Plastic Paintings

Primarily an experimenter, Goldberg’s work is a collection of variations on the theme of water in movement, through drawings, paintings and sculptures She works primarily in resins ...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Framed Dimensions: 30.5h x 42.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 31.5h x 45.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he receive...

Framed Dimensions: 36.5h x 36.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Framed Dimensions: 21.5h x 26w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received ...

Framed Dimensions: 30.5h x 30.5w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Date: 1955 Medium: Acrylic on Canvas Dimensions: 20.75" x 14.25" Signature: Unsigned This illustration was published as the cover for House of Deceit by Rae Loomis, Ace S-124, 1955.

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Purvis Young (1943 - 2010) People Out, 1995 Mixed Media house paint and carpet on plastic & cardboard 17 x 41 in

Anthony Mastromatteo re-introduced himself to the Grenning Gallery with his 2023 exhibition "Hello, My Name Is: Anthony Mastromatteo." The works included in the show were incredibly intricate trompe l'oeil oil paintings ranging in size from 7 x 5 inches to 48 x 36 inches. In supplement to the exhibition, Mastromatteo painted 10 pictographs on "Hello My Name Is" nametags and put them in plastic sleeves one would clip on their person for any kind of large function. There is always a bit of tongue and cheek...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

“CUT WORK” is an evolving examination of emotion experienced through the inspired meeting of blade and paper. Beginning with the featureless plane of a blank paper canvas and a surge...

Date: 1993 Medium: Acrylic on Canvas Dimensions: 30.00" x 21.25" Signature: Signed Lower Left This painting was published as the cover for The Awakening Heart by Dorothy Mack, Signe...

Patrick Hughes (born 20 October 1939) is a British artist working in London. He is the creator of "reverspective", an optical illusion on a 3-dimensional surface where the parts of t...

Medium: Acrylic on Canvasboard Dimensions: 13.50" x 19.00" Signature: Signed Lower Left The Rolls Royce in the illustration is in the collection of Lord Montague of Beautieu. Origin...

Medium: Acrylic and Pencil on Board Dimensions: 27.50" x 20.00" Signature: Unsigned

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which curve inward like the old Cinerama movie screens...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which curve inward like the old Cinerama movie screens...

Magenta Sunrise, Original Contemporary Abstract Pink and White Paint Pour, 2020 17" x 31" x 1.5" Acrylic, Latex, and Resin on Wood Panel Hand-signed by the artist. This abstract paint pour...

Teal Expressions One, Original Contemporary Abstract Paint Pour, 2020 17" x 31" x 1.5" (HxWxD) Acrylic, latex, and resin on wood panel Hand-signed ...

This is a set of 8 works, each one is 12 x 25 inches. They are sold separately or as a set. Each piece is $1,100 per work. Specific color commissions are also available for sale. ...

Worry, Original Contemporary Abstract Painting, 2020 11" x 8.5" (HxW) Alcohol Ink on Yupo Paper This is a powerful and emotive work by artist KC Pollak. Though an abstraction, the m...

Artist Commentary: Made with plastic bags, beeswax, oil paint and graphite Keywords: abstract, colorful Artist Biography: Toby Zallman has always combi...

Miguel Dominguez was born in El Paso, Texas on October 3, 1941. HE spent his formative years in the agricultural valley of Salinas, California where ...

This beautiful floral work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural northea...

This beautiful layered floral work is by Cara Enteles. Her work is motivated by a fascination with nature and a concern for the environment. She splits her time between NYC and rural...

"Double Cone", acrylic on panel — 42 x 28 x 2 inches. Julia Nee Chu is an internationally acclaimed abstract painter born in Shanghai, China and currently...

Work by Johannes VanDerBeek

All her work represents emotions on canvas. Abstract and figurative paintings.

All her work represents emotions on canvas. Abstract and figurative paintings.

All her work represents emotions on canvas. Abstract and figurative paintings.

Date: 1993 Medium: Acrylic on Board Dimensions: 30.00" x 21.50" Signature: Signed Lower Right This painting was published as the cover for Married by Mistake by Melinda McRae, Signe...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which curve inward like the old Cinerama movie screens...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which curve inward like the old Cinerama movie screens...

Mariana Villafane was born in 1972. She lives and works in Buenos Aires, Argentina. After the completion of her studies in architecture and visual arts, she has been producing a comp...

Andy Moses paints with pearlescent pigments on concave canvases, which curve inward like the old Cinerama movie screens of the 1950's. The effect harnesses light and causes the paint...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which cur...

Hunt Rettig is a mixed-media artist based in Aspen, Colorado. His three-dimensional wall sculptures often consist of polyester film, thermoplastic rubber and acrylics that he molds t...

Cascade II 2015 Unique Oil, Gesso, & Recycled Plastic on Canvas Image Size: 96 x 38 in (243 x 96 cm) Arica Hilton on this collection: "This collection was inspired by my ongo...

Oil, Gesso, & Recycled Plastic on Canvas 70 x 36 in (178 x 91 cm) (Due to the abstract nature of this piece, it can be displayed vertically or horizontally at the discretio...

Cascade I 2015 Unique Oil, Gesso, & Recycled Plastic on Canvas Image Size: 96 x 38 in (243 x 96 cm) Arica Hilton on this collection: "This collection was inspired by my ongoi...

Oil, Gesso, & Recycled Plastic on Canvas 68 x 62 in (173 x 157 cm) (Due to the abstract nature of this piece, it can be displayed vertically or horizontally at the discreti...

Oil, Gesso, & Recycled Plastic on Canvas 70 x 36 in (178 x 91 cm) (Due to the abstract nature of this piece, it can be displayed vertically or horizontally at the discretio...

Intervals (Yellow), Silkscreen Painting by Kim Lim 1936-1997, 1972 Additional information: Medium: Silkscreen on plastic, framed in a perspex box 45 x 45 cm 17 3/4 x 17 3/4 in Signed, dated and numbered Provenance Private Collection, UK Exhibitions London, Pace Gallery, 'Creating Abstraction', Feb 3 - Mar 12 2022 (another ed.) Wakefield, Hepworth, 'Kim Lim', 2023 (another ed.) Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...

Oil on canvas with sand and polyurathane Ships from Netherlands We are pleased to sell works on behalf of Guusje Bertholet. Guusje is an extremely talented, Dutch artist specialisi...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...

In the latest series, inspired by media, pop culture, and film Jantzen takes Neo-pointillism to the next level utilizing thousands collection of photography, cinematographic stills, ...