Panel Paintings

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Framed size: 17" x 21" Making a Run by Montague Dawson vividly portrays a historic sailing vessel battling rough seas. The ship strides forward under full sail, decks awash, rigging...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

"Self-Portrait" (2015) by Michael DeVore is an original handmade oil portrait painting of the artist that measures at 12 x 10 inches framed and is ready...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kans...

Intersections 8 is an original painting realized by the Italian artist Salvatore Travascio in the 2010s. This is a beautiful oil painting on paper on wooden support. Hand-signed on ...

This striking oil portrait is framed at 21 x 25 inches, and is ready to hang. Artist Autobiography: Born in Honolulu, Hawaii, 1958, my family moved every two years thereafter from C...

'Mary with Jesus and St. John the Baptist', 17th Century Milanese School Oil ----- A late 17th century, devotional oil showing the Virgin Mary with Jesus and St. John the Baptist. ...

A superb 19th century Belgian oil on panel still life depicting three fish hanging against a wood background. The work is indistinctly signed upper right and retains a Brussels gal...

An exceptional example of Hartman’s early post-impressionist works. This lovely work depicts several female bathers alongside various birds in an enchanting landscape. In the lower ...

This painting depicts an impressionistic scene of luminous flowers in a white and blue vase. The work reminds us of Claude Monet, with impressions similarly captured, reminiscent of ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Susan Gale's work explores the nostalgia of community by highlighting the juxtaposition between the peaceful, quiet, mystery of light, and the rush of visually invoked sensation. She...

Jardin d'Hiver Series is Shizico Yi's latest collection, created in her winter studio while longing for the summer left behind. Reflecting on the vibrant days spent painting en plein...

A superb example of a Barbizon inspired landscape painted by George Boyle, "the Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute ...

acrylic on birch panel

Kelly Birkenruth's "Adam" (2024) is an original oil painting on panel, measuring 14 x 11 x 2 inches. This striking artwork features the detailed portrayal of a male torso, emphasizing the muscular structure and the subtle interplay of light and shadow on the skin. The background’s soft, muted tones contrast beautifully with the lifelike depiction of the subject, highlighting Birkenruth’s technical skill and artistic vision. The painting is framed, with overall dimensions of 15 x 12 inches, enhancing its elegant presentation. Known for her ability to capture the human form with both realism and sensitivity, Birkenruth's "Adam" is a compelling addition to any art collection. Kelly Birkenruth’s captivating paintings are in the style of contemporary realism while staying firmly grounded in the tradition of the Old Masters. She is able to pull the viewer into her paintings by interweaving emotion with a humanistic quality through her supreme handling of light. Through her portraits and still lifes she is able to evoke sensitivity and empathy, which in turn allows her to create images which transcend mere representation to capture the true essence of her subject. Kelly’s arresting compositions, draftsmanship, use of color and observation of detail allow her to create paintings with a timeless quality. After earning her degree from Pennsylvania State University, Kelly moved...

"Hosta Party" by Tracy Wall (United States) is an original, handmade oil painting that depicts a landscape and is framed and ready to hang. As an artist, Tracy Wall sheds new light ...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, including The Hunderton Art Museum, Clinton, NJ (2014), the Rosenfeld Gallery, Philadelphia, PA (2013); Therese A. Maloney Art Gallery, College of Saint Elizabeth, Morristown, NJ; group shows at SEFA; and Butters Gallery, Portland...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of t...

The Earthly Paradise Frédérick Bouttats (Antwerp, 1590-1661) Painting is Circa 1610-1612 Oil on wood panel, circa 42 7/8 x 29 3/8 (ca. 52 x 39 frame) inches The inner frame is c18th ...

Portrait of Mary Hammond in Sumptuous Attire, Jewels and Lace c.1618-22 Circle of Cornelius Johnson (1593-1661) This portrait of a lady, presented by Titan Fine Art, is an exquisite example of early seventeenth-century portraiture, remarkable both for the lavishness of its subject’s attire and for the distinguished provenance that has accompanied it across four centuries that adds a rich layer of historical significance. It was once part of the notable collection of Sir William Temple, 1st Baronet (1628–1699) at Moor Park, a stately mansion in Hertfordshire. Temple was a diplomat, essayist, philosopher, and the patron of Jonathan Swift. He was a key participate at an important period in English history, helping not only to negotiate the Triple Alliance, but also the marriage between William of Orange and Princess Mary. His collection at Moor Park was well known in its day, reflecting both his cultivated taste in art and literature and his international connections. Its fabulous attire, rendered with almost microscopic attention, is not merely decorative but emblematic of a world in which visual display was a language of power. Its provenance, stretching from the English country house and Enlightenment scholarship to modernist circles, forms a microcosm of cultural exchange across four centuries. Thus, the portrait of Mary Hammond stands as both a masterpiece of early seventeenth-century craftsmanship and a witness to the grand narrative of collecting and connoisseurship—a testament to the enduring fascination of beauty, status, and history intertwined. By tradition the portrait depicts Mary Hammond (born c.1602), who was Sir William Temple’s mother, and the daughter of the royal physician who served James I, Dr John Hammond (c.1555–1617) and whose family owned Chertsey Abbey in Surrey. The woman appears between 18 and 25 years old, and Mary would be about 18–20 when the portrait was painted circa 1620, therefore this matches the apparent age of the sitter and the fashion perfectly. Mary stood at the intersection of learned/courtly and gentry worlds. On 22 June 1627 she married her first cousin (a common practice for consolidating family wealth and influence during that era.) Sir John Temple (1600-1677) at St Michael, Cornhill in the City of London. The couple resided nearby, at Blackfriars. Her marriage to Sir Temple placed her at the heart of the social and political circles that shaped British history. The couple had at least five children, and they became highly significant historical figures: The eldest son, Sir William Temple, 1st Baronet, became a distinguished diplomat, statesman, and essayist, famous for his role in the Triple Alliance and as a patron and mentor to the writer Jonathan Swift – our portrait was in his collection. Their daughter, Martha Temple, later Lady Giffard, was a notable figure in her own right. She became her brother William's first biographer and a respected letter-writer, providing a rare female perspective on the events and high society of the time. Another son, also named Sir John Temple, became Attorney General for Ireland and was involved in the turbulent politics surrounding the English Civil War and the Act of Settlement in Ireland. Mary died in November 1638 after giving birth to twins and was buried at Penshurst, Kent. The family's connection to Penshurst Place is a major point of interest as this historic manor was the seat of the Sidney family, a major aristocratic and literary dynasty. The portrait was in the collection of the Mary’s son, Sir William Temple. From there it descended to his daughter, and then to her nephew, the Reverend Nicholas Bacon of Spixworth Park, Norfolk (his mother was Dorothy Temple who died in 1758). Indeed, by this time, many Temple relics were in the collection at Spixworth including the engagement ring of the illustrious Dorothy Osborne, Lady Temple, wife of Sir William Temple. The portrait thus linked two prominent English families—the Temples and the Bacons—for generations. It is listed in a Spixworth Park inventory of 27 October 1910 by the local collector and art historian, Prince Duleep Singh. He described it with characteristic precision as: “No. 69. Lady Half Length, body and face turned towards the sinister, hazel eyes upwards to the dexter, red hair dressed low and over the ears, a jewelled coronet behind, pearl ear-rings tied with black strings. Dress: black, bodice cut low and square, with lace all round the opening and over shoulders, sleeves with double slashes showing red lining and lace under, falling thin pleated lace collar, black strings tied behind it, a jewel suspended on a black string round the neck, and a double row of agate and silver beads all round to the shoulders. M. In brown veined stone frame. Age 30. Date c.1620. It is called ‘Dutch portrait from Moor Park, mentioned by Nicholas Bacon of Coddenham and Shrubland as a very valuable painting.’ A few years later, when Robert Bacon Longe’s executors sold the contents of Spixworth Park (19–22 May 1912), the portrait appeared as lot 262, described as: “A very valuable half-length portrait on panel, ‘Dutch Lady, with deep lace collar and pearl and amethyst necklace, pendant, and ear-rings, and auburn hair, with coronet’ Early Dutch School 1620.” Following this sale the painting entered the collection of David and Constance Garnett, prominent literary figures of the early twentieth century, before being gifted to Andre Vladimervitch Tchernavin by 1949, and subsequently passed by him to the present owners in 1994. The two great houses associated with the painting, Moor Park and Spixworth Park, further underscore its pedigree. Moor Park, in Hertfordshire, was among the grandest country estates of seventeenth-century England—its gardens famously redesigned by Sir William Temple himself and later influencing landscape design across Europe. Sir William's Temple's secretary was Jonathan Swift, who lived at Moor Park between 1689 and 1699. Swift began to write "A Tale of the Tub" and "The Battle of the Books" at Moor Park. Spixworth Park, near Norwich, was an Elizabethan country house in Spixworth, Norfolk, located just north of the city of Norwich. It was home to successive generations of the Bacon family, one of Norfolk’s most distinguished dynasties (later, the Bacon Longe family), who were considerable land owners (owning Reymerston Hall, Norfolk, Hingham Hall, Norfolk, Dunston Hall, Norfolk, Abbot's Hall, Stowmarket, and Yelverton Hall, Norfolk). Spixworth Hall and the surrounding parkland remained in the Longe family for 257 years until 1952, when it was demolished. Rendered with meticulous precision and sumptuous detail, the painting depicts an elegantly dressed woman—her poise, costume, and jewels all communicating a message of wealth, refinement, and social rank. Every brushstroke conveys an artist deeply attuned to the textures of luxury and the nuances of feminine dignity. The sitter’s attire is nothing short of magnificent. Her bodice and sleeves are fashioned from the finest black silk or satin, the fabric absorbing and reflecting light in equal measure, suggesting both depth and lustre. Around her shoulders lies an opulent lace ruff—a deep, radiating lace collar worked in such intricate detail that it testifies to both the artist’s technical skill and the sitter’s extravagant taste. Lace of this quality, especially Venetian or Flemish bobbin lace, was one of the costliest materials available in early seventeenth-century Europe, its weight worth more than gold, and was a marker of prestige that rivalled jewels in value. The painter has taken great care to delineate every loop and scallop of the lace, achieving an almost tactile realism. Pale skin was also a desired beauty standard, sometimes accentuated with contrasting black ribbons or strings. Her jewels amplify this display of affluence. Matching earrings and a delicate coronet or jewelled hair ornament with a feather adorn her hair, which is styled in the modest yet fashionable manner of the time. These details are far from decorative excess—they serve as visual emblems of social standing, refinement, and lineage. Portraits of this kind were statements of both identity and aspiration, intended to project a family’s prosperity and moral virtue to posterity. The portrait was most likely painted in London around 1618-1622. The low-cut, décolletage-revealing neckline was fashionable in the courts of England and France during the late Elizabethan and Jacobean eras (c. 1590s-1610s), this style did not prevail in the public fashion of the Low Countries at this time. This style of lace ruff — delicate needle lace with geometric openwork — was fashionable from c.1615 to 1622, and the jewelled caul (hair net) and lace edging over a stiffened coif are consistent with high-status English women’s portraiture between 1610–1620. The puffed sleeve slash and the use of pink satin beneath black velvet belong squarely to the late Jacobean...

Provenance Acquired by the gallery directly from the artist Signed "Peter Adams" on lower right Exhibited Fleeting Moments 2nd Biennale: Works en Plein Air, American Legacy Fine Ar...

Gough’s interest in the elusive quality of memory has always been an invariable interest in his art practice. Rooted in memories of his upbringing in Newfoundland, Gough’s paintings ...

"River 2" Abstract Composition in Acrylic and Gold Leaf on Wood Panel Bold abstract composition by California artist Janet Trenchard (American, b. 1947). This piece is composed of layers of rich dark green, and soft yellow. There are accents of bronze-gold leaf that shimmer under direct light. Streaks and scrapes add dynamic movement to the compostition. Titled and signed on verso: River 2 Janet Trenchard No frame, but the edges are painted for frame-less display. Janet Trenchard (American, b. 1947) is an artist and poet from San Jose, California. Trenchard taught art in public high school for 12 years before retiring to pursue her own creative interests. An artist and writer, her paintings and assemblages have been exhibited in San Jose, Palo Alto, and San Francisco. Her poems and stories have been published in Porter Gulch...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Walter Elmer Schofield Sketch, circa 1880s Oil on panel 12 x 14 inches Walter Elmer Schofield is regarded as a leader of the Philadelphia Impressionists and central to the broader ...

Attributed to Francis Swaine (British, 1725–1782) Naval Engagement at Sea, 18th century Oil on panel In this evocative seascape, a cluster of ships—flags raised, cannons fired—conve...

“Morning Light” is a stunning oil painting on an MDF board measuring 30x30 cm. The artist has beautifully captured the tranquility of a winter morning, bathed in soft light and delic...

Cornelis Van Leemputten Werchter 1841 – 1902 Schaerbeek Belgian Painter 'The Shepherd with his Flock – Le berger et son troupeau' Signature: signed lower right 'Corn. Van Leemputte...

Hand painted and stencilled on panel In 1999 BustArt began his artistic career with classic Graffiti. Until 2005, he became familiar with the whole spectrum of Graffiti and reached...

Hazel Z Weckbach's "Spring Morning" is an original, hand-made watercolor painting. Artist Statement: "Subject matter to me is a vehicle for me to explore how I observe life. My urba...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a silver and gold background with beautiful accents...

Gilbert Munger Near Bourron, France, circa 1886 Signed lower left Oil on panel 13 x 18 inches Gilbert Munger was born on April 14, 1837 in Madison, Connecticut. He showed interest ...

UNFRAMED: 10" x 12" FRAMED: 14.5" x 16.5" x 2.25" Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired by a private colle...

Christine Nobel’s latest exhibition, Notes Cosmiques, translates the act of painting into a form of cosmic notation. Nobel views colour not as static hues but as energy oscillating, ...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Primary Colour Series- Red is Shizico Yi's on going project, inspired by Japanese woodblock Print and the a nod to calligraphy tradition. The series is a continuation of her "Sunlit ...

Richard Rodriguez's (US based) "Onlookers" is an original oil painting that depicts a gathering of horses. My Background Brushes, pallet knives, scrapers & squeegees are used with...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Highlighting Compassion" by James Zamora is a poignant explor...

In this contemporary abstract poured painting, the layers of English's tinted polymer create the depth and surface textures throughout the poured painting on Dibond panel. The shades...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a silver and gold background with red accents with ...

An intimate interior scene of a woman reclining in her living room with a bouquet of flowers on a sunny afternoon. We are charmed by the rich choice of color and intimate details thr...

Charming 19th-century oil on panel attributed to the Flemish School, anonymous artist. This work depicts an intimate interior scene with several figures engaged in daily life, charac...

Eric Blum Untitled No. 1036, 2025 ink, silk, and beeswax on panel 59 x 47 in. (blum102)

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts 2 gestural figures of back bunnies on a Light Sky Blue background with thick use of paint...

"Killing Them Quietly" Oil Painting 24" x 24" inch by Genevieve May Medium: Oil and gold leaf on panel Killing Them Quietly: The serpent is an animal of instinct and calculation. I...

Michael Magrin's ( US based) "Sunset West" is an original, handmade oil painting of a sunset above Colorado plains. This piece is framed in a "barn wood" frame and is ready to hang. ...

3rd Version's (Ben Patterson) "Version 3" is a 2025 oil painting on cradled panel measuring 24 x 18 x 1.5 inches. The work is unframed but ready to hang. Centered against a stylized ...

F. CLEVEROT Captain 1898 Oil on panel 18 x 14 inches Framed: 28 x 24 inches Hand signed lower right recto

Lindsey Kustusch's "London in Shades of Blue" is a compelling handmade original oil on wood panel artwork, measuring 12 x 12 inches. This 2025 piece is a primary market item, arrivin...

One of the key lessons we can glean from the myth of Sisyphus is the importance of resilience and perseverance in the face of adversity. Sisyphus was condemned to an eternity of ceas...

Italian painter (19th-20th century) - Still life with vase of flowers. 83 x 62 cm without frame, 96.5 x 76.5 cm with frame. Antique oil painting on wood, in a wooden frame (not sig...

Terrace on the Sea is an original painting realized in the 19th century by an anonymous artist. The artwork is a colored oil panting on panel. Signed on the ...

"En Provence" Raymond Allègre (France, 1857-1933) Circa 1900 Oil on wood panel Signed lower left, countersigned and titled on the back 13 1/2 x 9 (30 3/4 x 25 1/8 frame) inches It'...

Division of the Spoils in a Military Encampment Entourage of Willem Cornelisz. Duyster (Amsterdam 1599 – 1635) Not signed. Dutch school, late 17th – early 18th century Oil on oak pa...

Jeanine Donkers Until the final bloom 40 x 40 cm ( framed included in price) Measurement with included frame: 44 x 44 cm Oil on wood panel Jeanine Donkers' paintings offer a world ...

Henri Pearson (French, 19th Century) Harbour Scene with Fishing Boats and Figures on the Shore Oil on wood panel, circa 1880–1890 This evocative harbour scene by the French painter H...

"Study of a Goat" Frans Lebret (Netherlands, 1820-1909) Oil on paper on wood panel 9 x 10 (13 1/2 x 14 1/4 frame) inches Initialled lower right This is a simply stunning and deeply ...