Art by Medium: Panel

"WOW" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual she...

"Patriarch" is an original oil painting by Kyle Fisher on panel in a handmade wood frame measuring 42in x 59in. Kyle Fisher's use of delicate, organic elements to create the strong ...

Lindsey Kustusch's "Below the Noise" is a compelling handmade original oil on wood panel artwork, measuring 10 x 20 inches. This 2025 piece is a primary market item, arriving for Kus...

John Tarantola's original nude portrait "Islands" (2014) is a beautiful surrealist oil on panel painting that depicts a nude male figure, lying in death in a desolate desert. Another...

A nude figure is suspended in air, being held up by an invisible force field and surrounded by loops of wire. The muscular figure is tense with all the defined muscles showing. The...

Oil Painting on panel realized by Miloslava Vrbova (1909-1991) in the mid-20th century, depicting an elegant reclyned ballerina. Hand signed. Good condition, framed.

JOERG DRESSLER "Illusion of Permanence" Acrylic on Panel 24 x 18 inches _____________________________________ Joerg was born in Hanau, Germany. He received his MFA from the Hochschu...

Genevieve Hamel Dance with the Wind Oil on Wood Panel Year: 2024 Size: 24 x 24 x 1.625 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for d...

Looking West 4 is part of the “Path to Eminence” series by Meghan Wilbar. During the pandemic, the uncertainty and isolation led Wilbar on a new series ...

Original painting by Jon MacAdam Jon MacAdam (1976, London, UK) is a landscape artist known for his realist depictions of nature. He received his MFA in painting and sculpture from ...

"Pryamidal" by Blair Atherholt is a an original, hand made painting depicting a honey dew melon slice surrounded by grapes. Blair Atherholt is an award-winning contemporary realist...

This 11" x 14" oil on canvas painting is by Boston-based artist, Anthony Dyke. The painting is an example of geometric abstraction, composed through an arrangement of rectilinear forms, each rendered in bold, saturated color. Dominating the left side is a deep green vertical rectangle and adjacent to it is a narrow red vertical stripe, generating a visual dialogue between the broader green plane and the surrounding forms. A field of light blue occupies the top portion above. mid-composition, a horizontal mint green band stretches across the surface, and on top rests a tilted rectangular form shifting from white to warm red in a subtle gradient. To the far right, a tall blue vertical bar intersects with a fine yellow line. The base of the painting features a complex layering of darker hues: a black horizontal stripe, accompanied by stacked rectangles in red, purple, and yellow. Anthony Dyke was born in Norwich, Vermont and attended the School of the Museum of Fine Arts at Tufts University earning a BFA and MFA in painting. As an artist and arts educator, he relocated from New York City to his downtown Oklahoma City studio, working there for two decades before returning to Boston in 2020. Coming from Vermont where the seasons are distinctly different from one another, his shift from a pastoral setting to an urban environment set up a dichotomy in the work, both visual and emotional. Tony has an extensive education in painting, photography, graphic design and figure sculpture. These mediums intersect in his work through many years of creating artworks and currently speak to his interest in abstract painting. During his senior year in the BFA Program at the School of the Museum of Fine Arts in Boston, my large painting “Natole” was chosen by Frank Stella (the juror) into the highly competitive and prestigious Dana Pond...

By Linda Dumont 6" x 6" - Oil on Panel About the Artist: Linda Dumont draws upon her childhood experiences in a vibrant and experimental art world to create extraordinary works. Wit...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a bunny on gradient resin and diamond dust background with thick use...

A wonderfully detailed interior genre oil painting by Flemish artist Louis Tielemans (1826-1856). Tielemans was born in Anvers, and became known for his active genre scenes, emulatin...

Resin coated and mounted to layers of plywood, these digital/mixed media ‘picture objects’ represent interpretations of contemporary visual culture charmed by minimalism, modernism, ...

"Doorway" (2023) by Kevin Yaun is an original, handmade impressionist painting depicting the view of a cityscape through an open door. Kevin Yaun, an abstract impressionist painter...

Nathan Durfee's "Getting the Eye of the Tiger" is an original oil painting depicts a cat in headphones perched on a radio. Artist bio: Nathan Durfee has garnered notoriety for his...

Contemporary landscape painting in oil on panel of a peaceful outdoor scene in late autumn with a tree with golden orange foliage with hints of deep red in a delicately painted, gras...

John Tarantola's original nude portrait "Holding Back the Moon" (ca. 2018) is a beautiful surrealist oil on panel painting that depicts an athletic nude young male figure, with his a...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Roos van der Meijden Belvès 80 x 80 cm ( framed 86 x 86 cm, frame is included in price ) Acrylic on panel Dutch artist Roos van der Meijden is famous because of her cityscapes. In h...

Signed oil on panel seascape circa 1890 by Belgian realist painter Alfred Emile Leopold Stevens. The work depicts sail boats at sea under a cloudy sky. Signature: Signed lower left ...

"Approach" by Blair Atherholt is a an original, hand made painting depicting a cluster of suspended grapes above a brilliantly lit orange. Blair Atherholt is an award-winning conte...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of the finest quality. This is...

Bart Koning (Dutch artist) Landschap III 24 x 30 cm (Framed included in price 24,4 x 30,4) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incred...

Claudia Griesbach- Martucci's "Timeless Dreamer" is an original, handmade oil painting that depicts a mouse perched atop a clock with a crescent moon in the background. About the A...

Consigned to the gallery by H&N Fine Art as part of the Katherine A. Norris Legacy Collection, Newport Beach, California; 2006 Katherine A Norris, Newport Beach, CA; 2006 James D. Ju...

A good antique oil on panel landscape painting by the Flemish artist, Francois Backvis (1857-1926). The painting circa 1880 depicting the parable of the lost sheep from the gospels of Matthew & Luke. The painting shows a stormy landscape with the shepherd and his flock, the shepherd is holding the lost sheep under his arm in front of a large stone crucifix...

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to...

Bart Koning (Dutch artist) Boar Skull 35,6 x 55,3 cm (framed included in price 36 x 55,7) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incred...

Erik van de Beek (Dutch artist) Exhausted 16,1 x 18,7 cm ( framed included 21,1 x 23,7 cm) Oil paint on wood panel Artist Erik van de Beek lives and works in Nijmegen. The modest Ni...

End of summer III is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and silver leaf on Japanese paper mounted on panels, dimensions are 65...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Gaspar Peeter Verbruggen 1664-1730 Still Life of Roses in a Glass Vase Oil on oak panel Image size: 8 ¾ x 7 ½ inches (22.25 x 19 cm) Contemporary Dutch ebonised style frame This int...

Contemporary landscape painting in oil on panel of a peaceful summer scene with a field of yellow goldenrod flowers shrouded in fog, in early August. Signed, dated and titled on vers...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a bunny on a gradient black and blue diamond dust background with th...

Signed and dated impressionist oil on panel seascape painting by French painter Maxime Maufra. This stunning work depicts the beach at Morgat in Brittany, northwest France. The cryst...

David Teniers the Younger (1610-1690) Follower of A Peasant Removing a Plaster: The Sense of Touch signed T on the table oil on panel panel size 7,20 x 5,55 inches (18,3 x 14,4 cm)...

Modernist Burton Kramer finds inspiration for his abstract paintings in the beauty of a musical beat. In Vivace 12, one of a series, geometric shapes in blues, pinks, greens and yell...

Judd Mercer's (US based) "Sunset Melt" (2019) is an original handmade oil painting depicting a street covered in snow that is melting from the warmth of the sunset. Artist bio/stat...

Signed fauvist oil on canvas laid on panel riverscape circa 1925 by French painter Louis Valtat. The work depicts a boat being rowed on the Bois de Boulogne lake in Paris, France. It...

Signed lower right American, b. 1958 Designated a living master by the Art Renewal Center and widely regarded as a leader of the American landscape school, Joseph McGurl is one of ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

In Light Pillars, Aeling captures one of the atmospheric effects that fascinated him throughout his life: the moment when light interacts with suspended ice crystals to create lumino...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

Early figurative portrait painting by Houston-based artist Buford Evans. The work features a black woman dressed in a green dress gingerly caressing her young child. Signed by the ar...

Gaspar Peeter Verbruggen 1664-1730 Still Life of Fruit in a Wicker Basket with Bird Oil on oak panel Image size: 8 1/4 x 7 1/2 inches (21 x 19 cm) Contemporary Dutch ebonised style f...

"Cornwall Cove in the Afternoon" by the talented Cornish artist Jon Doran, painted in 2023, captures the breathtaking beauty of the Cornish landscape in a stunning oil rendition. Pre...

In this contemporary encaustic (pigmented beeswax) and mixed media painting on panel, a peaceful landscape scene in shades of pale blue, canary yellow, light orange, and pale maroon ...

This landscape painting is made by Dutch painter Erik Zwaga. The painter started in the style of the romantic school, Erik Zwaga began to search more and more for his own visua...

A circular oil painting of a garland or wreath of orange citrus fruits, tied with a red ribbon, and inviting butterflies and a small bird. The artist adorns the still life with a bac...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

Hunt Slonem "Maxim" Single Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 13.5 x 11.5 inches *Paint...

Layers of foliage on a gingko tree with coral reddish orange leaves grace dark indigo branches on the pristine white background of this contemporary botanical painting on Mylar mount...

"Booth Lake Trail-Vail Colorado" by Sharon Pomales Tousey is an original, handmade soft pastel painting on wood panel that measures 44 x 48 inches framed and is ready to hang.

"Pink Package" by Sarah van der Helm is an original, handmade oil painting on cradled panel. This piece measures 8 x 8 x 2 inches unframed and is ready to hang. Born in 1970, Sarah ...

Jeanine Donkers Fire I 20 x 20 cm ( framed included in price) Measurement with included frame: 24 x 24 cm Oil on wood panel Jeanine Donkers' paintings offer a world filled with fam...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...