Charcoal Abstract Paintings

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Flourishing Fields' features whimsical details and vi...

Title: Absolute Wealth Large Painting Absolute Wealth - Contemporary Abstract Colorful Maximalism Bold Invest Another soulful artwork by Karnish. Symbols and forms unfold in this me...

Danny Avidan’s paintings explore the tension between form and formlessness, using it as a way to reflect on the body and the creative process. His expressive gestures continuously at...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Title: Vintage Fragment Artist: Marilina Marchica (b. 1984, Italy) Year: 2025 Medium: Charcoal on cotton canvas Size: 79 × 95 cm (irregular edge) Framing: Unframed – can be shipped r...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Flourishing Fields' features whimsical details and vi...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and Los Angeles. Rubenstein's work has a rigid edge and strong composition but maintains organic shapes and soft colors as well. His works have a character that brightens a space. His paintings pull from abstract expressionism and cubism but maintain a contemporary edge that strikes the viewer. His work seems collectively new and timeless at once. This large affordable one-of-a-kind 42 inch high by 66 inch wide and 1.5 inch deep artwork is a mixed media composition on canvas. It is stretched, wired, and ready to hang. This large abstract painting is signed by the artist on the front and back of the artwork. The sides are painted and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. Provenance: Artplex Gallery. A certificate of authenticity issued by the art gallery is included. While the artist has chosen to keep the price upon request, this captivating piece embodies both sophistication and exceptional value. Bruce Rubenstein specializes in large-scale artworks, using huge canvases to tell his stories. Born and raised in New York, he moved to Los Angeles in 1985. His mixed media artworks defy categorization, blending abstract forms and organic shapes with subtle hints of figures and symbols. Adrien Brody and Mickey Rourke are among Rubenstein’s collectors. Bruce Rubenstein’s artistic influences include artists from Joan Miró and Jean Arp to Gerhard Richter and Pablo Picasso. “He is an artist, and that means someone who cannot restrain the flow of ideas,” says author David Rodgers. “He is someone who they just burst out of, who cannot help but communicate, and who sees no reason to stop. He’s a man not limited by media to communicate the stories that he needs to (and must) tell, through any medium he feels necessary.” His works are represented by Artplex Gallery Los Angeles and have been exhibited and collected worldwide, including exhibitions in Austria and Israel. REPRESENTATION Artplex Gallery, Los Angeles, USA EXHIBITIONS 2023 Artplex Gallery, Los Angeles, CA Beijing Contemporary Art Expo Crossing Art Collective Beijing, China 2022 Shenzhen Art Fair, Shenzhen, China Westbund Art Fair, Shanghai, China MAC Fine Art, Power Painters, Delray, FL Westbund Art & Design, Shanghai, China (solo) Context Art Miami, Miami, FL (solo) Crossing Art Gallery, NYC, NY (solo) 2021 “Space Time Fragments,” Artspace Warehouse, Los Angeles, CA MAC Fine Art, Fort Lauderdale, FL MAC Fine Art, Jupiter, FL MAC Fine Art, Miami, FL (solo) 2020 MAC Fine Art, Fort Lauderdale, FL Wynwood Art Festival, Miami, FL Artspace Gallery, Los Angeles, CA MAC Fine Art, Fort Lauderdale, FL (solo) Gottling Gallery, Palm Springs, CA (solo) Castelli Art Space, Culver City, CA (solo) 2019 MAC Fine Art, Jupiter, FL Artspace Gallery, Los Angeles, CA Palm Springs Art Fair, Palm Springs, CA Glenn Dallas Gallery...

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

Details Artist: Marilina Marchica (b. 1984, Italy) Title: Frammento Year: 2025 Medium: Graphite on paper Artwork Size: 75 × 140 cm Framed Size: 156 × 88 cm Framing: Custom han...

PaperLandscape paper and oil on canvas 80x100 cm original art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Paint...

This painting is part of a series titled Sublime Memories. It is inspired by the commonly unseen aspects of nature that I notice when in such an environment. I look for those element...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Rue Bootay, a New York-born artist now rooted in the vibrant artistic landscape of Los Angeles, navigates the avant-garde realm of nonrepresentational surrealism with a style uniquel...

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Acrylic & charcoal on canvas Rita di Benedetto is a French visual artist born in 1952 who lives and works in Toulouse, France. Her painting is intended to be sensual, no-conceptual,...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Title: Journey to Joy Journey Painting Large Abstract Contemporary Bold Invest Statement Texture Joy The Guardians - Journey to Joy is a brilliant painting, where the artist expre...

This rare 1941 work by American modernist Charles Ragland Bunnell (1897–1968), titled Quitting Time, is a compelling example from the artist’s important Black and Blue Series, a body...

ink, charcoal, & acrylic on paper

Artist (Artista): Marilina Marchica (1984, Agrigento – Italy) Title (Titolo): Landscape Year (Anno): 2024 Technique (Tecnica): Mixed media – paper and oil on canvas Dimensions (Dimen...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

Frammento / Casa di Famiglia mixed media on cotton canvas 124x145 cm 2022 Original Art Ready to hang Due to its large size, it is shipped without a frame. For other options, please c...

Victor Pasmore, R.A. Abstract, 1980 signed with initials (centre right) oil, acrylic and charcoal on canvas 44 x 150cm.; 17¼ x 59in. Executed in 1980. Provenance Sale, Bonhams London...

Traces (2023) is a large-scale original work on paper (75x110 cm) by Italian artist Marilina Marchica, created with pure mineral oxides on 300 gr Canson paper. The deep, atmospheric ...

This unique artwork is created through interweaving and twisting strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is fram...

landscape mixed media on canvas 46x65 cm 2021 original art Original Created:2021 My painting tells of the relationship between man, nature and time, the landscape, the sign and the...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and...

The painting is a reflection on how people perceive the world. It is about the importance of stopping in time and calmly observing yourself and your condition: without fuss, complain...

Richard Mann (1940-1990). Duino Elegies, 1981. Mixed media on rag paper, consisting of 3 sheets, each measuring 18 x 24 inches. Each vertical edge is hinged with mounting tape, resulting in a triptych presentation. Entire measurement: 24 x 54 inches w. Biography: Playwright, poet and visual artist, Rev. Richard Mann was born and educated in Melbourne Australia. At the height of America's counter-cultural revolution, Mann moved to New York City where he lived and worked in Harlem. He was influenced by surrealism, abstract expressionism, and calligraphy at the time of his arrival. Beginning in the mid-1970's, the extreme living conditions of Harlem and demands of his religious calling provided subject matter for his painting. Urban decay and ubiquitous public graffiti provide inspiration for compositions that include highly stylized writing. By the late 1970's many works incorporate writing exclusively, with areas of layered, obscured and illegible words, very much like repeatedly tagged walls. Education: Studied painting with Maurice Cantlon, Melbourne, Australia 1961-62. Liberal Arts Studies, Christ the King...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

What's inside you? What is your own Eden like? How many steps down, and how many up? Who is your personal Serpent? What are you really like?

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His expressive abstract landscape artwork 'Inscape 1' features whimsical details and vibrant org...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Abstracted landscape by California artist Devon Brockopp-Hammer (American, b. 1986). The red and yellow underpaint has been allowed to peek through the ...

Title: Good Company - Amicus Maximalism Colorful Authentic Original Contemporary Intense Striking Love Friendship One-of-a-kind Amīcus - The Latin word meaning to befriend. To be ...

The paintings of Bruce Rubenstein seamlessly marry sophistication with affordability. His original art merges the creative attitudes of the two distinct art hot spots of New York and Los Angeles. Rubenstein's work has a rigid edge and strong composition but maintains organic shapes and soft colors as well. His works have a character that brightens a space. His paintings pull from abstract expressionism and cubism but maintain a contemporary edge that strikes the viewer. His work seems collectively new and timeless at once. This one-of-a-kind 31.5 inch square and 1.5 inch deep artwork is a mixed media composition on canvas. It is stretched, wired, and ready to hang. This large abstract painting is signed by the artist on the front and back of the artwork. The sides are painted and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. Provenance: Artplex Gallery. A certificate of authenticity issued by the art gallery is included. While the artist has chosen to keep the price upon request, this captivating piece embodies both sophistication and exceptional value. Bruce Rubenstein specializes in large-scale artworks, using huge canvases to tell his stories. Born and raised in New York, he moved to Los Angeles in 1985. His mixed media artworks defy categorization, blending abstract forms and organic shapes with subtle hints of figures and symbols. Adrien Brody and Mickey Rourke are among Rubenstein’s collectors. Bruce Rubenstein’s artistic influences include artists from Joan Miró and Jean Arp to Gerhard Richter and Pablo Picasso. “He is an artist, and that means someone who cannot restrain the flow of ideas,” says author David Rodgers. “He is someone who they just burst out of, who cannot help but communicate, and who sees no reason to stop. He’s a man not limited by media to communicate the stories that he needs to (and must) tell, through any medium he feels necessary.” His works are represented by Artplex Gallery Los Angeles and have been exhibited and collected worldwide, including exhibitions in Austria and Israel. REPRESENTATION Artplex Gallery, Los Angeles, USA EXHIBITIONS 2023 Artplex Gallery, Los Angeles, CA Beijing Contemporary Art Expo Crossing Art Collective Beijing, China 2022 Shenzhen Art Fair, Shenzhen, China Westbund Art Fair, Shanghai, China MAC Fine Art, Power Painters, Delray, FL Westbund Art & Design, Shanghai, China (solo) Context Art Miami, Miami, FL (solo) Crossing Art Gallery, NYC, NY (solo) 2021 “Space Time Fragments,” Artspace Warehouse, Los Angeles, CA MAC Fine Art, Fort Lauderdale, FL MAC Fine Art, Jupiter, FL MAC Fine Art, Miami, FL (solo) 2020 MAC Fine Art, Fort Lauderdale, FL Wynwood Art Festival, Miami, FL Artspace Gallery, Los Angeles, CA MAC Fine Art, Fort Lauderdale, FL (solo) Gottling Gallery, Palm Springs, CA (solo) Castelli Art Space, Culver City, CA (solo) 2019 MAC Fine Art, Jupiter, FL Artspace Gallery, Los Angeles, CA Palm Springs Art Fair, Palm Springs, CA Glenn Dallas Gallery, Santa Barbara, CA (solo) Castelli Art Space, Culver City, CA (solo) 2019 MAC Fine Art, Fort Lauderdale, FL (solo) 2018 Affordable Art Fair, New York City, NY “How to Make Memories,” Artspace Warehouse, Los Angeles, CA Palm Springs Art Fair, Palm Springs, CA 2017 “Above and Below the Clouds,” Artspace Warehouse, Los Angeles, CA Shockboxx Gallery, Hermosa Beach, CA The Dina Collection, Beverly Hills, CA 2016 Group Show, St. Peter in der Au, Austria 2015 Henry Fonda Theatre, Hollywood, CA Veterans Memorial Building, Park City, UT 2012 The Kodak Center, Hollywood, CA 2011 Stark Kikuchi Gallery, Venice, CA 2010 The Kamur Group Gallery, Tel Aviv, Israel Stark Kikuchi Gallery, Venice, CA 2009 Stark Kikuchi Gallery, Venice CA 2008 Stark Kikuchi Gallery, Venice, CA 2007 MoCA Hot Springs, Hot Springs, AK 2004 The Hunter Gallery, Hollywood, CA 2002 Stark Kikuchi Gallery, Venice, CA 2001 Designer Services Group, Culver City, CA 1997 L.A. Lofts, Hollywood, CA 1995 Galerie Tatou, Beverly Hills, CA 1994 Todd Gordon Gallery, Los Angeles, CA 1993 Todd Gordon Gallery, Los Angeles, CA 1992 Market Street Gallery, Venice, CA SELECTED PRIVATE COLLECTORS Arnold Schwarzenegger, Beverly Hills, CA Maria Shriver, Beverly Hills, CA Adrien Brody, Beverly Hills, CA Paul Marciano, Beverly Hills, CA Yossi Dina, Malibu, CA Christina Tosi, Brooklyn, NY Mickey Rourke, Brooklyn, NY Andrew Dice Clay, Sherman Oaks, CA Jules Haimovitz, Beverly Hills, CA Tom Jones, Beverly Hills, CA Mr. & Mrs. Emerson Glazer, Beverly Hills, CA Meshulam Riklis, Tel Aviv, Israel Reuven Oded, Palm Beach, FL Nancy Ganz, East Hampton, NY Autumn Reeser, Los Angeles, CA Doug Ellin, Beverly Hills, CA Rob Weiss, Hollywood Hills, CA Angus Mitchell, Beverly Hills, CA Terence Trent D’Arby, Los Angeles, CA Randy Spendlove, Beverly Hills, CA Steve Ferraro, Los Angeles, CA David & Nancy First, Long Island, NY Steve Glazer, Westwood, CA Ben Stark & Michelle Kikuchi, Culver City, CA Dani Brener, Tel Aviv, Israel Jim Campbell, Dallas, TX Thomas Ming, Dallas, TX¬¬ Sam & Orit Messica, Beverly Hills, CA Ron Fair, Los Angeles, CA Kenneth & Mimi Griswold, Hollywood, CA¬¬ Mark Lamonica, Alta Dena, CA Paul Shulze, NYC, NY Richard Goldstein, Beverly Hills, CA Howard & Leanne Kay, Boca Raton, FL Ari & Hani Fisher, Beverly Hills, CA Richard Lawson & Tina Knowles, Los Angeles, CA Claude & Helene Roux, Cannes, France Marco Flamenbaum, Paris, France SELECTED PUBLIC & CORPORATE COLLECTIONS Los Angeles Modern Auctions, Van Nuys, CA (sold) MoCA Hot Springs Kamor Ltd. Tel Aviv, Israel The Foundation for Living Beauty, Pasadena, CA Sharp & Associates, Los Angeles, CA Kodak Center, Hollywood, CA Wolfgang Puck, Hollywood, CA Henry Fonda Theatre, Hollywood, CA Veterans Memorial Bldg., Park City, Utah Guess Inc., Hollywood, CA The Highlands, Hollywood, CA PRESS 2009 Cover Story, Weekend Edition Maarive 2008 Ed McCormack, Art Critic, Studio & Gallery Magazine 2007 Pamela Sharp, Grand Tour 2004 Weekend Edition, Maarive 2001 Detour Magazine 2017 Mural commissioned by Google and LVA, Louisville, KY 2012 La Boca del Lobo...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvas...

Sarah Svetlana's original abstract artworks offer a captivating glimpse into the intricacies of the human experience, drawing inspiration from a diverse range of sources and influenc...

Please note that the spacing between the three pieces in this triptych is not included in the listed measurements. At our gallery we are committed to maintaining the highest standar...

Danny Avidan’s paintings explore the tension between form and formlessness, using it as a way to reflect on the body and the creative process. His expressive gestures continuously at...

Holly Addi, living and working in Salt Lake City, UT, USA is an abstract painter using acrylic and charcoal on canvas. Her gesture and surface quality is reminiscent of the Abstract ...

Danny Avidan’s paintings explore the tension between form and formlessness, using it as a way to reflect on the body and the creative process. His expressive gestures continuously at...

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

This bold reinterpretation of Leonardo da Vinci’s Mona Lisa comes from Diego Tirigall, an artist whose rise in the contemporary art world is garnering significant attention. Drawing ...

The piece is signed by the artist on the reverse and includes a Certificate of Authenticity officially stamped by the gallery. We are committed to upholding the highest standards of...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Gesso, charcoal, sumi-ink, acrylic on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as...

Jason Craighead (b.1971) is an abstract artist based in Raleigh, North Carolina. In his mixed-media works, drawing, painting, and writing fuse seamlessly together His surprising com...

Manifest 1 (Abstract Drawing) Charcoal and water on paper. Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal materials such as...

Abstract mixed media painting by contemporary artist Vicki Vinton. "Another Time" charcoal, pastel, acrylic on canvas framed 32 x 26 inches. Energetic surfaces and skillful use of co...

Landscape BW Original Drawing Mineral Oxide on Fabriano Paper 50x70 cm 2024 hand-made drawing one of a kind not reproducible CERTIFICATE OF AUTHENTICITY Framing options available

Warm abstract, etherial large-scale mixed media painting in red, maroon, white, orange, and Payne's grey, in mixed media, including oil paint and charcoal on canvas, in this calm, se...

Artist : Kory Twaddle Title : California Monoprint Materials : Tempera on paper Date : 2008 Dimensions : 36 x 24 x .1 in. Kory Twaddle is a Kansas City based artist and Research A...

This piece is an abstract composition done with mixed media, oil and acrylic paints on paper. The artist explores an incredible world filled with color and expressive brushstrokes. The lines and texture create a mature abstract composition as Suki Maguire has been painting in this field since the 1970s. Her joy is the expression and we can find these notes displayed vividly in this piece. This piece comes displayed in a modern light wood floating frame under glass. Art measures 9 x 6 in Frame measures 17 x 12.25 in There is a great potential for discovery in Maguire's world of symbols, but a passing glance will not do, you have to allow your gaze to linger on this part and that of each painting so that your subconscious will have the opportunity to retrieve the elusive forms that seem to be hiding within the more obvious shapes. This holds true even in those works that incorporate letters of the Korean or Latin alphabet, which serve as glyphs bearing some symbolic meaning that goes beyond the mere representation of sound. She has exhibited internationally in Seoul, Nantucket, New York, and Italy. Her styles and materials have ranged from realism to abstract, from water and oil colors to acrylics and coffee grounds. Suki Maguire (Kim Jong...

Arietta series 2 (Abstract drawing) Charcoal ink and pastel on paper - Unframed. Margaret Neill works for a time on a group of pieces in a series, using classic almost primal mater...