Panel Paintings

William Arthur Breakspeare. English ( b.1855 - d.1914 ). A Rendezvous In The Park In The Autumn Fall. Oil On Panel. Signed Lower Right. Image size 12.6 inches x 7.3 inches ( 32cm x 1...

Tatiana Flis’ “Action Refraction” is a 24 x 54 inch abstract acrylic triptych painting on birch wood panels. Using multiple monoprinting methods, a window pattern with pastel purple,...

Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...

Aston Knight

 (American, 1873-1948) Title:  The White House
 Medium: oil on panel
 Size: 14 x 10 ½ inches / 17 x 13 ¾ inches framed
 Markings: Signed lower right
 Louis Aston Knigh...

John Berney Crome (1794–1842) was a notable English landscape painter associated with the Norwich School of painters, an influential regional art movement in 19th-century England. He...

JOERG DRESSLER "Elemental I" Acrylic on Panel 14 x 11 inches _____________________________________ Joerg was born in Hanau, Germany. He received his MFA from the Hochschule für Gest...

Derek Fox Columbia, Missouri Signed recto Derek Fox is a painter based in Columbia, Missouri, whose work centers on representational landscape, often created both en plein air and in...

This work is an excellent example of Christensen’s “scrape” paintings. Here Christensen builds up thick layers of paint, which he attacks with a squeeg...

20th Century School, Still Life Scene of Pink Roses in a Silver Trumpet Vase, Oil on Panel, 1930, illegibly signed "G. L'A ... (?)" lower right, giltwood frame. Image: 15.5" H x 9.5...

This abstract painting by Roger Mudre is made with acrylic paint over metal leaf on birch panel. It is part of Mudre's Venezia series, which is inspired by his recent trip to the Nor...

Nebraka-based Jamie Burmeister is a sculptural artist known for his original artworks incorporating original small bronze and aluminum figures, standing at just up to 4 inches tall. ...

Represented by George Billis Gallery, NYC & LA -- Kenny Harris's latest body of work was informed by two recent residencies in Tuscany, at Borgo Finocchieto and Monteverdi. Inspired by the heavy Tuscan light...

In his painting entitled "Interior with iMac and Venetian Chandelier", Andrew Conklin uses a loose paint brush to capture the scene. The interior scene shows a woman seated at a cloth covered table working on an early version iMac computer. Above her is an elaborate Venetian glass chandelier giving the interior an elegant feel. A vintage framed poster...

Signed and dated figures in cityscape oil on panel by French impressionist painter Amedee Marcel-Clement. The work depicts a view of the Pont Neuf bridge that runs over the River Sei...

"Make Me Proud or At Least Less Ashamed" captures a moment of quiet persistence. The surface shimmers with layered paint, paper, resin and copper, materials that hold both fragility ...

Abstract art experiments with the use of texture, tone, and the perception of light, inviting viewers to engage with emotion and movement rather than recognizable forms. Through abst...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Like his mentor the great American Impressionist William Merritt Chase, Charles Webster Hawthorne was equally admired in his own day as both a talented painter and a highly influential instructor. Hawthorne first studied with Chase at his Shinnecock Summer School of Art, which was specifically dedicated to open-air landscape painting. Not only did Hawthorne quickly absorb all the principles of Chase’s instruction, but he also became determined to found his own school based on the same model. In 1899 Hawthorne discovered the small fishing village of Provincetown on the furthermost tip of Cape Cod, and after purchasing a large house on Miller Hill, he opened the Cape Cod School of Art, which proved to be an immediate success. While Hawthorne’s own approach as a teacher owed much to Chase, he developed a distinctly unique painting style and teaching method that defies easy categorization. He was greatly impressed with the work of Franz Hals, which he was exposed to during his trip to Holland in the summer of 1898. Hawthorne was particularly struck by Hals’ Regentesses of the Old Men’s Almhouse, and from this work he absorbed a deep appreciation for the power of human expression and an economy of technique. Hawthorne applied these lessons to his own realistic portraits of Provincetown fishermen and their families; these works have a somber, almost melancholy quality to them, and they reveal a sense of the vulnerability of the human condition. Stylistically, Hawthorne maintained a life-long commitment to the importance of color. “Beauty in art,” he said, “is the delicious notes of color one against the other.” Of equal importance to him was capturing the effects of light. He told his students: “Everything in painting is a matter of silhouettes. Hold light against shadow, not light against light.” He developed a particular technique of layering glazes and texturing the surface of his paintings, which heightens the relationship between the colors and creates a light effect that seems to emanate from within the painting. These stylistic techniques in combination with his straightforward compositions of one or more figures shown at close range create the hallmarks of Hawthorne’s best paintings. Hawthorne and his wife Ethel’s 1905-1907 trip to Italy did not result in a drastic impact on his artistic style. Nonetheless, it proved to be a transformative and enlightening voyage. The extensive trip was financed by collectors who paid in advance for a painting to be produced abroad. On the trip, Hawthorne explored the work of old masters and was struck particularly by the paintings of Titian, which to Hawthorne, demonstrated the master’s true adoration for the act of painting itself through his handling of paint and color. Where Titian’s paintings...

Homage to the Circle, Chromatic Geometry Abstract, Mixed Media Acrylic on Wood Acrylic Paint 18 x 18 inch Art and Space is a vibrant geometric painting by Ron Agam that exemplifies...

Wonderful English Victorian River Landscape during the Summer with horses, fields , trees etc Thomas O Hume was an English landscape painter who exhibit...

Full title: "Awakening to Routine" The artwork is made on a wooden panel with Japanese paper, Oguni washi, pigment, sumi and nikawa glue. It is signed on the side, Japanese style. ...

According to the artist, "everything in life inspires me, not quite with direct interpretation, but as I see and experience faces, words, gestures, colors and shapes – all of it – I ...

Original Oil Painting by Annette Davidek. Signed and dated on verso. Annette Davidek (b. 1957, Flint, MI) creates mysterious yet beautiful paintings that reference naturalistic form...

Cornelis Van Leemputten Werchter 1841 – 1902 Schaerbeek Belgian Painter 'The Shepherd with his Flock – Le berger et son troupeau' Signature: signed lower right 'Corn. Van Leemputte...

Bennett Oates (British 1928-2009)) Spring Flowers Medium: Oil on panel Framed size: 29 x 27 Inches Panel size 22 x 20 Inches Signed (lower left) Provenance: Private collection, Un...

A detailed oil painting of a composition of flowers. Artfully composed, this work is an excellent example of the artist's oeuvre. Bright colors depict forms of daisies, roses, blossoms, stems, eucalyptus...

"Friday Morning in Sag Harbor" is an oil painting of a small village from the vantage point of a sidewalk on Main Street, painted en-plein-air by Amy Florence (b. 1989, England). A ...

Dreamy Oak Tree evokes the warm nostalgia of childhood and the simple freedom of long summer evenings. A majestic oak stands on the hill, its golden foliage glowing in the soft light...

F. CLEVEROT Captain 1898 Oil on panel 18 x 14 inches Framed: 28 x 24 inches Hand signed lower right recto

Studio of Adriaen Isenbrandt 1510 - 1551 The Virgin and Child Enthroned Oil on oak panel, wax seal verso Image size: 10 3/4 x 8 inches (27 x 20.5 cm) Contemporary style frame (image below) POA Provenance Collection of Mrs Marianne Hudson Mary, holding Jesus in her arms, is centrally positioned against a gold detailed architectural backdrop, reflecting the traditional iconography of the enthroned Virgin and Child. This composition suggests the theme of “Maestà” or “Majesty,” emphasising the figures religious significance. In the painting from the studio of Adriaen Isenbrandt, the artist masterfully infuses the scene with rich symbolism and hidden meanings that reflect the cultural and religious context of the period. The infant Christ, seated on the Virgin Mary’s lap, is draped in a delicate, translucent white garment that symbolises his purity. In his hand, he clutches a piece of coral, a multifaceted symbol representing immortality, youth, and health. Notably, coral was also a common teething tool during that era, adding another layer of contemporary relevance. A scarlet-headed blackbird, native to South America, perches gracefully on Christ’s outstretched finger. This bird is a potent symbol of creation and protection, enhancing the divine narrative of the scene. Mary, with a tender and loving gesture, caresses Christ’s back while gazing adoringly at her son, underscoring her role as the nurturing mother of God. Mary is centrally positioned within an architectural alcove, which subtly suggests a heavenly halo without explicitly depicting one. The alcove’s niches, traditionally used to emphasise the importance of sculptures, further highlight her significance. She is adorned in a voluminous red gown, with the undulating folds of the fabric accentuated by white highlights. The red colour of her dress symbolises maternal qualities, while the iridescent blue undercoat, visible in certain areas, signifies sanctity and purity due to its rarity and expense at the time. Moreover, Mary is depicted as the epitome of contemporary Medieval...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Diptych. The dimensions of each element are 84 x 60 cm (33.1 x 23.6 in) Janise Yntema’s practice is rooted in the mastery of wax-based media, ranging from traditional heated encaust...

Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas or panel. Signed on the back.

Hunt Slonem Oil Painting "All Ears" Black Outline Bunny on White A single rabbit gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 15.5 x 13...

Frans Smeers 1873 – Brussels – 1960 Belgian Painter Plage de Bénodet, France, 1933 Signature: inscribed Bénodet, signed and dated 1933, lower right 'Bénodet F. Smeers. 33.' Medium:...

A most popular drawing master, Lesourd-Beauregard exhibited extensively at the Paris Salons, and was awarded a medal in 1842. He is famous for his in depth botanical studies done in...

Aeling’s fascination with atmospheric drama—rooted in his childhood in the American West, where weather dominates the horizon—finds powerful expression in this seascape. The low line of the ocean reinforces the artist’s signature device: vast, open skies that dwarf the land below. Yet the work also reflects a more personal history: Aeling’s enduring love of Hawaii, where he spent many winters surfing and studying the Pacific’s shifting moods. Those days on the water deepened his awareness of how ocean and sky interact, how storms gather, dissolve, and re-form with astonishing rapidity. The painting captures that moment when light changes direction and the boundary between calm and impending weather becomes charged with meaning. His precise modulation of color and temperature recalls his study of 19th-century luminists, yet the lived experience of Hawaiian surf breaks gives the scene an immediacy and authenticity that is distinctly his own. Jeff Aeling Sunset Aliomanu Bay, Kauai oil on panel 28h x 48w in 71.12h x 121.92w cm JAE040 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts white delicate butterflies in ascension placed in a wonderful cloud white landscape. ...

“Never taking anything for granted, I am so grateful to be able to paint every day.” Anne Harney is a representational painter beginning her work from observation and concluding wit...

Three figures, bent forward with their hands over their heads, seem caught in an emotional storm. Their mirrored postures convey shame, fear, and helplessness—states central to grief...

mixed media on panel framed in maple frame black white gray In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of ...

This framed gestural work is by Donald Martiny. This signature piece is composed of enamel and polymer paint, cardboard, aluminum and wood on wood panel. He creates immediately froze...

Artist: Vincent Manago, French (1880 - 1936) Title: Two Fishermen Year: 1926 Medium: Oil on Board, signed l.l. Size: 29 x 36 inches (73.66 x 91.44 cm) Frame Size: 33 x 40.5 inches

The couple is a work of art realized by Giovanna Picciau (1977, Turin) in 1987.  Oil on Canvas. Cm. 90x100.  Very good conditions!

Lori Larusso’s Flower Painting 25 is a striking example of her precision-based, hard-edged painting practice that explores everyday objects with conceptual depth. Rendered in acrylic...

In Crabapple, Aeling turns his attentive eye from sweeping horizons to the delicate brightness of spring bloom. The cloudlike mass of blossoms, juxtaposed with the austere verticals of the surrounding trees, demonstrates his ability to balance structure and softness. Although best known for atmospheric landscapes, Aeling frequently explored the intimate evolution of seasonal change. These quieter works echo the patience he learned through years of observation—whether studying the curl of a wave in Kauai or the unfolding petals of a Midwestern spring. Jeff Aeling Crabapple oil on panel 34h x 48w in 86.36h x 121.92w cm JAE020 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings. Though often compared to American landscape painters like Church and Bierstadt, Aeling’s work engages modernity in subtle ways. He began his paintings with the camera—driving for hours to capture a fleeting alignment of cloud, light, and terrain. In the studio, he removed all traces of people or infrastructure, preserving the landscape as a pure, uncontrollable presence. This blend of tradition and contemporary practice allowed him to honor the past while speaking clearly to the present. Together, these works—whether a crashing wave, a blooming tree, a volcanic plume, or a column of winter light—form a portrait of the world as Aeling experienced it: vast, luminous, and alive with change. The Sky Remembers is both a tribute and an invitation to see the land with the reverence he carried throughout his life. Jeff Aeling (1958-2025) Iowa City, IA Represented in Chicago by Gallery VICTOR Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith...

This abstract painting by artist Ned Martin features a blue heron in profile, looking to the right side of the canvas. The background is composed of blue, silver, and black squares t...

This captivating artwork, titled "Children Feeding the Horse", is masterfully executed in rich tones. It depicts two children tenderly feeding a gentle white horse against a familiar...

Suchitra Bhosle's "Vintage Beauties" is an original, handmade oil painting that depicts a vase of white, pink and red roses with a gray background. Abo...

French oil painting on panel “Dog lying in front of fireplace” 19th century Thematically, the work aligns with 19th-century realism, which focuses on everyday, non-heroic subjects. ...

Contemporary Still Life 'Glass & Strawberries' Photo realist painting of Red Fruit with a elegant simple champagne glass.

Gesso, sumi-ink on panel Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had an awakening of her talent in pencil drawing as a teenager. It was...

Hunt Slonem Oil Painting "Yellow Submarine" Single Black, Green and Yellow Bunny A rabbit gestured in black with areas of green on a yellow background in a vintage frame Unframed: 1...

Kevin Weckbach's (US based) "Winter's Song" is an original, hand-made oil painting that depicts a secluded snowy forest in the early morning sunlight. Artist Statement: "Subject mat...

The autumn forest and mountain ledges of Hennen's Virginia home are the subject of this rich, highly detailed contemporary landscape painting in oil on panel. The many shades of oran...

Émile-Pierre Metzmacher (French, 1815 - 1890) A Young Beauty Crossing a Brook, A Hunter Beyond Oil on panel 24 x 19 1/2 inches Signed lower left Provenance: Christie's New York, Oct...

Painted from life, a single pink peony blossoms amidst green leaves against a black backdrop. A classical painting subject and style, with a fresh and intriguing touch. Signed "Personett" lower left corner. Framed in a traditional black frame w gold trim. Framed dimensions: 13.25 x 11.75 inches Rachel Personett was born in Hawaii, but raised in Colorado. Being the daughter of a pilot she has always traveled extensively. She has studied part time at the Savannah College of Art and Design...

Carrie Goller (American, b. 1961) "Floriferous Bird, Study 6," 2026 Oil and encaustic on panel 5 x 5 in (12.7 x 12.7 cm) Signed lower left Unframed, but ready to hang. A small bird...

In this work by Laurie Barmore, the artist's hand is exceedingly present. Using strong strokes of black and blue creates its own essences of form atop washes of whites and orange. Sp...

Hunt Slonem Oil Painting "Rosie" White and Pink Ombre Bunny A single rabbit gestured in white on a pink ombre background in a vintage frame Unframed: 10 x 8 inches Framed: 14 x 12 i...