Panel Paintings

“Tuareg Rider in the Desert, 1908” Paul Jouve (1878-1973) Oil on panel, signed lower right. 21 ¾ × 17 1/2 ( 27 ½ × 24 frame) inches Paul Jouve’s work has been celebrated and collect...

"September Sunflowers" - A sign that autumn is in the air - the appearance of blooming sunflowers in the garden. The open-faced flowers bring joy, the happy fluttering yellow petals ...

In poured tinted polymer on aluminum, Outland No. 39 by Susan English is a wonderful play of color, light, and composition. The layers of English's tinted polymer create the depth an...

In the embrace of water, weightlessness becomes our faithful companion, allowing us to temporarily free ourselves from the burden of everyday life and experience the lightness of bei...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Amber Grove, Size: 25.5" x 37.5"...

Kurt Seligmann Little Initiation, 1955 Signed lower right and titled on the reverse Oil on wood panel 17 1/4 x 13 inches Provenance Private Collection, New York Born in Basel, Swi...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

Peter Roux combines principles of landscape and abstract painting. His cloud paintings oscillate between representational and non-objective painting by rendering recognizable cloud f...

Ron Hicks' (US based) "Study at Jan and John's" (2025) is an original, handmade oil painting that depicts a lightly abstracted portrait of a woman against a pale white background. T...

Hunt Slonem "Morgaya" Black and Pink Bunny A single rabbit gestured in black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 12.5 x 10.5 inches *Painting is f...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Lesley Anne Spowart (American, born 1957) "Beautiful Blue" 2020 Acrylic Paint, Mixed Media, Wood Panel, Wood The artist signed the bottom left and back of the painting. "Beautiful B...

Breathtaking impressionistic ocean scene with large cumulus cloud rising where the mountains meet the ocean. Tranquil blue water with filtered early evening light captured on the canvas where time stands still. Ready to hang unframed with its edge painted in a reddish brown patina for which the artist is known. Artist signed, titled and dated. Condition is excellent / as new. Brooks Anderson...

Italian school circa 1560, circle of Bernardino Campi Portrait of a woman with a book Oil on panel H. 78 cm ; L. 57cm

"Sunset" by Barbara Hack is an original landscape painting depicting a brilliant sunset. This piece is framed and ready to hang. Barbara Hack’s work is an ongoing reflection on peo...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Born in Sibley, Iowa, in 1886, Frederic Milton Grant studied at the Art Institute of Chicago, with additional training at the Chicago Academy of Fine Arts. Grant traveled to Italy in...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

A wonderful composition of one of Slonem's newest series, Daisy's. This piece depicts 3 gestural figures of big bold Daisy's on a golden background with thick use of paint. Inspired ...

Piccola guarnitura Colleoni Milano (?) ca. 1600 - ca. 1610 Colleoni Garniture An armor garniture is a complete suit of armor with a set of exchange elements designed to adapt the basic unit to different uses, such as tournament or battle. This armor is extraordinarily complete and homogeneous. Its ornaments are in the French style, but the type of workmanship reveals the Milanese origin of this armor, dating to about 1600. According to tradition, it belonged to the Colleoni family of Bergamo and Guardino Colleoni probably owned it. Historical references per the Museum Poldi Pezzoli. Armor for Heavy Cavalry French ca. 1600 One of the best-preserved French armors...

A beautiful late 19th century French Orientalist oil on panel depicting a North African street with figures seated under an awning. Perhaps the location is the pink city of Marrakesh...

"Bantam Rooster w/Hen and Chick" Matthieu Theeuwes van Ginneken (1811-1888) Oil on canvas mounted on wood panel 11 x 9 1/2 (18 x 16 1/2 x 3 inches frame) inches Matthieu Theeuwes v...

US buyers pay no import tariffs on this item. This early 19th-century oil painting by Hungarian artist Joszef Schmidt (1810-1875) depicts the Mater Dolorosa. It’s after a work by It...

Hunt Slonem "Manor" Pink Diamond Dust Bunny A single rabbit gestured in pink and white on a matching background in a vintage frame Unframed: 10 x 8 inches Framed: 15 x 13 inches *Pa...

Introducing a captivating post-war modern painting by German artist Ferdinand Spindel. In a stunning abstract composition, this piece features a harm...

The painting was painted Plein Air, in Artist's own garden of the memorial roses she planted. This is Rosa Albertine, the first Old English variety Artist Shizico Yi planted in her garden in 2016, before her late dog died. Old English Roses...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was larg...

Thorgrimur Einarsson's "Blue Macaws" is an original, handmade oil painting that depicts a pair of perched blue macaw parrots. About the Artist: Thorgrimur is an Icelandic artist, bo...

Matthew Durante's "Figure 2 2021" is an original, handmade acrylic painting that depicts a pink-toned nude male model kneeling on a blue surface.

Christopher Clark's "Honfleur Street" is an original, handmade oil & acrylic painting that depicts an abstracted cityscape bustling with people and the sun brightly reflecting off of...

Suzy Smith's "Angel Food" is an original, handmade oil painting that depicts a portrait of a female nude set against a backdrop inspired by a Wayne Thiebaud cake...

In this contemporary oil painting on muslin mounted on panel, ivory pale yellow house, illuminated by the sun, can be seen through the shrubbery in its backyard, magenta pink flowers...

Squint Texas Hill Country Sunrise 8" x 10 " oil Landscape Impressionism The Texas Hill Country is a distinctive geographic and cultural region in Central Texas, known for its rugged limestone and granite hills, numerous spring-fed rivers, and a blend of American and German heritage. It is a popular destination for outdoor recreation, wine tasting, and exploring charming small towns. V....Vaughan is known for impressionist paintings of wildlife...

JAMES WOLANIN "Summer Love" Acrylic & Gloss Varnish on Panel 36 x 36 inches ______________________ James Wolanin’s paintings transport the viewer to an effervescent, candy coated w...

The starting place for Golightly’s work is decades old found photos. The stillness of a photo belies an anticipation to know what happened before and what is to come next. These imag...

This wall-hanging artwork titled "AN OLD TREE" is an original artwork by Jim Houser made of collage on panel. This piece measures 4"h x 4"w. Jim Houser was born in 1973 in Philadelp...

Pupil of Rembrandt Portrait of a Young Man 17th Century Oil on oak panel Image size: 4 1/4 x 5 inches (11 x 13 cm) Dutch ebonised frame This small portrait is of a young man, staring inquisitively out towards the viewer. The realism of his appearance is striking, with great care taken in the depiction of the man’s features - for example, his full lips and the slight bump in the bridge of his nose. The man wears a rich burgundy doublet and a black cap and is adorned with gold accessories, indicating a degree of wealth - it is likely that this is a miniature portrait for a wealthy patron. The warm flesh tones of this painting and the intricate rendering of the man’s curly brown hair demonstrate the artistry of the painter, who has successfully captured the image of youth within his brushstrokes. Rembrandt’s Pupils Upon completing his artistic education, Rembrandt opened a studio and began to take students - the first of which were Gerrit Dou and Isaac Jouderville. The studio functioned as an art school, in which materials and guidance were provided - contrary to the studios of his peers, Rembrandt did not offer lodging to his pupils. The families of prospective pupils had to pay Rembrandt 100 guilders (enough for a house at the time) for this artistic education, and the profits from any works produced by pupils under Rembrandt would be paid to the master rather than kept by the student-artist - this contributed substantially to  the master’s income.When taking on pupils, Rembrandt looked for those who could already paint, and guided their styles to reflect his. By choosing pupils who were somewhat experienced artists, Rembrandt had an array of painters that could be involved at any stage of assisting with the creation of his works - in this way, Rembrandt’s pupils often functioned as studio assistants as well. In order to perfect Rembrandt’s style, pupils would paint copies of their teacher’s works, sometimes adding their own distinct variations. They would use the same subjects and models as Rembrandt himself, and would accompany him on outdoor trips to paint nature and landscapes. The extensive copying and utilisation of same source materials has rendered Rembrandt’s work and the work of his pupils difficult to differentiate, even in the modern era.At least 50 pupils were taught by Rembrandt, with many continuing on to become his studio assistants. A few graduated into successful artists in their own right - for example, Govaert Flinck...

"Fragment" by Rudolf Kosow is a compelling painting that intricately uses the medium of wood to enhance its textural and emotional depth. The artwork features a close-up of a human f...

Introducing an extra-large painting, measuring an impressive 180cm x 180cm/70,9in x 70,9 in by the visionary artist Alejandro Hermann. Within this painting you experience an contempo...

Shelli Langdale's "And Belonged to Otherwise Memory" is an original, handmade oil painting that depicts a white horse reflected in a rear view mirror with a pink sunset in the distan...

Carlos Bruscianelli's "Fruits on Paper" is an original, handmade oil painting on canvas panel that measures 10.25 x 24.25 inches framed and is ready to hang. About the Artist: Carlo...

Hunt Slonem "Untitled" Pink Bunny A single rabbit gestured in black on a light pink background in a vintage frame Unframed: 10 x 8 inches Framed: 14.5 x 12.5 inches *Painting is fra...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on an Aqua blue background with thick use of paint. It...

Longing instant at dusk #7 is a unique painting by Japanese contemporary artist Shoko Okumura. This painting is made with pigments and silver leaf on Japanese paper mounted on wood p...

Alejandro Rubio Striped Landscape #3, 2024 Acrylic on panel 36 x 36 inches This is a one-of-a-kind acrylic painting on panel.

acrylic on birch panel

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

To Shizico Yi a triptych is a visual prayers; it embodies a meditative journeylike the form of meditation. The repetition of motifs within the triptych serves as a method to revisit...

Hunt Slonem "Red Duet" Bright Orange Bunny Couple A pair of rabbits gestured in black on a bright orange background in a vintage frame Signed, dated, and titled to verso Unframed: 1...

Signed and titled figures in cityscape oil on panel circa 1920 by American impressionist painter Guy Carleton Wiggins. This wonderful piece depicts a view of the New York Public Library in the United States of America during a winter snowstorm. Several cars and pedestrians can be seen passing along Fifth Avenue. A fantastic work in the artist's distinctive style. Dimensions: Framed: 16"x18" Unframed: 8"x10" Provenance: Roughton Galleries - Texas. This work is included in the catalogue raisonne under reference number GW00179 Guy Carleton Wiggins was the son of Carleton Wiggins, a painter of landscapes and animals. Wiggins first studied at his father's Art School in Connecticut and later enrolled in the National Academy of Design where he trained with William Merritt Chase and Robert Henri, after a brief spell studying architecture at the Polytechnic Institute in Brooklyn. At the age of 20 he was already well known and was the youngest American artist to have a work accepted for the permanent collection of the Metropolitan Museum in New York. Prior to the onset of World War I, Wiggins travelled to Europe and painted the English countryside. In England he met his future wife Dorothy Stuart Johnson. The couple returned to the US and set up home in Connecticut. He established a year-round art school, the Guy Wiggins Art School, in Essex. He liked to spend his winters in New York and summers in Connecticut. Wiggins' paintings reflect the influence of American Impressionism, a style of painting he would have encountered during his summers in Old Lyme. He is known for his snowy New York...

"The Musicians" Charles H. Van den Eycken (Belgium, 1859 - 1923) Oil on wood panel with highly ornate original wood, stucco and gilt frame. Signed upper right and dated "1893.' 10 1...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Karen Offutt's (US based) "Luster" is an original, handmade oil painting that depicts a portrait of a woman on an abstracted background. The painting is framed, with overall dimensio...

2024, Shizico Yi takes on an innovative project she named it "The Weaver," inspired by the heritage of family's Tartan, the rich lineage and history of the Clan. Within the patterns...

Elena Burykina's "Bionic Solder" (2023) is an original, handmade oil painting on panel. Artist Statement: Helmet of the Italo-Chalcidian Type Etruscan, probably Vulci Late 5th-4th c...

Aeling’s Volcano evokes both geological force and atmospheric delicacy, combining two subjects that defined his artistic identity. The plume rising from the crater recalls the volcanic forms he encountered during his winters in Hawaii—where he surfed, explored calderas, and observed firsthand how ash, vapor, and heat bend the light. The ring-shaped formation above the eruption suggests the interaction of rising particulate matter with upper-air currents, a phenomenon Aeling studied intensely. This small painting captures a vast event, merging his lifelong fascination with natural systems and the lived experiences that nurtured his deep respect for the Pacific landscape. Jeff Aeling Volcano oil on panel 10h x 8w in 25.40h x 20.32w cm JAE037 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings. Though often compared to American landscape painters like Church and Bierstadt, Aeling’s work engages modernity in subtle ways. He began his paintings with the camera—driving for hours to capture a fleeting alignment of cloud, light, and terrain. In the studio, he removed all traces of people or infrastructure, preserving the landscape as a pure, uncontrollable presence. This blend of tradition and contemporary practice allowed him to honor the past while speaking clearly to the present. Together, these works—whether a crashing wave, a blooming tree, a volcanic plume, or a column of winter light—form a portrait of the world as Aeling experienced it: vast, luminous, and alive with change. The Sky Remembers is both a tribute and an invitation to see the land with the reverence he carried throughout his life. Jeff Aeling (1958-2025) Iowa City, IA Represented in Chicago by Gallery VICTOR Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Leedy-Voulkos Art Center Gallery - Kansas City, MO Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery - Kansas City, MO 1991 Tribal Textile Gallery - Kansas City, MO Selected Group Exhibitions 2022 Kiss Me, It’s Beginning to Snow, Gallery Victor Armendariz, Chicago, IL 2021 2019 Es-Scape, Gallery Victor Armendariz, Chicago, IL Earth Wind & Fire, Gallery Victor Armendariz, Chicago, IL 2018 Portraits and Places: Select works from Gallery Victor Armendariz, curated by Corporate Art Advisory, Metropolitan Capital Bank, Chicago, IL Art Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Front and Center, Gallery Victor Armendariz, Chicago, IL 2004 Art Chicago, Navy Pier...

Lindsey Kustusch's "Kaleidoscope #1" is a compelling handmade original oil on wood panel artwork, measuring 20 x 16 inches. This 2025 piece is a primary market item, arriving for Kus...

Anne Sargent Walker’s Oil and Acrylic painting "In It Together", depicts three beautifully rendered birds in migration flight against a deep blue, starlit night sky. The sky lightens...