Figurative Paintings

In the Mughal era, we see kings and queens looking out into their natural space - scenic beauty containing nature and architecture. Given the settings, what would happen if the king ...

Medium: Oil, Ink and Gold Leaf on Paper Dimensions: 15.00" x 12.00" Signature: Signed Lower Center The present work was published as the cover of the December 2nd, 1899 issue of Lif...

Acrylic on Wood Panel. Portrait or Audrey Hepburn is 24x24. Vibrant colors. About the Artist: "Tomlin is young, upcoming artist based out of NY. His interests in portraits, i...

Medium: Oil on Canvas Laid on Board Signature: Signed Lower Right Sight Size 14.50" x 13.00;" Framed 23.75" x 21.75" The Subdivision, Liberty Magazine Cover, June 18...

Medium: Oil on Canvas Laid on Board Signature: Signed Lower Left "Spring Is Here" The Country Home Magazine Cover, March (Year Unknown).

Born in Manziales, Colombia in 1987, Esteban received his MFA from the New York Academy of Art before returning to his native country. Related works are featured in top collections, ...

Medium: Oil on Canvas Signature: Unsigned Study for the July 7, 1917 cover of Collier's National Weekly (the title story was "Why I'd Let My Boy Go To War").

Mixed Media on wood featuring the infamous Keith Richards. Photographed by Joester. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media a...

Medium: Oil on Canvas Signature: Signed Lower Left

Medium: Oil on Canvas Signature: Signed Lower Left End of Track - Paperback Cover, written by Ward Weaver, Popular Library, 1951.

Signature: Signed Lower Right Illustration, 1917

McLean's consummate skill as a portrait artist, graphic designer and master of composition is on full display in the complex narrative work. This work contains 41 portraits including those of Bette Midler, Jimi Hendrix, and Benny Goodman...

Medium: Oil on Masonite Signature: Signed 'John Falter' Lower Right Sight Size 7.00" x 9.375;" Framed 9.50" x 12.00" Johnson & Johnson reproduced the present work as an advertisemen...

Medium: Oil on Canvas Signature: Unsigned Advertisement, Cream of Wheat, 1929.

Innocence of childhood. Portrait. About the Artist: My art is a visual recording of the powerful imagines that occur regularly in life, distilling them down and preserving the ...

Robert Alexander Darrah “R.A.D.” Miller (1905 - 1966) Robert Alexander Darrah Miller, called “RAD” by his friends, was born in Philadelphia. He enrolled at the Pennsylvania Academy of the Fine Arts from 1923 to 1927 under the tutelage of Daniel Garber. In 1928, Miller moved to Bucks County where he would meet and marry Celia Belden Marshall, daughter of Dr. George M. Marshall, who at that time owned the Phillips Mill property. Nearly a year later, in 1929, a committee headed by artist, William Lathrop, negotiated to purchase the Mill property from Dr. Marshall for the purpose of holding art exhibitions. Thus, the Phillips Mill Art Association was formed. RAD Miller was a regular exhibitor at the Phillips Mill with the traditional New Hope Impressionists. Many of the original founders of the New Hope Art Colony, set in their ways, frowned upon the concept of modernist painting. A decision was made by the Association to not include the growing group of modernist painters in the area to exhibit with them at Phillips Mill. Although clearly not a traditional impressionist, Miller was not being excluded with the others, largely because his father-in-law formerly owned the mill and was one of the Association’s board of directors. RAD was sympathetic to his fellow modernists. In 1933, he was one of the original members of the Independents, a group formed for modernist artists who chose to embark on a more non-traditional creative path. They would exhibit in tandem with the Impressionists but at different locations. Around the time of his arrival to New Hope in 1928, Miller struck up a friendship with Thomas Hart Benton, and in 1932 he worked under Benton on a mural project. RAD’s paintings...

The painting is being offered with a work and authenticity certificate

Date: 1970 Medium: Oil on Canvas Dimensions: 25.00" x 22.00" Signature: Signed Lower Right Fawcett book cover. Robert Berran has been a prolific romance and historical book cover il...

Half Length Portrait of Mr. Robertson Sir. Henry Raeburn ( Scottish 1756 - 1823 ) Half Length Portrait of Mr. Robertson 29x 24 Purchased, J Leger & Son,...

Tempera mixed with gum arabic and alcohol on Renaissance Panel "Robert Riggs was awarded the Gold Medal for Excellence by the New York Art Directors Club for ten consecutive years and received many additional awards." He was elected to the Society of Illustrators' Hall of Fame. His work is in the permanent collections of the Metropolitan Museum of Art in New York, the Philadelphia Museum of Fine Arts and the U.S. Library of Congress. Riggs's compositons are "monumental" Walt Reed Riggs was a Gay Artist...

Medium: Oil on Canvas Signature: Signed on the Back

Dizzy Dean, The Pride of St Louis

Medium: Oil on Canvas Dimensions: 16.00" x 24.00" Signature: Unsigned

Medium: Oil on Canvas Signature: Signed, Dated, and Dedicated Lower Left

An oil on board painting by Belgian Modernist painter Emiel Creado. Framed - 60 x 38 Inches Unframed - 53 x 31 Inches

Made for the movie poster for "Oliver" Signed Lower Right

Signed lower right. Inscribed on the reverse 'My first color illustration, Nov. 1954.' Work is unframed, Film Noir in paint

Signature: Signed Lower Right Medium: Gouache on Board

Original Carmen Gutierrez painting. "Luna al Atardecer", 2016. Oil, acrylic and liquid silver leaf on canvas. Signed by the artist. 17.7 x 18.5 in. image. 20.5 (height) x 21.5 x 1.6 ...

Medium: Mixed Media on Board Signature: Unsigned Date: 1900 Dimensions: 30.00" x 14.00"

Date: 1927 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, November 12, 1927 "The Cave Man or the Cave Max?"

Medium: Oil on Canvas Dimensions: 20.00" x 27.00" Signature: Signed Lower Right

Date: 1952 Medium: Oil on Canvas Dimensions: 34.00" x 27.00" Signature: Signed Lower Left Cover for The Saturday Evening Post Magazine, May 31, 1952. Clymer's coverscape takes you to Massachusetts' tidelands where the frost is on the pumpkin and the red and gold areon the trees. Gloucester harbor and the inlets roundabout-- for three centuries this haven has been the homeport of renowned and valiant fisherman. They were the Captains Courageous of Rudyard Kipling, the hero’s of Longfellow's The Wreck of the Hesperus and of James B. Connolly's tales of the sea. John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...

Medium: Oil on Canvas Signature: Signed Lower Right and Titled on reverse Dimensions: 28.13" x 25.13" (71.45 cm x 63.83 cm) Literature: Temple Bailey, Bridal White, The American Mag...

Dai Xiangwen was born in Hunan in 1991 and graduated from the Academy of Fine Arts of Jianghan University, He is a member of China Artists Association, China Designers Association, a painter of Li Keran...

Herbert Morton Stoops American (1888 - 1948) Curse of the Golden Cross Magazine illustration, 1925 Oil on canvas 40 x 30 in. Not signed Work is framed

Contact for exact dimensions. The Atlantic Magazine Cover Illustration. November 1956, Volume 198

Bruno DESPLANQUES (Born in 1966, France) Caïn and Abel II Painting on wood 120 cm x 90 cm 2021

Signature: Signed Lower Left Medium: Mixed Media Illustration

Artist: John McCormick, American Title: 1956 Ford Thunderbird Year: 1983 Medium: Oil on Canvas Size: 18 in. x 32 in. (45.72 cm x 81.28 cm)

The painting is being offered with a work and authenticity certificate

Oil painting of car on a curve. Sunglasses hang from the steering wheel. Tone is engaging, fun with universal appeal. About the artist: Molloy...

Signed lower right Printer's and designer's marks in margins "Tool pearls in bodice, train & headband & ribbon under bosom." Ex-collection photographer Frank Paulin...

Date: 1927 Medium: Oil on Canvas Dimensions: 27.00" x 18.00" Signature: Signed Lower Right "We Amused Ourselves for an Hour or More, Darting in and out Among the Crowd and Setting off our Crackers", The Story of a Bad Boy...

the painting is being offered with a work and authenticity certificate

Date: 1952 Medium: Oil on Board Dimensions: 22.25" x 16.25" Signature: Signed Lower Left This classic Nappi painting was first published as the cover for Backwoods Hussy by Hallam Whitney (PBO, Original books...

Medium: Oil on Canvas Signature: Signed Lower Left

Large antique oil painting of Samson and Delilah after Anthony van Dyck Dutch, 17th Century Height 165cm, width 233cm This very large artwork ...

Date: 1914 Medium: Oil on Canvas Dimensions: 29.00" x 19.00" Signature: Signed and Dated Lower Right

Medium: Oil on Canvas Dimensions: 21.00" x 28.00" Signature: Signed Lower Left Book cover, The Old Couple.

Medium: Oil on Canvas Signature: Unsigned The present work is a study for the cover of the March 18, 1922 cover of The Saturday Evening Post.

Date: 1928 Medium: Oil on Canvas Dimensions: 16.00" x 22.00" Signature: Signed Lower Right Interior setting with people standing around.

Date: 1991 Medium: Oil on Canvas Dimensions: 36.00" x 24.00" Signature: Signed Lower Left DEAN MORRISSEY (American, 20th Century) The Illegal Rebirth of Billy the Kid...

Medium: Gouache watercolor painting on artist board Signature: Signed Lower Left Size: 18" x 14"

Homage to Dick Tracey. Pop Art influenced work of amazing, infamous graffiti, pop, street artist. Sprays, enamels, oils acrylics on canvas. About the Artist Born in Belgium and artistically inclined at an early age, V.P. was executing well-defined pencil sketched portraits of anyone who would sit for him by age 4. The family’s emigration to the United States in 1967 landed the 8 year old in the Fordham section of the Bronx at the height of the psychedelic era and POP ART movement.  The Fordham Road shopping district offered the young budding artist a fount of inspiration in the form of vibrant Rock & Roll, “black-light” posters in the windows of “head-shops” and the elaborately colored wardrobes of the hippies crowding the boulevard. The pivotal shift in V.P.’s artistic expression was fueled in 1968 by the sight of a Peter Max designed billboard.  Armed with magic markers and acrylic paints, V.P. recreated the vibrant designs from Max’s billboard, the music posters in store windows and the paisley patterns of the shirts the “flower children” favored, as well as the names and slogans painted on the walls of the neighborhood.  The early seventies brought with it a wondrous sight passing overhead on the sides of the elevated trains. NYC Subway Graffiti had arrived.  Looking up and seeing the esoteric names intricately rendered in multi colored swirls and strategically placed on the sides of the trains completely enthralled V.P.’s creative and adventurous spirit. Compelled to be a part of this fascinating movement he watched and rode the subways, deciphering the names and studying the “styles” on the steel rolling art gallery. Using his artistic influences and skills with markers, V.P. created his first moniker “SONIC-ACE” and obsessively drew it in colorful flowing letters to develop his own style.   At age 13 he set out to traverse the city, facing dangers and overcoming obstacles to enter an unknown and secretive world in order to join those who inspired him.  By 1974, he would change his moniker to “VICTOR-161” and paint hundreds of train cars and soon be admitted into the world famous graffiti clique “WILD STYLE” - an honor bestowed due to peer recognized artistic and stylistic abilities.  (WILDSTYLE was created/coined by the iconic TRACY-168)  V.P. was a well known and respected “writer” who “pieced” with revered writers of the day, under the aforementioned monikers including aka’s T-BOLT-123, SULFA-ONE, FANTA-ONE, BOND & ACES.  V.P. retired from painting NYC subway trains in 1977 with occasional excursions in 1986,1987,1988,1999 & 1992.  He continuously expanded his artistic pallet, studying Art History & Graphic Design in college while seeking knowledge from masters in chosen fields of art.  His works have shown in independent galleries nationally and are sought after by international collectors, with numerous private commissions. He has been featured in several best selling books and magazines focusing on graffiti art as well as his status of having been a part of the 1970’s “Golden Era” of NYC Subway Graffiti. V.P. works with a variety of mediums including aerosol paints, oils, water color & acrylic paints, often combining mediums as well as blending POP, graffiti and abstract styles of painting onto wood, canvas and metal.  His professional artistic background includes commercial art and design, logo design, silk screening, printmaking, large commissioned public murals, sign painting, pin striping and airbrushing cars, sculpting, metal fabrication, woodcarving and tattooing. Exhibitions:  Fashion Moda (BXNY) Group Show 1980/Fun Gallery (NYC) group show 1981, Beef Gallery, (LA) Group Show 1981, Gallery International (NYC) Group Show 1985, Susan Greco Gallery (NY) Group Show 1990, Shady Side...

Date: 1930 Medium: Oil on Canvasboard Dimensions: 27.00" x 21.00" Signature: Signed Lower Right Cover for Turf and Sport Digest, probably late 1930s

Charming portait with Modernest colors. Provenance: Christie's Mercedes Matter, daughter of the artist, Salander-O'Reilly Galleries, New York. Private Collection. Sale: Skinner, Inc...

Medium: Acrylic on Board Dimensions: 20.50" x 24.00" Signature: Signed Lower Right "Lay the Mountains Low" Book Cover, by Terry C. Johnston