Iron Abstract Paintings

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Jim Rattenbury’s work is of our time, yet it is filled with signs from other eras, both distant pasts and distant futures. He creates marks on his works that are accessible to childr...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...

Jim Rattenbury’s work is of our time, yet it is filled with signs from other eras, both distant pasts and distant futures. He creates marks on his works that are accessible to childr...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Mark Hilltout has always been drawn to the random, the discarded and the broken. For the past 12 years he has been looking intently at something that mo...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now carved out a career for himself as artist and designer, utilizing the medium and craft he has mastered over the ...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Erica Iman received her BFA in Ceramics and BSE in Art from the University of Missouri Columbia in 2005 and obtained her MFA in Ceramics from Southern Illinois University Edwardsvill...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now carved out a career for himself as artist and designer, utilizing the medium and craft he has mastered over the ...

This volumetric floral painting combines acrylic, relief elements and a Moldavian carpet motif to explore fragility, resilience and cultural memory. Created for the installation Sala...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now carved out a career for himself as artist and designer, utilizing the medium and craft he has mastered over the ...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now carved out a career for himself as artist and designer, utilizing the medium and craft he has mastered over the ...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now started to carve out a career for himself as artist and designer, utilizing the medium and craft he has mastered...

Erica Iman received her BFA in Ceramics and BSE in Art from the University of Missouri Columbia in 2005 and obtained her MFA in Ceramics from Southern Illinois University Edwardsvill...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the pe...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the pe...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Mark Hilltout has always been drawn to the random, the discarded and the broken. For the past 12 years he has been looking intently at something that m...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the pe...

Nyasha Mashumba, having been the apprentice of Mark Hilltout, has now carved out a career for himself as artist and designer, utilizing the medium and craft he has mastered over the ...

Jim Rattenbury’s work is of our time, yet it is filled with signs from other eras, both distant pasts and distant futures. He creates marks on his works that are accessible to childr...

O2A-B, 2018 (Abstract painting) Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In ...

O1A-B, 2018 (Abstract painting) Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In ...

Mark Hilltout has always been drawn to the random, the discarded and the broken. For the past 12 years he has been looking intently at something that mo...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

O6A-B, 2018 (Abstract painting) Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In ...

O1A-B, 2018 (Abstract painting) Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In ...

O3A-B, 2018 (Abstract painting) Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In ...

O3A-B, 2018 (Abstract painting) Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In ...

Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In the series of works made of galva...

Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In the series of works made of galva...

Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In the series of works made of galva...

Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In the series of works made of galva...

Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In the series of works made of galva...

Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In the series of works made of galva...

Acrylic on galvanised iron - Unframed. This artwork is sold as a diptych. Each elements' dimensions: 30 x 20 x 2 cm / 11.8 x 7.8 x 0.78 inches. In the series of works made of galva...

There is in Prophecy the idea of an incantation, of magic words allowing to transgress the laws of reality. A golden melody emanating from the tormented depths of the ocean. A liquid knowledge subject to the interpretation of each and that each can seek in the sensations that awaken. Mixing Gold powder and Iron, the scriptures of PROPHECY are as if corroded by time, already on the way to their disappearance. Evoking an ancient knowledge that modernity would have tried to erase, it imposes itself as the vector of an unnameable divine source. They appear and disappear like a breath whose echo resounds with a universal spirituality established in sensations. In a world where the letters and the texts are present everywhere, these scriptures reveal themselves as a silent language established beyond the immediate meaning. Unreadable by the mind, the letter that has become a sign is now receptive to a new meaning given by the observer. Failing to be able to decipher them, it is a question of feeling them for their metaphysical and symbolic power. Just as Kandinsky aspires to produce a painting capable of provoking a «spiritual awakening», PROPHECY proposes the construction of a new universal language based on sensations. --- Mathilde Lefort is a french visual artist based in Bali, Indonesia Holder of a Master’s Degree at EHESS Paris (France), Mathilde is specialized in war representations and human rights. In parallel with her theoretical studies, she developed an artistic practice around these questions. Using art video, installation and visual publications, she exhibited her work both in Paris and across Europe. Going back to New Caledonia, she lived in total immersion in a tribe located in the north of the island from 2017 to 2019. There she co-direct EDEN TRIBAL, 52 min documentary produced by Box Fish Productions and sold to France Television. The movie tells the story of a Kanak woman fighting to be the chief of her tribe, within the context of the island’s referendum for independence. This period was spent in a deep loneliness. Rejected by the community while deeply in love, Mathilde wandered the darkness of her soul. She captured empty landscapes and wrote the ambulations of her mind to reflect on her loss of identity, the meaning of love, the woman’s place, racism and colonialism. Now in Bali, she follows an unpredictable journey intertwining art, death, and magic. Stabbed to death in 2020, she pursues today her shamanic journey while crafting abstract paintings and sculptures rooted in mystical knowledge. Her art presents itself as a meditation...