Panel Paintings

"You've Got The Love" is an abstract mixed media on panel by Carly Allen Martin. The artists use of vibrant color and detailed brushstrokes render ...

A fine antique seascape oil painting on panel by the celebrated marine artist, Frederick Judd Waugh (1861-1940), depicting the Atlantic of the coast of Maine, circa 1910. The painting is finely executed with bold and decisive brush strokes with crisp edges, one can almost hear the roar of the ocean as the surf crashes upon the rocks. The painting is signed lower right "Waugh" and is housed in the original carved & gilded frame. Condition is very good indeed, this fine seascape by one of America's most acclaimed late 19th early 20th century marine artists is ready to grace your wall. The painting will be accompanied with a certicificate of authenticity & provenance. Frederick Judd Waugh was an American artist, primarily known as a marine artist. During World War I, he designed ship camouflage for the U.S. Navy, under the direction of Everett L. Warner. Waugh was the son of a well-known Philadelphia portrait painter, Samuel Waugh. He studied at the Pennsylvania Academy of Fine Arts with Thomas Eakins, and at the Académie Julian in Paris with Adolphe-William Bouguereau. After leaving Paris, he moved to England, residing on the island of Sark in the English Channel, where he made his living as a seascape painter. In 1898 he was recorded as living in Heath and Reach, Bedfordshire. In 1908, Waugh returned to the U.S., settling in Montclair Heights, New Jersey. He had no studio until art collector William T. Evans (a railroad financier and President of the dry goods firm, Mills Gibbs Corporation) offered him one in exchange for one painting a year. In later years, he lived on Bailey Island, Maine, and in Provincetown, Massachusetts. Waugh’s marinescapes were highly acclaimed, garnering him the Popular Prize at the Carnegie International Exhibition for five years in a row, a feat accomplished by no other artist. In 1914, he was a judge of the art exhibit on Monhegan Island, Maine during the 1914 Ter-Centenary celebration of the Voyage of Captain John Smith. In addition to his marinescapes, Waugh sometimes published work in periodicals, such as The Green Sheaf, to which he contributed at least one illustration. He also produced paintings and sketches on legendary and mythological themes; see, for instance, his 1921 sketch “Levitation in Dream No. 3”, and his c. 1912 painting “The Knight of the Holy Grail”. In 1918, Waugh was recommended to serve as a camouflage artist (or camoufleur) for the U.S. Navy, as a member of the Design Section of its marine camouflage unit. That section was located in Washington, D.C., and was headed by American painter Everett L. Warner. According to a biography of Waugh, “Many large ships, including the Leviathan, were painted according to his designs. Though the enterprise was of course a team effort in which no man played a solo part, he had every reason to be proud of his record. Only one ship with his system of camouflage was lost during the war”. Waugh was known to produce literary work, publishing a short poem in Pamela Colman Smith’s short-lived periodical The Green Sheaf; a fairy tale in The English Illustrated Magazine; and, in 1916, the book The Clan of Munes...

Nebraka-based Jamie Burmeister is a sculptural artist known for his original artworks incorporating original small bronze figures, standing at just up to 4 inches tall. His unique fi...

Matt Talbert's "Stillness" (2024) is an oil painting on linen, measuring 21 x 14 inches (53.34 x 35.56 cm). The unframed artwork features a nude female figure seated beside a window,...

Landscape, c. 1930-40s, oil on panel, signed lower right, 16 x 20 inches Jeanette Maxfield Lewis was a California-based landscape painter and etcher. Born in Oakland, she spent much...

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Tania Rivilis Chroma-Q 41 x 29 cm framed (included in price) 44 x 32 cm Oilpaint on wood panel Tania Rivilis (b. 1986) 2022 winner of the 'William Locke Price' ( £ 30.000 ) from ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on white background with thick use of paint. It is hou...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Maroniez is best known as an accomplished painter of the sea and the life of fishermen. He painted mainly in Brittany ( France ) Museums and galleries holdings : Boulogne: Mussel b...

French 19th century Chickens in a landscape Charles-Emile Jacque (23 May 1813 – 7 May 1894) was a French painter of animals (animalier) and engr...

Adriaen de Grijef (Leiden 1657 - Brussels 1722) - The Return from the Hunt. 40 x 36 cm unframed, 56 x 51 cm with frame. Oil on panel, in a carved and gilded wooden frame. - Signed...

This striking devotional image, painted by a follower of Jan Gossaert, represents one of the most influential compositions of the Northern Renaissance: Christ on the Cold Stone, or C...

This female nude piece titled "Rise and Fall" is an original artwork made from oil on panel by Lauren Rinaldi. This piece measures 24”h x 18”w. Lauren Rinaldi (b. 1983, Brooklyn, NY...

Ingrid Smuling 'Stack of French bowls' 24 x 18 cm olieverf Framed size! 32 x 26 cm ( Frame is included) Oil on wood panel Ingrid Smuling, the Grand Lady of Still life painting is ...

Kelly Birkenruth’s "Jules" (2024) is a masterfully executed oil painting on panel, measuring 12 x 8 inches (framed dimensions: 13.5 x 9.5 inches). This contemporary figurative work c...

Jennifer Bricker-Pugh Signal 3 Acrylic on Panel Year: 2022 Size: 10x10x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1093 Jennifer is an Abstract...

Tamar Zinn Unseen Voices 40 (triptych), 2025 oil on panel 24 x 65 in. three 24 x 21 in. panels (zinn1097) "Atmospheric ambiguity and a love of structure are long-time preoccupations...

"NYC - Central Park West" by Christopher Clark is an original abstract impressionist oil painting on cradled board that is ready to hang. Christopher has been an artist since earl...

This exquisite painting, titled "Rocky Path With Figures" is a captivating example of Thomas Barker of Bath's talent. Despite its small size, measuring only 13 x 11 cm, this piece sh...

The oil paintings of the contemporary Dutch artist Paul Jansen invites the viewer to look beyond the standard picture within the frame. It feels as if the ...

Jennifer Bricker-Pugh Signal 5 Acrylic on Panel Year: 2022 Size: 10x10x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1093 Jennifer is an Abstract...

Ingrid Smuling Buttercups in a Turquoise Bottle 15 x 9 cm olieverf Framed size! 25 x 19 cm ( Frame is included) Oil on wood panel Ingrid Smuling, the Grand Lady of Still life pain...

In this contemporary landscape painting in oil on panel by David Konigsberg, the drama and sublime beauty of the sky in New York State's Hudson Valley is captured. The artist is wide...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

This still-life is made by Dutch painter Erik Zwaga. The painter started in the style of the romantic school, Erik Zwaga began to search more and more for his own visual language...

This contemporary abstract painting by Jill haas features a contemporary style, often exploring themes of introspection and emotion through abstract forms and thoughtful color palett...

Adolphus Knell 19th-century English Warship at sea Owning in a 19th-century English fishing boat captured at sea circa 1880 by Adolphus Knell, with the sun rising or setting, offer...

Signed and dated figures in landscape oil on canvas by French impressionist painter Maximilien Luce. The piece depicts two women in a garden in Gisors - a commune in the French depar...

A highly important Flemish Old Master oil painting by Peter Van Lint (1609-1690), titled "Preparing for the Hunt", the painting is dated & signed by the artist, 1620. The painting wa...

Longing instant at dusk #15 is a unique painting by Japanese contemporary artist Shoko Okumura. This painting is made with pigments and silver leaf on Japanese paper mounted on wood ...

Joseph Lorusso was born in Chicago, Illinois, in 1966 and received his formal training at the American Academy of Art. He went on to receive his B.F.A. degree from the Kansas City Ar...

Auguste Serrure 1825 - 1903, was a Flemish born painter. The description of his birthplace is generally described as Belgium, however the Flemish nationality became Belgian in 1830 a...

Longing instant at dusk #7 is a unique painting by Japanese contemporary artist Shoko Okumura. This painting is made with pigments and silver leaf on Japanese paper mounted on wood p...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Elena Burykina's "Laura" (2021) is an original, handmade oil painting that depicts a close up portrait of a woman. This piece measure 12 x 12 in and is ready to hang. About the Arti...

This tender scene by German artist Georg Buchner captures a quiet, intimate moment: a young girl carefully watering a potted plant on a windowsill. The warm light gently illuminates ...

This still-life is made by Dutch painter Erik Zwaga. The painter started in the style of the romantic school, Erik Zwaga began to search more and more for his own visual language...

Jacob Dhein's "Chicago Rain" a 2023 original oil on panel, stands at 17.7 x 23.6 inches. This piece highlights Dhein's ability to capture reflection, diffusion, and a beautiful impre...

Edward Avedisian (American, 1936-2007) Abstract Large Painting Acrylic on panel heavily textured with a 3D effect. Dimensions: 48"h x 75"w Circa late 1970s, early 1980s Provenance: ...

'Seaweed Harvester II', 2021 is a gorgeous painting of two men gathering seaweed on the beach. The multiple blues of the sky and sea are reflective of the ephemeral time and moment t...

Hunt Slonem "Andrilla" Black and Pink Bunny A single rabbit gestured in black on a dark blue background in a vintage frame Unframed: 8 x 6 inches Framed: 12.5 x 10.5 inches *Paintin...

Ferdinand Victor Leon Roybet. French ( b.1840 – d.1920 ). Le Mousquetaire. Oil On Panel. Signed Upper Right. Image size 31.1 inches x 24.4...

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

A ground of viridian green frames an iconic bouquet of cerise and white in this classic oil on panel by Jennifer Hornyak. Framed dimensions are 14.25 x 18.25 inches. Inspired by Ge...

James Van Fossan's "Sky 61" is an original, handmade oil painting that depicts a skyscape of grey and white clouds arching through a blue sky and the sunlight dances through it.

Continuing a series of small paintings in oil and tempera on wooden boards, artist turned to the image found in the live sketches at one of the beautiful Saturday mornings. So once ...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Multicolor and silver background with thick use o...

Figure standing with window

Eleanor Jones Harvey, Chief Curator at the Smithsonian American Art Museum, writes about Bob Stuth-Wade: “Over the course of his career, Bob Stuth-Wade has examined his responses to life through landscape, still life, portraiture, and abstraction. Restlessly creative, he has explored these varied genres with equal concentration…..” Bob Stuth-Wade’s method of painting is uniquely his own, having taught himself technique; his only formal training was as a teenager with Dallas artist Perry Nichols...

A fauvist still life painting of a red cactus flower by Agda Holst (1886-1976). Oil on panel, signed Agda Holst. Probably painted somewhere around 1912-1920 when she had returned to Sweden after her studies abroad. It is painted on a Swedish panel...

An original oil painting on linen panel of an antique fishing lure, framed in a hand-made frame by one of New York's finest frame makers. Master...

Elizabeth Geisler is best known for her dazzling contemporary water reflection paintings that bridge realism with abstraction. Up close, the paintings appear ambiguous and loose, yet...

"Meadow in the Rockies" (2025) by Lorenzo Chavez is an original, handmade oil painting that depicts a serene autumn midwestern landscape, looking out onto the base of small mountain ...

A wonderful composition Slonem's Macaws. This piece depicts gestural figures of colorful Cardinals on a white background with thick use of paint. Inspired by nature and a genuine lov...

Walter Elmer Schofield Sketch, circa 1880s Oil on panel 12 x 14 inches Walter Elmer Schofield is regarded as a leader of the Philadelphia Impressionists and central to the broader ...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Panel Year: 2025 Style: Impressionism, Title: Summer Trees, Size: 37.5" x 25.5...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on a Scarlet Red background with thick use of paint. I...