Art by Medium: Handmade Paper

Ernst Bruzek - "Demeter". Giclée print handmade paper. Hand signed A beautiful artwork that looks good in every room and especially in the living room ...

Giclee on heavy Handmade cotton paper Signed and inscribed with archive In great condition

Thelma Appel Esther's Second Banquet (Haman's Treachery Revealed), Purim Collage #14, ca. 2017 Hand made paper collage on paper Hand signed on the front; also is accompanying by handwritten text by the artist and a typed narrative 14 × 17 inches Unique Unframed; This work is held in a matting which opens up This handmade paper collage was exhibited in April, 2018 in the show "Thelma Appel: Landscapes, Cityscapes + Biblical Journeys Exhibition at the Edward & Bernice Wenger Center for the Arts in Greenvale, New York". Curated by art advisor and curator, Susan Seelig. It depicts the second banquet of the Jewish Queen Esther, married to the Persian King...

Figures and Birds Watercolor Traditional Indian Mithila Painting artist signed. Pencil, ink, natural dye watercolor, on handmade paper 17.7x22.7 framed under glass 24x29. Binda Dev...

Gold Abstract Art, Gold Leaf Painting, Modern Art-The Space Between Pair ABOUT THIS PIECE: “The Space Between Pair” is a piece of letter art inspired by graffiti by Addison Jones featuring her unique text previously featured in her portrait art collection. Addison previously utilized text to create texture and depth in her portraits. After realizing the impact of her text, she decided to feature them singularly in a new collection titled ALL CAPS. This painting is all done using gold leaf and hand etching into it. “I am someone that needs structure to create. The fundamental structure of the paintings have always started with a portrait. Next, I would add text to created depth. through the response of my clients, I started noticing how impactful the text was on my pieces. This evolved into this graphic, raw, style of art. When thinking about the material I wanted something modern and organic to create a nice juxtaposition.” D I M E N S I O N S: H 36 in x W 24 in x D 1 in F R A M I N G : We offer a full framing service at an additional cost. Framing options: 1” / 1.5” black / white floating / not floating Custom framing options available for all sizes with increased price and lead time. S H I P P I N G: Unframed pieces will ship in 3-5 business days. Framed pieces have a 5-6 week lead time. ARTIST BIO : Addison Jones is a world class photographer and mixed media artist based out of the Midwest. Jones uses her street art and mixed media style to portray models from her own modern portrait photography. The result culminates in moody, sensual, and contemplative mixed media art focusing on the humanity of the subject. Each of her pieces are original works. Addison is known for layering her own photographs into complex street art and using the written word as a subtle texture feature. She utilizes silver and gold leaf, acrylics, and custom paints, including color changing, to add layers upon layers as she goes. In the end culminating in a piece that is viewed as a complex whole. She begins each piece with a photograph from her own portfolio, and then free flows through each element, drawing inspiration as she works. She often says that her style often leads to mistakes, that later become some of the best parts of the piece. She was once quoted, “Most of the time I am like “welp, don’t like the way that looks” and don’t care if I mess up, so then I do something and I like it and then I’m like ” I love this piece,“” as each piece shifts and changes throughout the process. COMMISSION THE ARTIST: Addison is a commissioned artist with experience all over the world. For commissioned pieces she will fly to shoot photography on location and then work with the client on a mixed media art finished product. *Pictured with the Lawrence Peabody High Back Chair...

Deutzia Flowers: The Wife of Kasamori - Original Woodblock Print Deutzia Flowers: The Wife of Kasamori, from the Series "Beauties of the Floating World Associated with Flowers" by S...

Giclee on handmade cotton paper Year: 2016 Size: 19.68 x 24.01 inches (50 x 61cm) Edition: 75, not individually numbered Signed by hand COA provided Paul Indrek Kostabi (also known...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

This bold and dynamic figurative abstract acrylic painting on handmade paper by Marc Foster Grant (American, b. 1947) certainly makes a splash! A figure dressed in a fabulous swimwear ensemble jumps into the pool and onto a globe, causing a huge splash of water to burst forth towards the viewer. The fun, colorful, and fancifully detailed swimming outfit complete with vintage style bathing suit...

Wilhelm Schlote I love you (Ich liebe Dich) Giclee on Linen Year: 2015 Size: 15.4 × 12.0 inches Signed, dated and titled by hand COA provided ---------------------------------- Wilhelm Schlote (born March 4, 1946 in Lüdenscheid) is a German artist, children's book author, cartoonist and caricaturist. Schlote grew up in Essen. His first art teacher was Heinz Mack (member of the artist group ZERO), who recognized Wilhelm Schlote's talent for drawing early on. His mentor and friend Albert Schulze-Vellinghausen, who, as a literary critic for the Frankfurter Allgemeine Zeitung (FAZ), was the predecessor of Marcel Reich-Ranicki, was just as philosophically influential. After graduating from high school, Schlote studied philosophy in Bonn until 1968 and then art at the Kunsthochschule Kassel until 1972. From 1973 to 1978 he was a teacher in higher education in Kassel and Hamburg. Simultaneously with the decision to go to Paris, Schlote was offered a professorship at a German art college. In 1978, however, Schlote decided to move to France, where he lived partly in Nice, but mainly in Paris. In 1980 he exhibited for the first time in the Medical Faculty of St. Germain des Pres in Paris. Since 2011 Wilhelm Schlote lives and works in Cologne, Germany. In 1968 Schlote published the first of a total of 35 children's books. Starting in 1976 he published cartoon postcards - the so-called "Schlote-Karten" - and in the same year received the German Youth Book Prize for “I wish for a hippopotamus today”. In 1991 he was awarded by the "Académie Calvet"; the award was presented to him by Catherine Deneuve and Claude Chabrol. Schlote's cartoons and drawings have appeared in magazines such as Die Zeit, Die Welt, The New Yorker, Le Monde and Le Figaro. He creates his city posters...

Pencil study portrait drawing of a child painting at an easel by French artist Charles-Jean Agard. The work is signed bottom left and presented in a carved wood and gilt frame with mount under glass. A very charming pencil study of a child sitting at an easel. Agard has beautifully captured the head and face in full, with the light and shade, the rest of the body and surroundings are in sketch form, the contrast between the two making for a very successful composition beautifully capturing the intensity of the sitter. Charles Agard...

Richard Serra's 'Cape Breton Horizontal Reversal No. 16' (2014) exemplifies the radical approach to works on paper that has run in parallel with his celebrated sculptural practice th...

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

actual image measures 11.25x7.5, titled Composition V on French Arches Mould made paper. Georges DUSSAU est né le 14 Mars 1947, à Chalon-sur-Saône (France) Il vit et travaille à Me...

Nancy Cohen Rose Lines, 2024 paper pulp, kozo fiber and handmade paper 17 x 49 in (coh109)

Route 10 - Abstract Collage Abstract mixed media collage which pulls on motifs from color-field painting, cubism, and geometric abstraction. This piece has a warm quality to the col...

Abstract still life photograph of yellow Acacia flowers and green leaves against a white sky background Photograph printed on Japanese Kozo paper infused with encaustic on four panel...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. Signed bottom right. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

One from a set of four watercolours of butterflies on silk, applied to handmade paper, with hand cut edges, by French artist La Roche Laffitte. (The other 3 items are available separately) A beautifully observed and detailed study of a butterfly painted...

Contemporary nautical seascape photograph of blue ocean waves in a simple white frame 36 x 44 inches unframed, 41 x 49.5 inches framed in white wo...

Wonderful vintage multi-media piece of sea cave by California artist Jim Kirwan (American, 20th Century), circa 1980. Signed lower left " Kirwan". Unframed. ...

Manuel Ayaso Artist with Models Etching on wove paper Year: 1970 Size: 6.5x7.25 on 15x13in Edition: 50 Signed and numbered by hand COA provided Ref.: 924802-1357 Manuel Ayaso is known for Mod figure, genre, sculptor. Painter; Sculptor Born in Riviera, Spain in 1934. Studied at Newark School of Fine and Industrial Arts. His work is in the Whitney Museum of American Art, Worcester Museum and the Pennsylvania Academy of Fine Arts.

The Sea Keeps Its Secrets Compositions of Crystal Structures This artwork belongs to The Sea Keeps Its Secrets, an ongoing body of work by Bulgarian artist Silvana Ilieva, in which ...

"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch. Signed "Carol Summers" along the right edge of the blue shape. Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape. Presented in a silver colored aluminum frame. Frame size: 32.245"H x 27.25"W Paper size: 29.75"H x 24.5"W Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented. In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother. From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum. In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Out of the West, abstract painting on paper, mixed media, handmade paper, blue PUBLIC COLLECTIONS U.S. Embassy, Tokyo,Japan Mountain Bell Corporate O...

Iris Kaempferi: No. 36 YEDO-JIMAN Tokyo, Yoshinoen-Garden, circa 1910. Hand-coloured woodblock print on handmade rice paper, numbered and captioned at top, outlined in ink. Framed ...

Abstract landscape sepia tone photograph of clouds Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches ...

Nancy Cohen Hackensack Ice, 2024 paper pulp and handmade paper 39 x 56 in (coh110)

Nancy Charak Title: Bonitas Canciones 8726 Materials: Drawing on 90# Stonehenge Date: 2017 Dimensions: 11"x30" Nancy Charak makes paintings and drawings in her studio in Tucson, whe...

Contemporary nautical seascape photograph of blue ocean waves 36 x 33 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches Je...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inches...

In this black and white monotype on rice paper, geometric shapes complement a monochromatic background that transitions through a grayscale from gray at the bottom to pale gray, almo...

Contemporary pigment print of blue ocean waves in white frame 36 x 33 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches Je...

"Carta Series # 45, Paper Imbeds" Experimental Printmaking Wall Sculpture Handmade paper sculpture by Harold Paris (American, 1925-1979). This piece exemplifies post-minimalist and ...

A lovely Regency era composition with a billowing sky and timber-framed houses; likely the Cotswolds or East Anglia. English School, 19th century c1820. Pen and ink in grayish black ...

My paintings and drawings incorporate elements found in architecture, design, popular culture and art history. My reductive compositions and pure color mimic the low-tech graphics ut...

Child-Shaman - transfer on acrylic, mulberry paper, graphite, and found object on panel surprises a six-year-old transforming into a dinosaur. In the Layers of Reality Series, the ...

Abstract Hanging Sculpture - Triangle by Mickey "Kano" Kane (American, 1939-2002). This simple yet striking piece can be viewed from both sides. It is composed of two separate trian...

"Whale in a Sea of Symbols" is an original ink and charcoal on handmade amate paper by Miguel Castro Leñero. The artist initialed the piece lower right. This piece features an abstra...

Limited edition (edition number TBA) Suite of four Edition of four $2,500 each, framing is additional $350

Limited edition (edition number TBA) Suite of four Edition of four $2,500 each, framing is additional $350

Exquisite Chinese painting on rice paper, similar to gouache, dating from the late Qing Dynasty (19th century) to the early 20th century. Its iconography, technique, and composition ...

On our trip to Ireland, we stopped at the Power Court estate, which reminds me a bit of the architecture of St. Petersburg.I saw people playing golf near the park. The weather was cloudy and the environment was sinking in sfumato, I wanted to immerse the viewer in this environment. The transparency of the watercolor made it possible to realize my idea. Exhibition: 2009 Exhibition at the Game of Imagination Gallery in the Press Centre of the Izvestiya Publishing House, Moscow. 2012 “Visible Images”, personal exhibition at the exhibition hall of the Russian Auction House in Gostiny Dvor, Moscow. 2024 The exhibition "Tail-wind". Museum and exhibition complex "Academy of Watercolor and Fine Arts of Sergey Andriaka". (Moscow) Publication: Златоверховникова О.Н. Семён Кожин. – М.: Принт люкс, 2007. – 120 с. Page 45 Златоверховникова О.Н. Семён Кожин. – М.: Белый город, 2009. – 64 с. – (Мастера живописи. Русские художники). ISBN: 9785779317184 Page 34 Семён Кожин. Зримые образы: [каталог персональной выставки] / Российский аукционный дом. – СПб.: Рекламное агентство MCMG, 2012. – 32 с. Page 25

Pigments on paper Arches with anti-reflective glass metal black frame, 61 x 46 x 3 cm Nicole B. is a Belgian artist born in 1944 who lives & works in Braibant, Ciney in Belgium.

Napoleon in the Snow is a hand coloured limited edition drypoint etching by Kate Boxer. The contemporary Kate Boxer artwork depicts Napoleon mounted on his horse. Kate Boxer makes th...

Line is the operative formal element in the work shown here, but there are many other lines in play. Pieces walk a line between drawings that might be tapestries or sculptures or pa...

Nancy Charak Title: Geologies Series 9040 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Abstract Hanging Sculpture - Triangle by Mickey "Kano" Kane (American, 1939-2002). This striking piece can be viewed from both sides. It is composed of two separate triangles which ...

Abstract still life photograph of a magenta cana lily flower on a white sky background Photograph printed on Japanese Kozo paper infused with encaustic Edition 1/12, 36 x 22.5 inches...

"Clock" is a painting realized by Indian Artist Vagaram Choudhary in 2024. Painting Medium : Natural pigment on wasli paper Painting backside Hand sign with years Painting style ...

Abstracted landscape sepia toned photograph of clouds and sky on three panels Japanese Kozo paper infused with encaustic on 3 panels, each panel ...

Contemporary pigment print 36 x 34 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photo...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

Contemporary pigment print 36 x 34 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, three blue and white panels...

Signed lower right and dated 1982. An elegant figural watercolor showing a view of figures in classical greek dress contrasted against a striated polychrome background. This signa...

Denon, Baron Dominique Vivant, after Jan Van Goyen Etching with engraving on buff wove paper, 4 3/4 x 6 1/4 inches (120 x 158 mm); sheet 15 1/2 x 11 3/4 inches (394 x 299 mm), full ...

Pen and ink on light-weight cream wove paper, 9 1/2 x 14 3/4 inches (242 x 375 mm), the full sheet. Signed in pencil in the lower right image area. In good condition with some minor ...

Paul Kostabi High five on East 5 Giclee print on handmade paper Year: 2013 Size: 24.02x17.32in Signed by hand Edition: 75 COA provided Ref.: 924802-1187 Paul Indrek Kostabi (also known as Ena; born October 1, 1962 in Whittier, California) is an American artist, musician, music producer and audio engineer. He is the brother of artist Mark Kostabi. Kostabi was a founding member of the bands Youth Gone Mad, White Zombie, and Psychotica. Kostabi currently performs with Tony Esposito in the group Kostabeats and with Walter Schreifels band Dead Heavens. Kostabi became part of the CBGB Festival in 2014 exhibiting paintings alongside photographers Bob Gruen, Michael Lavine...