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Medium: Laid Paper
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Engraving

A Wooded River Landscape; Entry into the Wood
A Wooded River Landscape; Entry into the Wood

A Wooded River Landscape; Entry into the Wood

By Anthonie Waterloo

Located in Middletown, NY

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Category

Mid-17th Century Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Etching

The Flight into Egypt
The Flight into Egypt

The Flight into Egypt

By Hans Lautensack

Located in Middletown, NY

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

Category

16th Century Old Masters Art by Medium: Laid Paper

Materials

Handmade Paper, Laid Paper, Etching

Crowded Street Scene From Luntmakargatan, Stockholm
Crowded Street Scene From Luntmakargatan, Stockholm

Crowded Street Scene From Luntmakargatan, Stockholm

Located in Stockholm, SE

Olof Arborelius (1842–1915) From Luntmakargatan, Stockholm oil on paper mounted on board signed with monogram “OA” unframed 24 × 30 cm (9.4 × 11.8 in) frame 35 × 41 cm (13.8 × 16.1...

Category

Early 1900s Realist Art by Medium: Laid Paper

Materials

Oil, Board, Laid Paper

Tenggren’s Sorcerer’s Clockwork Key – Before Disney
Tenggren’s Sorcerer’s Clockwork Key – Before Disney

Tenggren’s Sorcerer’s Clockwork Key – Before Disney

By Gustaf Tenggren

Located in Stockholm, SE

Gustaf Tenggren (1896–1970) Sweden Trollkarlens urnyckel (The Sorcerer’s Clockwork Key), 1918 signed and dated lower right “G. Tenggren 1918” watercolour on paper unframed 25 × 23 ...

Category

1910s Romantic Art by Medium: Laid Paper

Materials

Watercolor, Laid Paper

The Triumph of Caesar: Plate IV

The Triumph of Caesar: Plate IV

By Andrea Mantegna

Located in Middletown, NY

Andreani, Andrea (Italian, about 1558–1610), after Andrea Mantegna (Italian, 1431-1506) Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and...

Category

16th Century Old Masters Art by Medium: Laid Paper

Materials

Ink, Handmade Paper, Laid Paper, Woodcut

Portrait Study of a Standing Man, Chalk on Laid Paper, 17th Century
Portrait Study of a Standing Man, Chalk on Laid Paper, 17th Century

Portrait Study of a Standing Man, Chalk on Laid Paper, 17th Century

By Anthony van Dyck

Located in Paris, Île-de-France

Anthonius VAN DYCK (1599–1641) A portrait study of a standing man Black and white chalk on bluish green paper, 25.4 × 17.5 cm Unsigned Provenance Collection Julius Samuel Held (1...

Category

17th Century Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Chalk

Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt
Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt

Christ and the Woman of Samaria Among Ruins by James Bretherton after Rembrandt

By Rembrandt van Rijn

Located in Middletown, NY

Bretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...

Category

18th Century Old Masters Art by Medium: Laid Paper

Materials

Handmade Paper, Etching, Laid Paper

The Three Oaks
The Three Oaks

The Three Oaks

Located in Middletown, NY

A well-inked impression of Ruisdael's finest Haarlem-period etching. Amsterdam: Franz van Wyngaerde, 1649. Etching on buff cream laid paper, 5 1/8 x 6 inches (130 x 153 mm), the ful...

Category

Mid-17th Century Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Etching

Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto
Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto

Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto

Located in Middletown, NY

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. Circa 1750. Gouache and ink with gold heightening on cre...

Category

18th Century Rajput Art by Medium: Laid Paper

Materials

Gold

The Raising of Lazarus, Oil Drawing on Laid Paper, Circa 1650-1659
The Raising of Lazarus, Oil Drawing on Laid Paper, Circa 1650-1659

The Raising of Lazarus, Oil Drawing on Laid Paper, Circa 1650-1659

By Giovanni Benedetto Castiglione

Located in Paris, Île-de-France

Giovanni Benedetto Castiglione, called Il Grechetto (Genoa 1609–1664 Mantua) The Raising of Lazarus Brush drawing in red and brown oil paint, heightened with blue and white, on laid...

Category

1650s Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Oil

Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto
Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto

Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto

Located in Middletown, NY

Emperor Jahangir in his harem surrounded by lotus blossoms; symbols of paradise itself. Circa 1690. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (...

Category

17th Century Rajput Art by Medium: Laid Paper

Materials

Gold

Mughal School, 18th century Emperor Jangahir on a pleasure boat with his harem a
Mughal School, 18th century Emperor Jangahir on a pleasure boat with his harem a

Mughal School, 18th century Emperor Jangahir on a pleasure boat with his harem a

Located in Middletown, NY

Emperor Jahangir depicted with his harem attendees aboard a pleasure cruise, the water filled with lotus blossoms; symbols of paradise itself. Circa 1750. Gouache and ink with gold ...

Category

18th Century Rajput Art by Medium: Laid Paper

Materials

Gold

'Flowers on a Window Sill', Royal Provenance, Russia, Queen Elizabeth II
'Flowers on a Window Sill', Royal Provenance, Russia, Queen Elizabeth II

'Flowers on a Window Sill', Royal Provenance, Russia, Queen Elizabeth II

By Grand Duchess Olga Alexandrovna

Located in Santa Cruz, CA

Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Grand Duchess of Russia (Russian, 1882-1960) and painted circa 1925. Provenance: Formerly in the collection o...

Category

1920s Impressionist Art by Medium: Laid Paper

Materials

Watercolor, Gouache, Laid Paper

Bearded Man in Profile, Red Chalk on Paper, 16th Century, Framed
Bearded Man in Profile, Red Chalk on Paper, 16th Century, Framed

Bearded Man in Profile, Red Chalk on Paper, 16th Century, Framed

By Leonardo da Vinci

Located in Paris, Île-de-France

Circle of Leonardo da Vinci (Vinci, 1452 – 1519, Clos-Lucé) First half of the 16th century Study of a Bearded Man in Profile, Facing Right Red chalk on paper 8 × 6 cm Unsigned Provenance: Private collection This delicate drawing belongs to the Lombard school and was created by an artist working under the influence of Leonardo da Vinci, very likely within his close circle. The profile recalls the Apostle at the far left of The Last Supper, and may even derive directly from Leonardo’s own compositional sketches for the mural (Gallerie dell’Accademia, Venice, inv. 254). While Leonardo’s version carries a profound religious and political message, this sheet reveals a more naturalistic interpretation. The precise outlines and the controlled hatching distinguish it from the master’s hand, yet the subtle modeling of the face in red chalk shows clear echoes of Leonardo’s refined technique. Comparable examples are preserved in the Royal Collection Trust, Windsor, including The Head of an Old Man Crowned with a Wreath of Laurels (recto) and The Head of an Old Man in Profile, both originally from Francesco Melzi...

Category

16th Century Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Chalk

'Philippines Landscape', Paris, Académie Chaumière, NY, ASL, Sao Paulo Biennal
'Philippines Landscape', Paris, Académie Chaumière, NY, ASL, Sao Paulo Biennal

'Philippines Landscape', Paris, Académie Chaumière, NY, ASL, Sao Paulo Biennal

By Romeo Tabuena

Located in Santa Cruz, CA

A fine and delicate, watercolor landscape showing a view of the rural Philippines by this celebrated Philippine Modernist. Signed, lower right, in graphite, 'Romeo V Tabuena' for Rom...

Category

1950s Art by Medium: Laid Paper

Materials

Watercolor, Gouache, Laid Paper

'Pink Daisies', California Watercolor Society, SWA, Woman Artist, Zoltan Szabo
'Pink Daisies', California Watercolor Society, SWA, Woman Artist, Zoltan Szabo

'Pink Daisies', California Watercolor Society, SWA, Woman Artist, Zoltan Szabo

By Beverly Fields

Located in Santa Cruz, CA

Signed lower right, 'Beverly Fields' (American, 20th century) and painted circa 1985. This listed California artist has exhibited widely and with success and is the recipient of num...

Category

1980s Post-Impressionist Art by Medium: Laid Paper

Materials

Watercolor, Laid Paper

Vintage Carmel Watercolor Landscape -- Shore Cypress
Vintage Carmel Watercolor Landscape -- Shore Cypress

Vintage Carmel Watercolor Landscape -- Shore Cypress

By Margaret Eifler

Located in Soquel, CA

Vintage Carmel Watercolor Landscape -- Shore Cypress Beautiful watercolor of windswept Carmel Cypress by Margaret C. Eifler (American, 1910-1996), circ...

Category

1960s American Impressionist Art by Medium: Laid Paper

Materials

Watercolor, Laid Paper

Study of a Head, Oil on Laid Paper, 17th Century, Unsigned, 39.5x29 cm
Study of a Head, Oil on Laid Paper, 17th Century, Unsigned, 39.5x29 cm

Study of a Head, Oil on Laid Paper, 17th Century, Unsigned, 39.5x29 cm

By Artus Wolfort

Located in Paris, Île-de-France

Artus WOLFAERTS (1581-1641) Study of a head Oil on paper, transferred on panel. 39,5 x 29 cm Unsigned Provenance Private collection, France Firstly thought to be from Rubens’s S...

Category

17th Century Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Oil

The Beheading of the King of England; Enthauptung des Königs in England
The Beheading of the King of England; Enthauptung des Königs in England

The Beheading of the King of England; Enthauptung des Königs in England

By Matthäus Merian the Elder

Located in Middletown, NY

The execution of Charles I (1600-1649) at Whitehall, January 30th 1649, in front of the Banqueting House. The executioner holding the head of Charles up to the crowd below. Engravin...

Category

Mid-17th Century Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Engraving

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper
"Sometimes is forever" - 1976 Surrealist Lithograph on Paper

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper

Located in Soquel, CA

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "Sometimes is forever" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with various biomorphic objects floating in the sky. Some of them resemble coral, growing vertically. Others look like microscopic organisms, with stringy tails. Titled, numbered, signed, and dated along the bottom edge: Sometimes is forever 16/50 J CRABB...

Category

1970s Surrealist Art by Medium: Laid Paper

Materials

Laid Paper, Lithograph

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Art by Medium: Laid Paper

Materials

Engraving, Laid Paper

Abstract Still Life with Fruit in Watercolor on Paper
Abstract Still Life with Fruit in Watercolor on Paper

Abstract Still Life with Fruit in Watercolor on Paper

By Les Anderson

Located in Soquel, CA

Abstract Still Life with Fruit in Watercolor on Paper Colorful still life with fruit by Les (Leslie Luverne) Anderson (American, 1928-2009). Several pieces of fruit appear to be sitting on a table with a purple cloth. The scene is highly abstracted, straddling the line between impressionism and non-representational. The background is brightly colored, adding vibrancy to the scene. Signed on verso and acquired from the estate of Les Anderson in Monterey, California. Unframed. Paper size: 14"H x 20"W Les (Leslie Luverne) Anderson(American, 1928-2009) owned and operated the Bear Flag Gallery in San Juan...

Category

1980s Abstract Impressionist Art by Medium: Laid Paper

Materials

Watercolor, Laid Paper

Kampf dreier Männer (Man fighting with two couples on horseback)
Kampf dreier Männer (Man fighting with two couples on horseback)

Kampf dreier Männer (Man fighting with two couples on horseback)

By Hans Sebald Beham

Located in Middletown, NY

Frankfurt: c1550. Engraving on laid paper, 1 7/8 x 3 5/8 inches (47 x 92 mm), thread margins. Ex-collection D.G. de Arozarena (Lugt 109) with his collector's mark in blue ink on ver...

Category

16th Century Old Masters Art by Medium: Laid Paper

Materials

Handmade Paper, Laid Paper, Engraving

Roman School (circa 1590–1620) - Study Of An Executioner
Roman School (circa 1590–1620) - Study Of An Executioner

Roman School (circa 1590–1620) - Study Of An Executioner

Located in Paris, Île-de-France

Roman School (circa 1590–1620) Study of a Male Executioner Black chalk on laid paper, 275 x 199 mm Unsigned Formerly Giancarlo Sestieri Collection This dynamic figure study, exe...

Category

16th Century Old Masters Art by Medium: Laid Paper

Materials

Chalk, Laid Paper

Impressionist Oil on Paper: Man Crossing a Stream, Late 19th Century
Impressionist Oil on Paper: Man Crossing a Stream, Late 19th Century

Impressionist Oil on Paper: Man Crossing a Stream, Late 19th Century

Located in Stockholm, SE

oil on paper mounted on cardboard unframed 18.5 × 14.5 cm (7.3 × 5.7 in) framed 29.5 × 25.5 cm (11.6 × 10 in) signed with monogram “OA” Provenance: From the artist’s estate; by desc...

Category

Late 19th Century Impressionist Art by Medium: Laid Paper

Materials

Oil, Board, Laid Paper

From the Ponte Vecchio, Florence

From the Ponte Vecchio, Florence

By John Taylor Arms

Located in Middletown, NY

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

Category

1920s American Modern Art by Medium: Laid Paper

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Raja Mahan Singh Mirpuri – Rajasthani School, 19th century
Raja Mahan Singh Mirpuri – Rajasthani School, 19th century

Raja Mahan Singh Mirpuri – Rajasthani School, 19th century

Located in Middletown, NY

Ink and gouache with yellow heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in blue ink, 13 1/2 x 8 3/4 inches (343 x 222 mm). Toning, handling creases and...

Category

19th Century Rajput Art by Medium: Laid Paper

Materials

Gold

The Windmill by François Vivares, after Rembrandt
The Windmill by François Vivares, after Rembrandt

The Windmill by François Vivares, after Rembrandt

By Rembrandt van Rijn

Located in Middletown, NY

Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...

Category

Mid-18th Century Old Masters Art by Medium: Laid Paper

Materials

Handmade Paper, Laid Paper, Etching

"First Stone" Lee Bontecou, Modernist, Abstract, Biomorphic, Black and White
"First Stone" Lee Bontecou, Modernist, Abstract, Biomorphic, Black and White

"First Stone" Lee Bontecou, Modernist, Abstract, Biomorphic, Black and White

By Lee Bontecou

Located in New York, NY

Lee Bontecou First Stone, 1962 Signed, dated, and numbered lower right Lithograph from one stone in black ink on cream laid paper Image 12 3/16 x 15 11/16 inches Sheet 19 1/2 x 25 13...

Category

1960s American Modern Art by Medium: Laid Paper

Materials

Ink, Laid Paper, Lithograph

Old man with a long beard and cap - After Rembrandt, copy
Old man with a long beard and cap - After Rembrandt, copy

Old man with a long beard and cap - After Rembrandt, copy

By Ferdinand Bol

Located in Middletown, NY

Etching on cream laid paper, 3 x 2 1/4 inches (76 x 57 mm), margins. In very good condition with some minor losses at the extreme lower right corner. Pencil inscriptions on the ver...

Category

Mid-17th Century Flemish School Art by Medium: Laid Paper

Materials

Laid Paper

"Iris" Botanical Etching on Heavy Paper
"Iris" Botanical Etching on Heavy Paper

"Iris" Botanical Etching on Heavy Paper

Located in Soquel, CA

"Iris" Botanical Etching on Heavy Paper Realistic etching of an iris by Nancy Nevin (American, b. 1963). An elegant bearded iris is shown against a white background, in the style of...

Category

Late 20th Century Photorealist Art by Medium: Laid Paper

Materials

Ink, Laid Paper, Etching

Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed
Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed

Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed

By Mickalene Thomas

Located in New York, NY

Mickalene Thomas Portrait de Priscilla Le Petit Chien, 2012 Pigment print on 100% cotton rag paper Edition 141/150 Frame included with official COA affixed to the back Hand numbered ...

Category

2010s Realist Art by Medium: Laid Paper

Materials

Laid Paper, Permanent Marker, Digital Pigment

Discovery of 17th Century Moses Drawing in Pen and Ink on Laid Paper

Discovery of 17th Century Moses Drawing in Pen and Ink on Laid Paper

Located in Paris, Île-de-France

GIACINTO BRANDI (Poli 1621 – 1691 Rome) The Discovery of Moses Pen and brown ink, brown wash 43.2 x 29 cm Bears an inscription at the lower edge “Agostino Tassi” and on the revers...

Category

17th Century Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Ink

Tigre couché à l'entrée de son antre  (Tiger Lying at the Entrance to its Lair)

Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)

By Eugène Delacroix

Located in Middletown, NY

Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...

Category

Early 19th Century Realist Art by Medium: Laid Paper

Materials

Laid Paper, Drypoint, Etching

"4 - U proof" - 1976 Surrealist Lithograph on Paper
"4 - U proof" - 1976 Surrealist Lithograph on Paper

"4 - U proof" - 1976 Surrealist Lithograph on Paper

Located in Soquel, CA

"4 - U proof" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "4 - U proof" by Jim Crabb (American, b. 1947). This piece resembles a narrow, surreal...

Category

1970s Surrealist Art by Medium: Laid Paper

Materials

Ink, Laid Paper, Lithograph

'Abstract, Emerald and Cobalt', Chouinard, Osaka, Butler Institute of Art, LACMA
'Abstract, Emerald and Cobalt', Chouinard, Osaka, Butler Institute of Art, LACMA

'Abstract, Emerald and Cobalt', Chouinard, Osaka, Butler Institute of Art, LACMA

Located in Santa Cruz, CA

Signed lower right, 'Inman' for Robert Inman (American, 1927–2016) and dated, lower right, outside of image, 1981. Retaining original, card, mat and backing boards. This abstract e...

Category

1980s Color-Field Art by Medium: Laid Paper

Materials

Mixed Media, Acrylic, Gouache, Laid Paper

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print

By William Curtis

Located in Saint Augustine, FL

Artist: William Curtis (English, 1746-1799) Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1788 ...

Category

1780s Victorian Art by Medium: Laid Paper

Materials

Watercolor, Laid Paper, Engraving, Intaglio

Original Collage on Paper (Framed) Titled: Fs 2819 ct09
Original Collage on Paper (Framed) Titled: Fs 2819 ct09

Original Collage on Paper (Framed) Titled: Fs 2819 ct09

By Cecil Touchon

Located in West Palm Beach, FL

Final Framed dimension: 18 x 22.5 collage art only: 9 x 12 full paper size: 15 x 19 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, publish...

Category

Early 2000s Abstract Geometric Art by Medium: Laid Paper

Materials

Acrylic, Laid Paper, Magazine Paper

Style of Arthur B. Davies, Art Nouveau Muses, Reverse Glass Painting
Style of Arthur B. Davies, Art Nouveau Muses, Reverse Glass Painting

Style of Arthur B. Davies, Art Nouveau Muses, Reverse Glass Painting

Located in New York, NY

Style of Arthur B. Davies Untitled (Muses), c. 1920 Reverse glass painting 19 x 24 in. Reverse glass painting is a form of art that consists of applying paint to a piece of glass t...

Category

1920s Art Nouveau Art by Medium: Laid Paper

Materials

Glass, Oil, Laid Paper

"Conception" - Portrait of a Native American on a Vision Quest
"Conception" - Portrait of a Native American on a Vision Quest

"Conception" - Portrait of a Native American on a Vision Quest

Located in Soquel, CA

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Category

1990s Surrealist Art by Medium: Laid Paper

Materials

Laid Paper, Screen

The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters
The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters

The Crucifixion (Christ on the Cross) /// Jesus after Albrecht Dürer Old Masters

Located in Saint Augustine, FL

Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...

Category

16th Century Old Masters Art by Medium: Laid Paper

Materials

Etching, Laid Paper

Cathedral de Saint Julien le Mans
Cathedral de Saint Julien le Mans

Cathedral de Saint Julien le Mans

By John Taylor Arms

Located in Middletown, NY

Etching on antique cream laid paper with a deckle edge, 9 1/8 x 9 3/4 inches (232 x 248 mm); sheet 12 1/8 x 12 3/4 inches (307 x 323 mm), full margins. Signed and dated in pencil in ...

Category

Early 20th Century American Modern Art by Medium: Laid Paper

Materials

Handmade Paper, Laid Paper, Etching

Mughal School, 17th century Tiger Hunt near the Jahangir Maha, Agra
Mughal School, 17th century Tiger Hunt near the Jahangir Maha, Agra

Mughal School, 17th century Tiger Hunt near the Jahangir Maha, Agra

Located in Middletown, NY

An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire. c 1690. Gouache and ink with heightening in gold on light ...

Category

17th Century Rajput Art by Medium: Laid Paper

Materials

Gold

Old Houses, Byres Road, Partick (Scotland)

Old Houses, Byres Road, Partick (Scotland)

By Sir David Young Cameron, R.A.

Located in Middletown, NY

Glasgow: Regality Club, 1894. Etching on cream laid paper with a poppy watermark, 4 1/2 x 5 7/8 inches (115 x 148 mm) full margins. Notations in the margins recto, well outside of image area. Scattered very minor light brown foxing in the right-side sheet quadant, virtually invisible on recto. [Rinder 191]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Category

Early 1900s Modern Art by Medium: Laid Paper

Materials

Laid Paper, Etching

Woman Waving - 1991 Abstract Expressionist Lithograph on Paper
Woman Waving - 1991 Abstract Expressionist Lithograph on Paper

Woman Waving - 1991 Abstract Expressionist Lithograph on Paper

By Sidney Budnick

Located in Soquel, CA

Woman Waving - 1991 Abstract Expressionist Lithograph on Paper 1991 black and yellow abstract expressionist lithograph depicting a woman by Sidney Jonas Budnick (1921 - 1994). The w...

Category

1990s Post-War Art by Medium: Laid Paper

Materials

Acrylic, Laid Paper, Lithograph

Exquisite India Miniature Persian European Illustration Erotic Signed 1921
Exquisite India Miniature Persian European Illustration Erotic Signed 1921

Exquisite India Miniature Persian European Illustration Erotic Signed 1921

Located in Norfolk, GB

Couple at play Watercolour on paper laid to board 21cm x 14cm Mounted 39cm x 29cm 1921 Signed with Monogram Bottom right This is an exquisitely executed watercolour painting that ...

Category

1920s Other Art Style Art by Medium: Laid Paper

Materials

Watercolor, Laid Paper

Three hunters; two with a spear and dagger...  Rajasthani School, 19th century
Three hunters; two with a spear and dagger...  Rajasthani School, 19th century

Three hunters; two with a spear and dagger... Rajasthani School, 19th century

Located in Middletown, NY

Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink, 12 5/8 x 8 9/16 inches (320 x 217 mm). Toning, handling creases and minor sc...

Category

19th Century Rajput Art by Medium: Laid Paper

Materials

Gold

The Anglers
The Anglers

The Anglers

By Herman van Swanevelt

Located in Middletown, NY

Etching with engraving on cream laid paper with a large unidentified alphabetic watermark, 6 1/2 x 9 7/8 inches (165 x 251 mm), the full sheet. In good condition with handling wear a...

Category

Early 17th Century Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Engraving, Etching

Beggar man and woman coming from behind a bank – after Rembrandt van Rijn
Beggar man and woman coming from behind a bank – after Rembrandt van Rijn

Beggar man and woman coming from behind a bank – after Rembrandt van Rijn

By Charles Amand Durand

Located in Middletown, NY

Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...

Category

17th Century Old Masters Art by Medium: Laid Paper

Materials

Laid Paper, Etching

Ponte della Trinità, Florence
Ponte della Trinità, Florence

Ponte della Trinità, Florence

By David Young Cameron

Located in Middletown, NY

Etching and drypoint on tissue-thin cream laid paper, 6 5/8 x 8 1/8 inches (167 x 205 mm), full margins. Signed in pencil in the lower right margin, and inscribed "Ponte Trinità, Florence" in pencil the lower left margin. Non-archival paper tape tabs at the top right and left corners on the verso, with minor associated discoloration which presents on the recto. Minor, light mat tone, and some very small losses at the extreme corners, well outside of image area. The numerals "325" written in pencil in the lower right margin, in reference to the Rinder catalog number. A beautiful, silvery, early-state impression. Rinder 325 [Rinder 325 iii/vii]. The son of a clergyman, Sir David Young Cameron was born in Glasgow in 1865. After a brief and unhappy dalliance in the fields of business and law, Cameron began attending the prestigious Glasgow School of the Arts in 1881, and later the Edinburgh School of the Arts. At first associated with the Glasgow Boys (John Lavery, Joseph Crawhall...

Category

Early 20th Century Modern Art by Medium: Laid Paper

Materials

Laid Paper, Drypoint, Etching

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper
God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper

By Leopoldo Méndez

Located in Soquel, CA

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper Leopoldo Méndez (Mexico City, Mexico, 1902–1969) "Fool's Concert" (from the portfolio "25 Prints of Leopoldo ...

Category

1940s Symbolist Art by Medium: Laid Paper

Materials

Linocut, Printer's Ink, Laid Paper

Signed Feminist LGBTQ+ Acrylic on Board Painting - Before the Computer 121
Signed Feminist LGBTQ+ Acrylic on Board Painting - Before the Computer 121

Signed Feminist LGBTQ+ Acrylic on Board Painting - Before the Computer 121

Located in New York, NY

Linda Stein, Before the Computer 121 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Before the Computer 121 is from Linda Stein's Missives series--a body of work born ...

Category

1970s Feminist Art by Medium: Laid Paper

Materials

Ink, Acrylic, Board, Laid Paper

Laid Paper art for sale on 1stDibs.

Find a wide variety of authentic Laid Paper art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, red, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include John Taylor Arms, Dick Wray, Suzanne Benton, and Francisco Goya. Frequently made by artists working in the Abstract, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Laid Paper art, so small editions measuring 0.01 inches across are also available