Art by Medium: Laid Paper

Milton Glaser creates a brilliant graphic symbolizing a pathway to success and more. Original art Cut Paper collage and colored pencil 19 1/2 x 13 5/8 Signed to lower edge ‘Milton ...

First Edition lithograph Half plate: 27 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

Subscription and first edition lithographs in stock Half plate: 23 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy La...

First Edition lithograph Half plate: 19 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

First Edition lithograph Half plate: 17 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

Antoine-Claude PONTHUS-CINIER (Lyon, 1812 - Lyon, 1885) The Port of Banyuls Oil on paper mounted on cardboard H. 36 cm; W. 52 cm Unsigned Provenance: - B.R. Collection, Lyon Ponthu...

Huang Wei's 2021 watercolor painting, Deep Tranquility Flows, is a profound meditation on serenity, deeply influenced by Tibetan Buddhist philosophy. Through fluid, wave-like patterns in mesmerizing shades of blue, Wei evokes the essence of water as both a physical and spiritual element—symbolizing impermanence, harmony, and the flow of inner peace. The painting’s deep, layered blues recall the sacred hues often found in Tibetan thangka paintings, associated with wisdom and the infinite nature of the mind. The undulating forms mimic the movement of flowing currents, much like the cyclical rhythms of meditation and breath in Buddhist practice. Wei’s meticulous brushwork creates a rhythmic stillness, drawing the viewer into a contemplative state, reminiscent of the tranquility sought in Tibetan Buddhist teachings. Blending traditional Chinese techniques with contemporary watercolor expression, Deep Tranquility Flows transcends mere visual beauty. It becomes a spiritual experience—an invitation to pause, reflect, and connect with the deeper currents of existence. Wei’s work reminds us of the profound calm found in nature and within ourselves, offering a moment of peace amid the chaos of modern life. Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

Lucius Rossi (1846-1913) was an Italian portrait and figurative painter who worked and lived in Paris. He was a friend and painter of many of the High Society people in Paris. A pain...

Oil, acrylic, spraypaint on canvas. Bridge to a friend of the artist's house.

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

This Rocky Landscape with Trees and the Ruins of a Temple is a drawing by Giulio Parigi, an eclectic and prolific artist of the Medici court. An engraver, architect, furniture and je...

Original mixed media composition by French contemporary artist Richard Texier (born 1955), titled “Paysages à Délices”, executed in 1986. This highly expressive work combines ink, w...

Flora Fong Girasol / Sunflower, 1996 Acrylic on paper laid on canvas 30 x 22 in Certificate of authenticity by the artist

Venezia, part of the portfolio of the 39 venice views. Calle delle Terese, 1984, rif. 546 Platemark mm 48.9x34.6. Original etching, signed and numbered. Limited edition of 90. The e...

Léon Augustin Lhermitte 1844 - 1925 L’eglise de Mézy-Moulins Pastel on mounted canvas, signed and dated '1921' lower right Image size: 20 x 24 inches (51 x 61 cm) Original gilt frame...

This watercolour painting is by the English artist Henry Ryland, celebrated in his day and since for his Neoclassical pictures. Ryland was a contemporary of Lawrence Alma-Tadema and ...

Cut paper collage for proposed Holiday Magazine Cover. Inscribed on Verso. Rudolph de Harak was a graphic and environmental designer and art director ...

Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

A fine abstract expressionist paper collage with windmills by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of antique sepia...

These two ink drawings on Japon Nacre paper by Miguel-Castro Leñero are sold as a pair. They depict an ox and a cow eating grass. The artist signed each drawing in the lower right. ...

Mariano Rodriguez Gallo, 1978 Ink and acrylic on paper 29 x 20 in Included certificate of authenticity by the Mariano Rodriguez Foundation

A wonderful abstract expressionist three dimensional construction by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This construction consists of antique lithographs laid on board, including a shooting target sheet, and metal jacks, all presented on an antique celestial map...

Punchy reds and zestful hot pinks convey a sense of intense motion and engine heat. The art is as much a color-field painting as a narrative work. It was a commissioned illustration for Sports Illustrated...

Watercolour on paper, signed and dated '1855' lower right Image size: 20 x 14 inches (51 x 35.3 cm) Acid free mount This striking watercolour depicts an Italian peasant woman in the...

Two elegant and leggy models are rendered and meticulously designed in this illustration for Geoffrey Beene. Miyake's composition is one model as two or two models as one. We see th...

Arabian Charger Seller" by Antonio Rivas (Spanish, 1845-1911) stands as an exquisite example of Orientalism, a 19th-century artistic movement that sought to depict the rich and diverse cultures of the East. Rivas, a master of his craft, delves into this genre with a keen eye for detail and a dedication to authenticity that brings the scene to life. In this antique watercolor on paper...

Nancy Pantirer Untitled Mixed Media on Canvas 24 x 24 in Nancy Pantirer incorporates abstract expressionism and collage into her canvases, letting the properties of paint and paper ...

James Louis Steg Untitled (children playing and dolls) 30 x 22 “ Xerography on paper on paperboard Unsigned This is a unique work, a collage made from manipulated xerography. James...

Mixed media on paper, 1989, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 29 1/2 x 22 in. (sheet), 32 1/2 x 24 1/2 in. (frame).

Mixed media on paper, 1989, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 29 1/2 x 22 in. (sheet), 32 1/2 x 24 1/2 in. (frame).

Approximate Date: 1895 Medium: Gouache on paper laid to card Signature: Signed and dated 'R.F. Zogbaum/ 95' bottom right Size: 18 x 13 3/4 in. Harper's Weekly: A Journal of Civilization, New York, December 28, 1895, vol. XXXIX, no. 2036, (cover illustration). The present painting represents a battle fought August 9 and 10, 1877, between the United States troops and Chief Joseph...

David Roberts RA Fortress of Akaba 1796 - 1864 Subscription Edition lithograph Half plate: 107 Presented in a acid free mount

David Roberts RA Askelon 1796 - 1864 First Edition lithographs Full plate: 57 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' ...

DAVID ROBERTS RA Beit Jebrin, or Eleutheroplis 1796 - 1864 First Edition and Subscription Edition lithographs available Half plate: 54 Presented in a acid free mount Modern hand-co...

DAVID ROBERTS RA The Dead Sea 1796 - 1864 First Edition and Subscription Edition lithographs available Half plate: 50 Presented in a acid free mount In this lithograph, Roberts sta...

DAVID ROBERTS RA Jacob’s Well at Schechem 1796 - 1864 First Edition lithograph Full plate: 40 Presented in a acid free mount Modern hand-coloured lithograph for the first edition o...

DAVID ROBERTS RA Tomb of Joseph at Shechem 1796 - 1864 First Edition lithograph Half plate: 39 Presented in a acid free mount Modern hand-coloured lithograph for the first edition ...

Huang Wei Born in 1985 in Baotou, Inner Mongolia; 2011,Graduated from The Department of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor's degree; 2014,I graduated from Art College of Xizang University with a master's degree; Now he lives and works in Beijing T3 International Art District. After graduating from Tianjin Academy of Fine Arts, Huang Wei chose to study in Xizang because he was unsatisfied with the procedural education mode. As an ideal and sacred place for many people, Tibet has also provided artistic inspiration for many artists. Huang Wei is not concerned with Tibetan folk customs or landscapes, but with Tibetan unique, faith-based artistic expression. The experience in Tibet was a rare retreat. He was willing to spend time in dialogue with nature as well as with his heart. Through painting, he established an inner field and objected to mountains, water and clouds with his mind. Huang Wei's brushwork does not move restlessly. The rich texture on the picture comes from the countless dots dyeing of the brush tip and rice paper. This technique, which originated from the Traditional Tibetan painting "Thangka", requires a state of extreme silence and numerous repetitions, approaching a state of meditation. This is the classical spirit from Tibet, and in keeping with the spiritual pursuits of the great achievers of the Himalayan region. As his mentor Li Jin...

A fine abstract expressionist paper collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of a cut-out of a rose, shooting target, map, and horse with an antique marbled paper...

A fine abstract expressionist paper construction by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This construction consists of a cut-out of a horse, a celestial map, several small animal figures, with a yellow brick wall paper background, monogrammed lower right “VB,” signed, dated 2002, and titled on verso “The Great...

Mixed media on laid paper by Hubert Brake. "Abstrakte Komposition I", 1952 48,6 x 62 cm signed and dated

Chryssa began working with neon in 1962, creating large-scale neon works using faux letters rather than legible characters. Reduced to base semiotics, her letterforms became examinat...

Signed oil on paper laid on board figures in landscape circa 1890 by French Neo-Impressionist painter Albert Dubois-Pillet. This pointillist piece depicts and elegant couple enjoying...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This abstract oil painting by late Houston artist Dick Wray exhibits a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s artw...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...

This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...