Modern Mixed Media

An interesting and highly personal early work by celebrated modernist sculptor Inge King, Aboriginal Abstract I (1953) reveals the artist’s engagement with abstraction, symbolism, an...

Under the Snow is an original drawing in mixed media -ink and watercolor- on paper realized by Simon Goldberg (1913-1985). Hand-signed on the lower left...

In this art work the artist portrays Moses holding the Ten Commandments by overlaying sheets of metal on top of each other. The composition is flat, and the figure shows cartoon-like...

Crucifixion is a modern drawing in mixed media on paper realized by an anonymous artist of the 20 Century. Very good conditions, with a drawing on the rear. The artwork represents ...

Acrylic, ink, glitter on canvas Dimitri operates from the idea of the “unfinished.” It informs his choice of materials and the way he handles them. It informs the imagery. The unfin...

The King is an original photo-lithograph artwork on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in the Late 20th Century. The state of preservati...

Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. Customization possible. With this garden wall you'll conjure up an atmospheric ambience in your garden. Id...

"FLAT" Hand cut paper on heavy weight gessoed watercolor paper Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

Great Buffalo Medicine Man Mixed media collage Signed in pencil lower right Title on reverse Sheet size: 47 x 34 inches Condition: Tear in paper along right edge Color fresh ...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

Bitcoin Graffiti Abstract Canvas Art, Cryptocurrency Bitcoin Painting H48"XW70" Innovative and Contemporary Original New Media vs Painting Abstract ...

Alexander Raymond Katz (Hungarian-American, 1895-1974) initialed l.r. "A.R.K." inscribed verso "Prayer Tree", A Raymond Katz." Sight size: 39-3/4"h x 30"...

A rare and expressive early work by pioneering modernist sculptor Inge King, Toreador (1953) captures the artist’s dynamic approach to form, movement, and abstraction at a formative ...

Suhas Roy - Radha Mixed Media on Board , 11 x 14 inches , 2010 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a series of work where he sees an ethereal mystic godlike and innocent spirit in every woman he meets. Style : He is one of the biggest and the most enduring names in the genre of Indian modern art. Often dubbed the father of female figurative forms. Radha Series and the Christ Series in soft pastel on paper and intense Oil on canvas paintings .Consequently, his recent body of works, "Drops of Silence", executed in oil, pastels and pen-and-ink etchings on backdrops in watercolours, are all studies of "mysterious slightly surreal nude women floating in a void". Roy's forte is Radhika - dark, enigmatic, beautiful Indian women with the slightest smile and ethereal in its quality . About the Artist & his work : Born : 1936, Bangladesh. Education : 1953-58 : Diploma in Painting, Indian College of Art and Draughtsmanship, Calcutta. 1956-66 : Studied graphic art under the guidance of S.W. Hayter, Atelier 17 and mural art at cole Superior Des Beaux Art, Paris. Exhibitions : His works have been exhibited all over the world through exhibitions like the Asian Graphic Prints Traveling Exhibition, USA, the Tokyo Print Biennale, Japan, Contemporary Indian Art...

Bijan Choudhury - Untitled 15 x 11 inches (unframed size) Mixed Media on Paper ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientation did not allow Bijan Chowdhury "...

Anne Silver (Mondinot) is an American photo-based artist who lives in France. She worked for 15 years as a psychotherapist. Her work explores themes of grief/loss, healing, hope, a...

Anne Silver (Mondinot) is an American photo-based artist who lives in France. She worked for 15 years as a psychotherapist. Her work explores themes of grief/loss, healing, hope, a...

Shipping costs on request Beautiful contemporary oxidized sheet steel Garden Wall or privacy screen. With this garden wall you'll conjure up an atmospheric ambience in your garden. I...

Born in 1923, alumnus of the Warsaw Academy of Fine Arts. Student of the Warsaw University of Technology, is an extraordinary artist, searching for his own artistic way. Ambitious,...

Untitled (Tuscan Landscape) Tissue paper collage on Fabriano support Signed and dated lower right in ink Provenance: Estate of the artist Martha A. French Trust Created while the art...

The extraordinary candle holder "Dragon" on a natural oak pedestal, conjures up a beautiful shadow pattern in your home. The candle holder has a rust look and stands on a 15x15x15cm...

Allen Ladd as Shane Colored and metallic paper collage. c. 1960's Signed in ink lower right; Signed in pencil on reverse; (see photo) Titled in pencil upper left recto (see photo) C...

CAR SERVICE Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

his Original Contemporary Hand-painted Abstract is painted on gallery wrapped acid free canvas. Ready to hang. MEDIUM: Acrylic Paint, Texture Paste, oil pastel, Gold leaf MAIN CO...

Suhas Roy - Christ - 20 x 16 inches ( Unframed Size ) Mixed Media on Imported Paper , 2005 ( Framed & Door Delivered ) Suhas Roy depicted the face of Jesus portraying pain and agony...

The extraordinary candle holder "Wolf" on a natural oak pedestal, conjures up a beautiful shadow pattern in your home. The candle holder has a rust look and stands on a 15x15x15cm n...

The extraordinary candle holder "Flames" on a natural oak pedestal, conjures up a beautiful shadow pattern in your home. The candle holder has a rust look and stands on a 15x15cm na...

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features a rounded fish shape with the words "random harves...

The Sewn Seed Irene Rice Pereira, American (1902-1971) circa 1966 Watercolor and Acrylic on rice paper, signed in pencil, titled in sharpie 23.5 x 18.5 in. (59.69 x 46.99 cm)

Reminiscent of the Fauvist movement and Italian classicism, Italian artist Giuseppe Beddru’s bold outlines, dynamic brushstrokes and contrasting use of color make his work visually exciting. His work is extremely personal as well, drawing upon the Arab presence on the island where he grew up and his own Italian heritage. His paintings are indicative of self-discovery and emotional awareness, while also focusing on color, composition, and technical skill. This balance of visual dynamics and emotional response is essential to Beddru’s work. Many of Beddru’s multi-media paintings include the visual motifs of classical Greek bas-relief sculpture, flattened within the confines of Plexiglas. Athletes and female portraits in profile are reminiscent of coins and popular classical imagery. After having admired and studied the works of the great masters, Beddru left Italy to continue his practice abroad. This one-of-a-kind vibrant 22 inch square artwork is painted among many layers of Plexiglas panels. Beddru's pictorial subjects are represented through ink-based mixed media, applied via reverse painting techniques inspired by Italian painters from the seventeenth century. The eye of the observer is simultaneously caught by both a fascinating chromatic balance and the mystery of enigmatic figures who, from the depths of a mythological past, bring secretive symbols to our contemporary present as messages to decipher. This artwork is framed in a modern, dark brown wooden frame. Size and price include the frame. It is wired and ready to hang. The artwork is signed by the artist on the front in white. Free local Los Angeles area delivery and professional installation included. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is also included. The artist represents those who are considered “different”, those who are rejected because of prejudice or, simply, ignorance. Popular imagery within the context of Greek art history is overturned by atypical, yet vibrant and beautiful characters that populate his artistic world and speak up loud to make their voice heard. Guiseppe Beddru currently lives and works in his studio in Brussels and exhibits internationally on a regular basis in venues spanning from highly ranked art fairs to museums in both solo and collective exhibitions. His artworks are part of distinguished international private collections, such as the collection of the Saudi Royal Family and notable art collector Graeme Hart (New Zealand). REPRESENTATION Artplex Gallery Los Angeles, California, USA EXHIBITIONS 2023 "Fragmented Fluorescence", Artplex Gallery, Los Angeles, CA 2022 "The Human Form", Artplex Gallery, Los Angeles, CA “Beyond Reclusion”, Le Neuf Gallery, Belgium Affordable Art Fair, Stockholm, Sweden Art Boom Focus Paris, France 2021 Artplex Gallery, Los Angeles, CA 2019 Affordable Art Fair New York Artspace Warehouse, Los Angeles, CA First Art Fair, Amsterdam, Netherlands Art Palm Springs, Palm Springs, CA Art Up, Lille, France ACAF Pop Up, Maasmechelen Village, Belgium AAF New York, NY London Art Bienalle 2019, London, UK...

Reminiscent of the Fauvist movement and Italian classicism, Italian artist Giuseppe Beddru’s bold outlines, dynamic brushstrokes and contrasting use of color make his work visually e...

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features an elongated fish shape with the words "sweet eats...

Bijan Choudhury - Untitled 15 x 11 inches (unframed size) Mixed Media on Paper ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientation did not allow Bijan Chowdhury "...

Dance Paper, mixed media, 21x26.5 cm The focal point of the artwork is a representation of dance, capturing the movement, rhythm, and expression of the art form through the use of ...

Reminiscent of the Fauvist movement and Italian classicism, Italian artist Giuseppe Beddru’s bold outlines, dynamic brushstrokes and contrasting use of color make his work visually e...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

Michail Grobman (Russian: Михаил Гробман, Hebrew: מיכאיל גרובמן‎‎, born 1939) is an artist and a poet working in Israel and Russia. He is father to Hollywood producer Lati Grobman an...

Reminiscent of the Fauvist movement and Italian classicism, Italian artist Giuseppe Beddru’s bold outlines, dynamic brushstrokes and contrasting use of color make his work visually e...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Tope Alawaye, is a young contemporary artist hailing from the vibrant city of Ibadan, Nigeria. Born with an innate passion for art, Alawaye has emerged as a dynamic force in the Nigerian art...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 9.5 x 12.75 Frame Size: 17 x 20 Medium: Color Etching "A Drink" Biography Margaret Putnam (1913-1987) Margaret Putnam left...

Sitting Woman Irene Rice Pereira, American (1902-1971) circa 1966 Watercolor, acrylic, pencil and pastel on rice paper, signed in watercolor 24 x 18.75 in. (60.96 x 47.63 cm)

Costume Drawing Mid-Century Modern American Scene Social Realism Russian Theatre Anton Refregier (1905-1979 Costume, 1931 Pencil, crayon, and silver paint on paper 17 x 13 ¾ inches...

4 panels hinged together of bronze metalic textured paper over wood.

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Alagbe's artwork draws attention to the man's jacket, which showcases his bare chest. The jacket, reminiscent of a vintage style, represents the layers we often wear to shield ourselves from the world. By revealing his bare chest, the man symbolizes a willingness to be vulnerable and open to self-exploration. The jacket becomes a canvas for introspection, encouraging viewers to reflect on their own inner journeys toward peace and self-discovery. The quote by Geshe Kelsang Gyatso, "We all wish for world peace, but world peace will never be achieved unless we first establish peace within our own minds," resonates deeply with Alagbe's artwork. It highlights the idea that true peace cannot be attained externally unless we find serenity within ourselves. The artwork invites viewers to examine their own inner landscape and cultivate a sense of harmony, balance, and compassion toward themselves and others. Embedded within the artwork is another profound quote, this time from The Bhagavad Gita...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Windmill at Knokke, 2014 Caran d'ache, wood and acrylic paint on canvas in artist's frame Image size: 30 in H × 25 in W Frame size: 31 in. H x 26 in. W x 2 in D Hand-signed by artis...

You are viewing a mixed media painting and collage on paper by American artist Richard Huntington. This piece is titled "George Washington with Letters" and is signed lower r...

Mixed media figurative work of a Madonna and child. The piece is framed in a gold frame with black accents. Dimensions Without Frame: H 19.5 in. x W 25 in. Artist Biography: Born ...

"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...

"Blue Palms" is a fun modernist freestanding sculpture that brings bold statement to wherever it is placed. Made from .25" thick powder coated mild steel, it is vibrant and durable ...

"Flashe" is a minimalist and modernist wood wall sculpture reminiscent of both made century modern forms and the brutalist architectural movement. The piece was inspired by my love ...

“Waveform” by Scott Troxel is a minimalist wall sculpture that transforms rhythm and movement into a bold geometric composition. Constructed from ambrosia maple with acrylic and oil ...

“Thunderbird” by Scott Troxel is a vibrant mixed-media wood sculpture that merges abstract geometry with the symbolic presence of a mythic bird form. Inspired by the visual language ...

“Sweeper” by Scott Troxel embodies the artist’s signature retro-futurist aesthetic, blending the clean geometry of mid-century modern design with the tactile warmth of handcrafted wo...

Please Note: This Listing is for a commission. This piece will be made specifically for you. (Colors and palette changes can be arranged). Terebellum is a large modern wall sculp...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Once an order is placed we will arrange the VAT of 20% to be reduced to 5% Main tenant des fraises by Georges Valmier (...

The Magicians Message From Cuevas' Comedies. Screenprint with collage additions and five lithographs from a portfolio of ten lithographs (one with screenprint and embossing, one with embossing) and five screenprints (two double-sided, one with collage additions). Pencil signed and dated 1971, edition 84/100, blindstamp visible, published by Collector's Press, San Francisco. Framed under Plexiglas. Jose Louis Cuevas was born in Mexico City in 1933 -2017. A master draftsman, Jose Luis Cuevas played a pivotal role in Latin America's drawing and printmaking renaissance of the sixties and seventies. He is also associated with Latin America's neofigurative movement, along with artists such as Fernando Botero and Antonio Segui. By the age of fourteen, he had illustrated numerous periodicals and books and had had his first exhibition in Mexico City. In 1953 Cuevas published La cortina del nopal (The Cactus Curtain), an article condemning aspects of the Mexican Mural movement and advocating greater artistic freedom. This philosophy inspired the founding in 1960 of the group Nueva Presencia, which he joined for a brief time. It promoted individual expression and figurative art reflecting the contemporary human condition. Cuevas' work was influenced by the graphic art of Goya and Picasso as well as by Posada and Orozco, whose representations of deformed creatures, degraded humanity and prostitutes were of particular thematic interest. Over the years, he has paid homage to his favorite painters as well as writers, such as Dostoevsky, Kafka, Quevedo and Sade, in numerous series of drawings and prints. Cuevas has said that his drawing represents the solitude and isolation of contemporary man and man's inability to communicate. It is for this reason that he often distorts and transforms the human figure to the point of uniqueness. Cuevas has had solo exhibitions in museums and galleries throughout the world including the: University of Texas, Austin, 1961, the San Francisco Museum of Art, California,1970, the Museo de Arte Moderno, Mexico City, 1972, Museo de Arte Contemporaneo, Caracas, 1974, Phoenix Art Museum, Arizona, 1975, Musee d'Art Moderne, Paris, 1976. His work was included in Four Masters of Line: Jose Luis Cuevas, Alexander Calder, Stuart Davis, and Morris Graves, Musee de la Napoule, France, 1957 and in The Emergent Decade, Cornell University and Solomon R. Guggenheim Museum, New York, 1965. Among his many awards are First International Prize for Drawing, Biennial of Sao Paulo, 1959, First Prize, International Black and White Exhibition, Lugano, Switzerland, 1962, First International Prize for Printmaking, Triennial of Graphic Arts, New Delhi, India, 1968, First Prize, III Latin American Print...