Art by Medium: Lithograph

The 1958 original lithography by Hans Hartung, titled "Composition noir L56" represents a significant milestone in the artist's illustrious career, showcasing his profound exploratio...

Medium: pochoir. Published in Paris in 1945 by Teriade for Verve (Volume IV, No. 13). This was the title page composed by Matisse for the special "De la Couleur" issue, now rare. Pri...

Oscar Dominguez, Spanish (1906 - 1957) - Tauromachie, Year: 1950, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 99/200, Image Size: 19 x 12.75 inches, Size:...

Salvador Dali (1904-1989) - The Inferno, Canto 9 - The Furies Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is in Exce...

A fine impression of this very popular image with full margins (smaller on top and bottom) published by Associated American Artists.

Untitled 210-18 by Antoni Tàpies is a double-page lithograph featured in Derrière le Miroir (DLM) No. 210, specifically on pages 18 and 19. This lithograph, like many in the DLM seri...

Rendered in soft, neutral colors with light lines and shading, this portayal of a young child at breakfast time is sweet and endearing. Forgoing the Cubist style, Pablo Picasso inste...

Beautiful poster of Cassandre in 1928 for the Exposition Générale at Galeries Lafayette. Cassandre, pseudonym of Adolphe Jean Marie Mouron, 🇺🇦 & 🇫🇷 (1901-1968) is a French graphic designer, poster artist, theater decorator, lithographer, painter and typographer whose works never cease to amaze us He is mainly known for his advertising posters for railroads, such as the Étoile du Nord, the Dubonnet drink, the Normandie liner, and for the typefaces he created in the 1930s such as Bifur and Peignot, and, drawn out of...

Paper Size: 28.75 x 20 inches ( 73.025 x 50.8 cm ) Image Size: 20.5 x 16.25 inches ( 52.07 x 41.275 cm ) Framed: No Condition: A: Mint Additional Details: This poster was printed fo...

Artist: Mel Ramos Title: Lola Cola #4 (Michelle Pfeiffer) Year: 2004 Medium: Lithograph, signed and numbered in pencil Edition: 199, HC L Paper...

Original 1972 Salon du Cheval French Poster – Vintage Equestrian Art. Archival linen backed in Grade A condition, ready to frame Step into the golden age of French equestrian culture...

Sun Curtain by Richard Smith, 1971 Additional information: Medium: lithograph on two sheets 64 x 92 cm 25 1/4 x 36 1/4 in signed and dated in the plate Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

Artist: (after) Jasper Johns (American, 1930-) Title: "Flag III" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsigned Year: 1975 Med...

A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Degas, Ten Balle...

This colorful lithographic was printed at the Atelier Mourlot in 1984 after Miro's 'Personnage et Oiseua', 1969, depicting the abstract form of a head with birds. This print has been blind embossed with the Galerie Mourlot...

Lithograph poster printed by Art Graphic International. Paper Size: 25.5 x 18 inches ( 64.77 x 45.72 cm ) Image Size: 18 x 12.75 inches ( 45.72 x 32.385 cm ) Framed: No Condition: ...

Composition for XXème Siècle is a lithograph page from XXème Siècle, a renowned art magazine first published in 1938 by Gualtieri di San Lazzaro, which continued until his death in 1...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 110, published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Resting in an armchair, the woman dressed in vibrant red appears fragmented and angular due to the artist’s reduction of her figure into geometric forms. Pablo Picasso’s portrayal of...

Salvador Dali (after) New-York City : Plaza Lithograph after a watercolor Printed signature in the plate On BFK Rives vellum 50 x 65 cm (c. 20 x 26 in) Printed in Matthieu workshop circa 1981...

Lynda Benglis Gold Leafed Bronze Wings, 1979 Lithograph on wove paper Hand signed, dated 1979 and numbered by Lynda Benglis on the front in bright green crayon. Bears publishers blind stamp Unframed and affixed to dark grey/black matting Hand signed, dated 1979 and numbered by Lynda Benglis on the front in bright green crayon. Bears publishers blind stamp. Published by Landfall Press; a rare limited edition print from the 1970s, depicting a sculptural installation by one of the most dynamic influential and important art world superstars of our time. The writing on the print: Gold Leafed Bronze Wings Black Concrete Obelisk...

Title: The Critic or Nick's Artist: Jerome Kaplan Date:1947 Media: black and white Dimensions: 17.75 X 14.5 (sheet) Historical Jazz Music piece (I believe this is of Nick's Tavern a...

The 1971 original travel poster by Pagès for Air France promoting travel to Spain is a vibrant celebration of a country renowned for its rich cultural heritage, diverse landscapes, a...

Artist: Joan Mitchell (American, 1925-1992) Title: "Untitled" (Page 92-93) Portfolio: One Cent Life *Unsigned edition Year: 1964 Medium: Original Lithograph on wove paper Limited edi...

Pisa, Italy – Land of Your Dreams EPT, Agaf Firenze, Italy (1958) 40x25inches Original poster

Medium: Lithograph on vélin d’Arches paper Year: 1959 Paper Size: 10.25 X 16.5 inches Catalogue raisonné reference: Cramer, illustration 101 Inscription: Inscription: Unsigned and u...

Medium: original lithograph. This lithograph is from the rare 1957 "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 1957 Spr...

Plate 16 No. 4-2 Black-winged hawk. Falco Dispar, Temm. Male 1. Female 2. Drawn from nature by J.J. Audubon, Chromolithy, Julius Bien, lithographer New York 1860 from Audubon's Birds of America. The “Birds of America” by John James...

Lithograph, silkscreen, drypoint, and collage on vélin de Rives BFK paper. Inscription: hand signed and numbered, I-70/250, as issued. Good condition. Notes: From the folio, Imaginat...

Is it Lawful to Pay Taxes To Caesar shows Caesar as an imposing seated figure taking up three quarters of the image against a white background with a mounted horseman over Caes...

Artist: Bernard Buffet, French (1928 - 1999) Title: Bouquet Year: circa 1968 Medium: Lithograph, signed in the plate Size: 13 in. x 9.5 in. (33.02 cm x 24.13 cm)

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Les Amants  is a color lithograph on ivory  paper, realized by the Italian artist Umberto Brunelleschi (Montemurlo 1879- Paris 1949).                                                ...

"Figure with Female Nude" is a lithograph taken from Picasso's Verve 29/30 series in 1954. It is printed by Mourlot in Paris, not signed. Dated in plate. It comes beautifully framed with a high-end mat in excellent condition. Picasso made the original ink and brush drawings of bullfighting in the Château of Vauvenargues, near Aix-en-Provence, where he and his partner Jacqueline Roque...

Artist: Joan Miro Title: Plate VIII Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 26" Sheet Size: 12 1/2" x 20" Image Size: 12 1/2"...

Black and white winter landscape lithograph by Paula Nelson who was the curator for the Woodstock School of Art Gallery. The piece is signed, titled, and ...

Lithograph on vélin Lafuma Navarre paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the album, Dessins de Henri-Matisse, 1925. Published...

Artist: Pablo Picasso Title: Les Banderilles (IV) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

Artist: Joan Miro Title: Plate XIII Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 19 3/4" x 17" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2"...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From Derrière le miroir, N° 162. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 115, 1959. Published by Aim...

STONE OF THE TEMPLE by the Israeli artist Moshe Castel (1909-1991) is a limited edition lithograph printed using traditional lithographic techniques on archival Somerset paper 100% acid free. In STONE OF THE TEMPLE, a three dimensional relief 3D effect is visible in the black writings and textural stone tablet achieved by using shades of gray and black with predominate colors of deep red and yellow gold, warm orange, brown and black. Castel creates a very aesthetically appealing and captivating contemporary arrangement of ancient Jewish...

Original CAZALIS & PRATS since 1875. Artist: Emm. Gaillard. Size: 13" x 19.5". Professionally acid-free archival linen backed and ready to frame. Note that a small ink printing line ...

Sarajevo Winter Olympics is a vintage poster realized by the artist Cy Twombly, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good conditions. Cy Twombly...

Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...

Artist: Ben Shahn, Lithuanian/American (1898 - 1969) Title: In Rooms Withdrawn and Quiet from the Rilke Portfolio Year: 1968 Medium: Lithograph on Richard de Bas, printed signature (...

Frank Stella at Leo Castelli (Hand Signed and Dated), 1969 Offset Lithograph Invitation Boldly signed and dated 2014 in black marker; Stella signed this f...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

James Brooks James Brooks at Martha Jackson gallery (rare Abstract Expressionist poster), 1972 Offset Lithograph poster Unsigned, unnumbe...

Artist: Henri Matisse Medium: lithograph Portfolio: Untitled from Les Lettres Portugaises Year: 1946 Edition: 250 Framed Size: 16 3/4" x 14 1/2" Reference: Duthuit 15 Signed: Unsigned

Erhu is a signed and numbered time-limited edition of giclée prints. The erhu, or spike fiddle, typically has two strings, but the instrument being played here is missing a tuning sp...

This vibrant and eye-catching 1921 advertising poster by Gautolai promotes Cognac aux Oeufs "Aurore", a rich and indulgent egg-based liqueur. The artwork is a stunning example of ear...

Artist: Gene Davis, American (1920 - 1985) Title: Sonata Year: 1980 Medium: Lithograph on Arches paper, signed and numbered in pencil, verso Edition: 250 Paper Size: 20.75 x 28.5 inc...

Pablo Picasso (1881-1973) - Homme couché et femme assise Lithograph from 1967. The edition of 29/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, seco...

Artist: Peter Max (German-American, 1937-) Title: "Aztec Man" *Signed by Max in pencil lower right Year: 1973 Medium: Original Lithograph on Arches paper Limited edition: 205/300 Printer: Unknown Publisher: Frankel Art, New York, NY Sheet size: 26.13" x 20.13" Image size: 24" x 17.75" Condition: UV stain to sheet through verso. The colors are attenuated. Mounting tape from previous framing on verso. In good condition Rare Notes: Provenance: one owner ever - private collection - Dallas, TX / Sacramento, CA. Numbered by Max in pencil lower left. Biography: Peter Max (Born Peter Max Finkelstein) is a German artist known for his unique brand of rainbow-hued prints and paintings, which he has created since the early 1960s. Employing painterly strokes, his illustrations incorporate a wide spectrum of colors and patterns as seen in his Umbrella Man series. “I'm just wowed by the universe. I'm just glad to do something I love to do. I love color, I love painting, I love shapes...

Letter X  from Alphabet series is a lithograph, realized by Rafael Alberti in 1972. Numbered, edition 40/99. Hand-signed.  The state of preservation is very good. The artwork rep...