Cubist Paintings

"Coral Sculpture" is an acrylic painting from Ryan Rivadeneyra's series of imagined modernist sculptures. In this series, Rivadeneyra explores the possibilities of colorful sculptura...

Joseph Kardonne (1911-1985). Portrait Study, 1966. 10.25 x 10.25 inches. Watercolor on paper, sheet measures inches. Signed, dated and titled lower right. Excellent condition. Bor...

"Rainbow Totem" is an acrylic painting from Ryan Rivadeneyra's series of imagined modernist sculptures. In this series, Rivadeneyra explores the possibilities of colorful sculptural ...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Joseph Kardonne (1911-1985). Nude Woman, 1946. Watercolor on paper, sheet measures 9 x 6; 13 x 10 inches in matting. Signed, dated and titled lower right. Excellent condition. Born...

Artist/ School: French School, mid 20th century Title: Cubist composition Medium: oil on board Size: 11 x 8.5 inches Provenance: private collection, France Condition: The painti...

Geometric Composition by René GUINAND (French, 1892-1983), signed oil on canvas, in a wooden frame - left side missing Framed: 26 x 32 inches Canvas : 25.5 x 31.5 inches Inscribed ve...

French School, circa 1970's oil painting on cardboard, framed 21.75 x 17 inches Superbly decorative and bold abstract painting from the 1970's, of French authorship. Painted with st...

Masri Hayssam (Lebanese, born 1965) "Shattered Mind" 2002 Oil paint, acrylic paint, mixed media, on stretched canvas The artist signed the bottom right and the back of the painting. ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

The Musical Band French Cubist artist, indistinctly signed and dated 1962 watercolour on artist paper, unframed Painting: 15 x 22 inches Provenance: Private collection, France Condi...

French School, circa 1970's Cubist composition oil on board, unframed board: 29 x 24 inches provenance: private collection, France condition: very good and sound condition

Artist/ School: French cubist/ abstract artist, signed, circa 1970's Title: Blue & white flowers in a vase Medium: oil painting on canvas, framed fram...

Sylvie by Paul-Louis Bolot (French 1918-2003) signed & dated 1981 signed oil on canvas canvas: 22 x 15 inches original oil painting condition: very good an...

"The Golden Rule" is an abstract painting by Spanish artist Natalia Roman. These color field paintings are inspired by both modernist shapes of the fifties and sixties combined with ...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Faces Abstract Collection by Irena Orlov Introducing "Abstract Cubist Portrait - Human Faces Abstract Collection - HFC 29" - Limited Edition Textured Canvas Print "Abstract Cubist ...

Still Life by Mina Loopuyt (French, 1901-1992) French Colorist School, mid 20th century gouache painting on board, mounted in a white frame framed: 15.5 x 12 inches board: 12 x 9 inc...

Artist/ School: French School, signed and dated 89' Title: abstract/ cubist landscape in greens and yellows Medium: oil on canvas, unframed Canvas: 18 x 25.5 inches Provenance: ...

Very finely executed modernist ballet scene. Pastel and gouache on paper. Handsomely framed. Image size, 12H by 16L.

L’Instant de l’Esquisse is an original oil painting by French contemporary artist Sophie Dumont. Known for her stylized libraries, abstract landscapes, and contemplative studio inter...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Artist/ School: Kathleen Crow, British contemporary Title: Cubist composition Medium: oil on board, unframed Board: 20 x 24 inches Provenance: private collection, England Condi...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

Nu aux Pommes by Helene Dadone (French cubist artist 20th century) monogrammed and dated, oil on board, unframed inscribed verso board: 20 x 26 ...

Title: Woman With Mirror Medium: Oil on canvas Size: 23 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000...

Cubist Landscape by Paul-Louis Bolot (French 1918-2003) signed and dated 66 verso oil on canvas canvas: 21.5 x 16 inches original oil painting condition: v...

Portrait by Paul-Louis Bolot (French 1918-2003) signed (dated 1981) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls...

"Abstract" French School, 20th century painting on board, unframed board: 21.5 x 26.5 inches

Nude Model by Paul-Louis Bolot (French 1918-2003) signed (dated 1975) original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few cur...

Artist/ School: Ginet-Lasnier (French 20th century), signed, circa 1950's Title: Mid 20th century modernist oil of boats in a harbour. Medium: signed oil painting on canvas, unfr...

Artist: David Fox (American, 1920-2011) Title: Seascape, Geometric Figure #2 Year: c.2000 Medium: Acrylic on paper Paper: Watercolor paper Image size: 10 x 8 inches Paper ...

Important cubist still life oil painting by Douglas Warner Gorsline (1913 - 1985). Oil on canvas. Framed. Signed.

French cubist artist, circa 1950’s signed oil painting on canvas, unframed canvas: 21 x 28.5 inches provenance: private collection, France condi...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting comes housed in a modern black frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...

Artist/ School: Robert Roujas (French, 1908 - 2000), signed Title: Still Life with Apples painted in the Cubist style. Medium: oil on board, unframed Painting: 18 x 21.5 inches ...

"The Canal" by Geneviève Zondervan (French 1922-2013) stamped verso oil painting on canvas canvas: 8.75 x 10.5 inches Original oil painting on canvas by the French artist, Genevièv...

Title: French Cubist Abstract Oil Painting, Bold Geometric Composition, 1970 Key Details Artist: Iris Leger (French, Mid 20th Century) Medium: Oil on canvas Size (canvas): 26 x 32 i...

Title 1950s French Cubist Abstract Town Procession Figures Oil Painting Key Details Artist: French School, circa 1950s–60s Title: Procession of Figures Medium: Oil painting on canvas, framed Size: Framed 20.25 x 24.25 inches, painting 19.75 x 24 inches Provenance: Private collection, France Condition: Very good and pleasing condition Signature: Not specified Description A striking mid century French Cubist-style oil painting depicting a procession of small figures moving through an abstract town scene. The buildings are broken into flattened planes of ochre, terracotta, cream, pale blue and grey, with orange rooftops and angular architectural forms giving the composition its rhythm. Along the lower edge, the line of dark figures adds a wonderful sense of theatre and movement. Framed at just over 24 inches wide, this is a very usable scale for a hallway, study, sitting room or dining space. The warm terracotta and ochre tones would sit naturally with wood, linen, plaster, stone or antique furniture, while the touches of blue give the piece a fresher, more modern note. It has enough detail to reward close looking, but the broad Cubist structure also reads well from across a room. The appeal of this painting lies in its balance of charm and structure. It feels distinctly French, with the subject of a town gathering handled in a modern, design-led way rather than as a traditional street scene. From a private collection in France, it would suit a layered interior where European mid century painting...

Experience the captivating allure of "Human Cubist Portrait 3," a mesmerizing artwork that takes inspiration from the innovative and visionary style of Cubism. This vibrant and thoug...

Artist/ School: Marika Eversfield (Hungarian 1914-2014) Marika Eversfield was born in 1914 in Gyòr near Budapest. She studied at the art school in Vienna and moved to London with he...

Abella. Original landscape cubist acrylic painting Juan Jose Abella Rubio was born in Estercuel, a hamlet anchored in the Teruel mining basin in March 1944. In his painting the och...

Artist/ School: French School, signed lower right, dates to circa 1980 Title: Cubist abstract composition - beautiful deep blue color with green, black, orange and white paint. Me...

Artist: Avi Farin, Turkish (1943 - ) Title: Still Life with Red Chair Year: 2003 Medium: Oil on Canvas, signed Size: 30 x 24 in. (76.2 x 60.96 cm) Frame: 41 x 35 inches

A beautiful signed and dated 1963 French cubist oil on canvas depicting Paris rooftops. Signature in bottom right corner is indistinct. A lovely painting in excellent condition. Art...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...

Pascal Jarrion was born in 1961 in Perpignan, France, a region known for its Catalan culture as well as its influence on artists before him, including Picasso, Van Gogh, and Maillol....

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Work on paper Brown and gold wooden frame with glass window 69.5 x 90 x 5 cm

In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.  Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color. The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness. Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists. These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...

Oil on board. Signed. Framed. Image size, 24H x 30L

Vintage American modernist abstract cubist oil painting by Irving Resnikoff (1897 - 1988). Oil on canvas. Framed. Signed. Measuring: 29 by 23 inches overall, and 28 by 22 painting a...

Serra (French, 20th Century) Homage au violin Oil on canvas laid down on board Signed ‘SERRA’ (lower right) 16.7/8 x 20.7/8 in. (43 x 53 cm.)