Modern Mixed Media

"WavyOlive" is a minimalist and modernist maple wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for simple bold colors and...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Abstract Mid 20th Century WPA Non Objective American Modernism New Hope Modern.mixed media. 21 x 16 (sight). Housed in a hand carved frame. Louis King Stone ...

Roman boy is a modern artwork realized by Artist of the early 20th century. Copper plate engraved. Includes frame: 50 x 37 cm Engraved signature on lower ...

The extraordinary candle holder "Flames" on a natural oak pedestal, conjures up a beautiful shadow pattern in your home. The candle holder has a rust look and stands on a 15x15cm na...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Hand signed, numbered and dated in yellow felt pen. Mixed media with handmade paper, bamboo and fabric mounted on black board and framed. Published by Gemini G.E.L., Los Angeles. Cer...

Bitcoin Graffiti Abstract Canvas Art, Cryptocurrency Bitcoin Painting H48"XW70" Innovative and Contemporary Original Mixed Media Painting Abstract ...

"Flow Meter" (Small Pops Series) is a modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. The piece has uses a Satin lacquer finish (on 2" thic...

This artwork titled "Black and White Leprechaums" 1976 is a mixed media and collage on hardboard by noted Australian artist Oscar Edwards, 1905-1996. It is signed, titled and dated i...

"Makaha (Metal)" is a fun modernist freestanding sculpture that brings bold statement to wherever it is placed. Made from .25" thick powder coated mild steel, it is vibrant and dura...

Allen Ladd as Shane Colored and metallic paper collage. c. 1960's Signed in ink lower right; Signed in pencil on reverse; (see photo) Titled in pencil upper left recto (see photo) C...

Judith Yellin Ginat is one of the most prominent artists working in Israel today. She was born in Jerusalem and is a fifth generation Israeli. Her work has a naive, folk art quality...

Flower is an original modern artwork realized by Artist of 19th Century. Mixed colored "scagliola" technique" Note: Scagliola (from the Italian scaglia, meaning "chips"), is a technique for producing stucco columns, sculptures, and other architectural elements that resemble inlays in marble and semi-precious stones. The Scagliola technique came into fashion in 17th century in Tuscany as an effective substitute for costly marble inlays, the hard stone works created for the Medici family...

Sunil Das - Bull & Horse - 9 x 8.5 inches (unframed size) Mixed Media on Thick Paper Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal...

Toilettes de Mme Bréant-Castel, from La Mode Illustrée is a modern artwork realized in 19th Century. Mixed colored etching and collages on paper. Titled on plate. Good conditions ...

"Waikiki" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "S...

Dreamy Flowers. White Silver Floral Painting One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital origina...

Collage is an original Modern Artwork realized in the 1920s by the Italian artist Thayaht (Florence, 1893 – Florence, 1959). Original pencil, golden gouache, cloth and ivory on pape...

Artist: Schwebel, Ivan (Israeli 1932 - 2011) Ivan Schwebel, Painter. Was born 1932, U.S.A. and immigrated to Israel 1963 after living in Spain, France and Greece. Studies: 1953-55 with Kimura Kyoen whilst serving with the U.S.Army in Japan; 1955-61 Institute of Fine Arts, with Philip Guston; New York University. Larry Abramson, who is very much in the mainstream of Israeli art, curated an exhibition of Schwebel’s work at the Jerusalem Print Workshop in the early 1980s; in the accompanying text, he described him as “an artist from the New York School ship-wrecked on a hill near Jerusalem.” IN SCHWEBEL’S BEST WORK, THE paint speaks for itself: the pools and explosions of rich color, achieved with pigment that he would grind and mix himself, the luminous figures emerging out of dark shadows, the quirky, dramatic compositions. Schwebel was erudite, with a passion for the bible and Jewish and Israeli history. He delved into all of it for his subject matter, bringing together characters and narratives regardless of time, and setting them in modern- day Tel Aviv or Jerusalem, the Judean hills, or New York City. He liked to play with ideas, and thoroughly mixed his visual metaphors. He showed David and Bat-Sheva next to a Nazi deportation train, and Job despairing over his relationship with the Palestinians. He based his characters on photographs of himself, friends and family, or movie stars. On his website, he describes a series of paintings about anti-Semitism in which the Holocaust is merged with the Spanish Inquisition: “Abarbanel who tried to negotiate with Ferdinand and Isabella is reincarnated in Rumkowski – the German appointed Head of the Lodz Ghetto. The bridge connecting two parts of the Ghetto is spanned over a present-day Tel Aviv cityscape. This was from a portfolio that included Ivan Schwebel, Michael Gross, Liliane Klapisch and Moshe Kupferman, five of Israel's leading contemporary artists who were each approached in May 1977 with a request to contribute a hand-printed screenprint for a portfolio to be titled "Jerusalem". The sole term of reference was the name "Jerusalem", with no qualifications at all. The five artists then spent time working completely independently and individually on the project at the Jerusalem Print Workshop. Each screenprint was hand-signed by their respective artist and numbered from the edition of 200, hand-printed on BFK Rives paper Published by Whartman and Sacks Art Publications His “Tel Aviv” series, in contrast, is fun: “Chen Cinema” shows a couple of actors who seem to have stepped out of an old romantic movie to cuddle in the shabby street outside the cinema. In his final “Safe Place” series of paintings, he goes beyond self-conscious narrative to create his own Garden of Eden. Select Group Exhibitions: Landscape and Nature: Contemporary Israeli Prints from the Collection of The Israel Museum, Jerusalem. High Court of Australia, Canberra, Australia Artists: Abu Shakra...

Peter Max (German, b. 1937) Katrina Relief Signed Lower Right 24 x 18 inches 38 x 32 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional artist focused ...

Parallax III is a discreet and elegant minimalist contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a semi-gloss lacquer finish. The...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Domenick Capobiano (American, b. 1928), Celestial Composition, Mixed Media Collage on Board, 1963, pastel, acrylic, newspaper, signed and dated lower right, inscribed to verso "To El...

"WavyOlive" is a minimalist and modernist maple wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for simple bold colors and...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** THE WINNER BALLOON DOG is the 10th animal sculpture masterpiece by Ma...

"Oranges" is a minimalist and modernist maple wood wall sculpture that brings bold statement to wherever it is placed. The piece was inspired by my love for simple bold colors and ...

"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...

Arzee, established in year 2014, aims to produce high quality arts and crafts products for the local and international market. The main purpose is to promote the skills of the local ...

Caviar20 is excited to be offering this striking collage by the inimitable Louise Nevelson, who is regarded as one of the most original, influential, and successful American sculptors of the 20th century. Nevelson's enduring appeal lies in her distinct visual language, which is apparent in all of her works, regardless of medium. While her iconic monochromatic wood assemblages are instantly recognizable, she continuously experimented with diverse materials, including resin, steel, and bronze, as well as numerous printmaking techniques. Collage was an important part of Nevelson's practice, defining her signature aesthetic. Much like her approach to printmaking, her collages possess a sculptural ethos that transcends the two-dimensional surface, imbuing the composition with a remarkable sense of volume, texture, and depth. One could argue that Nevelson's sculpture was informed by collage in that she took assorted existing forms combining them in order to create an entirely new and distinct arrangement. This untitled collage is an exceptional example of the artist's mastery of the medium. Featuring an assemblage of wood veneer, mirror, and metal, this work reflects Nevelson's meticulous sense of form and rhythm. Subtle details, such as the alternating direction of the wood veneer grain further heighten the visual complexity of the otherwise minimal composition. The inclusion of wood veneer marks a notable shift for Nevelson, who was previously loyal to a strict monochromatic palette of black or white. It wasn’t until the 1970s with her experimentation in collage that she expanded her palette. Nevelson also created jewellery and this collage acknowledges her activity in that realm. Created at the age of 83 during the final chapter of her career, this piece powerfully captures Nevelson's enduring spirit and dedication to artistic innovation. Today Nevelson's work can be found in every major public collection across North America and beyond. Questions about this piece? Contact us. Visit our Toronto gallery on Thursdays or by appointment. "Untitled" USA, 1983 Mixed media collage Metal, mirror, wood, and wood veneer on grey mat board mounted on 0.25" Luan plywood Signed and dated by artist, bottom right Nevelson Estate no. LN 40830 19.5"H 15.75"W (work) 31"H 21"W (framed) Very good condition Literature: Stein, Judith. Louise Nevelson Collages...

Lalu Prasad Shaw Ganesha Tempera on Board 26 x 20 Inches 2016 Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad Shaw’s works lay the...

HANABI N* 92 Tapestry by MARTA MORENO Yarn Punch Needle Embroidery on Artisan Cotton Intervweaving Blanket 27.5" W X 35.5" H A vibrant textile artwork crafted with the punch needl...

Act Paper, mixed media, 29x19 cm This work presents a colorful and stylized representation of a woman's figure engaged in an act or performance, capturing the movement, emotion, an...

Tarkka is an aggressive, angular minimalist, monochromatic contemporary wall sculpture. It is constructed with birch panels, acrylic washes, walnut hardwood and completed with a sem...

Genre: Modern Subject: Abstract Medium: Mixed Media Surface: Paper Dimensions: 19 1/2" x 19 1/2" Dimensions w/Frame: 29 1/4" x 29 1/4" Simon, an award-winning mixed media artist with four Best Of Show honors, and numerous other distinctions, has been featured in over a dozen one-woman shows and many group exhibits. She has a master's of fine arts degree from the University of Iowa, and has divided her time between Colorado, Iowa and New Zealand. The prestigious Southwest Art magazine a few years ago featured Simon on its cover along with a profile in a two-page spread. "Mine is a happy-go-lucky world where everyone gets along, cares for one another and celebrates the day," Simon remarks. "I am hoping to refine my images to the elegance of a simple Haiku, the short poem that captures a single perfect moment in time — a peaceful kingdom. "In much of my work, I enjoy thinking about what goes on in the canyons, the seas and the nighttime, when no one is watching, perhaps joy and playfulness and even deep thoughts occur during those unseen hours," she says. Simon draws on the past's creative techniques and designs to put her works into action on canvas. "Although my inspiration comes from far and wide, light, nature and the Native American Ancients are the strongest aspects in my works," Simon says...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures forme...

Bijan Choudhury - Untitled - 13 x 10 inches (unframed size) Ink on Paper , 2009 ( UNFRAMED ALL IN DOOR DELIVERED ) Style : The Marxist orientatio...

Jogen Chowdhury - Untitled, 14 x 11 inches ( Unframed Size ) Ink with Brush & Dry Pastel on Paper, 2014 Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised - the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist & his works : Born : 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background: His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury's father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education: 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience: 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled 'Hridoy Train Beje Othey'. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions: 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi . 1979: The Sao Paolo Biennale . 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale 1989: 'Festival of India', in Geneva 2002: Saffron art...

"Spomenik" is a wood wall sculpture. Made for repurposed oak, mahogany, walnut, leather, suede and brass tacks, the piece has an overtly architectural feel. Inspired by brutalist mo...

Genre: Israeli Subject: Animals Medium: Mixed Media, Collage Country: Israel Dimensions: 8.5 x 5.5 Dimensions w/Frame: 15 x 12 Judith Yellin is one of the most prominent artists working in Israel today. She was born in Jerusalem and is a fifth generation Israeli. Teacher of arts and crafts in teachers colleges, Senior lecturer in the School of occupational therapy and the David Yellin Teacher's College, Jerusalem. 1941-43 Graduate of Bezalel Academy of Art, Jerusalem. Studied under Mordechai Ardon and Isidor Aschheim 1946-49 Graduate of the Central School of Arts and Crafts London. Studied under R.R.Tomlinson, W. Johnstone, J. Minton. 1966 Member of the Israel Painters and Sculptors Association. 1971 Studied etching under Stanley William Hayter, Atelier 17, Paris. 1965-75 Collages chosen for UNICEF greeting cards. 1970-96 World-wide distribution of series of art-posters, lithographs and serigraphs, reproduced in Israel from collages . Exhibitons 1954 "Ben-Uri" Gallery, London 1955 "Nora" Gallery, Jerusalem 1960 "Atelier 97", Tel-Aviv 1961 The Artists House, Jerusalem 1965 "Katz" Gallery, Tel-Aviv 1965 "Ezry" Gallery, Jerusalem 1969 The Artists House, Jerusalem 1971 "Stern" Gallery, Paris 1974 The Artists House, Jerusalem 1975 "Ben-Uri" Gallery, London 1975 "Old Jaffa...

Sunil Das - Head II - 20 x 15 inches (unframed size) Mixed Media on Board, 2002 Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artist ...

Upon discovering a weathered steel drum that had been warped to resemble the sleeve of a garment, artist Gordon Chandler was inspired to embark on a series of kimono sculptures formed from found metal scraps. With an eye to the aesthetic possibilities of this humble material, Chandler invests the reclaimed steel with sculptural fluidity and a wry sense of form. Flattened with the center portion rolled out, this discarded barrel takes on the look of a traditional kimono...

Judith Yellin is one of the most prominent artists working in Israel today. She was born in Jerusalem and is a fifth generation Israeli. Among those who have collected Judith Yellin's works are Mary...

SantaFe Bird is by Anne Embree who is known for her whimsical animal paintings . Santa Fe Bird focuses on the Bird and the surrounding objects Perched is...

Amitabh Sengupta - Mask Nigeria Period , Edition 1/1 Frottage on Paper , 30.35 x 22.25 inches , 1986 Inclusive of shipment in roll form. Style : In Amitabh SenGupta's works TIME is ...

Large modern abstract mixed media sculpture featuring a finely sanded piece of wood twisted in coiled rebar. The organic wood entangled in the manmade metal offers subtle commentary ...

Genre: Other Subject: Figures Medium: Fabric, textile collage Surface: Board Dimensions: 9 1/2 x 8 1/2 x Dimensions w/Frame: 16 1/2 x 15 Ella Raayoni was born in Vienna, Austria and came to Israel when she was eight years old. Aside from her exhibits in Israel, she exhibited in the Paris Salon of 1958 and was awarded first by the Women's International Artists. In the same year, she also had a show in London. She also exhibited in Switzerland, Italy, and the United States. she died in 1993. Ella Ra'ayoni, born 1915, Vienna, Austria. Died 1993...

THE ARTIST'S WEAPON, understood as the ability to transmit universal messages, is his imagination which the artist shows with images created many millennia ago by engraving on the ro...

Dimensions w/Frame: 10" x 7 1/2" x 1 1/2" A George F. Welch Abstract Copper Enamel Wall Art Plaque Inscribed signature on the lower right of the plaqu...

Sunil Das - Collage Series IX - 23 x 16 inches (unframed size) Collage Series, Mixed Media, Paper, Foil, Acrylic. Will be shipped, ready to hang with frame . Sunil Das (1939-2015) ...

Limoges porcelain in "Bleu de Sèvres" and gold. Artist: Salvador Dali Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968. "Silhouette de Faust" drawn by...

Stuart Davis Eggbeater No. 1 Silk Scarf, ca. 1980 100% silks scarf 34 × 34 inches (the smaller measurements shown are after the scarf is folded, to minimize shipping costs, as it sh...

MODERNIST DRAWING New Hope Mid-Century WPA Abstract Non-Objective Jazz Modern. Signed with a "Ramstonev" stamp lower right. RAMSTONEV Cooperative Art Project (1937-1939). In the late 1930s, Charles Ramsey became close friends with Charles Evans and Louis Stone. He persuaded them to join him teaching his New Hope summer classes in non-objective painting. Soon, a history-making collaboration began. In 1937, meeting in Evans' studio at the rear of Cryer's Hardware store on Main Street in New Hope, a decision was made to establish the Co-Operative Painting Project. They were intrigued by the cooperative ad-lib process by which jazz musicians created their music. Believing this to be the quintessential American contribution to music, they theorized that a similar result might be obtainable with art, a "visual jam session." This particlarly fascinated Ramsey, who was a jazz buff and had a large collection of jazz records. The objective was to jointly collaborate in the creation of a painting as well as applying collective criticism during its creation. By creating forward movement by general consent, they believed they could produce a higher level of beauty. By consensus it was decided that subject matter would be non-objective. Up to eight people would participate and stop when the painting "felt" finished by common agreement. These co-operative works were done in several different mediums- the majority in pastel, but some in watercolor, gouache, graphite or cut paper collage. On occasion, the group would create a series, as opposed to a single work, created in steps by three or four artists. One of the occasional participants was famed New Hope poet, Stanley Kunitz. These series could range in number from four to sixteen paintings in each. The first of a series would be very basic and the last a fully finished work. In the scope of importance among the New Hope Modernist...

Sandro Visca, born in L'Aquila in 1944, has lived for many years in Pescara where from 1968 to 2003 he has taught Painting Disciplines at the Academy Section of the "G. Misticoni "(...

Charles Green Shaw Pleasure and Recreation, circa 1935 18th Century print, playing cards 15 x 10 inches Charles Green Shaw, born into a wealthy New York family, began painting when...

Sunil Das - Collage Series VIII - 23 x 16 inches (unframed size) Collage Series, Mixed Media, Paper, Foil, Acrylic. Inclusive of shipment in ready to hang form. Sunil Das (1939-2015...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 9.5 x 12.75 Frame Size: 17 x 20 Medium: Color Etching "A Drink" Biography Margaret Putnam (1913-1987) Margaret Putnam left...

“Summer Joy” is a vibrant original encaustic painting by Maine-based artist Marcia Crumley, measuring 24 x 24 inches. Created with layers of molten beeswax and richly pigmented color...

Untitled Large Seascape Mixed Media Ink and gouache wash on paper laid on board about 1970s, Artist signed lower right corner. Lim Ha Shan, was born in Seoul, Korea in 1945. The na...

"CloudHawk" is a minimalist and modernist wood wall sculpture reminiscent of mid century modern, art nouveau and bold graphic design. It is part of my "Small Pops" Series wood wall s...