Unframed More Art

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

This tapestry depicts a Lion, In Hebrew Mazel Aryeh (the Zodiac symbol Leo,) all handmade. woven and stitched. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapest...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...

Figurative still life oil on canvas painting by Polish artist Marzena Miskiewicz. Artwork is vibrant colors, red, blue, yellow, black & white. MARZENA MISKIEWICZ She graduated ...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

This outdoor fire pit "globe" is the eye-catcher in your garden. Due to good air supply, you can very quickly light a beautiful fire. There are already individual lava stones in the...

Cy Twombly Galleria La Tartaruga, Rome 1958: RARE 1950’s announcement card illustrated by Twombly, on the occasion of, what is believed to be Twombly’s first ever European Exhibitio...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

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A vineyard stretches out with bold, loose brushwork and a dark underpainting that highlights form and color. The radiating rows of grapevines create a focused...

Jean-Michel Basquiat skateboard deck set: Basquiat skateboard decks licensed by the Estate of Jean Michel Basquiat in conjunction with Artestar circa 2020, featuring offset imagery o...

70x70cm, print on canvas Edition of 20 pieces A different print size can be made upon request.

A lavish French Aubbusson style jacquard tapestry depicting an exciting Renaissance era hunting scene. The scene is set in a dense forest of blue, g...

Oil on canvas. Signed in oil, lower right corner.

A woolen tapestry by Missoni circa 1980. Artist: Ottavio Missoni, Italian (1921 - 2013) Title: #3 Year: circa 1980's Medium: Woolen Tapestry Size: 21 in. x 53 in. (53.34 cm x 1...

Fernando Botero (Colombian, 1932–2023) Una Famiglia I – Original Exhibition Poster, 1991 This original exhibition poster, published in Italy in 1991 on the occasion of Fernando Bote...

Yayoi Kusama MoMa Skateboard Decks (set of 2 works): These Kusama skateboard decks feature Kusama's Dots Obsession imagery and make for standout Kusama wall art that hangs with ease...

Synthesis BM is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic, steel, LED, dimensions are 70 × 8 × 10.5 cm (27.6 × 3.1 × 4.1 in). This a...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This Celadon Vase by Shinobu Kawase exemplifies the serene elegance of celadon. The vessel features simple, graceful curves and a balanced melon-ribbed form that conveys quiet streng...

Triple Eyes YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 51 x 52 cm Condition: Brand ...

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A bright blue sky stretches over a scalloped coastline. Safe in the rookery below the cliffs, elephant seals bask in the sun, their voices blending with the c...

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Lush trees frame a serene pond, where the water reflects the vivid sky and its fluffy white clouds. Lily pads float gently on the surface, adding a touch of g...

A fine New England landscape with a cart path and birch tree by Swedish-American artist Theodore Victor Carl Valenkamph (1868-1924). Valenkamph was born in Stockholm, Sweden, and emi...

Untitled (Head) YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 50 x 58 cm Condition: Bra...

Nick Thomm 'After Dark' (Pink) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #84 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW....

James Spencer Russell "#4" 1958 Collage with paper, sand, gouache Signed in pencil 19.25x13.5" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spent much of h...

A wonderful piece of unknown edition by Andy Warhol. A silkscreen print on a Cellulose and Cotton dress. Fearing the artist's trade mark Campbell's soup can. In very good condition.

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

70x70cm, print on canvas Edition 20 pcs.

Portrait of a Gentleman in a Red Coat and Periwig, c.1715-1725 Studio of Sir Godfrey Kneller (1646–1723) This portrait of a gentleman, presented by Titan Fine Art, is a fine and wel...

Stylish column warm light for indoor use. The luminaire is filled with glass chunks and is illuminated from below with a 5 watt Led spotlight. The column is made of rusted sheet ste...

"Personaje" (seated) acrylic on canvas painting by Southern California artist Mike Rivero. Personaje (sitting) is painted in blue, green, pink, red, black white, orange, set on a tau...

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In his signature style, artist John Jaster paints this famous tree in Pebble Beach, California. Overlooking Carmel Bay, The Lone Cypress...

Victorian Marine Oil Painting of Sunset Scene with Shipping and Row Boats returning to Shore at the end of the day. A beautiful small framed Oil on Panel that is framed in a handmad...

Renowned for his work with salvaged metal, American artist Gordon Chandler transforms weathered found materials into refined works of sculpture. With an eye to the aesthetic possibilities of this humble material, Chandler invests reclaimed steel with sculptural fluidity and a wry sense of form. In this wall-mounted sculpture entitled "Buck Head...

Signed in the plate Benn, born Bencjon Rabinowicz, (1905–1989) was a painter associated with the School of Paris, Ecole de Paris His early work was mostly figurative; much of his lat...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Valentino Large: Hand signed and numbered Monograph (gift book) in elegant Clamshell Box Una Grande Storia Italiana Valentino Garavani (Hand Signed and Numbered Collectors Edition),...

70x70cm, print on canvas Edition 20 pcs. A different print size can be made upon request.

Smooth-surfaced, engineered black granite is sculpted into an elegant, spinning form by Jeremy Guy. This lively shape that appears to spin dynamically on its narrow base, like a piro...

Cameo Pink Seaform with Black Lip Wrap (94.678.s1), 1994 Dale Chihuly (American, b. 1941) 14 x 32 x 18 inches Born in Tacoma, Washington, Dale Chihuly became the most famous ornate ...

Giancarlo Signoretto (Italian, 1962-) Glass Sculpture Undated Hand signed and dedicated to a gallery on underside. Depicting a gold menorah and a Jewish star of David over cobalt...

Portrait of a Gentleman in Blue Coat Standing by Curtain c.1695 Attributed to Constantyn Netscher (c.1668-c.1723), not signed The gentleman in this portrait has been depicted standi...

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Portrait of a Gentleman with Periwig and Blue Cloak c.1695-1710 Attributed to Thomas Murray (1663–1734) This accomplished oil-on-canvas portrait, presented by Titan Fine Art, was al...

Takashi Murakami Mononoke Kyoto Golden Sky Summer Flower Field Limited Edition for Exhibition Kyoto City Museum of Art 90th Anniversary Exhibition 2024 Material: 100% Cotton Fra...

Erhard & Söhne, 19th Century Art Nouveau Jugendstil Casque with Inlaid Brass Rose Design, c. 1904 6 x 9 x 6 inches The company Erhard & sons was established by Carl Gottlieb Erhard ...

Watercolor on paper by William Minshall Birchall of the black ball clipper ship, the Montezuma. Titled and signed W. M. Birchall lower left in pencil. Findlay Gallery label verso. 0riginal frame and mat with normal wear due to age. The American packet ship...

Color screenprint on white wove paper, 1972. Signed by the artist dated in pencil lower left. Numbered 67/150 in pencil lower right. Printed by Kelpra Studio, London, with the ink ...

BM Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 27" x 10" x 11" "I am an artist, a sculptor not ...

A fine tonalist landscape with colorful twilight sky at the end of the day by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and wen...

Landscape , 60x90 cm, oil on canvas

Tom Pfannerstill was born in Milwaukee, Wisconsin, in 1951. He earned is bachelor’s degree in 1975 from Western Kentucky University. Pfannerstill has been a full-time studio artist s...

"Glass Fused Ceramic Vase" is vintage Mid-Century Modern. This handsome vase has an elongated neck with a white glass-fused inlay portion on the front body...

Helen Frankenthaler (after) Frankenthaler, Works on Paper 1949-1984 (Hand signed and inscribed to Dick Polich, Founder of Tallix Foundry), 1986 Softcover monograph (book), hand signe...

Limited edition exclusive European release record featuring the artwork of Robert Rauschenberg. Clear housing with 3 art record plates in blue, yellow and red that stack to create a ...