Panel Paintings

"Portrait of a Saint Bernard" Carl Reichert (Austrian, 1836-1918) Oil on wood panel Signed lower right 6 x 5 (12 1/2 x 11 1/2 frame) inches frame A tenderly and well executed portr...

Inspired by cello music, diptych, oil canvas in two parts. Contemplative, warm cream, bronze abstract Impressionist diptych painting created in homage to the composer Rachmaninov, S...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. With Suk Ja Kang...

Lady Arabella Stuart (1575-1615), portrayed circa 1600 English School - oil on panel Circa 1600 Late Elizabethan portrayal of Lady Arabella Stuart in court attire, oil on panel. Ex...

My paintings and sculptures bridge ancient and modern sensibilities. The subjects are often classical figures and portraits, but my use of materials is pure expressionism. I am mos...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 16" x 20" x 1.75" SIGNED: Lower Right Artist Statement "This was painted around the Copperopolis area...

Katrina Revenaugh Graffiti Garden No.11 Archival Pigment Ink, Gold Leaf, Acrylic and Spray Paint on Birch Panel with Gold Leaf Edges Year: 2023 Size: 24 × 20 x 1.75 inches (60.96 x 5...

Doris by Alison Duncan is an original contemporary portrait painting that captures its female subject with an expressive, modern approach. Rather than relying on excessive detail, Du...

Charming 19th-Century Oil on Panel Shepherdess with a Lamb, in the Style of François Boucher (1703–1770) This charming 19th-century oil on panel depicts a young shepherdess gently ca...

A fine pair of antique Italian oil on panel paintings Nature Morte of two pairs of gamebirds, in the Trompe-l'oeil style, by Michelangelo Meucci (1840-1909), signed & dated Firenze 1...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts multicolor delicate butterflies in ascension placed in a wonderful brilliant golden l...

Provenance Acquired by American Legacy Fine Arts directly from the artist. Signed "Obermeyer" on lower right Artist Statement "This is a view that is very familiar to me. I see this as I drive home from my studio in the late afternoons and evenings, the fading light on the walls of Laguna Canyon...

"Les Copains D'Abord" is a plein air painting created in France by American plein-air painter, Marc Dalessio. In a traditional handmade gold frame, also available in black. Framed ...

Lucien ADRION French (1889-1953) Picture size 15 x 18", 38 x 46cm Frame size 22 x 29", 56 x 62 cm Lucien Adrion was born in Strasbourg, France in 1889 and died in Cologne 195...

Garden by Susan English, a contemporary poured painting, is a wonderful play of color, light, and composition. Vertical stripes and blocks of color in hues of soft jade, pale mint gr...

"When I walk into my atelier to start a new painting, I look at the white surface, feeling into it, and the first color that comes to mind is where I begin. I start by pouring the pa...

Louis Grimshaw British (1870-1943) Medium: Oil on panel Unframed size: 11.5. x 17.5 inches Framed size: 21 x 26 inches Signature: Signed (Lower left and dated 1902) Also inscribed o...

Thirty pigeon holes Ron Piller is a beautiful, contemporary painting with a mix of mediums: Acrylic, Gloss Medium Varnish on Canvas. It's strong colors and geometry with white, red a...

This painting has only been shown in a gallery setting. All images have light and shadow reflections due to the reflective nature of the resin finish. Yury was born in Belarus and...

Jamie Mills (b. 1983,West Cornwall, England) is an artist whose multifaceted practice encompasses music, sound, and visual arts. His work is deeply rooted in the exploration of the i...

Marine painter Hendrik Willem Mesdag was born in Groningen in 1831. The son of a banker, he worked at his father's stock brokerage firm until 1866, when his wife Sientje's inheritanc...

This piece rests at 8 x 8 inches and is framed at 13.62 x 13.62 inches, wired and ready for hanging. Artist Statement: "Subject matter to me is a vehicle for me to explore how I obs...

This exquisite early 16th-century Italian panel captures one of Christianity’s most cherished moments - the Adoration of the Magi. Painted around 1530, this panel belongs to a moment...

Provenance On consignment to the gallery from a private collector in Newport Beach, California. Signed "Mian Situ" on lower left Artist Statement "Miao people are one of the larges...

Frank Dekkers Landscape 09 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

"River 2" Abstract Composition in Acrylic and Gold Leaf on Wood Panel Bold abstract composition by California artist Janet Trenchard (American, b. 1947). This piece is composed of layers of rich dark green, and soft yellow. There are accents of bronze-gold leaf that shimmer under direct light. Streaks and scrapes add dynamic movement to the compostition. Titled and signed on verso: River 2 Janet Trenchard No frame, but the edges are painted for frame-less display. Janet Trenchard (American, b. 1947) is an artist and poet from San Jose, California. Trenchard taught art in public high school for 12 years before retiring to pursue her own creative interests. An artist and writer, her paintings and assemblages have been exhibited in San Jose, Palo Alto, and San Francisco. Her poems and stories have been published in Porter Gulch...

This dramatic cloud form rising above a quiet field embodies one of Aeling’s central artistic pursuits: portraying the monumental scale of weather in the American interior. Growing up in regions where sky occupies most of the visual field, he learned to read clouds as both structure and story. The fiery illumination suggests late-day thunderstorms rolling across open grasslands—an experience he has described as both terrifying and transcendent. The work continues his exploration of how atmosphere shapes emotional experience. Jeff Aeling Pines and Cloud near Denver Oil on panel 36h x 24w in 91.44h x 60.96w cm JAE046 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

A beautiful and evocative oil painting on wood by the great Italian artist who lived between the late nineteenth and early twentieth centuries. It depicts with rare effectiveness a...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Gilbert Munger Near Bourron, France, circa 1886 Signed lower left Oil on panel 13 x 18 inches Gilbert Munger was born on April 14, 1837 in Madison, Connecticut. He showed interest ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts four gestural white bunnies on a Teal Blue background encased in diamond dust with thick ...

Oil on panel painting of a Breton woman by C F Aubray. Signed low-left. Excellent condition.

Susan English Pietra Rosa (Assisi), 2026 tinted polymer on Dibond panel 59 x 48 in. (eng313) Ethereal and minimal, Susan English’s paintings play with light and space. She employs t...

Sandra Pratt (American, b. 1978) "Grey Barn," 2024 Oil on linen panel 16 x 16 x 1.4 in (40.64 x 40.64 x 3.56 cm) Framed size: 18 x 18 in Signed lower right. A slate grey roof with w...

Saint Mary Magdalene in Ecstasy, circle of Guido Reni (1575–1642) Italian School, 17th century Unsigned Charming oil on panel depicting Saint Mary Magdalene in an attitude of deep c...

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Flying Woodcock at daybreak, oil on panel. Signed by Harald Klinckowström (1897–1974). This small yet atmospheric composition captures a woodcock in flight above a forest clearing at...

Artist: Ian Hornak (1944–2002) Title: October: The Nature Trail, East Hampton Year: 1973–1994 Medium: Acrylic on panel Size: 41.5 x 54.5 inches (105.41 x 138.43 cm) Condition: Well p...

"Spring in February" (2015), is a masterful realist bust portrait of a woman wearing an intricate flower crown, standing confidently, eyes locked with the viewer. This piece is fram...

"Triumph" by Sarah van der Helm is an original, handmade oil painting on cradled panel. This piece measures 10 x 8 inches, but is framed at 11.5 x 9.5 inches ready to hang. Born in ...

A contemporary plein air landscape painting in oil on panel of a peaceful outdoor scene of a delicately painted field beneath a tree with olive green leaves, beautifully capturing th...

After Jan van Huysum Flowers in a Terracotta Vase Oil on panel, 19th century Dimensions panel without frame: 68.5cm (H) x 54cm (W) This 19th-century still life, painted after Jan v...

This contemporary poured painting Pink (necessary angel) by Susan English is a wonderful play of color, light, and composition. Vertical stripes and blocks of color in hues of soft j...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of Light Green and Blues Acrylic on 3 panels (2 panels are 24 x 18 x 2 inches each, center panel is 24 x 6 x 2 inches) Overall measurement for horizontal install with 1-2 inch recommended spacing, 24" X 43" X 2" inches horizontally Artist Ginny Fox achieves multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel with its delicate, cross hatched motif. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas. Signed on the back.

acrylic on panel Acrylic on 2 wood panels. 30 x 40 each. Horizontal or Vertical installation possible. Luminous green cross hatched painting on wood panel. This piece has a sculpt...

A wonderful composition of one of Slonem's most iconic subjects, Catelayas flowers. This piece depicts gorgeous flowers in ascension placed in a wonderful intense pink colorful backg...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

This mixed-media painting by contemporary artist Patrick Burns is a departure from his "Concrete Gardens" flower paintings, yet continues his use of heavy texture and reverberating, ...

Michael Carson's (US based) "Red Tights" (2024) is an original, handmade oil painting and is framed in a black float frame and is ready to hang. About the Artist: Mike Carson is a M...

A fine impressionist oil painting of an antique Cape house with flowering garden by American painter and illustrator John Joseph Enneking (1841-1916). Enneking was born in Minster, O...

A wonderful composition of one of Slonem's newest series, Tulips. This piece depicts a gestural figure of a Red Tulip on a golden background with thick use of paint. It is housed in ...

This original French harbor landscape by Georges Maroniez (1865–1933), dating to circa 1900, captures fishing boats at dusk beneath a luminous, cloud-filled sky. A reddish-brown sail...

Follower of Johann Heinrich Tischbein the Elder (1722–1789) Man with Bagpipes oil on oak panel no signature 25 × 19 cm (9.8 × 7.5 in) 31 x 26 cm (12.2 x 10.2 in) This refined 18th...

Elena Zolotnitsky is a Russian American painter whose work explores beauty, adolescence, and the passage of time. Her paintings emphasize the tactile physicality of paint, creating s...

Victoria Veedell captures the essence of nature by examining the effects of light on form in the natural world in her softly glowing landscape paintings. Inspired by her travels thr...

Title British Black Horse Portrait Equestrian Sporting Country House Oil Painting Key Details Artist: British School, 20th century Medium: Oil painting on panel, unframed Size: 8 x 1...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...