Panel Paintings

Acquired by the gallery from a private collector 2015, Pasadena, CA FRAMED: 15.25" x 18.25" x 1.75" UNFRAMED: 9" x 12" SIGNED: Lower Right Exhibited Special Summer Salon: Virtual...

A native son of New England, Peter Poskas III—like many American artists before him—derives inspiration from the charming towns and tranquil landscapes of coastal Maine and Connectic...

An oil painting by Timothy Andrew McGuire. Painted en plein air in Jeffersonville, Vermont. A winter landscape or snow scene. A winding river sits in the middle of the composition, r...

William Huggins (1820 - 1884) Two pumas in a landscape Oil on panel Signed and dated, 'W. Huggins 1840' Exhibition and gallery labels, verso Provenance: Ex-Collection, the Master of...

Hazel Z Weckbach's "Motel" is an original, hand-made oil painting that depicts an intersection, the focus being on a motel sign on the corner. Artist Statement: "Subject matter to m...

​Represented by George Billis Gallery, NYC & LA -- Objects, things that I could hold in my hand or put in my pocket, have always had a life of their own in my imagination and a p...

"Approach" by Blair Atherholt is a an original, hand made painting depicting a cluster of suspended grapes above a brilliantly lit orange. Blair Atherholt is an award-winning conte...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

"The Word from On High" is an original contemporary mixed media painting on panel by Peter Knapp, measuring 24 x 30 x 1.5 inches. Framed in a professional deep walnut finish floater ...

Water reflection with blossoms impressionist oil painting by Gorm Hansen Gorm Hansen, born in 1886 in Copenhagen, Denmark, and died in 1952, is a renowned Danish painter. He is prim...

A staccato of fine horizontal and vertical dashes in crimson, white and turquoise light up a horizontal composition of pastel blue, pink, yellow and green on a blue-slate ground in t...

Mimosa II is a unique painting by contemporary artist Chen Yi Ching. The painting is made with mineral pigments, silver leaves on Japanese paper mounted on wood, dimensions are 41 × ...

A CLOSER LOOK: OBSERVATIONS NOT FAR FROM HOME I have always addressed the details of physical reality in the subjects I choose in order to convey the spirit and feelings that were fi...

"Birds of a Feather," Oil and Acrylic on 2 Panels, 48 x 60 Inches (Diptych). Abstraction in white, tan, yellow, cream, orange, burgundy, green and deep blue. This painting consists ...

Enamel on wood 8" x 10" 2015

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for ...

This contemporary painting is made with luminous silver metallic oil paint with shimmering mica and pigment on cradled panel, painted black. A wild red clover plant and its delicate ...

Painted en plein air in the Bahamas, a narrow seascape beneath a pale lilac sky. A single sailboat soars along the distant horizon. Hues of green, teal, and blue make up the textured...

In an original Harer frame. Illustrated in "Daniel Garber Catalogue Raisonne" Vol. II, pg. 271, and in book titled "Blue Chips", pg. 33 Jim’s of Lambertville is proud to offer this artwork by: Daniel Garber (1880-1958) One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...

Paul-Louis MARTIN des AMOIGNES (Saint Benin d’Azy 1850 – Nevers 1925) The Bohemians Oil on panel H. 37 cm; W. 23 cm Monogrammed lower left "PLM" Circa 1886 Provenance: Private colle...

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST: Jean Feinberg is a NY based artist whose wall constructions - paintings on found wood and paintings on painted plywood - a...

This Flemish Baroque art by David Teniers the Younger’s is a captivating masterpiece, “Tavern Gathering,” painted in 1646. Renowned as the preeminent Flemish genre painter of his tim...

Prize Bulls, Farmer & Owner, 18th Century Early French School Oil On Panel Fine 18th century French School prize bull scene with the farmer and owner, oil on panel. Very early pri...

An elegant and atmospheric portrait depicting a young woman standing gracefully in a flowing white gown against a dark, painterly background. Executed with delicate tonal transitions...

This is a painting about a man who travels back into the past and engages with a different stage in his life. Arnold Friedman worked at the New York City Post Office for four decades...

Robert Minervini’s practice encompasses painting, printmaking, mural painting, and site specific public artworks. His work examines an evolving relationship between nature and cult...

Provenance: Private Collection, New Jersey The present painting depicts Saint Vincent Ferrer preaching from a raised pulpit to a group of seven peopl...

Hunt Slonem Oil Painting "Hombre Heart" Orange Double Bunny A pair of rabbits gestured in red and orange on a matching Diamond Dust background in a vintage frame. Unframed: 14 x 14 ...

Oil, casein & ink on panel Paul Lorenz is an American artist born in 1961 who lives & works in Buckeye, AZ, USA. With an education in Bauhaus architecture, fine art, and music compo...

This piece titled "Swarm" is an original artwork by Jake Messing and is made of acrylic on panel and measures 20"h × 16"w. It is signed en verso by the artist. Jake Messing was born...

This deep blue hyperrealist painting depicts a surfer extending beneath the ocean surface, her body doubled and radically distorted by the moving water above. Created by Spanish pai...

Alexandre Jacovleff (1887–1938), born in Saint Petersburg and later naturalized as French, was a prominent Russian painter. The son of a naval officer, he studied at the Imperial Aca...

The window (La ventana) . Folk Art, Acrylic on wood panel painting by Spanish author Raquel Fariñas. Dimensions in centimetres (H) 177,3 x (W) 95 x (D) 4 In inches: (H) 69.7 x (W)...

"Opium Flower" is a painting by Zura executed in acrylic and pencil on wood panel, set against a deep black background. The stark contrast isolates the flower, giving it a quiet inte...

Materials: acrylic painted paper on Birch panel Non-objective artist Aimée Farnet Siegel works with color and line through the medium of hand-painted and manipulated paper. Her wor...

"Make Me Proud or At Least Less Ashamed" captures a moment of quiet persistence. The surface shimmers with layered paint, paper, resin and copper, materials that hold both fragility ...

Attributed to Godfried SCHALKEN (Made 1643 – The Hague 1706) Young fischer Oil on panel in one board H. 32.5 cm; L. 25.5 cm Around 1670/75 Related works: - Autograph version with nu...

Artist Statement "Painting in Hawaii is always a challenge because the weather and atmospheric conditions are constantly changing. This scene of the Kalalau Lookout had it been paint...

Represented by George Billis Gallery, NYC & LA --Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subject is modernism’s footprint on the outposts of Americana—places typified by harsh artificial light and hard shadows on concrete. The show makes clear that for Young, despite the contemporary art world’s preferences for irony, disjunction, and tongue-in-cheek intellectual gamesmanship, painting is at its best when it attempts to offer an unpretentious accounting of where and how we live our day-to-day lives. The celebrations of urban sprawl offered by artists like Ed Ruscha—who famously took no-nonsense aerial photographs of thirty four LA parking lots in 1967, and created sleek, stripped down paintings of Standard Oil stations—are an obvious point of reference in Young’s work. But Young’s choices seem more personal than Ruscha’s, and his technique is certainly more painterly: His images of gas stations are uneasy amalgamations, cobbled together from his own memories of road trips, photographs, and pure invention, and rendered with a sense of atmosphere and drama seemingly at odds with his use of hard lines and simple geometric shapes. Painters today tend to lean on pastiche, on art-historical mashups and code-switching. This typically results in images with no unified style and no concern for pictorial space, illusionistic or otherwise. For many contemporary painters, the picture plane is simply a flat, delimited arena in which different types of visual syntax collide, floating freely. This is a non-strategy in which artists make an end run around some of the thornier problems of composition, perception, and cognition. Young bucks this trend. He activates every square inch of his canvases, blocking in large passages of negative space with skeins of scruffy countervailing strokes. He is not a fussy painter, nor is he out to prove his own mastery to an audience. Like Edward Hopper, Young tends to eschew a lot of paint’s seductive properties, preferring to create hard edges and large, gently undulating planes of subdued color. He draws the viewer into an unpopulated, uncluttered world with a clear horizon line—but one that is also filled with hiccups, discontinuities, and compromises. In Service in the Rear, for example, a shelter for gas pumps in the foreground—closest to the viewer and, therefore, logically a dominant compositional element—is rendered as a hazy silhouette that flagrantly disobeys the rules of linear perspective. This is intentional: The structure is only important to Young in the way that it draws the viewer’s eye below and past it, to the glowing, low-slung building dominating the lefthand side of the picture. Thus Young shows his talent for creating visual tension and drama—and for sidestepping the viewer’s expectations. Young understands that some might regard his brand of painting as obsolete. He also understands the troubled legacy of modernism, and what the triumph of universal technology has meant for cultures around the globe. Still, for Young, the cold comfort offered by outposts of convenience—gas stations, airports, cheap hotel rooms—is not so easily dismissed. Young shares the strange buoyant optimism of his hero, Jonathan Richman, who, in his early ‘70s proto-punk single, Roadrunner, exults in the simple act of driving past the Stop’n’Shop with the radio on...

Textural abstract painting by Katherine Filice, featuring stucco, mica, ink, charcoal, and found materials layered onto wood. From her "Common Ground" series, this work demonstrates ...

"Tension Play" Acrylic on linen over panel. 12 x 9" 2018 Sara Walton orchestrates a symphony of color that transcends mere visual aesthetics, delving deep into the realm of emotio...

Dimensions with frame: 40,1 x 31,3 x 4 cm. Signed "L. Rheiner" in the lower right corner. A charming and atmospheric rural landscape depicting a woman hanging laundry beside a tranq...

"The 4th of July" (2023) by Lorenzo Chavez is a colorful abstract painting made with oil on panel. About the artist: Born, 1959 Lorenzo Chavez is a renowned fine artist specializin...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

In this contemporary landscape painting in oil on panel, a peaceful summer scene is set, beautifully capturing the idyllic feel of a field of wildflowers in late June Signed, dated a...

Born in San Pedro, California in 1969, Francis DiFronzo has been painting and exhibiting his artwork in the United States for more than thirty years. ...

French mid century view of a classical statue in the park at Versaille, oil on panel, by Emile-Marie Beaume. The painting is signed and located to the back of the panel. presented in...

Preparation for Carnival: a three day festival of insatiable eating, drinking and carousing that preceded the forty days of Lent, a period of penitence when the pious drank only wate...

Daniela Gullotta - "Gymnopédie n.1" (2025) The Artwork In "Gymnopédie n.1", Daniela Gullotta explores interior space as a site of introspection and suspension. The room appears both...

JJ Galloway is an internationally collected artist known for her whimsical paintings and sculptures that combine people, animals, and food. Using oils, watercolors, and mixed media, ...

Mat Tomezko's "Price" series of mixed media collage paintings are constructed from periodicals, circulars, acrylic, asphalt, graffiti, and coal on panel. Using mostly found materials...

Zennor Calling (III) By Mary Scott [2022] original and hand signed by the artist Acrylic and pencil on cradled panel Image size: H:51 cm x W:61 cm Complete Size of Unframed Work: H:...

Thomas Baker British, (1809-1864) Lock on the River Avon near Stratford Oil on panel, signed & dated 1863 Image size: 12 inches x 15.75 inches Size including frame: 17.5 inches...

Charles-Théodore Frère (French, 1814-1888) "A Street Scene in Cairo" In a carved wood frame painted to mimic tortoiseshell with a pale green velour liner.  Circa 1888 Signed Oil...

Deling with the work of Erich Waske today, one encounters first of all a number of reasons why this outstanding artist has fallen into such undeserved oblivion. In addition to the de...

Enrico VEGETTI (Turin, Italy 1863 - Nernier 1951) The last portrait or Selfportrait Oil on panel Signed lower left Title on the back Work: 24.5 x 23 cm Frame: 29.5 x 27.5 cm Proven...

This painting depicts a beautiful, cool yellow, huge full moon rising over a body of water, possibly the ocean, or a very large lake. The reflections playfully ripple in the water wi...

A beautiful decorative screen featuring elegant women in a garden setting painted by the renowned American illustrator Howard Chandler Christy. Medium: Oil on Panel in Three Parts D...

Prominent American landscape artist Peter Poskas has been painting New England for more than three decades. While his earliest pieces were reminiscent of Edward Hopper’s style, inspi...