Unframed More Art

Raja Ravi Varma - Laxmi, 19 x 14 inches Oleograph with embellishments, Circa (Unframed & Delivered) Raja Ravi Varma (29 April 1848 – 2 October 1906) was an Indian painter and artist...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Robert Indiana’s, "Classic Love" tapestry is a wool iteration of the artist's iconic “LOVE," which began as a simple Christmas card design for the Museum of Modern Art, NYC in 1964 a...

Screenprint in colors on wove paper. Signed by the artist in pencil and also numbered 96/126 in pencil. Published by Lincoln Center List Poster and Print Program, New York. Second ...

This piece titled "Potluck" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame and measures 6"h x 6"w framed. The catalyst for this new body of work was a jar of leftover magazine cutouts from a collage I made in 2010. Reusing leftover materials as well repurposing items that might end up thrown away, has become a very important part of my process the past decade. Stumbling across this jar of coin sized images that had waited patiently on a shelf for 12 years, ignited my creative process and drove me to explore collage in a new way. Unlike the piece from 2010 in which I assembled the images by piecing them together, I decided to examine each individual cut out on its on. By removing the image from any other context it allows you to focus solely on its meaning, purpose or feelings that it may evoke. Each image is embedded in a field of French knots which felt like a way of creating a time capsule of sorts for the object. Another inspiration behind this collection is my six year old son and his endless piles of sticks, stones, leaves, etc in our home. Only to him they aren’t sticks and stones, they are treasures. His ability to find a tiny twig or scrap of paper and not only cherish it but give it a backstory of why it is so special, is a beautiful thing and one I have tried to tap into with my new work. By placing a picture of a rubberband ball or a set of Dracula teeth or a banana in this embroidered box...

Lithograph on wove paper, 1936. Edition of 100. Signed by the artist in pencil, lower right. Published by Associated American Artists, New York. Framed dimensions, 28.5 x 33.75 i...

Anonymous, Bust of a young woman, c. 1900, artificial marble and gray onyx marble. 37 cm (height) x 37 cm (width) x 22 cm (depth), weight 17.2 kg. Signed “GURRINI” on the reverse. -...

Oil on canvas 60x60 cm

Triptych "A Story for Three" 100x50cm x3, acrylic, canvas

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

"Glass Fused Ceramic Vase" is vintage Mid-Century Modern. This handsome vase has an elongated neck with a white glass-fused inlay portion on the front body...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Keith Haring 'Rap It' record art 1983: A rare vinyl art cover featuring original artwork by Keith Haring and Futura 2000 (reverse side). Truly vibrant colors that make for stand-out ...

Decorated with a cartouche on which the family coat of arms was probably engraved, this interesting small bronze object is a "cheer mortar" (also called a "mascolo" or "mastio" of ch...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Diptych "Day", each part 90x60cm

Mother Goddess Figurine Early Indus Valley Civilization (circa 3500 - 2800 BC) Handmade pottery, 140 mm x 45 mm, 60 g Provenance: Prince Collection, 1990s-2014; Pierre Bergé Colle...

Portrait of Prince George of Denmark, Duke of Cumberland (1653–1708) c.1690–1695 Studio of Sir Godfrey Kneller (1646–1723) Few portraits embody the visual authority and dynastic sy...

Artist Comments
Lily pads and lotus flowers float weightlessly on a pond. The vivid blues evoke a refreshing coolness, accentuating the vibrant colors of the aquatic plants. ...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catch...

Extremely rare exhibition poster printed on medium thick paper. It was released by the Matsumoto City Museum of Art in Japan with text on the ve...

Fine Bone China Edition of 250 Printed signature and edition details on verso comes with the original presentation box. Mickalene Thomas, born in 1971 in Camden, New Jersey, is a ce...

Artist Comments
A lone palm tree sways gently against the backdrop of a bright blue sky, with the ocean below reflecting the billowing white clouds. During a trip to the Domi...

Midday in Lombardy, 100x170 cm, acrylic on canvas

Rini Dhumal - 48 x 36 inches (unframed size) Oil on Canvas , 2010 Signed Style : She have been a printmaker and a painter. For some time now she have been...

"Close my eyes with rose petals"

Lemon leaves 100x70 cm

Color offset after the original from 1989. Signed and dated in print. In good condition, minimal marginal defects. A beautiful artwork that looks good in every room and especially...

ONLY PINK - An expressive burst of delicate pink flowers creates a composition full of movement and energy. A blend of acrylic and oil pastel is used to build up rich textures and lo...

Dancing with Centaur or Achilles and Centaur Chiron. Marco Silombria Large Gay Erotic Centaur Plate. Mythology, Pop Art, 2004 Large hand-painted ceramic charger by Italian Pop Art a...

Shadows recede into the birch grove, 90x120cm , oil, canvas

Rothko Series 1: 02

Sunday morning , 150x130 cm, oil on canvas

Artist Comments
Artist Christopher Garvey presents a group of varying glassware in different colors, sizes, and shapes. Set against a tonal background, the focus is drawn to ...

"Close my eyes with rose petals"

"Hardly" is a captivating poster featuring the artwork of renowned artist Wassily Kandinsky. Published by Art Unlimited in Holland for the Museum Boymans-van Beuningen in Rotterdam, ...

Johanan Vitta, painter, born 1941, Jerusalem. Lives in Italy. Education Firenze, Florence, Italy He designed the famous La Sinagoga di Firenze poster. The poster features a painterly synagogue it was done for the “Comunita Israelitica" He has also designed Judaic ritual objects including a menorah that is in a famous museum collection. Arman, Elio Carmi, Eugenio Carmi, Lucio Del Pezzo, Guy De Rougemont, Maurizio Galimberti, David Gerstein, Claude Lalanne, Marino Marinelli, Mimmo Paladino, Arnaldo Pomodoro, Tobia Rava...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Portrait of a Lady, possibly Elizabeth Percy, Countess of Essex (1636–1718) c.1660-1665 Studio of Sir Peter Lely (1618–1680) This portrait, presented by Titan Fine Art, is a particu...

Landscape , 60x90 cm, oil on canvas

Pair of Antique Hand Painted Chinese Vases with Foo Dogs and Inscriptions China, early 20th century Porcelain 17 x 8 x 8 inches Painted in iron red, these Foo Dogs or Imperial Guard...

Edition of 20 pieces

A fine tonalist landscape with leaves beginning to change by a marsh by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on t...

Keith Haring, Vivienne Westwood, and Malcolm McLaren collaboration for the 1983 'Witches' collection: A rare, museum worthy art fashion collectible published on occasion of the AW1...

N193, 50x50cm

Ochre Shore Painting by Pamela Burns B. 1938, 2015 Additional information: Medium: Oil and sand on board Dimensions: 25.5 x 30.5 cm 10 x 12 in Signed, dated, and titled on the overl...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

C23-6, 2023 Geometric Abstract Color Field Panel Painting by Ginny Fox in Charcoal Gray Painting is on three panels (2) 24 x 18 inches, (1) 24 x 12 inches Can be oriented horizonta...

bone china with lustre rim 21 cm diameter Grayson Perry hallmark on the back. These decorative plates are inspired by the artwork The Great Beauty, 2024. The original piece is a cab...

Subrata Paul - Natural Game Bronze & Wood, H 21 x W 26 x D 7 inches About : Subrata Paul ( b 1972) is one of the empanelled sculptors of Abundant Art Gallery. Subrata Paul’s favoured materials are bronze embellished with wood. His signature fusion of the two different materials with his stitching style lends an unique texture to his sculptures. Our collection, includes some of his remarkable creations including “Fish”, “Goat” and “Bull”.Paul’s ‘Fish’ represents contrasting characteristics. The Buddha like drooping eyes of the ‘Fish’ is contrasted paradoxically against the frenzied fins, reminding us of Medusa’s dishevelled hair. Calmness and restlessness in one form, the ‘Fish’ resembles the life force.It is a metaphor for the inner human strength to swim against the tide of adversities. His ‘The King’ represents an imperial image. The statute is looking towards heaven, as if seeking some inspiration to perform his royal duties. His crown is like a crown of thorns. It is not a pleasant task but it has to be performed. His attire declares he has to modify his own life into the straightjacket of his royal duties. Another creation of his, ‘Bull’ recalls the interpretation of a bison of the Altamira cave paintings. Paul’s ‘Meditation’ series defines peace in different perspectives through various aspects of Buddha figures. Inspired by sculptors such as Sunil Kumar Das...

In flowers, 89x80cm, oil on canvas The work is sold without a frame.

In contrasting colors that pop Live Composition II, 2024 by African American artist Bai is a 30” x 22” abstract acrylic, oil pastel, and ballpoint pen work on paper. A focus on an ...

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Soñar Que Tiene Las Manos Muy Grandes, 2014 Found images transferred to acetate film, collage, acrylics, and graphite. Mixed Media on %100 Cotton Paper Imag...

Ed Ruscha Nine Swimming Pools and a Broken Glass 1968: 1st edition of Ed Ruscha's Nine Swimming Pools and a Broken Glass. The highly collectible Ed Ruscha artsit book featuring prin...

German Steel Fireplace "Globe" with base, is available in different sizes, and also available in stainless steel on request. Please contact us. This fireplace globe is the eye-catcher in your garden. Due to the great air supply, you can build up a nice fire very quickly. The base also serves as an ash tray, has an inserted bottom, but can also be used separately as a flower pot. Of course, you can also plant the bowl. We make the sphere in our own forge. Since the blanks are always randomly arranged, you get a unique piece. Of course, we can also produce special designs or implement special requests. Please contact us. In order to live up to our claim of sustainability and resource efficiency, we have deliberately chosen steel as a material. Steel is durable and can be recycled several times, which is one of its greatest advantages. It can be melted down and reused as often as required without its properties being impaired or lost. No other building material offers this in this form. Burner insert with 3 burners included. Diameter of the sphere: about 65 cm, 3 - 5 mm steel discs. Base: 35x35x40 cm high, with central pedestal. Weight: about 34 kg. Materials used: sheet steel, rusted. About Stefan Traloc: Artist Stefan Traloc creates extraordinary steel works...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

A fine post-impressionist coastal sunset oil painting by American artist Hayley Lever Australian American artist Hayley Lever (1876-1958). Lever was born in Adelaide, Australia and s...

Original Mosaic on cement panel. Ref.: Domus 1948, p. IX and p. 29. An awesome and beautiful example on Campigli's Art of creating imaginative characters following his creativity,...

Triple Eyes YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 51 x 52 cm Condition: Brand ...