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Medium: Laid Paper
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Four Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10" x 16.5"
Image size (each): approx. 6.88" x 11.75"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Art by Medium: Laid Paper
Materials
Laid Paper, Engraving
Studio di piede (study of foot) – Florentine School 18th century
Located in Middletown, NY
Red chalk on cream laid paper, 6 3/8 x 7 inches (160 x 176 mm), the full sheet. In very good condition with minor toning and some modern notations in pencil on the verso, as well as ...
Category
Early 18th Century Italian School Art by Medium: Laid Paper
Materials
Crayon, Laid Paper
Tolosa (Toulouse); Leaf LXXI from Hartmann Schedel's Nuremberg Chronicle
Located in Middletown, NY
Woodcut on laid paper, 8 3/8 x 9 1/8 inches (212 x 233 mm), the full sheet. In excellent condition with text and portraits of Empedocles, Sapho, Zeuxis and others on the verso, as is...
Category
15th Century and Earlier Old Masters Art by Medium: Laid Paper
Materials
Ink, Handmade Paper, Laid Paper, Woodcut
Constellation, Dazzling unique signed geometric abstraction painting, 1970s art
Located in New York, NY
Allan D'Arcangelo
Constellation, 1971
Acrylic on paper, mounted to canvas
Hand signed and dated 1971 lower front
Frame included
Measurements:
Framed:
23.75 x 23.75 x 1.25 inches
Artw...
Category
1970s Pop Art Art by Medium: Laid Paper
Materials
Canvas, Acrylic, Laid Paper, Permanent Marker
Tourelle, Rue de la Tixéranderie démolie en 1851
Located in Middletown, NY
Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...
Category
Mid-19th Century French School Art by Medium: Laid Paper
Materials
Laid Paper, Etching, Drypoint
'Pink Daisies', California Watercolor Society, SWA, Woman Artist, Zoltan Szabo
Located in Santa Cruz, CA
Signed lower right, 'Beverly Fields' (American, 20th century) and painted circa 1985.
This listed California artist has exhibited widely and with success and is the recipient of num...
Category
1980s Post-Impressionist Art by Medium: Laid Paper
Materials
Watercolor, Laid Paper
Etude Barque au Quai - Normandy - Post Impressionist Seascape Oil - Othon Friesz
Located in Marlow, Buckinghamshire
Signed oil on paper laid on panel seascape c.1907 by French post impressionist painter Achille-Emile Othon Friesz. The piece is a study of a view of a boat in a quay at Normandy, Fra...
Category
Early 1900s Post-Impressionist Art by Medium: Laid Paper
Materials
Oil, Panel, Laid Paper
Apollo, plate 11 from the series of The Gods in Niches
Located in Middletown, NY
by Jacopo Caraglio (after Rosso Fiorentino)
Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins. In very good condition with a...
Category
17th Century Old Masters Art by Medium: Laid Paper
Materials
Laid Paper, Handmade Paper, Engraving
'Bijouterie, Tulle, France', French Village, Boise, National Watercolor Society
Located in Santa Cruz, CA
Signed lower right, 'E. Brigeois' for Evelyne Brigeois (French, 1946-2016) and dated 1988; additionally signed, verso, and dated.
Born in Troyes, France in 1946, Evelyne Brigeois g...
Category
1980s Art by Medium: Laid Paper
Materials
Watercolor, Laid Paper
Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto
Located in Middletown, NY
An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire.
Circa 1750. Gouache and ink with gold heightening on cre...
Category
18th Century Rajput Art by Medium: Laid Paper
Materials
Gold
Mughal School, 18th Century Emperor Jahangir with Empress Nur Jahan
Located in Middletown, NY
Emperor Jahangir and Empress Nur Jahan exchanging lotus blossoms; a symbol of beauty, purity, honesty, rebirth, self-regeneration, and enlightenment....
Category
18th Century Rajput Art by Medium: Laid Paper
Materials
Gold
The South East Prospect of Westminster Bridge
By Alfred Benjamin Cole
Located in Middletown, NY
After Giovanni Antonio Canal, called Canaletto
Copper plate engraving with hand coloring on cream laid paper with the Arms of France watermark (a crown in shield topped by a fleur-de-lys and the letters GR), 22 3/4 x 15 3/4 inches (576 x 400 mm), wide to full margins. Multiple vertical and horizontal creases from folding and rolling; none appear to be particularly hard, there is however some associated cockeling. While there is some minor mat tone visible around the perimeter of the sheet, the extensive handcoloring remains extremely fresh and saturated in the intended areas. There are edge tears at each the right and left sheet edge (outside of the image area) due to an improper effort to mount the sheet to a mat. Otherwise in very good condition with all issues being consistent with age.
The print is wrongly titled "The South East Prospect of Westminster Bridge...
Category
Mid-18th Century English School Art by Medium: Laid Paper
Materials
Laid Paper, Engraving, Watercolor
'Flowers on a Window Sill', Royal Provenance, Russia, Queen Elizabeth II
Located in Santa Cruz, CA
Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Grand Duchess of Russia (Russian, 1882-1960) and painted circa 1925.
Provenance: Formerly in the collection o...
Category
1920s Impressionist Art by Medium: Laid Paper
Materials
Watercolor, Gouache, Laid Paper
Mughal School, 18th century Emperor Jahangir with Empress Nur Jahan & concubine
Located in Middletown, NY
An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire.
circa 1750. Gouache and ink with heightening in gold on li...
Category
17th Century Rajput Art by Medium: Laid Paper
Materials
Gold
Mughal School, 17th century – Emperor Jahangir reclining in his harem
Located in Middletown, NY
An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire.
Circa 1690. Gouache and ink with gold heightening on light...
Category
18th Century Rajput Art by Medium: Laid Paper
Materials
Gold
Mughal School, 18th century Emperor Jangahir on a pleasure boat with his harem a
Located in Middletown, NY
Emperor Jahangir depicted with his harem attendees aboard a pleasure cruise, the water filled with lotus blossoms; symbols of paradise itself.
Circa 1750. Gouache and ink with gold ...
Category
18th Century Rajput Art by Medium: Laid Paper
Materials
Gold
Rajput Ragamala miniature of woman with bell&rattle. Rajasthani School, 19th C.
Located in Middletown, NY
Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in gray ink, and the 1889 Jaipur State Council stamp in black ink, 13 1/4 x 8 3/4 inches (335 x 222 mm). Toning, handling creases and minor scattered surface soiling throughout. There are scattered coeval Hindi inscriptions in ink on the recto.
"A ragamala, translated from Sanskrit as "garland of ragas," is a series of paintings depicting a range of musical melodies known as ragas. Its root word, raga, means color, mood, and delight, and the depiction of these moods was a favored subject in later Indian court paintings...
Category
19th Century Rajput Art by Medium: Laid Paper
Materials
Gold
Mickalene Thomas, Portrait de Priscilla Le Petit Chien official COA S/N, Framed
Located in New York, NY
Mickalene Thomas
Portrait de Priscilla Le Petit Chien, 2012
Pigment print on 100% cotton rag paper
Edition 141/150
Frame included with official COA affixed to the back
Hand numbered ...
Category
2010s Realist Art by Medium: Laid Paper
Materials
Laid Paper, Permanent Marker, Digital Pigment
Mughal School, 18th century – Emperor Jahangir in his harem in flagrante delicto
Located in Middletown, NY
Emperor Jahangir in his harem surrounded by lotus blossoms; symbols of paradise itself.
Circa 1690. Gouache and ink with gold heightening on cream laid paper, 8 1/2 x 6 1/4 inches (...
Category
17th Century Rajput Art by Medium: Laid Paper
Materials
Gold
View of Fountain Court, Middle Temple, City of London
Located in Middletown, NY
An 18th century view of the first permanent water fountain in London.
London: J.Boydell, 1753.
Engraving with hand coloring in watercolor on white laid paper, laid down to a modern...
Category
Mid-18th Century English School Art by Medium: Laid Paper
Materials
Watercolor, Handmade Paper, Laid Paper, Engraving
Abstract Expressionist Original Gouache on paper Collage style of de Kooning
Located in Soquel, CA
Abstract Expressionist Original Gouache on paper and Collage
Abstract Gouache and Paper Collage by Harold Winer (American, 1913-2006).
Image 30"H x 40"W
Slat with white paint .25" ...
Category
1980s Post-War Art by Medium: Laid Paper
Materials
Gouache, Illustration Board, Laid Paper
$1,680 Sale Price
20% Off
"Fete" Mid Century Modern Abstract Etching & Aquatint on Paper (Artist's Proof)
Located in Soquel, CA
"Fete" Mid Century Abstract Etching and Aquatint on Paper (Artist's Proof)
Bold abstract composition by Renee Lubarow (French, 1923-2017). This piece is somewhat architectural or in...
Category
Mid-20th Century Modern Art by Medium: Laid Paper
Materials
Etching, Aquatint, Laid Paper
The Triumph of Caesar: Plate IV of IX
By Andrea Mantegna
Located in Middletown, NY
Andreani, Andrea, after Andrea Mantegna
The Triumph of Caesar: Plate IV of IX
1599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown, grey, and thr...
Category
16th Century Old Masters Art by Medium: Laid Paper
Materials
Handmade Paper, Laid Paper, Ink, Woodcut
"Pomme d' Amour" Mid-Century Modern Aquatint Floral Original by Anne Walker
By Anne Walker
Located in Soquel, CA
"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker
Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...
Category
Mid-20th Century Post-War Art by Medium: Laid Paper
Materials
Laid Paper, Aquatint, Woodcut
Early 20th Century Plein Air Study for Homesteader Colorado Mountain Painting
Located in Soquel, CA
Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson.
It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art.
Medium: Charcoal on paper
Signature: Lower left corner
Date: "1909" below signature
Condition: Tonal aging and minor edge wear consistent with age and use. See images.
Presented in black painted wood frame
Mat size: 14"H x 11"W
Paper size: 9"H x 6"W
Image size (visible with mat): 8"H x 5.25"W
Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own.
At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training.
Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine.
At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist.
Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art.
Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio.
California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...
Category
Early 1900s Hudson River School Art by Medium: Laid Paper
Materials
Oil Crayon, Laid Paper
Steps to the Grand Canal, St. Mark's in the distance, Venice.
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern Art by Medium: Laid Paper
Materials
Laid Paper, Drypoint, Etching
"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall
By Marc Chagall
Located in Soquel, CA
"The Barefoot Lumberjack" Etching from "Les Ames Mortes" by Marc Chagall
Playful etching of a lumberjack by Marc Chagall (Russian, 1887-1985). A stout lumberjack is shown holing his...
Category
1940s Post-War Art by Medium: Laid Paper
Materials
Ink, Laid Paper
$1,722 Sale Price
35% Off
Doldrums, H13-12, from Where the Land Meets the Sea (Hand signed mixed media)
By Damien Hirst
Located in New York, NY
Damien Hirst
Doldrums, H13-12, from Where the Land Meets the Sea, 2023
Laminated giclée print on aluminium composite panel
47 3/10 × 35 2/5 × 1/2 in 120.1 × 89.9 × 1.3 cm
Hand-signe...
Category
2010s Pop Art Art by Medium: Laid Paper
Materials
Metal
$4,920 Sale Price
40% Off
"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez
Located in Soquel, CA
"Coffee" the Perfect Meal - Menu - Beverages - Intaglio by Raymond Perez
The artwork "Second Course Fish" by Raymond Perez, created one of a group show at San Francisco State Univer...
Category
1980s American Modern Art by Medium: Laid Paper
Materials
Watercolor, Laid Paper, Intaglio
Captured by Steve Lazarides (Black edition
By Banksy
Located in Manchester, GB
Banksy, Captured by Steve Lazarides (Black edition), 2019
Volume 1, Hardcover by Banksy’s ex-manager Steve Lazarides
Edition of 1000.
Numbered inside book
Has many never-before-s...
Category
2010s Contemporary Art by Medium: Laid Paper
Materials
Laid Paper, Magazine Paper
Billingsgate
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category
Mid-19th Century Impressionist Art by Medium: Laid Paper
Materials
Laid Paper, Drypoint, Etching
The Windmill by François Vivares, after Rembrandt
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
Category
Mid-18th Century Old Masters Art by Medium: Laid Paper
Materials
Handmade Paper, Laid Paper, Etching
Chartres Cathedral
By Axel Herman Haig, R.E.
Located in Middletown, NY
Etching in brownish black ink on cream laid paper, 8 1/4 x 4 1/4 inches (209 x 111 mm), full margins. Signed (illegibly) in pencil, lower right margin. In good condition with a print...
Category
Early 20th Century English School Art by Medium: Laid Paper
Materials
Etching, Laid Paper
'Philippines Landscape', Paris, Académie Chaumière, NY, ASL, Sao Paulo Biennal
Located in Santa Cruz, CA
A fine and delicate, watercolor landscape showing a view of the rural Philippines by this celebrated Philippine Modernist. Signed, lower right, in graphite, 'Romeo V Tabuena' for Rom...
Category
1950s Art by Medium: Laid Paper
Materials
Gouache, Laid Paper, Watercolor
Exquisite India Miniature Persian European Illustration Erotic Signed 1921
Located in Norfolk, GB
Couple at play
Watercolour on paper laid to board
21cm x 14cm
Mounted 39cm x 29cm
1921
Signed with Monogram Bottom right
This is an exquisitely executed watercolour painting that ...
Category
1920s Other Art Style Art by Medium: Laid Paper
Materials
Watercolor, Laid Paper
Style of Arthur B. Davies, Art Nouveau Muses, Reverse Glass Painting
Located in New York, NY
Style of Arthur B. Davies
Untitled (Muses), c. 1920
Reverse glass painting
19 x 24 in.
Reverse glass painting is a form of art that consists of applying paint to a piece of glass t...
Category
1920s Art Nouveau Art by Medium: Laid Paper
Materials
Glass, Oil, Laid Paper
"Die Segen" (Sins/Blessing) - 1986 Collograph On Paper
By Patricia Pearce
Located in Soquel, CA
"Die Segen" (Sins/Blessing) - 1986 Collograph On Paper
Original 1986 Collograph on paper titled "Place Setting" ("Sins/Blessing") by Patricia Pearce (Am...
Category
1980s Abstract Geometric Art by Medium: Laid Paper
Materials
Laid Paper, Color
$357 Sale Price
35% Off
Mughal School, 18th century – Emperor Jahangir dancing with his harem attendees
Located in Middletown, NY
A joyful scene of lighthearted merriment in the palace of Jangahir Mahal Agra
Circa 1750. Gouache and ink with gold heightening on light weight cream laid paper, 8 1/4 x 6 inches (2...
Category
18th Century Rajput Art by Medium: Laid Paper
Materials
Gold
A heron fishing – Edo School, 19th century
Located in Middletown, NY
Ink and watercolor on fibrous Japon paper laid down to period cream laid paper, 6 x 7 1/2 inches (155 x 190 mm). Minor toning and some insect damage on the mount, painting itself rem...
Category
Mid-19th Century Edo Art by Medium: Laid Paper
Materials
Ink, Watercolor, Handmade Paper, Laid Paper
Mill with Masted Ships in a Harbor Original Watercolor
Located in Soquel, CA
Mill with Masted Ships in a Harbor Original Watercolor
Early Watercolor of a coastal Mill with Schooners in a harbor, by an unknown artist. 1890-1915. The image depicts a watercolor...
Category
Late 19th Century Impressionist Art by Medium: Laid Paper
Materials
Watercolor, Laid Paper
$747 Sale Price
35% Off
Modèle Contemplant un Groupe Sculpté /// Picasso La Suite Vollard Marie-Thérèse
Located in Saint Augustine, FL
Artist: Pablo Picasso (Spanish, 1881-1973)
Title: "Modèle Contemplant un Groupe Sculpté (Model Contemplating a Sculpted Group)" (Plate 66)
Portfolio: La Suite Vollard
*Signed by Pica...
Category
1930s Cubist Art by Medium: Laid Paper
Materials
Etching, Intaglio, Laid Paper
Arcadian riverscape with different figures by a tree [Arcadisch rivierlandschap]
Located in Middletown, NY
A beautiful Arcadian landscape after Johannes Glauber.
Amsterdam: 1721.
Etching on handmade laid paper with an intact fleur-de-lis watermark. 203 x 275 mm; 8 x 10 7/8 inches, trimm...
Category
18th Century Old Masters Art by Medium: Laid Paper
Materials
Handmade Paper, Laid Paper, Etching
![Arcadian riverscape with different figures by a tree [Arcadisch rivierlandschap]](https://a.1stdibscdn.com/adolf-van-der-laan-prints-works-on-paper-arcadian-riverscape-with-different-figures-by-a-tree-arcadisch-rivierlandschap-for-sale/a_19792/1654896344262/280_master.jpg?width=240 "1721 arcadian st")
Mars driven away from Peace and Abundance by Minerva
By Agostino Carracci
Located in Middletown, NY
Agostino CARRACCI, after Jacopo TINTORETTO
Sapientia Martem depellente Pax et Abundantia cogaudent; Mars driven away from Peace and Abundance by Minerva
Engraving on handmade laid ...
Category
16th Century Old Masters Art by Medium: Laid Paper
Materials
Ink, Handmade Paper, Laid Paper, Woodcut
Neoclassical composition of a sculptor kneeling before his statue of the Madonna
Located in Middletown, NY
An allegory of loyalty, with the subject's dog pictured seated, holding his master's chisel in his mouth; fidelity personified.
Italian School, 18th century
Ink wash in gray and bl...
Category
Mid-18th Century Italian School Art by Medium: Laid Paper
Materials
Laid Paper, Ink, Watercolor
Early 20th Century Signed Etching By Armin Carl Hansen -- Valley Farm
By Armin Hansen
Located in Soquel, CA
Signed 1926 Armin Carl Hansen Etching and Drypoint of Central Coast California Valley Farm
Wonderful etching and drypoint of Valley Farm signed and titled by Armin Carl Hansen (Amer...
Category
1920s American Impressionist Art by Medium: Laid Paper
Materials
Laid Paper, Etching
$1,904 Sale Price
20% Off
"I Love You" Limited Edition towel/wall hanging (LARGE: 60 inches x 70 inches)
By Tracey Emin
Located in New York, NY
Tracey Emin
I Love You/I Love Your Soul/I Love Your Smile, ca. 2010
100% Cotton Beach Towel
60 × 70 inches (folded it's 25 x 30 inches)
Signed in plate, authorized printed...
Category
2010s Contemporary Art by Medium: Laid Paper
Materials
Cotton, Screen, Mixed Media, Laid Paper
Capriccio con arco (verso: study of a man)
Located in Paris, Île-de-France
Italian School, 18th century, circle of Giovanni Battista Piranesi
Capriccio con arco (verso: study of a man)
Brown ink on paper,
39 x 24.5 cm
Unsigned
Provenance:
Private collec...
Category
Mid-18th Century Old Masters Art by Medium: Laid Paper
Materials
Ink, Laid Paper
Pointillist School, Early 20th Century - Bather
Located in Paris, Île-de-France
Pointillist School, Early 20th Century
Bather
Oil on paper, 66 x 47 cm
Provenance:
Private collection, France
This anonymous work, attributable to the Pointillist school of the ea...
Category
Early 20th Century Post-Impressionist Art by Medium: Laid Paper
Materials
Oil, Laid Paper
Portraits of a man and Woman Circa 1850-1860 Original Oil on Paper
Located in Soquel, CA
Portraits of a man and Woman Circa 1850-1860 Original Oil on Paper
Early American portraits in the style of and possibly by Henry Bryan Hall (English/American, 1808-1861) Later in hi...
Category
Mid-19th Century Hudson River School Art by Medium: Laid Paper
Materials
Oil, Laid Paper
$2,120 Sale Price
20% Off
"Equal Justice Under Law" Screenprint #99/125 on Wove Paper
Located in Soquel, CA
"Equal Justice Under Law" Screenprint #99/125 on Wove Paper
Iconic composition by Robert Rauschenberg (American, 1925-2008). A red envelope and a hand holding sprouted grass the pli...
Category
1970s American Modern Art by Medium: Laid Paper
Materials
Laid Paper, Screen
Raja Mahan Singh Mirpuri – Rajasthani School, 19th century
Located in Middletown, NY
Ink and gouache with yellow heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in blue ink, 13 1/2 x 8 3/4 inches (343 x 222 mm). Toning, handling creases and...
Category
19th Century Rajput Art by Medium: Laid Paper
Materials
Gold
Cathedral Group and Grand Teton Mountains Landscape
Located in Soquel, CA
Wonderful painting of mist at the base of Grand Teton Peak in the Grand Tetons titled "Morning Mist" by Keith Fay (American, 1920 - 2008), circa 1980), C. 19...
Category
1980s Realist Art by Medium: Laid Paper
Materials
Watercolor, Laid Paper
Study Of A Head
Located in Paris, Île-de-France
Artus WOLFAERTS (1581-1641)
Study of a head
Oil on paper, transferred on panel.
39,5 x 29 cm
Unsigned
Provenance
Private collection, France
Firstly thought to be from Rubens’s S...
Category
17th Century Old Masters Art by Medium: Laid Paper
Materials
Oil, Laid Paper
Original Mid Century Western Pen and Ink "Cowboy and Bronco"
Located in Soquel, CA
Original Mid Century Pen and Ink on Paper "Cowboy and Bronco" Western Genre
Compelling pen and ink western picture of Cowboy wrangling the bro...
Category
1950s American Realist Art by Medium: Laid Paper
Materials
India Ink, Laid Paper
$2,000 Sale Price
20% Off
Mughal School, 18th century Emperor Jahangir taking tea in his harem
Located in Middletown, NY
An illuminated page from a book likely in reference to palace life during Emperor Jahangir's reign over the Mughal Empire.
circa 1750. Gouache and ink with heightening in gold on li...
Category
18th Century Rajput Art by Medium: Laid Paper
Materials
Gold
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Three Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.75"
Image size (each): approx. 7" x 11.88"
Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition
Notes:
Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV".
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
1780s Old Masters Art by Medium: Laid Paper
Materials
Engraving, Laid Paper
Vintage Minimalist Sand Dunes Landscape in Watercolor on Laid Paper
Located in Soquel, CA
Vintage Minimalist Sand Dunes Landscape in Watercolor on Laid Paper
Wonderful minimalist watercolor of sand dune with grass and birds by Ed Walaitis (Amer...
Category
1970s Expressionist Art by Medium: Laid Paper
Materials
Watercolor, Laid Paper
'Forms in Charcoal and Jade', San Francisco Bay Area Abstraction, SFMFA, CWS
Located in Santa Cruz, CA
Signed lower right, 'Gilberg' for Robert George Gilberg (American, 1911-1970) and dated '58'.
Born in Oakland, Robert George Gilberg first studied at the Oakland Art Center during t...
Category
1950s Abstract Art by Medium: Laid Paper
Materials
Gouache, Laid Paper, Encaustic
Shah Jahan taking tea with a concubine. Rajasthani School, 19th century
Located in Middletown, NY
Ink and gouache with gold heightening on brown laid paper with a Jaipur Court Fee tax stamp in black ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and minor sca...
Category
19th Century Rajput Art by Medium: Laid Paper
Materials
Gold
Study for a Hunting Scene, a red chalk sketch attributed to Karel du Jardin
Located in PARIS, FR
We would like to thank Carolina Trupiano Kowalczyk for suggesting this attribution to Karel du Jardin after direct examination of the artwork. Her study of the drawing (in Italian), ...
Category
1650s Old Masters Art by Medium: Laid Paper
Materials
Chalk, Ink, Laid Paper
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