Unframed More Art

Artist Comments
A crescent moon casts a gentle glow over a group of small birds perched on two parallel wires. The gold leaf on their wings catches the light, twinkling when ...

Night music , 65x49cm, acrylic on paper

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Rini Dhumal - 48 x 36 inches (unframed size) Oil on Canvas , 2010 Signed Style : She have been a printmaker and a painter. For some time now she have been...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to cr...

Picasso: Catalogue of the Edited Ceramic Works, 1947–1971 Published in Paris in 1988, this comprehensive volume is the definitive catalogue raisonné of Pablo Picasso’s ceramic editi...

Hares, 2023, 78x54 cm

Artist Comments
Artist Lisa Elley depicts a glade of autumnal aspens in a rustic woodland. Once a year, she takes her fall sojourn to the Eastern Sierra Nevada mountains to s...

Asger Jorn (1914-1973) Ege Axminster, Denmark. Danish Tapestry Rug Art-Line Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. Les Emigrants 132 x 98 inches, Pure ...

Artist Comments
Growing up in Minnesota, artist Joanie Ford loved the winter days, ice fishing, and when snow blanketed the trees. This oil painting reflects her fond memorie...

Seascape , 70x70cm, print on canvas Edition 20 pcs.

Antique Bezalel Chanukah Menorah Candelabra Signed Bezalel Jerusalem on front. Marked Made in Palestine on bottom. For standing on feet or as a wall hanging with a hole at the top ...

An oil painting by American plein-air painter Marc Dalessio. A depiction of the rolling hills of Tuscany. Cultivated nature lives on the left with the vineyard organized with fencep...

Melanie Sherman Vase with 3 Openings Porcelain, Glaze, Cone 6 Firing 2025 Size: 7.5 x 4.5 x 7 inches (19.05 x 11.43 x 17.78 cm) Signed by hand COA provided *One Opening slightly cr...

Valentino Large: Hand signed and numbered Monograph (gift book) in elegant Clamshell Box Una Grande Storia Italiana Valentino Garavani (Hand Signed and Numbered Collectors Edition),...

A fine tonalist landscape with leaves beginning to change by a marsh by American contemporary artist Dennis Sheehan (b. 1950). Sheehan was born in Boston, Massachusetts and went on t...

Nick Thomm - 'HEMISPHERE' - (Multi) XL SIZE 92cm x 122cm 36" x 48" Limited Edition of #85 Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. C...

Jean-Michel Basquiat Tony Shafrazi Gallery 1999: 
Rare limited edition 1999 hardcover Basquiat monograph published on the occasion of a key posthumous Basquiat exhibition held at Ton...

Color lithograph in two parts, on two separate sheets of Arches 88 paper, these two sheets comprise two of the four parts of the original "Object (with Flaw)" publication, 1988. One...

Set of Six Hand Coloured Botanical Prints/Lithographs and Engravings Published by G. Ridgway, S. Curtis, W. Baxter and W. Fitch Early Mid 19th Century Size: image: 8.5 x 5.5 inches P...

Salvador Dali (1904-1989) - The Inferno, Canto 6 - Cerberus Woodcut print from 1960. Dimensions of sheet: 33 x 26.2 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Les Heures C...

Basquiat Réunion des Musées Nationaux exhibition catalog, 1997: A superbly composed & elaborate catalog of Basquiat drawings and works on paper published in 1997 by Réunion des Musée...

Signed in the plate Benn, born Bencjon Rabinowicz, (1905–1989) was a painter associated with the School of Paris, Ecole de Paris His early work was mostly figurative; much of his lat...

Limited edition Jean-Michel Basquiat Spray Paint Can 2017: Highly collectible limited edition Jean-Michel Basquiat spray paint can by published ci...

I Promise To Love You, 2012 Tracey Emin Embroidery, on linen napkin Signed, dated and dedicated ‘With you in mind’ on the accompanying swing tag as issued The edition size is believed to be only 50 Multiple: 41 × 41 cm (16.1 × 16.1 in) This is one of four embroidered napkin...

Of all Andy Warhol's celebrity subjects, none seem more emblematic of how the artist perceived and synthesised America than Marilyn Monroe. The artist saw in her all the promises, th...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea collaborates with chance to evoke the energy of the moment. Projections of paint, splashes of pure material, and streams of color are whiplash expressions of the temporary in his modern artworks. Voinea captures and freezes, in an instant, an imaginary and expressive burst of color that electrifies a space. This one-of-a-kind diptych measures a combined 35 inches high and 102 inches wide. It is comprised of two 35-inch tall by 51-inch wide canvases. It is a striking, seemingly fluid, abstract composition painted with acrylic paint on canvas by Alex Voinea. This artwork is signed and titled on the back. It does not require framing. This original painting is double-wired and may be installed vertically or horizontally (or as two separate paintings). Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping are available. Provenance: Artplex Gallery. A certificate of authenticity issued by the art gallery is included with this original work. Alex Voinea was born in Romania in 1973. Leaving Romania after the revolution in 1989, he moved to Italy. Voinea's saturated abstract paintings are a rush of adrenaline and inspire liveliness in the spaces they are displayed. Although active, his work also finds balance and harmony. The challenge of each surface inspires Voinea and his studio is an incubator of color and energy. "I am interested in the physics of materials and the purity of pigments in their various states, and how they respond to the different circumstances and situations that I create. With my work, I try to convey the feeling of being immersed in a universe where color is the protagonist." Voinea now lives in Barcelona. His abstract paintings have been shown in varying international art hot spots, including Brussels, Paris, London, Milan, Amsterdam, New York, and Los Angeles. Artplex Gallery has been representing and exhibiting Voinea's original artworks in Los Angeles since 2019, presenting his impressive works to an international collector base around the globe. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a well-curated selection of original artworks beyond the ordinary from established and emerging international artists with diverse backgrounds at high standards. Artplex Gallery is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artplex Gallery prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2024 Artplex Gallery, Los Angeles, CA, USA 2018 Alex Voinea, MM Gallery, Brussels, Belgium 2010 Galería Dharmakaya, Barcelona, Spain 2011 “Abstractos de Sitges”, Galería A037, Sitges, Spain 2011 Biennale a Confronto, Galería San Vidal, Venecia, Italy 2009 “Animales”, Galería A037, Sitges, Spain GROUP EXHIBITIONS 2021-23 Artplex Gallery, Los Angeles, CA 2019 Winter Collective, MM Gallery, Brussels 2018 “Carrement Abstrait”, MM Gallery, Brussels Summer Collective, MM Gallery, Brussels Collective, Maze Gallery, London, UK 2017 “Abstraction Group Show”, MM Gallery, Brussels, Belgium “VInt” ARTistes”, Fundación Pinnae, Vilafranca de Pendes, Spain 2016 Recicl’arte 2016, Drap-art y SAGA, Edificio Miramar, Sitges, Spain “Art al Vidre”, Fundación Pinnae, Vilafranca de Pendes, Spain “Naturalezas”, Museo Gustavo de Maeztu, Navarra...

Space Between by Camilo Andres Rodriguez Marquez Burnt Wood Sculpture Dimensions: H. 54 x 19.5 x 10 cm Camilo Andres Rodriguez Marquez is a Col...

This is a beautiful patchwork piece by Zita Chocarro. Her exploration of color plays with form and contrast, as the intersection of the shapes she uses masterfully come together to ...

Coronation of Venus, 2021 Oil on Panel with 24k Gold Water-Gilded Frame, 114 x 78 inches “Coronation of Venus,” an ornamentally enriching piece from the studio of Justas and Vilius...

Color screenprinton J. B. Green paper, 1970-71. Initialed by the artist and numbered 85/150 in pencil, lower right. Printed by Kelpra Studio, London. Published by Marlborough Graph...

In a quiet garden , 80x80 cm, tempera , Canvas

Very cool and collectible book, Banksy’s Banging Your Head Against a Brick Wall. Released in 2001. This is Banksy's first book. He released 3 books in this mini black book format in ...

The McGuires have created a body of work inspired by the seedy, shady underworld of Film Noir. Inhabited by gritty gangsters and femme fatales these characters come alive within a se...

Italian stainless steel with blue tint and granite base. Harvard University has one of the editions permanently. This sculpture will be shipped directly from the artist's studio. A...

Artist Comments
A nighttime scene shows an In-N-Out Burger with a few people eating inside the brightly lit restaurant. Several cars are parked outside. The outdoor tables with colorful umbrellas are empty. The red and yellow neon lighting infuses the scene with a festive atmosphere.

About the Artist
Artist John Jaster paints in a style he describes as realistic impressions, capturing colorful views of his adventures across the Americas. "People always ask me how I get such deep brilliant colors," says John. "The answer is layers. Since acrylic paint dries mostly transparent, it requires multiple layers of paint to build up to a specific color. With the right lighting that depth of layering is like sunshine glistening through clear water." In college, John felt a pull towards computer science and pursued a career in software architecture. Although the two paths...

Seascape , 70x70cm, print on canvas Edition 20 pcs. A different print size can be made upon request.

Nick Thomm 'After Dark' (Orange) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: N...

March 70x50 cm

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Immersion" by Roman Goss is an original abstract painting tha...

Sol LeWitt Limited Edition Geometric Abstraction Silk Scarf, ca. 1987 Limited Edition Silkscreen on 100% Italian silk scarf/shawl Signed on the fabric with artist's printed signature...

A lavish French Aubbusson style jacquard tapestry depicting an exciting Renaissance era hunting scene. The scene is set in a dense forest of blue, g...

This piece titled "Muddy Creek 2" is an original artwork by Tuft the World and is made tufted 100% New Zealand wool. Tuft the World was established in...

Composition by ANDRÉ LANSKOY (1902-1976) Oil on canvas 81 x 54 cm (31 ⅞ x 21 ¼ inches) Signed lower right, LANSKOY This work is accompanied by a certificate of authenticity issued and signed by the artist, and by a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy. Artist biography: André Lanskoy was born Andrei Michailovich Lanskoy in Moscow in 1902, the son of Count Lanskoy. The family moved to St. Petersburg in 1909 and in 1918 he moved to Kiev, where he made his first paintings. During the Russian Civil War Lanskoy fought in the Tsarist White Army but after an injury moved to Constantinople and in 1921 arrived in Paris where he stayed for the rest of his life. Recalling his arrival in the French capital, Lanskoy said: "Literally in the first night...

Ioan, 100x100cm

Swiss born artist Marco Schmidli creates minimalist paintings with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An im...

Zephyr Green Macchia with Blue Lip Wrap, 1996 Dale Chihuly (American, b. 1941) 8 x 10 x 10 inches Signed and Dated on Bottom Born in Tacoma, Washington, Dale Chihuly became the most...

Richly textured with whimsical appeal, this late 20th century wooden crow is a delightful example of naive American sculpture. Poised mid-caw, the crow's wings are outstretched, read...

Beyond the Streets x Paul Insect Paul Insect is a UK contemporary artist. Best known for his collective named ‘insect’ that started in 1996 he is a collag...

Artist Comments
A whole lemon transforms when sliced in half, revealing its vibrant, juicy interior. Striking red and blue light emanates from the fruit, contrasting against ...

A fine oil painting with cherubs and a cart of fruit by French artist Leger Cherelle (1816-1867). Cherelle was born in Versailles, France, a...

Claude Monet's painting of his lily pond at Giverny is transformed into this beautiful dramatic jacquard tapestry woven in Belgium. Monet painted many scenes from his home at Giverny...

A Pair of Italian Carved Gilt Wood Antique Frames , Mirror not included. Circa 1755. Frame Size: Width: 20.25″ X Height: 23.75″ Thickness: 4″ Pict...

Designs, shapes, and colors find a balance between a polite instinct and a domesticated confusion within the cubist-inspired artworks by Tuscan artist Federico Pinto Schmid...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Nice shot , 100x120cm, Acrylic, canvas,

Andy Warhol Record Art 1964: 1964 1st pressing, 'This Is John Wallowitch' featuring cover design by Andy Warhol. Featured prominently in 'Andy Warhol: The Record Covers, 1949-1987-...

This tapestry is based on a design by William Morris (1834-1896). He was instrumental in the revival of the decorative arts at the end of the 19th century. This tapestry is French ...