Panel Paintings

Follower of Johann Heinrich Tischbein the Elder (1722–1789) Man with Bagpipes oil on oak panel no signature 25 × 19 cm (9.8 × 7.5 in) 31 x 26 cm (12.2 x 10.2 in) This refined 18th...

Figures on Beach Shoreline Painting of Cliffs in Ireland Oil on Canvas 1990's, by Irish Artist Darren Paul. Art measures 17 x 13 inches Frame measures 24 x 19 inches This atmospheric coastal landscape captures the rugged beauty of Fair Head, one of Northern Ireland's most iconic natural landmarks. Painted with expressive brushwork and a sensitive understanding of light, the composition draws the viewer across the golden sands and shimmering waters towards the dramatic basalt cliffs that rise majestically above the sea. Soft coastal light filters through sweeping cloud formations, creating a sense of movement and changing weather that is synonymous with the wild Antrim coastline. In the foreground, figures strolling along the beach provide both scale and a human connection to the vast landscape, while the distant white cottages nestle beneath the imposing cliffs, emphasising the harmony between nature and rural life. The artist's confident handling of colour and texture evokes the fresh sea air, rolling surf and expansive horizons of this celebrated Irish location. Rich earth tones contrast beautifully with cool blues and silvery greys, creating a balanced and inviting composition that captures both the grandeur and tranquillity of the scene. A timeless portrayal of one of Ireland's most spectacular coastal settings, this painting will appeal to collectors of Irish landscapes, maritime subjects and works that celebrate the enduring beauty of the natural world. Darren Paul was born in Belfast in 1944. From childhood, Darren had an affinity for art. He attended art classes under the tutorage of Desmond Kinney...

Signed oil on panel figures in landscape circa 1920 by French post impressionist painter Lucien Adrion. The painting depicts families enjoying a day at the beach in Deauville - some ...

Peter Hoffer portrays trees. He invites the audience to take a closer look at their posture, their details and their expressions. The subject is as important as the technique: the wa...

Oil on panel landscape circa 1920 by French post impressionist painter Adolphe Louis Gaussen. The work depicts a view of a rocky coastline in the south of France beside the bright bl...

Randall Exon (b.1956). Matthew, 1990. Oil on wood panel. Measures 24 x 36 inches. Unframed. Excellent condition with no damage or conservation. Signed and dated lower right. Gallery stamp on verso. Plastic wall mount taped down on verso. Provenance: The More Gallery INC, Philadelphia; Aramark Corporate Collection. Randall Exon (b. 1956) was born in Vermillion, South Dakota. Exon earned his B.F.A. in painting from Washburn University in Topeka, Kansas, and an M.F.A. at the University of Iowa. In 2003, the James A. Michener Art Museum in Doylestown, Pennsylvania, staged a solo exhibition of his work. He was awarded the Thomas Benedict Clarke Prize in the 2004 179th Annual Invitation Exhibition of Contemporary American Art at the National Academy Museum and School of Fine Arts, New York. More recently, Exon’s work was featured in Visions of the Susquehanna, a traveling exhibition organized by the Lancaster Museum of Art, Pennsylvania, in 2008, and Haunting Narratives, a major exhibition at the Woodmere Art Museum, Philadelphia, in 2012. BORN 1956 Vermillion, SD EDUCATION 1982 M.F.A. in Painting, University of Iowa, Iowa City, IA 1981 Skowhegan School of Painting, Skowhegan, ME 1981 M.A. in Painting, University of Iowa, Iowa City, IA 1978 B.F.A. in Painting, Washburn University, Topeka, KS SOLO EXHIBITIONS 2013 Hirschl & Adler Modern, New York, NY 2009 Hirschl & Adler Modern, New York, NY 2007 Hirschl & Adler Modern, New York, NY 2004 Hirschl & Adler Modern, New York, NY 2003 Randall Exon: A Quiet Light, James A. Michener Art Museum, Doylestown, PA 2001 Mulvane Museum of Art, Topeka, KS 2000 More Gallery, Philadelphia, PA 1998 More Gallery, Philadelphia, PA 1996 More Gallery, Philadelphia, PA 1994 More Gallery, Philadelphia, PA 1993 Tasis England American School, Main Gallery, Thorpe, Surrey, England 1992 More Gallery, Philadelphia, PA Theatre Gallery, Washburn University, Topeka, KS Widener University Art Museum, Chester, PA 1990 Charles More Gallery, Philadelphia, PA 1988 West Chester University, McKinney Gallery, Mitchell Hall, West Chester, PA Charles More Gallery, Philadelphia, PA Carleton College, Northfield, MN 1987 University of Maine at Machias, University Gallery, ME Topeka Public Library, Central Gallery, KS 1986 More Gallery, Philadelphia, PA 1984 More Gallery, Philadelphia, PA Stoneybrook School, Suffolk, Long Island, NY 1981-82 Florence Wilcox Gallery, Swarthmore College, PA Beauchamp Gallery, Topeka, KS SELECTED GROUP EXHIBITIONS 2019 Unforeseeable Thereness, Stanek Gallery, Philadelphia, PA 2018 Vis-à-Vis, Hirschl & Adler Galleries, New York, NY 2017 The New Baroque, Booth Gallery, New York, NY, curated by Robert Zeller Painted Landscapes: Contemporary Views, Heritage Museums and Gardens, Sandwich, MA 2016 Mixed Environs: Contemporary Painters, Lore Degenstein Gallery, Susquehanna University, Selinsgrove, PA 2015 Home is Where the Art Is, Hirschl & Adler Galleries, New York, NY 2014 Our American Life, Hirschl & Adler Galleries, New York, NY 2014 Edge of the Seat, The Rye Arts Center Gallery, Rye, NY 2013 Duets: Art in Conversation, Hirschl & Adler Galleries, New York, NY 2012 Haunting Narratives: Detours from Philadelphia Realism, 1935-Present, Woodmere Art Museum, Philadelphia, PA Structuring Nature, Walton Arts Center, Fayetteville, AR Summer Selections, Hirschl & Adler Modern, New York, NY 2011 Masterworks: The Best of Hirschl & Adler, Hirschl & Adler Galleries, New York, NY 2010 Summer Selections, Hirschl & Adler Modern, New York, NY 2009 Holiday Selections, Hirschl & Adler Modern, New York, NY 2008-2009 American Green – Art and Stewardship, Somerville-Manning Gallery, Greenville, DE 2008 Holiday Selections, Hirschl & Adler Modern, New York, NY Summer Selections, Hirschl & Adler Modern, New York, NY 2007 Finding a Form: Influences in Figurative Painting, Tower Gallery, Philadelphia, PA Holiday Selections, Hirschl & Adler Modern, New York, NY Summer Selections, Hirschl & Adler Modern, New York, NY 2006-2008 Visions of the Susquehanna, Susquehanna Art Museum, PA; Governor’s Residence, Harrisburgh, PA; Washington County Museum of Fine Arts, Hagerstown, MD; Roberson Center for Art and Science, Binghamton, NY. 2006 Summer Selections, Hirschl & Adler Modern, New York, NY 2004 179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy of Design, New York, NY Selected Works from the Ballinglen Collection, United States Embassy to Ireland, Ambassadors Residence, Phoenix Park, Dublin, Republic of Ireland. Part of the Art in the Embassies Program, Washington D.C. 2001 Personal Affinities, Contemporary Artists Influenced by the works of Edwin Dickinson, Pennsylvania Academy of the Fine Arts Museum, Philadelphia, PA 2000 December Show, Fenton Gallery, Cork City, Ireland Works from the Archives, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland 1999 New Realism for a New Millennium, Memorial Art Gallery, University of Rochester, NY Indomitable Spirits, The Figure At The End Of The Century, The Art Institute of Southern California, Laguna Beach, CA 1998 Visual Poetry, A Selection of Work by Artists Inspired by the Words and Sentiments of Walt Whitman, Stedman Gallery, Rutgers University, Camden, NJ The Artist's Window, Lee Hansley Gallery, Raleigh, NC Embodied Fictions, Twelve Contemporary Figure Painters, The Boyden Gallery, St. Mary's College of Maryland, St. Mary’s City, MD 1997 Abstract and Image, Four Painters, Hopkin's Center, Dartmouth College, Hanover, NH An Extended View: Landscapes by Philadelphia Artists, Levy and Paley Galleries, Moore College of Art and Design, Philadelphia, PA 1996 Figure Drawings, Hillyer Hall, Smith College, Northampton, MA Figurative Paintings, Edith Caldwell Gallery, San Francisco, CA A Show of Hands (Exhibit and auction to assist AIDS research), Moore College of Art and Design, Philadelphia, PA 1994 Figures in the Landscape, More Gallery, Philadelphia, PA 1992 Landscapes by Randall Exon & Joseph Byrne, Dartmouth College, Hanover, NH 1991 A Show of Hands, Moore College of Art and Design, Philadelphia, PA 1991 Ten Contemporary Philadelphia Painters, Westmoreland Museum, Greensburg, PA 1991 Sport in Art, Woodmere Museum, Chestnut Hill, PA 1990 Myth and Monument, More Gallery, Philadelphia, PA 1990 Evidence of the Senses, 7 Painters, Woodmere Museum, Chestnut Hill, PA Pollack Award Winners, Mulvane Gallery, Washburn University, Topeka, KS 1989 Works on Paper, More Gallery, Philadelphia, PA Nocturnes, More Gallery, Philadelphia, PA 1986 Nature Morte, Southern Alleghenies Museum of Art, St. Francis College, Loretto, PA 1984 The Spirit of the Coast: Paintings, Monmouth Museum, NJ Drawings: Personal and Intimate, More Gallery, Philadelphia, PA Night Paintings, Florence Wilcox Gallery, Swarthmore, PA 1983 Realist Direction, Penn State University Museum, University Park, PA 1981 Graduate Student Traveling Exhibit, University of Iowa, Iowa City, IA 1980 Selected Painters, Mulvane Gallery, Washburn University, Topeka, KS 1979 Artists Choose Artists Exhibit, University of Missouri at Kansas City Art Gallery, MO JURIED SHOWS 1990 Philadelphia Art Now, Philadelphia Museum of Art, PA 1989 State of Pennsylvania Juried Exhibition, William Penn Museum, Harrisburg, PA 1987 State of Pennsylvania Juried Exhibition, William Penn Museum, Harrisburg, PA 1984 Butler Institute of American Art Annual Exhibit, Youngstown, OH National Academy of Design Biannual Competition, New York, NY 1981 32nd Iowa Artists Exhibition, Des Moines Art Center, Des Moines, IA 1980 Iowa Artists Solon, Burnnier Gallery, Iowa State University, Ames, IA 1979 Kansas Bankers Association Exhibition, Topeka, KS AWARDS/GRANTS/RESIDENCIES 2004 The Thomas Benedict Clarke Prize, 179th Annual Invitational Exhibition of Contemporary American Art, National Academy Museum and School of Fine Arts, New York, NY 2001 2nd Fellowship, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland Eugene M. Lang Faculty Fellowship, Swarthmore College, PA 1997 Fellow, Ballinglen Arts Foundation, Ballycastle, County Mayo, Ireland 1992 Washburn Fellow, Washburn University, Topeka, KS 1989 Eugene M. Lang Faculty Fellowship, Swarthmore College, PA 1988 Andrew Carnegie Prize, 163rd Annual Exhibition of the National Academy of Design, New York, NY 1987 1985-86 1984 1981 1981 1980 1976, 78 TEACHING 1982-present 1994-00 1980-82 Best of Show prize, juried museum exhibition, The State Museum of Pennsylvania, Harrisburg, PA Henry Luce Scholar, Bali, Indonesia Julius Halgarten Prize for Best Painting by an Artist under 35 years of age Academy of Design Annual Exhibition, New York, NY Iowa Artists Salon, Second Prize Skowhegan Scholarship Award, University of Iowa, Iowa City, IA Student Award, 32nd Iowa Artists Exhibition, Des Moines Art Center, IA Charles Pollack purchase prize for the best painting from annual student exhibition, Washburn University, Topeka, KS Professor in Studio Arts, Swarthmore College, Swarthmore, PA Chair, Department of Art, Swarthmore College, Swarthmore, PA Teaching Assistant to Ben Frank Moss, University of Iowa, Iowa City, IA VISITING ARTIST/LECTURES 2002 2001 1998 1995 1994 1993 1994, 1992 1992 1989 1987 1986 1985 1982 Pennsylvania State University, Abington, PA Hollins College, Roanoke, VA Maryland Arts Institute, Baltimore, MD Beaver College, Glenside, PA Union College, Department of Art, Schenectady, NY Allentown Art Museum, PA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Bucks County Community College, Newtown, PA Tasis England American School, Thorpe, Surrey, England Boston Art Institute, MA Boston University, M.F.A. program, MA Beaver College, Department of Art, Philadelphia, PA Dartmouth College, Department of Visual Studies, Hanover, NH Dartmouth College, Department of Visual Studies, Hanover, NH Carleton College, Northfield, MN University of Maine at Machias, ME Horsham College of Art, Horsham, England Stoneybrook School, Suffolk, Long Island, NY Moore College of Art, Basic Drawing, Philadelphia, PA Vassar College, Department of Art, Poughkeepsie, NY PUBLIC COLLECTIONS Allentown Art Museum, PA ARA Corporation, Philadelphia, PA Security Pacific National Bank, Sanger Branch, Los Angeles, CA University of Iowa, Permanent Collection, Iowa City, IA Mulvane Gallery Permanent Collection, Washburn University, Topeka, KS Woodmere Museum, Mt. Airy, Philadelphia, PA Henry Luce Foundation, New York, NY Henry Wendt Collection, Philadelphia, PA Susquehanna Art Museum, Harrisburg, PA SELECTED BIBLIOGRAPHY Sozanski, Edward J. “Simple Situations, in almost holy light,” Philadelphia Inquirer , February 7, 2003 Francis, Naila,“Studies in Light, Space,” The Intelligencer, January 9, 2003 Thompson, Jodi, “Fabulous Realism, seeing the light,” Out & About, January 9, 2003 Hopkin, Alannah, The Irish Examiner, July 1, 2002 Hopkin, Alannah, The Irish Examiner, January 2002 Sosanski, Edward, Philadelphia Inquirer, February 2001 Carr, Jeffrey, “Landscapes of the Imagination,” American Artist, January 1999 “On The Town,” New York Times Art Review, November 1998 Adelson, Fred B...

William Hughes British, 19th Century Study of Apples, circa 1870 Oil on panel Monogrammed lower right A finely observed and intimate still life by William Hughes, painted circa 1870, depicting a small grouping of apples arranged upon a simple wooden surface. Executed with quiet restraint and technical assurance, the composition reflects the enduring appeal of Victorian still life painting, where humble subjects are elevated through careful observation and painterly sensitivity. The apples, shown attached to a slender branch with leaves, are rendered with particular attention to texture and natural variation. Subtle transitions of colour—soft greens, warm russets, and touches of golden ochre—capture the ripeness and individuality of each fruit. The surfaces are delicately modelled, with highlights and imperfections thoughtfully described, lending the work both realism and charm. Set against a rich, dark background, the fruit is brought into sharp relief, a compositional device that enhances both depth and focus. The contrast between the illuminated forms and the shadowed ground creates a sense of quiet drama, while the horizontal line of the wooden ledge anchors the composition with stability and balance. Hughes’ handling is confident yet controlled, combining fine brushwork with a painterly softness that avoids excessive detail. The leaves and stems are treated with a lighter touch, providing a natural counterpoint to the more solid forms of the apples. This balance between precision and atmosphere is characteristic of well-executed 19th-century British still life painting...

Suchitra Bhosle's "A Moment in Time" is an original, handmade oil painting that depicts a woman, in all white, crouching with her knees pulled to her c...

Sandra Pratt (American, b. 1978) "Grey Barn," 2024 Oil on linen panel 16 x 16 x 1.4 in (40.64 x 40.64 x 3.56 cm) Framed size: 18 x 18 in Signed lower right. A slate grey roof with w...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Judd Mercer (American, b. 1982). "Diminishing Returns," 2026. Oil on panel. 5 x 5 in (12.7 x 12.7 cm). Signed by the artist with his monogram, lower left. Sold unframed; the panel is...

Kimberly Blackstock’s “And So We Danced” brings together the softness of a blooming landscape with the dimensional beauty of her signature “pools of paint.” The surface feels joyful ...

GEOMETRIC COLLAGE 12 SQUARES Size: 32.5 x 28 cm (including frame) Repurposed book binding materials on wooden panel A very unique original artwork by contemporary British artist Dav...

This striking nude female portrait is framed at 39 inches by 39 inches, and is wired and ready to hang Michael W. Vacchiano is a Denver-based artist with a primary focus in figurati...

Dimension with frame : 36,5 x 28,5 x 4,5 cm. A charming 19th-century Italian oil study attributed to Silvestro Lega (1826–1895), depicting a woman seen from behind in a rustic sunli...

James Van Fossan's "Sky 61" is an original, handmade oil painting that depicts a skyscape of grey and white clouds arching through a blue sky and the sunlight dances through it.

A Spectacular, Large 1960s Mid-Century Modern Abstract Studio Still Life Painting by Notable Chicago Artist, Rudolph Pen. A painting of dy...

Oil on panel painting of a Breton woman by C F Aubray. Signed low-left. Excellent condition.

Brian O'Neill's (US based) "Exhale" is an original, handmade oil painting that depicts a nude male figure stooped over and keeling on the ground, with his back exposed and bowing his...

This still-life is made by Dutch painter Erik Zwaga. The painter started in the style of the romantic school, Erik Zwaga began to search more and more for his own visual language...

Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She moved to Barcelona (Spain) i...

Katrina Revenaugh Graffiti Garden No.11 Archival Pigment Ink, Gold Leaf, Acrylic and Spray Paint on Birch Panel with Gold Leaf Edges Year: 2023 Size: 24 × 20 x 1.75 inches (60.96 x 5...

A Large, Captivating, 1960s Mid-Century Modern Floral Still Life Painting by Notable Chicago Artist, Rudolph Pen. A painting of dynamic color and patterned forms. Painted in the 19...

"California Beach" by Sparky LeBold (US and Portugal based) is a beautiful handmade oil painting that depicts a view of the Pacific Ocean on a stormy evening. ARTIST STATEMENT Spa...

In this contemporary landscape painting in oil on panel, a peaceful summer scene is set, beautifully capturing the idyllic feel of a field and yellow goldenrod wildflowers in July. S...

This striking devotional image, painted by a follower of Jan Gossaert, represents one of the most influential compositions of the Northern Renaissance: Christ on the Cold Stone, or C...

Keimpe van der Kooi Pink with flowers 80 x 68 cm Framed: 73 x 110 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes...

Happiness is a unique painting by contemporary artist Chen Yi Ching. The painting is made with mineral pigments on Japanese paper mounted on wood, dimensions (unframed) are 70 × 150 ...

Original work in XL American box Made on a wooden panel (MDF 10mm) prepared in the traditional way with a gesso coating, the painting is entirely done by hand, no gluing, no AI. The ...

In this sketch entitled “Camel Beach”, the artist transports us to the shores of Santander through carefully placed brushstrokes. With a palette of cold tones, the painting captures ...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Judd Mercer (b. 1982) creates landscape paintings that capture fleeting, dramatic moments of light to evoke a sense of awe and wonder. "Light is everything—my main ingredient, setti...

Acrylic on vellum mounted to panel.

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Morgan Cameron’s (US based) “Carousel” is an oil painting on panel that depicts a white carousel horse with bridle and saddle with gilded gold accents. This painting is framed and ...

lake, water, calm, green, blue, grey, neutral, dusk, lake, trees, reflection, mountains. Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on ...

A French Chasseur a Cheval de la Garde Imperiale, drinking outside an Inn or Pub. Frank Moss Bennett was born in Liverpool, England on 15 November 1...

Louis Ferrand (1905–1992), "Vase of Flowers," oil still life on hardboard, signed and dated "L. Ferrand 61" in the lower right corner. Born in Belle-Île-en-Mer in 1905, Louis Ferra...

"When I walk into my atelier to start a new painting, I look at the white surface, feeling into it, and the first color that comes to mind is where I begin. I start by pouring the pa...

Sietse W. Jonker Meditation No. 17 26,5 x 17 cm (size with custom made frame-included in price- 36 x 27 cm) Oil on wood In Meditation No. 17, Sietse Jonker transforms an apparently...

Ingrid Smuling Yellow Cowslip Flowers in Chinese Vase 24,5 x 29 cm olieverf Framed size! 34,5 x 39 cm ( Frame is included) Oil on wood panel Ingrid Smuling, the Grand Lady of Stil...

Clyde Steadman's "On the Arkansas" is an original, handmade oil painting that depicts an impasto painting of cows gathered along a river with a pasture behind them.

"Cloud Composition 2" is a realistic capturing of a golden skyscape, created with oil paint on panel. This piece is framed at 9.5 x 9.5 inches and is ready to hang. Jesse Mangerson ...

Mimosa II is a unique painting by contemporary artist Chen Yi Ching. The painting is made with mineral pigments, silver leaves on Japanese paper mounted on wood, dimensions are 41 × ...

A monumental work, comprised of 66 small square panels, each painted with a single orthogonal, are installed in a precise grid: six high and ten across. The orthogonal panels are pai...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1997 by a private collector, Palo Alto, San Carlos, and Oceanside, ...

Signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en rout...

This special Set offer includes two original oil and silver leaf on canvas -White Butterfly -Moonlit Blue Cat White Butterfly is one of Shizico Yi's latest projects, inspired by Japa...

Portarit - Angelo Granati Italia 2019 - Oil on panel cm.70 x 50. This is his reinterpretation of a greatest old master painting "Portrait de la duchesse de Morny, née princesse Troubetzko "by Franz Xaver Winterhalteri. Franz Xaver Winterhalter was a German painter and lithographer. He worked in numerous European courts, such as Karlsruhe, Paris, London, Prague and Moscow, performing grandiose portraits of rulers, such as the one for King Louis Philippe of France in 1839 (in Versailles) or the one for Queen Victoria with her family in 1842 at Windsor Castle. He also painted three famous portraits of Empress Elisabeth of Austria...

Mark Andrew Bailey's "Nestled In" is an original, handmade oil painting that depicts blue shadows and yellow light playing on the surface of snow co...

Hunt Slonem Oil Painting "Sky Light" Blue Oval Bunny A single rabbit gestured in black on a light blue background in a vintage frame Unframed: 12 x 10 inches Framed: 17.5 x 15.5 inc...

'L'Obscurité' by Richard Whitten, 2009. Trompe L'oeil, Newport Art Museum, Frye Museum, Yale ----- Initialed lower left, 'RCW' for Richard Whitten (American, born 1958) and dated, l...

Frank Dekkers Landscape 18 15 x 20 cm (framed, included in price 20 x 25 cm) oil on Panel About the artist: Frank Dekkers, an outdoor painter, but not a "square painter" as we know...

Look for Free Shipping at Checkout Brass Incense Box with Carnations 12" x 16" oil on panel . Archival Frame Artist Comment : The brass incense burner in this painting belonged to...

Hunt Slonem Oil Painting "Untitled" Black and Blue Bunny A single rabbit gestured in black on a blue background in a vintage frame Unframed: 8 x 6 inches Framed: 12.5 x 10.5 inches ...

Robert Lebsack creates artworks using mixed media with ink, acrylic, and charcoal on archival copies of newspapers, textbooks, and sheet music. As a visionary artist, Lebsack weaves ...

Acquired by the gallery directly from the artist UNFRAMED: 8" x 10" FRAMED: 11.75" x 13.75" x 1.5" SIGNED: Lower Right Artist Statement "This is a painting of the entrance to Gra...

Crucifixion, studio of the Master of the Half-Figures (Antwerp, active 1500-1550), not signed Antwerp School, mid-16th century Oil on oak panel , h. 88 cm, w. 59 cm Original frame, framed: h. 98 cm, w. 68 cm A rare example of Antwerp painting from the first half of the 16th century, our Crucifixion captivates as much by the quality of its expansive river landscape as by the delicacy of its figures and the brilliance of its palette. The richness of the colors, the balance between devotion and narrative, and the subtlety of the atmospheric effects make it a particularly representative work of the artistic refinement developed in the workshop of the Master of the Half-Figures. Through its remarkable synthesis of the world-landscape inherited from Patinir and the expressive gentleness characteristic of the Master of the Half-Figures, this composition stands out as a particularly accomplished example of the Antwerp Flemish Renaissance. Our painting of the Crucifixion is organized around the central figure of Christ nailed to a high cross erected atop Golgotha. His slender, pale body stands out against a blue-green sky that lightens towards the horizon, creating an atmospheric depth characteristic of Flemish painting of this period. The bowed head, encircled by the crown of thorns, expresses agony in a restrained pose. The white loincloth, tied at the front according to a recurring motif in the work of the Master of the Half-Figures, has one end drawn between the legs before billowing outwards in a movement lifted by the wind, subtly animating Christ's silhouette. At the foot of the cross, a skull and a few bones evoke Adam and the redemption of humanity through Christ's sacrifice. To the left stands the Virgin Mary, enveloped in a flowing blue-green mantle whose heavy folds accentuate her contemplative posture. Her pale face, framed by a white veil, expresses silent sorrow. Kneeling at the center of the composition, Mary Magdalene embraces the cross in a gesture of fervent devotion, while to the right, Saint John, clad in a richly textured red cloak, gazes up at Christ, his hands folded across his chest. Contrary to the iconography typically found in 16th-century Antwerp workshops, he appears here as a bearded, middle-aged man. This relatively rare characteristic, however, is found in several works by the Master of the Half-Figures. The Virgin's face displays the typical characteristics of the Master of Half-Figures' repertoire : a high forehead, full cheeks, a rounded chin, and a gentle expression tinged with restrained melancholy. This youthful, feminine physiognomy is found in numerous depictions of Virgins, Magdalenes, and other saints from his workshop. The figures are also distinguished by their smooth complexions, elegant proportions, and attention to the richness of the fabrics, favoring formal refinement over dramatic expressiveness. The background unfolds according to the world-landscape formula inherited from Joachim Patinir. A vast panorama, blending a fortified city, estuary, winding paths, rocky outcrops, and bluish hills, stretches behind the sacred figures. At the heart of this lively river landscape, a small port, quays, and several boats also appear, their silhouettes punctuating the waterway and testifying to the attention paid by Antwerp painters to the commercial and maritime activities that ensured the city's prosperity. The composition is structured by a succession of narrative planes that invite the viewer's eye to move through the image as a continuous story, a technique characteristic of Antwerp painting in the first half of the 16th century. Behind the main scene appears the episode of the Carrying of the Cross, depicted by a group of soldiers and horsemen, with Golgotha rising on the mountain to the left, while to the right, in a grotto carved into the rocks, unfolds the Entombment of Christ. This multifaceted narrative, integrated into the landscape, enriches the meditative dimension of the work while highlighting its kinship with the inventions of Patinir. The attribution to the workshop of the Master of the Half-Figures seems all the more plausible given that several art historians, notably Robert Koch and Walter Gibson...

Artist: Ian Hornak (1944–2002) Title: Still Life with Lobster, Helicona, and Silver Pitcher Year: 1998 Medium: Oil on panel Canvas Size: 59 x 46 inches (149.86 x 116.84 cm) Condition...

Hunt Slonem Oil Painting "Mandy 2" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 12.5 x 10.5 inches...