Cubist Paintings

American cubist portrait painting of the American academic Michael Lerner, by the Modernist artist Michael Hurson (1941-2007). This whimsical portrait is painted in the cubist style ...

Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the ocher and reddish colors of his first environment are w...

Joseph Kardonne (1911-1985). Construction Scene, 1935. Gouache on cardboard, panel measures 9 x 11 inches; 19 x 21 inches framed. Signed, dated lower c...

Joseph Kardonne (1911-1985). Passaic River Landscape 1967. 9.5 x 13 inches. Watercolor on paper, sheet measures inches. Signed, dated and titled lower right. Excellent condition. ...

Red Hammond (American) The Klue, 1986 Oil on canvas 65 1/4 x 53 1/2 x 1 1/2 in. Signed, dated, and inscribed verso Artist statement sourced from Red Hammond's website: ORIGINALITY As an artist I put myself into the piece of art not to achieve originality for its own sake, but to be honest to, to follow the work. Immersion in the making ensures that the work will be authentic -.that its uniqueness allows the work to emanate its own light, encouraging the viewer to look and to see. While not initially apparent, my paintings typically have numerous, subtle inflections that are often hidden at first glance because the large primary, usually black forms, are strong and register first. SHAPES AND EMOTIONS I place significant emphasis on my ability to invent personal shapes. When put together, they establish a dialogue within the painting. I start without any preconceived idea for the painting and do not work from drawing in order to maintain the spontaneity and challenge to work through a solution - to remain fresh and capable of creating surprises for both myself and the viewer. Working instinctually, , I grope around, figuring out how the feelings I have manifest themselves in a specific shape or shapes and how to achieve the overall mood I’m searching for in a particular piece. SYMBOLS AND MEANING I build a painting with symbols that go beyond words, creating works that may appear somewhat opaque, mysterious, at times. This encourages engagement on the part of the viewer and allows each viewer to arrive at their own ideas concerning the works’ meaning. Viewers of art often confuse subject matter with content. A cow in a field is a cow in a field - that is subject matter. Content is what the artist puts in of him or herself. That is an intangible that is difficult to decipher. I find the early work of the American abstract expressionists and the artifacts and ritual art of indigenous peoples and tribal cultures to be inspirations. COMPLETION Often I’m sure that I have completed a painting and for that moment in time I probably have. Sometimes, however, hours, days or several years later, I look at again and realize that while I was correct for that moment, the painting’s potential was never realized. So I begin the process of working that painting again, and this process can go on for years until I’ve finally got the painting to where it needs to be in order for it to be fully realized. ART AS THERAPY AND DISCOVERY Like life, art is not just about self-improvement but also about self-discovery. If I’m not working on getting better as a painter, improving my paint application or pushing myself to expand my limits as a person, I feel I’m letting myself down and falling short of my potential as an artist. Each day in the studio is a mini-metaphor for life that demands and rewards patience.… Without it, I end up with a big...

The Musical Band French Cubist artist, indistinctly signed and dated 1962 watercolour on artist paper, unframed Painting: 15 x 22 inches Provenance: Private collection, France Condi...

Joseph Kardonne (1911-1985). Nude Woman, 1966, 9 x 12 inches. Watercolor on paper, sheet measures inches. Signed, dated and titled lower right. Excellent condition. Born in Newark...

Joseph Kardonne (1911-1985). Nude Woman, 1966. Watercolor on paper, sheet measures 8 x 12.25 inches. Signed, dated and titled lower right. Excellent condition. Born in Newark, New...

Golden Fields, Provence French School, 1950's-1960's period indistinctly signed oil on board, unframed board: 15 x 21.5 inches provenance: private collection condition: very good an...

Cubist acrylic on paper on card by French artist Eliane Versini , signed, dated and titled 'Etude pour le Trio' to the front bottom right and the same to the bottom right reverse. H...

Croatian artist Bernard Simunovic plays with color, form, and minimalist lines in his abstract figurative cubist works, analyzing the sculptural capa...

Untitled Harold Anchel, (American, 1912 – 1980) Circa 1951-54 Oil on Canvas, signed lower right Size: 30 x 36 in. (76.2 x 91.44 cm) Frame Size: 30.5 x 36.5 inches

"Futurist Monolith" is an acrylic painting from Ryan Rivadeneyra's series of imagined modernist sculptures. In this series, Rivadeneyra explores the possibilities of colorful sculptu...

French School, circa 1970's oil painting on cardboard, framed 21.75 x 17 inches Superbly decorative and bold abstract painting from the 1970's, of French authorship. Painted with st...

French School, circa 1970's Cubist composition oil on board, unframed board: 29 x 24 inches provenance: private collection, France condition: very good and sound condition

Artist/ School: French School, circa 1960's Title: Lady Reading, cubist style after de Stahl Medium: oil painting on canvas, unframed canvas: 21.5 x 18 inches Provenance: privat...

"Half Empty Spaces" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and ...

Chris Ritter (1906-1976). Abstract Composition ca. 1960. Watercolor on rag paper, sheet measures 17.5 x 22 inches. Sheet is loose and unmounted. Unframed. Estate stamps500 on v...

Cubist still life indistinctly signed, dated 1950's signed watercolour on artist paper, unframed Painting: 15 x 18 inches Provenance: Private collection, Paris Condition: Great condi...

by Paul-Louis Bolot (French 1918-2003) signed & dated 1968 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

Introducing "Abstract Cubist Portrait - HFC 17" - Limited Edition Textured Canvas Print Experience the brilliance of abstract art with "Abstract Cubist Portrait - HFC 17," a captivating limited edition textured canvas print inspired by the masterful works of Picasso. This artwork exudes originality and uniqueness, designed to leave a lasting impression. Artistic Craftsmanship: Feel the intricate brush strokes as you bring the essence of my studio into your home. Each canvas print is thoughtfully crafted to preserve the texture true to the original artwork, delivering an authentic and mesmerizing visual experience. Canvas Print Size: "Abstract Cubist Portrait - HFC 17" stands tall at an impressive size of 45" x 45", making it a striking centerpiece in any setting. Exclusive Limited Edition: To maintain the essence of exclusivity, only 300 prints of "Abstract Cubist Portrait - HFC 17" have been produced. Each print comes with a signature Certificate of Authenticity and a unique number, making it a collectible masterpiece. Fade-Resistant Inks: With archival eco-solvent inks, "Abstract Cubist Portrait - HFC 17" guarantees lasting brilliance and resistance to fading, ensuring its allure stands the test of time. Superior Quality: This canvas print is professionally hand-stretched over 1 ½" deep wood stretched bars...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Antique American female modernist still life oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent conditio...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Croatian artist Bernard Simunovic plays with color, form, and minimalist lines in his abstract figurative works, analyzing the sculptural capabilitie...

Cubist Portrait of a Woman signed, 'Samson' British, 20th century oil painting on board, framed frame: 18.5 x 14.5 inches board: 16 x 12 inches provenance: private collection, UK con...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Premiering for the first time in three decades, the original paintings of American artist Maurice Green. Born in 1908 in Latvia, Maurice Green stu...

Artist/ School: Pierre Vincent, French contemporary Title: Cubist composition Medium: oil painting on canvas, unframed, signed and inscribed verso canvas: 18 x 22 inches Provenan...

French cubist artist, circa 1950's signed oil painting on board, stuck on board board: 14 x 18 inches painting: 9.5 x 14 inches provenance: priva...

Cubist Abstract Construction French School, Mid 20th Century Oil painting on paper, laid on a board, unframed Board size: 28.5 x 23.5 inches Expressionist mid 20th French oil painti...

Nativity Scene (5) by John F. Leonard, American (1921–1987) Date: circa 1965 Oil on Canvas (unsigned) Size: 25 in. x 40 in. (63.5 cm x 101.6 cm)

Two Sisters Casein Paint Varnish Comes framed About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New Yo...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Georges Dayez (French, 1907-1991). “Vendimia” Vintage / Grape Harvest / Wine Harvest , Oil on paper, 20”x 26 1/3, framed 27 1/4 x 33 1/4. Dayez was a...

"The Golden Rule" is an abstract painting by Spanish artist Natalia Roman. These color field paintings are inspired by both modernist shapes of the fifties and sixties combined with ...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Cubist composition by Andre Guillo (French 1925-2017) oil on canvas, framed framed: 11 x 9.25 inches canvas: 10 x 8 inches provenance: the artists estate, France condition: very good...

Impressive early American modernist opera view interior oil painting by Dorothy Van Loan (1904 - 1999). Framed. Oil on canvas. Signed. Image size,...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Artist/ School: French cubist/ abstract artist, signed, circa 1970's Title: Blue & white flowers in a vase Medium: oil painting on canvas, framed fram...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Still Life by Paul-Louis Bolot (French 1918-2003) signed & dated signed oil on canvas canvas: 15 x 18.5 inches original oil painting condition: very good a...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Artist/ School: Kathleen Crow, British contemporary Title: Cubist composition Medium: oil on board, unframed Board: 20 x 24 inches Provenance: private collection, England Condi...

Framed 32 x 26 inches. Pascal Jarrion was born in Perpignan, France, a region known for its Catalan culture and an area that has influenced many artists before him including Pica...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Cubist Scene 20th Century, Continental School signed with initials pastel painting on paper on board, framed framed: 18.5 x 13.5 inches provenance: private collection, U.K condition:...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

This is a one of a kind original abstract cubist acrylic painting on canvas by San Diego artist, Alexander Arshansky. Its dimensions are 30" x 40" x 1.5". It is unframed. A Certifica...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Apéritif à Saint-Tropez Acrylic on canvas board Dimensions (unframed): 22 × 33 cm Dimensions (framed): 27 × 38 × 3 cm Signature: Lower left In Apéritif à Saint-Tropez, Grégoire Mat...

Superb original French oil painting depicting this colorful breakfast table still life scene. The work is signed by its artist, Jean-Yves Fromange (born 1957). Painted with thick, ...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Sophie Dumont, known for her bold exploration of form and color, presents a captivating work that draws inspiration from both Cubist and Abstract movements. This piece, where abstrac...

Still Life by Mina Loopuyt (French, 1901-1992) French Colorist School, mid 20th century gouache painting on board, mounted in a white frame framed: 15.5 x 12 inches board: 12 x 9 inc...

French cubist artist, circa 1950’s signed oil painting on canvas, unframed canvas: 21 x 28.5 inches provenance: private collection, France condi...

Portrait by Paul-Louis Bolot (French 1918-2003) signed (dated 1981) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls...