Paper Paintings

Louise Marler Spirit Hearts Mixed Media on handmade paper from Nepal 2022 Size: 19x15in Signed Stamped COA provided Ref.: 924802-1418 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

The latest from the artist's popular series of vibrant portraits that gently and humorously depict that familiar sense that life has thrown one of it's curve-balls - and the art of feminine resilience. A riot of colour and pattern in a stunning chunky wood frame, this work will bring wit and vibrancy to any interior space. Additional information: Acrylic, Acrylic paint on Canvas 29 H x 24 W x 3.5 D cm (11.42 x 9.45 x 1.38 in) Sold framed Image size: Height: 21cm (8.27 in) Width: 15cm (5.91 in) Complete size of unframed painting Height: 21cm (8.27 in) Width: 15cm (5.91 in) Depth: 1cm (0.39 in) Framed Size: Height: 29cm (11.42 in) Width: 24cm (9.45 in) Depth: 3.5cm (1.38 in) Please note that insitu images are purely an indication of how a piece may look ARTIST BIOGRAPHY: Kerry Louise Bennett...

In this series, Perrine explores the profound relationship between light and color, both essential elements in her artistic expression. Without light, there would be no colors, and i...

Abstract Expressionist Self Portrait in in Acrylic and Pastel on Paper A colorful abstracted self portrait painting by California-based artist Ricardo de Silva (American/Brazil, 20t...

A beautiful watercolor painting of a blue house surrounded by pine trees by Lillie Esther (Hillman) Heebner, a Watsonville, Monterey Bay area, California watercolor artist. Unsigned, but acquired with a collection of her work. Please note the Needle Thread work to the paper. Lillie (Lil) E. Heebner was guided through life by her creativity. Even at 92, she never felt old, and often said so. She met every situation in life—including death—with ingenuity. Although born in Richmond, Lillie lived in Watsonville all her life. Her father, Frederick H. Hillman, grew up on a strawberry ranch in Pajaro, graduated from Watsonville High School in 1916, and served in France during World War I. He later worked for Martinelli's Apple Cider plant and became foreman. Lillie's mother, Esther C. Hobson, moved as an infant from Bakersfield to Santa Cruz...

Benjamin Parks is a Kansas City based artist whose primary focus is painting large-scale portraits and figurative work, though he also produces illustrations, interactive installatio...

André MAIRE (Paris 1898 – Paris 1984) Landscape with pagodas in Vietnam Chalk Conté on paper H. 50 cm; W. 32 cm Sensitive to the outline of his artistic gifts, his father enrolled h...

Gianluca Vialli - Juventus Football Legend, UEFA Champions League 1994-95 - The Roar of Victory. Technique: Charcoal on paper, Signed and dated ’96 Author: Marco Silombria (Savona, ...

Steven H. Rehfeld's '1994' is a versatile and dynamic 38" x 64" mixed media artwork that resonates with the spirited essence of abstract expressionism. The canvas is a symphony of co...

Drawing on the cultural and geographic influences of his California roots, Greg Miller explores images of the American urban and rural landscape of the mid-twentieth century. The wor...

Hermit Crab on the Sand in Acrylic on Paper Vibrant "portrait" of a hermit crab by Federico Leon de la Vega (Mexican, 20th Century). Signed "Leon de la Vega" in the lower right co...

Dubi Arie (born Poland, 1939) "The Lovers" Image: 11 3/4" x 10" Original mixed media on paper painting, Hand signed and dated lower right and signed and titled on reverse. depictin...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. This is an intervention in a old paper recordered. Old frame. Western progress and development, of which we are so proud, have brought us to this point. A society where hyper-individualism, loss of solidarity, and an exaggerated egocentrism rule. Art circulates everywhere today, and the world is totally aestheticized. But it is an aestheticization that only involves the virtuality of the screens. This generates hypervisibility, an excess of images. The virtual world gives us the perfect illusion, but it is an empty illusion, not an artistic one. It pretends to be a double of reality, a mere reproduction that has nothing to do with the creativity of art. In this scenario, we ask ourselves if the aesthetic illusion and the enigmatic power of art can still exist. Ed Warner...

June Glasson is an artist, illustrator, and designer. She lives in New York. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in Ber...

Vibrant and dynamic monotype painting by David Stephens (American, 20th Century). Painted on glass and pressed onto paper and then, sand (or a similar medium) was used in the pressin...

A summertime landscape along the river by 19th century, American painter. The 12 x 16 inches, oil on paper is framed and matted behind glass, and signed "W. Taylor Thomson" in the lo...

Ray Parker is a well recognized and highly collected Post War artist. This work done in oil but on paper is under glass and has a wonderful presence and vitality! A great addition t...

Chinese New Year paintings (nian hua) are colorful folk paintings created to celebrate the annual Spring Festival. Drawn or printed by folk artists in regional studios, nian hua paintings featured exaggerated characters with bright and contrasting colors. Put up around the home to beckon luck and happiness in the coming year, most paintings depicted mythical guardians, scenes from folk operas, or auspicious symbols of good luck. This New Year painting depicts a young woman with a child and is hand-painted in a palette of red, blue, and purple. Belonging to a genre known as 'beauties and babies,' the painting represents a harmonious family life. The early 20th century painting is from the town of Yangliuqing, one of the leading producers of traditional New Year's paintings known for its combination of woodblock printing...

Acrylic paint and ink on paper Hand signed and dated lower right

This unique artwork is created through interweaving and twisting strips of painted brown paper in order to create a complex composition with depth and texture. The works relate conce...

"Arch Points" - Abstract Expressionist Indigo on Acrylic Resin Sculptural San Francisco abstract expressionist (American, 20th c.). Signed indistinctly lower right. Indigo dye and ...

A Governor’s Mansion - Countryside Couple - Original Watercolor on Paper 1860s Governor’s Mansion during the Civil Water. A watercolor painting depicting horse carriages and disting...

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Multi-layered oil paint, inked paper on repurposed wood panel. Title is from the final act of Puccini's "Turandot."

This drawing is one in a series of botanical line drawings depicting the seasonal flowers of English gardens and the countryside. ADDITIONAL INFORMATION: Colour Pencil on Paper Sold...

Wonderful mid century modern mixed media abstracted Northern California landscape by Hilda Davidson Kaster (American, 1912-2008), circa 1950. The artist uses layers of mixed media earthtones and natural textures such as leaves and bark to create the aesthetic of the deep forest of Sebastopol, California. Signed lower left corner, on verso with exhibition and gallery labels. Presented in rustic wooden frame of period (fair condition), Image size: 18"H x 24"W. Hilda Davidson Kaster was born in Oakland, California in 1912 to Russian Jewish immigrant parents. She went to New York in the early 1930s to study art. At the Traphagen School of Design, she was a student of Moses Soyer and William Gropper, who were founders of the Ashcan School. Later in the 1930s she worked as a commercial artist and designer for I. Miller Shoes...

Raymond Bonilla's (US based) "Study for 'Last Light on Bidwell'" is an original, handmade mixed media painting that depicts a dark surreal still life of a gazebo surrounded by nature...

1906 Original Watercolor Painting of Mision de San Carlos Borromeo de Carmelo (Mission Carmel) Historically accurate watercolor painting of Carmel historic landmark Mission Carmel i...

Chihung Yang American (b. 1947) Untitled (Black and Brown Composition) (1986) Mixed media (acrylic, pastel) on paper Hand signed lower right Sheet 38 x 50 inches, frame dimensions: 45 x 57 x 2 inches, wood frame with glazing Provenance:= From a Corporate Art Collection Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1. In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists. He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang Awards and recognition 1989, Outstanding Asian American Artist Award, by Governor of New York 1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York SELECTED GROUP EXHIBITIONS 1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan 1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan 1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan 1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong 1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea 1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England 1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida 1982 Summer Invitational, Susan Caldwell Inc, New York City 1982 Four Artists, SoHo Center for Visual Artists, New York City 1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art, 1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England 1983 Dreams Demons Madness, Alternative Museum, New York City 1984 Rambunctious, Siegel Contemporary Art, New York City 1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC 1984 Salvo, Ruth Siegel Ltd, New York 1984 Modern Art, Ted Greenwald Gallery, New York City 1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City 1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT 1985 Large Figurative Drawings...

This is a gestural painting that reflects an emotional response to world conditions. Sitting in a bothy thinking about things not usually considered, I found myself in the zone of ab...

Artist/Designer; Manufacturer: Ram Kumar (1924-2018) Marking(s); notes: signed; 1991 Country of origin; materials: Indian; acrylic on paper Dimensions (H, W, D): 22"h, 27.75"w (work ...

Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los...

Charles Burchfield depicts a snowy hillside striated by the shadows of bare trees in his watercolor painting, “Winter Sun.”

PaperLandscape mixed media on canvas 100x100 cm 2021 Original Created:2021 Subjects:Landscape Materials:Canvas Styles: #Abstract #AbstractExpressionism #Figurative #MinimalismExp...

Interior of a Dacha is an original painting in tempera on paper realized by Leonid and Rimma Brailowsky. Hand-signed on the lower right. The state of preservation of the artwork i...

Shipped in a tube Acrylic on Canson paper 300 g Artwork signed at the bottom right & countersigned on verso Born in 1983 in Chinon, France Lives & works in Paris, France Jérémie Rebourgeard is a young French artist devoted to abstraction on canvas and paper. Guided by spontaneity, he uses different pigments of acrylic, ink & pastels and mainly focuses on abstract subjects with harmonious and colorful topics. He is represented internationally by many operators as CATAWIKI or JASPER 52...

Aude AZAÏS "The Shadow of Their Desire" - Terrace in Marqueyssac Pastel on paper (framed under glass) H. 65 cm; W. 50 cm Signed lower left - 2023 It was after seeing a small reprodu...

Signed lower left "Muriel Backman" for Muriel Durgin Backman and dated 1955. An elegant, Cubist-derived, mid-century view of the old Fisherman's Wha...

Richard Anuszkiewicz Old Door, 1953 Watercolor on paper Signed and dated by the artist on the lower right front 20 × 14 inches Unframed This unique and extre...

Set of eight 19th century Chinese pith paper paintings depicting dignitaries Chinese, 19th Century Paper: Height 20cm, width 34cm Frame: Height 24cm, width 36cm, depth 1.5cm This r...

Summer still life

Throughout her career as a painter Patty Fabricant has pivoted back and forth between figurative and abstract work. Each time she makes the switch it feels abrupt, and yet increasing...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. An elegant figural interior showing a young woman seated on a bed beside a table bearing a vase...

American Artist 1922 – 2012 Served his country as a Sergeant in World War II, both stateside and in the Philippines. After the war, native Chicagoan Ronald Ahlström graduated from the School of the Art Institute, He became a prominent Abstract Expressionist collage assemblage maker working in a style similar to some of the New York school assemblage artists such as Robert Goodnough. Utilizing cutout letters in a concrete poetry style. He frequently exhibited his collages and paintings in the Chicago and Vicinity exhibits of the 1950s and 1960s. He worked as the curator of the Tacoma Art Museum in Tacoma WA during the early 1960s. He showed at Exhibition Momentum in the ’60s, and was selected for the Corcoran Biennial. Together with his colleagues and fellow-abstractionists Robert Nickle, Morris Barazani, Harry Bouras, George Kokines, and George Waite, he exhibited at McCormick Place in an independently produced survey of contemporary Chicagoans, circa 1962, under the banner 12 Chicago Artists. An adept and sensitive painter, Ahlström’s most personal work is as an abstract expressionist collage maker. Using strips of paper, sometimes weathered and beaten into rough hewn surfaces, he creates immaculately layered, lively, gestural compositions. He was the recipient of many art awards and prizes throughout his long career. His works are part of numerous private, corporate and museum collections. His work was published in many national and international art publications including Who's Who in America and Who's Who in American Art. he taught art at both high school and college level. His other passions included history, literature and music. He was an accomplished base fiddle and guitar player and often played professionally in clubs during the late 1940s and 1950s. In 1958, he was awarded the William H. Bartels Prize of five hundred dollars at the Art Institute of Chicago. Education: Art Institute of Chicago University of Chicago DePaul University Exhibitions: Art Institute of Chicago Annuals, Corcoran Biennial in Washington DC, 12 Chicago Artists 50 Chicago Artists European Exhibit at the US Information Agency Collage and Construction, Hyde Park Art Center, Chicago Tacoma Art Museum, Washington Henry Gallery, University of Washington, Seattle 50th Northwestern Annual, Seattle Art Museum, Chicago Invitational, University of Illinois One Man Exhibits: Rockford College, Rockford Il. Barat College, Lake Forest Il. Rodger Wilson Gallery, Chicago, Il. Touchstone Gallery, New York, NY. Joseph Faulkner, Main Street Galleries, Chicago, Il. Zriny Galleries, Chicago Il. Awards: Clyde Carr Prize, Art Institute of Chicago William H. Bartels Prize, Art Institute of Chicago James Broadus Clark Prize, Art Institute of Chicago Alumni of Art Institute Prize Singer and Sons Prize, Navy Pier, Chicago Abel Fagan Prize, Festival of Fine Arts, Lake Forest, Il. Ford Foundation Purchase Prize, Seattle, Wa. Collections: Art Institute of Chicago Barat College Tacoma Art Museum, Wa. Phibrook Art Center, Tulsa, Ok. Blue-Cross Collection, Chicago, Il. Atlantic Richfield Collection Illinois Bell Telephone Collection Container Corporation of...

'Echoes of the Deep' London, United Kingdom 2024 Limited edition of 10 Pinted on archival Hahnehmule Photo rag paper, with care and attention to detail. The process involves l...

INIZIO AVORIO I by Kim Fonder is a mixed media on handmade paper, pigment, mica, on burlap over panel measures 24.00 X 24.00 in and is priced at $800. Kim Fonder loves texture and t...

Jolynn Reigeluth The Devil You Know Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 36x24x2.5 in Framed Size: 36x24x2.5 in Ready to hang Signed COA provided ...

Barcelona native artist Raul de la Torre's vibrant abstract mixed media artworks pay homage to textiles. De La Torre allows the materials to take over during the process and collabor...

"Second Spring" is an abstract landscape featuring hues of blue, green and purple. This work is framed in a simple white frame behind Museum Glass measuring 37 by 49 inches. Carlyle is inspired by the works of Claude Monet, Edouard Vuillard, Henri Matisse, Walter Inglis Anderson...

Abstract expressionist oil painting and collage by Bay Area artist Michael Pauker (American, b.1957). Features black and white oil paint with clips of newspaper and stamps. From a co...

Robert Gamblin’s intent as an artist is to reach for transcendence through his color-centric oil paintings that capture the majesty of light as it graces the Earth. In this series, o...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

Morning at the sea. 2020. Watercolor, paper, 40 x 62 cm Sea with waves in yellow colors Zigmunds Šņore was born in 1942 in Latvia. His works has been...

Intersections 1 is a painting realized by the Italian artist Salvatore Travascio in the 2010s. This is a beautiful oil painting on paper on wooden support. Hand-signed on the lower ...

Signed lower left, 'Paulo Montano' (American, 20th century) and painted circa 2015. A substantial, Jeff Koons derived Pop Art study of an iconic pink balloon dog on a Salvatore Ferragamo pedestal contrasted against a background of ivory curtains...

Raju Sarkar - Untitled Watercolour on Paper, 10 inches (Dia) (Shipment in a roll form) Raju Sarkar is a resident of Kolkata. He completed his BVA (paintin...