Abstract More Art

Lewis Barrett Lehrman's ( American, 1933- 2023) exceptional artistic vision shines brilliantly in his one-of-a-kind creation : a 3D print capturing the iconic skyline of New York Ci...

Original abstract creation - made completely of legos. Colors are black and tan. Circular motif. About the Artist: Joseph Kraham is an "engineering...

Vincent Donato Roselli (b. 1995) is a self-taught artist from Staten Island, NY. Vincent works with a variety of mediums, favoring distorted brushes to manipulate plaster, beeswax, o...

"Sommerspaziergang" (2023), by Susanne Zuehlke (b. 1962), meaning "Summer Walk," is a vibrant exploration of color and form, featuring dynamic rectangles in a warm, playful palette. ...

Gorgeous One of a kind Blown and fused Glasswhite silver transparent and matte white and noir. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). Total weight about 2...

Gorgeous One of a kind Blown and fused Glass Sculpture in molted opaque black , brown/black and sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). Total we...

Gorgeous One of a kind Blown and fused Glass in opaque black, blueish black, transparent white and sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). Tota...

Gorgeous One of a kind Blown and fused Glass Sculpture in brown/black, bluish black, opaque white and White sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 c...

Gorgeous One of a kind Blown and fused Glass Sculpture in opaque black , opaque white,black, grey and silver white. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). T...

Gorgeous One of a kind Blown and fused Glass Sculpture in metal opaque black, black, grey and sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). Total weig...

Gorgeous One of a kind Blown and fused Glass in mottled opaque black, black, grey, transparent white silver and sandblasted transparent. Includes its black metal base (about32 cm X ...

Gorgeous,One of a kind Blown and fused Glass in opaque black with metal effects, black, grey and transparent sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 ...

Really gorgeous, One of a kind Blown and fused Glass. Black opaque, white opaque, black, grey and brown. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). Total weigh...

Gorgeous art piece, One of a kind Blown and fused Glass in opaque black, opaque white, grey, dark forest green and sandblasted transparent. Includes its black metal base ( about 32 ...

Supernova 2, 2017 "The sunflowers displayed here have been chosen, not only because of their golden individuality, but also because, like gold, they seem to have an everlasting quality. They don't readily wither and die but remain timelessly viable; their dazzling petals slowly becoming bronzed and desiccated, their statuesque form, elegantly contorted." Valda Bailey...

London, 2021 This grayscale abstraction captures an intricate play of reflections, echoing urban landscapes... In this piece I try to express my feeling of the overwhelming containment and expansive architecture of London. I wanted to make the piece three dimensional - showing buildings moving in and out of the print - as well as the jumbled nature of the old and new. - Mike G Jackson A symphony of shadows and light creates a monochrome mosaic, inviting the viewer into its labyrinthine depths. "The goal isn't to replicate the real world - it is to show where the real world and the process meet - sometimes pushing towards the real world, sometimes pushing towards the process - but never completely at either extreme." - (the Artist: Mike G Jackson) Artwork detail: A captivating geometric puzzle in black and white, playing with symmetry and light.... This is a unique artwork; combining 4 x Prints, Selenium toned Silver Gleatin Luminogram Print, Hand printed in the darkroom, Framed Dimensions: 30 x 40 inches (76.2 x 102.6 cm approx plus frame); can be framed separately or in one frame upon request as seen in referential images. Frame: Mounted on aluminium Dibond, custom made hardwood frame (framing options available upon request; colour and various wood options) finish with antireflective UV protective AR Art Glass Mounting and framing of this work will be done after the purchase so the framing options like framing colour for example can be made according to specifications of the client; matt or gloss, black, white, metallic or natural wood etc as seen in the pictures above. About the Artist: Michael Jackson (b.1966) is an experimental photographer based in North Dorset, England. He studied art at West Dean College in Sussex, then apprenticed under landscape painter Christopher W Baker and later discovered his passion for photography. He moved away from working with traditional camera techniques in 2015 and is currently progressing the Luminogram process into new directions in which he has become regarded as a leading practitioner. Past awards and accolades include being named a Finalist for the Hasselblad Masters Award (2008, 2009, 2010) and winner of the 2013 Chris Beetles Award. His work has been exhibited internationally and is part of various private and public art and photography collections including The National Art Gallery in Washington, USA. Michael Jackson’s Luminograms are a very special piece of photographic art. Not a photograph in itself but a creative medium of its own. Each one is meticulously crafted by Michael in his darkroom. There are many structured stages to go through before the photographic paper can be hand developed and permanently fixed. Once Michael is happy with a finished Luminogram print it’s then toned in Selenium, which not only intensifies the prints tonality, but also increases the prints archival quality. Traditional photographic darkroom printing techniques have an unquestionable pedigree when it comes to the life expectancy of a photograph. Each Luminogram is unique and only one Silver Gelatin Print is produced of each image. The images reveal themselves with a 3D quality; viewed in the flesh the abstracted surreal forms within the paper come alive to the viewer. Michael Jackson’s Luminograms were exhibited for the first time at MMX Gallery in 2016; The Self Representation of Light exhibition and the following year at Photo London 2017 as well as next Photo London editions. The Luminogram work was also paired with theologian Edwin A. Abbott in a book published by 21st Editions, titled after the author’s famous work ‘FLATLAND’ and premiered in November at the Grand Palais in Paris, for Paris Photo 2017. Other recent group exhibitions include Light + Metal, PhotoEye Gallery, (USA) and Unbound 7, Candela Gallery, (USA), ATO>MIC, MMX Gallery, London 2022. “Mike Jackson...

Neda Dana-Haeri Minds Dream I, 2019 Acrylic on board 40 x 40 cm 15 3/4 x 15 3/4 in

Shooq AlShawi As If it Would Last Forever, 2026 Oil and stick on linen 70 x 200 cm 27 1/2 x 78 3/4 in

Shooq AlShawi To Pick a Crocus, 2026 Oil and Stick on Linen 55 x 55 cm each 21 5/8 x 21 5/8 in

Shooq AlShawi At The Edge of Knowing, 2026 Oil and stick on linen 60 x 40 cm each 23 5/8 x 15 3/4 in

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda Maher’s artistic journey is a...

Jeri Eisenberg creates nature inspired works in single panels, diptychs and triptychs. Her soft colored photographic pieces are created using non-traditional and alternative photo-ba...

Contemporary collage by Anne-Joëlle Galley. Anne-Joëlle’s works predominantly with collage, collage-paintings, paintings, and monotypes. The artist studied in Europe, joining various painting ateliers and art courses such as Sotheby’s and ICA - Institute of Contemporary Art/Christies in London.  In the late 90s’, she enrolled at “The Art Students’ League of New York”, where she first became involved with printmaking. Galley uses various techniques and materials, and color remains her signature.  The artist has participated in more than 50 group and solo exhibitions in the US, Mexico, Italy, England, Switzerland, Spain, and Romania. In 2005, she was selected to participate in the I Biennale of Etching and Graphic Work organized by the Cultural Council of Cáceres’ Town Hall, in Spain. That year, she also participated in the Arad International Biennale of Contemporary Art (Arad, Romania). In 2007, she participated in the Florence Biennale of Contemporary Art in Italy. More recently, in 2019, she was invited to participate in the Exhibition “Where I come from: The Works and Influences of Charles Criner...

An artwork on paper by New York artist Miranda Maher. Black archival ink on pale blue archival paper with historical Audubon images of American birds, mounted on Arches paper. Miran...

Lambdaprint "4 Beings" behind glass on aluminum, edition 1. single size: 150 x 43 cm.

Second Sight, by Alejandra España -Mixed Media -25 x 30 cm -Abstract Geometric, c.2026 España’s intuitive processes and open engagement with materials allow images to arise through ...

Astral Mountain, by Alejandra España -Mixed Media -32 x 39 cm -Abstract Geometric, c.2026 España’s intuitive processes and open engagement with materials allow images to arise thr...

Across The View, Abstract Digital Manipulation Print on Paper, 2021 12" x 16" (HxW) printed on archival paper This work features a digitally manipulated image of a colorful western ...

On the Faultline, Abstract Digital Manipulation Print on Paper, 2021 12" x 16" (HxW) printed on archival paper This work features an image of a desert mirage, digitally manipulated and abstracted in geometric shapes of orange and blue. Artist commentary: We recently drove out to Joshua Tree National Park. A stunning place to see desert plants...

Shibuichi, Abstract Digital Manipulation Print on Paper, 2021 16" x 12" (HxW) printed on archival paper This work features an abstracted, digitally manipulated image in shades of or...

Robin Baring (British, b. 1931) A Song, 1968 Oil on board Signed and dated lower left With a Crane Kalman Gallery sticker verso Exhibited: Crane Kalman Gallery, 1971 Dimensions: (F...

This large scale abstract oil painting contains a line based composition over a neutral blue - grey ground, that appears sometimes blue, sometimes violet given the time of day and q...

Bright, vivid, and saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. Shinohara is well known for his boxing paintings...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white brushed with violet. Washes of red and orange fade into hot pink in this vibrant abstract painting by the artist. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

60"x84" (signed on reverse) Golden yellow, blue and violet forms are layered in this large scale abstract painting by New York/Hawaii artist, Debra Drexler. This painting is infused...

Etching with lead and lined collage on cotton paper

This large scale oil painting by Mark Masyga employs a linear abstract composition, on a warm neutral melon orange ground. Masyga's masterful knowledge and background in color field...

Painted mirror in yellow

Etching with lead and lined collage on cotton paper

Digital print mounted on Diasec with lead

A violet impasto stroke of color is positioned next to a raspberry violet form in this contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. The shapes create a layers of cut-out colors with cool blues, peach orange and yellows. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Vibrant violet and fuchsia pink brushstrokes flow into intense orange fields of color in this abstract painting by Debra Drexler. A large scale painting, Drexler employs methods of gestural abstraction, capturing a warmth in her color palette Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

48"x72" signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Bright, nearly neon orange and pink fields of color are contrasted by an electric blue large path brushstroke. The composition and color are reminiscent of the coral, magenta and rose sunset against a blue body of water. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Includes a Certificate of Authenticity

The Golden Proportion, Contemporary Minimalist Painting, Pink Oil on Canvas 2023 Oil on canvas 59 x 39.37 in Unstretched Rebeca Mendoza plays with simultaneity, superimposition, and...

Quiet composure is a multi-layered kiln formed fused glass panel. Quiet Composure is composed of 3 panels measuring 19"H x 8"W each and can be arranged in different formations. Eac...

A fine abstract expressionist collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This abstract expressionist collage includes an antique handwritten...

A fine abstract expressionist collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended...

A fine abstract expressionist paper collage by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This collage consists of a cut-out of a rose, shooting target, map, and horse with an antique marbled paper...

A fine abstract expressionist paper construction by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United States Navy, he attended Central Connecticut Teachers College and the Vesper George School of Art in Boston. In 1953, he had a Fulbright grant to paint in Italy, and from 1956 to 1959, he worked with Josef Albers, geometric abstractionist, at Yale University where he earned both his BFA and MFA. Boghosian became a professor of sculpture at Dartmouth College in New Hampshire, and became primarily known for his assemblages in which he uses a variety of incongruous objects such as parts of weathered barn doors, antique dolls' heads, old leather, marbles, and ping-pong balls. This construction consists of a cut-out of a horse, a celestial map, several small animal figures, with a yellow brick wall paper background, monogrammed lower right “VB,” signed, dated 2002, and titled on verso “The Great...

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

An artwork on paper by New York artist Miranda Maher. Ink, Indian marble paper and Chiyogami papers on Chinese “Cicada Wing” calligraphy paper. Miranda ...

An artwork on paper by New York artist Miranda Maher. Black archival ink on pale blue archival paper with historical Audubon images of American birds, mo...

An artwork on paper by New York artist Miranda Maher. Black archival ink on pale blue archival paper with historical Audubon images of American birds, mo...

An artwork on paper by New York artist Miranda Maher. Giclee print on watercolor paper with Sumi Ink and Indian Marble Paper elements. Miranda Maher’s a...

An artwork on paper by New York artist Miranda Maher. Giclee print on watercolor paper with Sumi Ink and Indian Marble Paper elements. Miranda Maher’s a...

An artwork on paper by New York artist Miranda Maher. Made with Reproductions of maps of the moon printed on Unryu Inkjet washi, mounted to Magnani cotton paper, Overlayed with Sumi ...

An artwork on paper by New York artist Miranda Maher. Made with Reproductions of maps of the moon printed on Unryu Inkjet washi, mounted to Magnani cotton paper, Overlayed with Sumi ...

A minimalistic monochrome lithograph by Chaim Koppleman. This artwork is a testament to the artist's skill in creating powerful images using simple forms. The lithograph is divided ...