...