Art by Medium: Panel

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

The couple is a work of art realized by Giovanna Picciau (1977, Turin) in 1987.  Oil on Canvas. Cm. 90x100.  Very good conditions!

“10th Hole, Gardiner Bay” is an oil painting by contemporary American painter Kelly Carmody. Painted en-plein-air at the Gardiner's Bay Country Club on Shelter Island, it shows rolli...

Hunt Slonem "Sky Light" Blue Oval Bunny A single rabbit gestured in black on a light blue background in a vintage frame Unframed: 12 x 10 inches Framed: 17.5 x 15.5 inches *Painting...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a white bunny on an ultramarine blue background with thick use of pa...

Frank Moss Bennett British, (1874-1952) In the Garden Oil on panel, signed & dated 1917 Image size: 11 inches x 13.5 inches Size including frame: 20 inches x 22.5 inches A charming genre scene of two gentlemen in 18th century costume in a garden by Frank Moss Bennett. The men drink wine and eat fruit at a linen covered table...

Hunt Slonem "Morpho" Blue and Black Butterfly on White A single butterfly gestured in blue and black on a white scored background in a vintage frame Unframed: 10 x 8 inches Framed: ...

Robert C. Jackson (b. 1964, Kinston, NC) began his career path as an electrical engineer before turning his passionate hobby into a full-time profession as a contemporary still life ...

Samuel Seeberger(French) Portrait of Louise-Marie of France After Jean-Marc Nattier Oil on wood panel 11.5" x 15.5" unframed, 15.5" x 19.5" framed

My 80's Hart "Token 4" 2019, gouache, acrylic, graphite, panel, yellow, orange

"Backyard Sunset" By Carl Grauer Oil on Canvas 20x20 inches, 21 x 21 x 3 inches framed in painted white wood floater frame Signed en verso Artist Carl Grauer expertly and astutely c...

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Breaking Surf" by Michael Alford is a captivating original fi...

"Daughter" (2024) by Adam Shaw is an original handmade oil painting that depicts a portrait of an astronaut with her face partially visible through her helmet. About the Artist: Fi...

Northeast 88 is a wonderful abstract landscape by Alison Cooley who was born in Washington, DC and studied at Sarah Lawrence College. Cooley’s atmospheric abstraction is simply beaut...

"Various questions have led me to where my work is today. Primarily, what is the nature of a specific thing if it can be represented in various ways, even in opposing ways? Essential...

Stephanie Hartshorn's beautiful original impressionist oil landscape "In the Silence" (2024) depicts an American midwestern plains scene with a large cloud forming above. Artist Bio...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch panel, and it signed and titled by the artist on verso. Art measures 8 × 8 inches A native New Yorker, Christie Owen...

Genevieve Hamel Sky is the Limit Oil on Wood Panel Year: 2024 Size: 36 x 18 x 1.625 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for desi...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

“Goat” (2012) by Zura is a dynamic acrylic painting on wooden panels, measuring 35 × 42 inches (88.9 × 106.7 cm). This early work exemplifies Zura's signature fusion of human and ani...

Wind is a unique painting by contemporary artist Yiching Chen. The painting is made with Mineral pigments, gold and silver leaves on japanese paper mounted on wood, dimensions are 30...

This still-life is made by Dutch painter Erik Zwaga. The painter started in the style of the romantic school, Erik Zwaga began to search more and more for his own visual language...

"Doris and Henry (and her brothers)" is an original piece by Shawn Theodore made from found/family photos, polaroid lift, acrylic on wood panel. This pieces measures 16.75"h x 16.75"...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Sunflowers, Size: 25.5" x 37.5" ...

Anne Harney is a representational painter beginning her work from observation and concluding with a mix of imagination. “I prefer to begin my work from life. My landscape paintings u...

"Sun Rising" (2024) by Lorenzo Chavez is an original, handmade oil painting that depicts a a snowy landscape with a bright red and orange sunset behind it. About the artist: Born, ...

"You're Not Listening" is an original piece by Branche Coverdale made from acrylic gouache on shaped wood panel. This piece measures 12"h x 12"w and is hand signed by the artist. Br...

Falling Towards Myself is a large-scale multicolored abstract painting with dramatic shades of Kelly green, vibrant cobalt lapis blue, yellow, ochre, peach and pale mint green agains...

Contemporary pink, green, and yellow toned figurative abstract by Houston based artist Matthew Reeves. The work features and central figure with a white rabbit in the foreground. Si...

Signed divisionist landscape oil on panel circa 1920 by French painter Henri le Sidaner. This stunning piece depicts a white house framed by trees at nighttime. Light glows from the...

Neutral toned abstract painting of green plant leaves on a light beige cream colored encaustic background "Snowflowers 8," by Hudson Valley artist, Allyson Levy, made in 2020 spurge ...

Annieo Klaas Only Pay if We Win (Yester Oaks and Montlimar) 2024 Oil on Wood Panel 12 x 12 inches (30.48 x 30.48 cm) Signed verso COA provided *Ready to hang Annieo Klaas’s Alabama...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Katrina Revenaugh Piccolo Giardino Numero 10 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 10 x 10 x 1.75 inches (round) Signed: On Verso C...

Untitled No 63,​ abstract composition 1987 Mixed media on wood panel, wax, oil, paper. signed with initials, gallery label. Abstract painter Michael David is best known for his use of encaustic, a technique that incorporates heated beeswax and pigment. Considered an inheritor of Abstract Expressionism, David’s abstract work primarily centers on the use of a densely layered surface to facilitate a direct and immediate spiritual experience. He often incorporates religious iconography and symbolism, art historical themes such as the nude, and contemporary politics into his paintings resulting in a critical dialogue between the layered abstraction of the surface and the integrated representational imagery. Alongside his work on canvas, David has developed a body of studio photography that recreates paintings by Caravaggio, Manet, and Mantegna, among others, in works that confront racism, homophobia, and sexism. David also works in mixed media and environmental sculpture...

Pegah Samaie's (CA based) "Where is Home?" is an original, handmade oil painting that depicts a reclining nude woman, wrapped in a white fabric, gently to...

"Primaries" is an exquisitely detailed contemporary still life by Karina Rodríguez, rendered in oil on panel in 2019 and depicts three glass jars with yellow, blue and red liquid. Th...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

During his successful career as a goldsmith the desire to paint grew on Dutch artist René Smoorenburg (1954). The attention to detail, which was of great importance in his work as a ...

Liseth Visser Fill my Heart with Song 73 x 73 cm (Frame is included, framed 88 x 88 cm) Oilpaint on wood panel Dutch Female Artist Liseth Visser is no stranger to the world of portr...

Karen Offutt's (US based) "Seeing Shadows" is an original, handmade oil painting that depicts a female portrait with her face in profile wearing a fur coat with a blue background. Th...

Frank Dekkers (1961) is a landscape painter par excellence. Full of dedication and diligence he always works on location outdoors, defying the elements. The weather plays an importan...

🔹 Landscape BW – Contemporary Minimalist Art Diptych Small Format 24x18 cm Pure Pigment, Mineral Oxide & Oil on Canvas Panel Descriptio...

A magical painting by Eric Orr. Housed in the artist's original frame. Oil on canvas on panel. Circa 1990 Dimensions: 40 x 34.5 inches Framed Dimensions (approximate): 43 x 36 inches

Ball lamp d = 28cm rust with natural oak base 20x20x78cm. Customization possible and designed in 2010. Also available to order in stainless steel. You will find an exceptional and h...

Artwork description Original oil painting on cardboard by the artist Simon Kozhin. Wooden framing with the artist's name. Simon Kozhin is committed to th...

EDOUARD LÉON CORTÈS French, 1882 - 1969 NOTRE-DAME VIEW FROM THE QUAYS signed "EDOUARD CORTÈS." (lower right); inscribed "6728" au crayon bleu et cachet "...

Encaustic, abstracted landscape of a country farm field with autumn foliage "November Light" made in 2024 by Regina Quinn encaustic and oil with wax on panel 12 x 9 inches unframed ...

A muscular male outstretches his arms to allow his tattooed back to be seen in all its glory. A koi swims upward toward his shoulder, surrounded by swirls of patterns. The pale yell...

Sara Scribner's (US based) "Luminous" is an original, handmade oil painting that depicts a realistic portrait of a feminine form in a white dress with delicate white butterflies drawing near her in the darkness. About the Artist: Sara Scribner (B. 1982 Fremont, California) is a figurative painter living in Oklahoma. She earned a BFA in painting from the Academy of Art University in San Francisco. She has exhibited in museums and galleries across the US and in Europe, including European Museum of Modern Art (MEAM) museum in Barcelona, Spain, Wausau Museum of Art in Wausau, WI, Wally Workman Gallery...

This abstract contemporary painting by Roger Mudre features a cool-toned palette with subtle gold accents and an iridescent quality. Concentric circles of varying sizes overlap one a...

A couple of young boy and girl, dressed in ethnographic costumes, probably Savoyard, ride a donkey. The scene takes place in the middle of the countryside with mountains in the back...

Provenance: Bradley Collection. Private Collection, Upperville, Virginia. Literature: Katlijne van der Stighelen and Hans Vlieghe, Rubens: Portraits of Unidentified and Newly Identified Sitters painted in Antwerp, Corpus Rubenianum Ludwig Burchard, vol. 19, pt. 3, London and Turnhout, 2021, under cat. no. 189, p. 161, and fig. 75. This painting had previously been considered to be by an anonymous Tuscan painter of the sixteenth century in the orbit of Agnolo Bronzino. While the painting does in fact demonstrate a striking formal and compositional similarity to Bronzino’s portraits—compare the nearly identical pose of Bronzino’s Portrait of a Young Man in the Metropolitan Museum of Art (Fig. 1)—its style is completely foreign to Italian works of the period. That it is painted on an oak panel is further indication of its non-Italian origin. This portrait can in fact be confidently attributed to the Antwerp artist Huybrecht Beuckelaer. Huybrecht, the brother of Joachim Beuckelaer, has only recently been identified as the author of a distinct body of work formerly grouped under the name of the “Monogrammist HB.” In recent studies by Kreidl, Wolters, and Bruyn his remarkable career has been delineated: from its beginnings with Joachim in the workshop of Pieter Aertsen; to his evident travels to Italy where, it has been suggested, he came into contact with Bronzino’s paintings; to his return to Antwerp, where he seems to have assisted Anthonis Mor in painting costume in portraits; to his independent work in Antwerp (where he entered the Guild of Saint Luke in 1579); and, later to his career in England where, known as “Master Hubberd,” he was patronized by the Earl of Leicester. Our painting was recently published by Dr. Katlijne van der Stighelen and Dr. Hans Vlieghe in a volume of the Corpus Rubenianum, in which they write that the painting “has a very Italian air about it and fits convincingly within [Beuckelaer’s] oeuvre.” Stighelen and Vlieghe compare the painting with Peter Paul Ruben’s early Portrait of a Man, Possibly an Architect or Geographer in the Metropolitan Museum of Art, in which the sitter holds a compass and wears a similarly styled doublet (Fig. 2). Huybrecht both outlived and travelled further afield than his brother Joachim, who made his career primarily in Antwerp. Whereas Joachim was the main artistic inheritor of their uncle and teacher, Pieter Aertson, working in similar style and format as a specialist in large-scale genre and still-life paintings, Huybrecht clearly specialized as a painter of portraits and was greatly influenced by the foreign artists and works he encountered on his travels. His peripatetic life and his distinctly individual hand undoubtedly contributed to the fact his career and artistic output have only recently been rediscovered and reconstructed. His periods abroad seem to have overlapped with the mature phase of his brother Joachim’s career, who enrolled in the Antwerp Guild of Saint Luke much earlier than his brother, establishing himself as an independent painter in 1560. Joachim’s activity was confined to the following decade and half, and his latest work dates from the last year of his life, 1574. Our portrait was likely produced in the late 1560s, a dating supported by the dendrochronological investigation performed by Dr. Peter Klein, which established that it is painted on an oak panel with an earliest felling date of 1558 and with a fabrication date of ca. 1566. This painting presents a portrait of an artist, almost certainly Huybrecht’s self-portrait. The young sitter is confidently posed in a striking patterned white doublet with a wide collar and an abundance of buttons. He stands with his right arm akimbo, his exaggerated hands both a trademark of Huybrecht and his brother Joachim’s art, as well as a possible reference to the “hand of the artist.” The figure peers out of the painting, interacting intimately and directly with the viewer, as we witness him posed in an interior, the tools and results of his craft visible nearby. He holds a square or ruler in his left hand, while a drawing compass...

Francine Tint (b. 1943) Another Time Thick acrylic impasto on board, 1999, Hand signed 'Francine Tint' titled, dated Inscribed 'To Piri, Enjoy Much Love' on the reverse. 14 x 15 1/...

Small still-life painting on panel of a black poppy flower on a pastel yellow and slate grey background Black Poppy, made by David Konigsberg, in 2023 monotype, oil, and collage on p...

Georges Croegaert Antwerp 1848 – 1923 Paris Belgian – French Painter 'Cardinal in His Thoughts' Signature: signed lower right and placed ‘Georges Croegaert Paris’ Medium: oil on pa...