Wood Mixed Media

In ADORNED OBSOLESCENCE 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, archite...

SSB1 (Shou Sugi Ban) is a modern mixed media wall sculpture made from MDF, enamel, lacquer and stained shou Sugi ban pine wood. The pine was charred and then brushed back to create a...

This piece was inspired by my families’ journey of becoming displaced. Glenrose Ave. was our first home in America and a time of transitioning into a new society.

SSB6 (Shou Sugi Ban) is a modern mixed media wall sculpture made from MDF, enamel, lacquer and stained shou Sugi ban pine wood. The pine was charred and then brushed back to create ...

This large-scale multi piece work features organic and undulating wood-cut shapes. Black and white. Colombian-born, Atlanta-based artist Esteban Patino...

Size includes wood mounting. George Aarons (born Gregory Podubisky, in St. Petersburg, Russia, 1896 - died in Gloucester, Massachusetts 1980) was a distinguished sculptor who lived and taught in Gloucester, Massachusetts, for many years until his death in 1980. He had, many students in the area and he designed Gloucester's 350th Anniversary Commemorative Medal. Aarons moved from Russia to the United States when he was ten. His father was a merchant. He began taking drawing classes during evenings at Dearborn Public School in Boston as a teenager and went on to study at the Boston Museum of Fine Arts in 1916. Aarons later moved to New York City to study with Jo Davidson, and other Paris-trained masters at the Beaux-Arts Institute. He eventually returned to the Boston area and established studios in Brookline and Gloucester, Massachusetts. During his lifetime, he was recognized internationally and won several prestigious awards. Aarons had studios in Brookline, Massachusetts and Gloucester, Massachusetts where he produced large bronze and marble figures and wood carvings. He produced several projects for the Works Progress Administration including a group of three figures for the Public Garden (Boston), a longshoreman, fisherman and foundry worker, as well as a large relief (1938) for the South Boston Housing Project and façade of the Baltimore Hebrew Congregational Building (1956). His works are at the Museum of Art in Ein Harod, Israel; Fitchburg Art Museum in Massachusetts, Musée de St. Denis in France; Hilles Library at Radcliffe College in Cambridge, Massachusetts; and Hillel House at Boston University in Massachusetts. He did reliefs for Siefer Hall at Brandeis University in Waltham, Massachusetts (1950); Edward Filene (the founder of Filene's Department Store and a philanthropist) on the Boston Common; Fireman's Memorial in Beverly, Massachusetts; a memorial to Mitchell Frieman in Boston; the U.S. Post Office in Ripley, Mississippi; and at the Cincinnati Telephone Building; the Combined Jewish Philanthropies building in Boston (1965); and a commemorative medal for the 350th Anniversary of the City of Gloucester, Massachusetts (1972). Characteristic of his era, George Aarons was among the foreign-born American sculptors of the early 20th century who started their careers as academicians and evolved into modernists and increasingly abstract artists. Over thirty pieces spanning the length of this sculptor's career were featured in this exhibition, including work in various medium bronze, wood and original plasters. Like his contemporaries, Aarons experimented with direct carving in wood, and he was one of the few academically trained sculptors who consistently cut his own works in marble. His early work was classically inspired figurative work, along with sensitive portraits. Some of his most powerful sculpture comes from his middle period, when he worked through his emotional pain following the global realization of the Jewish Holocaust. He depicted humanity deep anxiety over this tragedy with figures that are at once symbolically charged and movingly beautiful. Aarons late work consists of radically simplified forms that continue to reference the human form and often are carved directly in wood and stone. Aarons summered and taught classes on Cape Ann for many years before moving to Gloucester full-time with his wife about 1950. While Aarons is best known locally for his domestic-scale works, he also executed numerous monumental, public commissions that can be found throughout the United States in cities such as Washington, D.C.; Baltimore, Maryland; and Cincinnati, Ohio; as well as in France and Israel. As noted in a Gloucester Daily Times Article, Aarons wanted his sculptures to honor the struggles and nobility of people and rail against the evil done against them. And that was why, even as his work grew more and more abstract, stylized and simplified, he never left behind the form of the human figure that had been his focus from his earliest works. Aarons told the Gloucester Daily Times in September 1954 that he found it hard to remember at just what age he started studying art, but he recalled that the nude model had to partially dress when he was in class because he was so young. He initially studied painting and drawing at the museum school, but he once said he became fascinated by sculpture when he met an established sculptor at the Copley Society in Boston who invited Aarons to his studio and offered him some clay to "play around" with. After he graduated, he apprenticed under sculptors Richard Brooks, Robert Baker and Solon Borglum. He worked as a carpenter, shipbuilder, dishwasher and chimney sweep. He fashioned architectural decorations, including figures for fountains and now and then a few commissioned portraits. He returned to Boston by the early 1920s and began to exhibit his own works and get commissions for portraits, fountains and reliefs. His sculptures from this time are dreamy and romantic in the realistic, academic style of the time. A painted portrait of the young Aarons that is included in the North Shore Arts Association exhibit shows a determined fellow with dark brown hair, a suit and bow tie. However, in 1922, this determined young artist was living with his parents on Calder Street in Dorchester. In the 1930s, Aarons adopted the streamlined, monumental style of the socialist works of the time. Aarons made money, as he would all his life, from commissions, selling his personal work and teaching sculpture, but the Depression of the 1930s was tough for everyone. So Aarons found work though the federal Works Progress Administration, one of Franklin Roosevelt's New Deal programs. He received his first major commission when he was asked to create a public sculpture for the South Boston Harbor Village public housing project around 1937. He was elevated to the position of supervisor for the project and received a corresponding $5 pay increase to make his weekly salary $32. The raise convinced him he was fit to marry and he proposed to Gertrude Band, an attractive brunette dancer whom he had been dating for more than a year. They were married before the Harbor Village project was dedicated on Labor Day 1938. Aarons' design featured a brawny, larger-than-lifesize fisherman, longshoreman and a laborer flanked by a boy and girl at either end to portray the children who would live in the apartments. Aarons elected to do the piece in cast stone to employ carpenters and laborers as well as craftsman for a total of 10 men. In his sculpture, Aarons focused more and more on the theme of oppressed people as he worried about the spread of fascism and Nazism during the 1930s, World War II and after. He had done pieces during the mid-1930s about the oppression of African-Americans, including "Negro Head," which is in the North Shore Art Association retrospective. After the war, he also delved into Jewish themes and became increasingly known as an important Jewish artist, leading to commissions from Jewish organizations across the country and abroad. "He gets into raw emotion. Some people describe him as an expressionist because of the emotion (in his work)," Reynolds says. But Aarons, also sculpted sensual sexual nudes...

Sea glass teaches us that beauty can emerge from brokenness. It reminds us that flaws can be transformed into something exquisite, finding tranquility amidst chaos. Using the reminis...

VALERIE HIRD MAQUETTE FOR ADULT ALICE ABROAD, 2019 paper, watercolor, ink pencil, wood, nails, foam care, PVA glue 17 x 9 x 2 1/2 in. 43.2 x 22.9 x 6.4 cm. Shadowbox

Vibrant colors arranged in bold rectangles form a striking artwork. Measuring 92 x 92,  this piece explores the diverse sizes and shapes possible in the humble rectangle. Its captiva...

Busy is a tridimensional original painting on paper on branches depicting tailor ladies working taking body measurements along a path in a dark night. keywords; vintage tailor ladi...

Hermits is a tridimensional original painting on paper on branches depicting a woman next to a giant butterfly along a path in a dark night. keywords; butterfly, woman, lingerie, americana...

Joshua Vides, Unfinished Business Skate Deck in original packaging.

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

This unique and colorful painting has natural texture with natural pigmented soils on wood. It is Textured with 10 year seasoned slaked lime. Minerals from iron and copper mine. Pyri...

wood, glass, tablet, electric cord and high definition video 2"11' loop

"Hot Mess" is a minimalist and modernist wood wall sculpture reminiscent of both mid century modern forms and bold graphic design. It is part of my "Small Pop...

In ADORNED OBSOLESCENCE 03, Liz Miller creates a sculptural wall hanging piece out of a found headboard piece that she has painted and utilized as the found...

HEATHER HUTCHISON DANCE WHEN YOU ARE PERFECTLY FREE, 1996 beeswax, plexiglass, pigment and wood 48 x 55 x 2 in. 121.8 x 139.8 cm. signed, dated and numbered on verso semi-translucent

Katrina Revenaugh Morning Glory No. 2 Archival Pigment Ink, Acrylic and Spray Paint on Birch Panel with a UV Matte Varnish with Natural Wood Edges. Year: 2022 Size: 24×24in Signed: O...

"Sunday" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece is part of my popular "Small Pops" Series which are in...

A pair of mixed media paintings by American artist Bruce Adams. The frames were also painting by the artist and are meant to compliment the works and concept of the piece. Bruce ...

“Iris Crystals” is a rich blue colored wall sculpture made out of solid koa wood and then painted and sealed with a UV matte sealer. The geometric facets are hand carved and add intr...

Medium: Wood, cutouts from books TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in...

"HARLEM CANDU" Abstract Mixed media painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), Sterling Ruby (LA), and The H...

Steven H. Rehfeld (American, born 1954) "Concentric" 2008 Oil Paint, Paper, Pencil, Ink, Mixed Media, Wood The artist signed the back of the painting. This 20" x 20" by Steven Rehfe...

Encaustic and Digital Print on Plywood American artist, Richard Purdy, born in Chicago, IL, 1956 Received his B.F.A. Indiana University of Pennsylvania Indiana, PA Exhibitions 2013–2014 Winter Blues, Nancy Hoffman...

"SCINTILLATOR" Abstract Painting 36" x 48" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), Sterling Ru...

"BlackHawk" is a minimalist and modernist wood wall sculpture reminiscent of mid century modern, art nouveau and bold graphic design. It is part of my "Small Pops" Series wood wall s...

Enrico Baj ( 1924 - 2003 ) - maternità - Meccano sculpture, 1973 Additional information: Material: Sculpture made with Meccano and wood Edited in 1973 Limited edition in only 100 ex...

"Disciples I" Mixed Media Wall Sculpture 13" x 59" inch by Alfons Louis Wooden works with Mixed Media (Bronze) ABOUT THE ARTIST Born in Cairo 1959- Graduated from faculty of fine a...

Original dimensional hand painted, custom cut and mounted wood. Hand signed on front and verso. Artwork is in excellent condition. Certificate of Authenticity included. All reason...

BlueTwo is a mixed media wall sculpture. It is constructed with a high end birch panel, acrylic, acrylic washes and completed with a hand waxed semi-gloss finish. The acrylic wash al...

Suzanne Truman was born In Phoenix, Arizona; raised on farms and ranches in Arizona and California until her Family moved to Kentucky when she was 15. She returned west after attendi...

Colorful blue and orange abstract contemporary collage sculpture that incorporates collage, cardboard, wood, acrylic paint, and wood glue. The organic, amorphous form features spiked spires that resemble a rock formation. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent...

Dada style assemblage work critiquing modern culture. The work includes a man being spoon fed "hate". Ray Collins is known to create works that extend from the canvas board. Everythi...

This framed mixed media painting by Eric Mack combines his grid work created through collaged pieces of paper, nylon mesh, ink, gesso, and acrylic. Imagery i...

"Rebel" is one of eight pieces in Nashville based artist Omari Booker's series for his solo show “Red Line” at Channel to Channel. Booker’s new series of work is centered around th...

An original contemporary wheat pasted photograph from the artist's series "No Plan for the Future". This work is hung inside the gallery space at The Buffalo Center for Arts and T...

"Under the Wonder " evokes the sensation of being beneath giant ride in an amusement park plus its title suggests a double entendre; being under the b...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

"Horizon" by Cécilia Lusven is handwoven from linen and off-cut leathers. Lusven's signature style involves hand-cutting the leather scraps into same size fringe pieces that are then...

‍Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of ma...

Matches on aluminum plate, work by unknown artist inspired by Bernard Aubertin. W/frame

"The Designer" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 79 x 68 cm framed in a silver wood-framing with...

Tutto sospeso is a beautiful artwork realized by  Maurizio Gracceva   in the 2014. Colored acrylic on plywood Title, date, techinique and sign on the back. Author of numerous phil...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

Angels Grau is a Catalan artist who spends her time between Barcelona, New York, and a small village located in the breathtaking Priorat, one of the most n...

Allontanamenti is a beautiful artwork realized by  Maurizio Gracceva  in the 2014.  Tempera on plywood.  Title, date, techinique and sign on the back. Author of numerous philosoph...

Untitled is a beautiful artwork realized by  Maurizio Gracceva   in the 2014 Tempera on plywood Hand signed by the artist. Date, techinique and sign on the back. Author of numero...

In cammino is a beautiful artwork realized by  Maurizio Gracceva   in the 2014. Colored tempera on plywood.  Title, date, techinique and sign on the back. Author of numerous philo...

Composition is a beautiful artwork realized by  Maurizio Gracceva   in the 2014. Colored acrylic and pastel on plywood.  Title, date, techinique and sign on the back.  Author of n...

"Sticky Wicket" is an acrylic, modeling paste and sticks on plywood piece made by Charles Arnoldi in 1989. The artwork size is 44 1/4 x 91 x 3 inches. The artwork weight is 100 pound...

This sculpture, in the form of a silver electroplated egg with a white porcelain holder, represents esteemed Swiss artist Herbert Distel's most iconic form. He created a 22-ton egg d...

To create PLAY the artist reached back and up cycled materials that she had worked with in the past. She combined sections of her archival pigment prints collaged with painted wood ...

"Fatamorgana - Homage to Rene Magritte" is an original mixed media artwork by Volker Kuhn. The work is hand-signed by the artist below the artwork on the mat. 53 x 43 cm framed in a ...

"Little Ballerina" is an original mixed media artwork by Volker Kuhn. The work is an homage to Ellworth Kelly, hand-signed by the artist below the art...

Mixed media wall sculpture. The work is made from white trim. Inside the box it is lined with purple fabric. There is a wooden pedestal with a shell attached to the top of it. The box is titled and dated by the artist. Artist Biography: Julie Lee, "I was born in Memphis, Tennessee in 1958. I moved to Texas with my family in 1971. I received a B. S in biology from Lamar University, Beaumont, TX in 1981. I have been employed by Texas Department of Health since 1982. I teach and study Hatha Yoga...