Items Similar to 1980's FRENCH CUBIST ABSTRACT SIGNED OIL PAINTING - DEEP BLUE GREEN ORANGE BLACK
Want more images or videos?
Request additional images or videos from the seller
1 of 8
French cubist1980's FRENCH CUBIST ABSTRACT SIGNED OIL PAINTING - DEEP BLUE GREEN ORANGE BLACKc. 1950's
c. 1950's
$980.92
$1,401.3130% Off
£700
£1,00030% Off
€832.01
€1,188.5830% Off
CA$1,335.13
CA$1,907.3330% Off
A$1,493.43
A$2,133.4730% Off
CHF 777.19
CHF 1,110.2730% Off
MX$18,384.59
MX$26,263.7030% Off
NOK 9,887.44
NOK 14,124.9130% Off
SEK 9,276.37
SEK 13,251.9530% Off
DKK 6,207.60
DKK 8,86830% Off
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Artist/ School: French School, signed lower right, dates to circa 1980
Title: Cubist abstract composition - beautiful deep blue color with green, black, orange and white paint.
Medium: oil painting, on canvas, framed.
Size: frame: 29.5 x 22 inches
Provenance: private collection, France
Condition: The painting is in very good condition.
- Creator:French cubist
- Creation Year:c. 1950's
- Dimensions:Height: 29 in (73.66 cm)Width: 22 in (55.88 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Cirencester, GB
- Reference Number:1stDibs: LU50937003062

About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1989
1stDibs seller since 2016
4,573 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Cirencester, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All20th Century French Cubist Oil Painting Blues Oranges Yellow & Beige Cubes
Located in Cirencester, Gloucestershire
French School, circa 1970's
Cubist composition
oil on board, unframed
board: 29 x 24 inches
provenance: private collection, France
condition: very good and sound condition
Category
Mid-20th Century Cubist Abstract Paintings
Materials
Oil
$980 Sale Price
30% Off
1950's SIGNED FRENCH CUBIST OIL PAINTING - BEAUTIFUL ORANGE BLUE GREEN COLORS
Located in Cirencester, Gloucestershire
Artist/ School: Albert Coste (French 1896-1985), signed lower right.
Born 8 November 1895, in Marseilles; died 22 August 1985, in Marseilles.
Albert Cos...
Category
Mid-20th Century Cubist Abstract Paintings
Materials
Oil
1960's French Cubist Abstract Oil Painting - Monogrammed
Located in Cirencester, Gloucestershire
Artist/ School: French School, signed with initials, dated 1960's
Title: Cubist abstract
Medium: oil painting on board, unframed
board: 13.75 x 10.5 inches
Provenance: private co...
Category
Mid-20th Century Abstract Abstract Paintings
Materials
Oil
$387 Sale Price
30% Off
Blue Grey Cubist French Signed Oil Painting c.1970's Period
Located in Cirencester, Gloucestershire
French School, cubist artist circa 1970's
oil on canvas, unframed
canvas: 20 x 16 inches
provenance: private collection
condition: a couple of marks to the surface but overall good ...
Category
Mid-20th Century Cubist Abstract Paintings
Materials
Oil
$1,471 Sale Price
30% Off
Colourful Cubist Abstract, Signed Original Oil Painting
Located in Cirencester, Gloucestershire
Colourful Cubist Abstract, Signed Original Oil Painting
By French artist Iris Leger, Mid 20th Century
Signed and dated '70 by the artist on the lower right hand corner
Oil painting o...
Category
Mid-20th Century Cubist Abstract Paintings
Materials
Oil
$1,716 Sale Price
30% Off
Mid-20th Century Cubism Abstract Oil Painting, Multi Coloured, British Artist
Located in Cirencester, Gloucestershire
Cubism Abstract Oil Painting, Multi Coloured, British Artist
British School, 20th century
Oil painting on board, unframed
Board size: 16 x 24 inche...
Category
Mid-20th Century Abstract Abstract Paintings
Materials
Oil
$735 Sale Price
30% Off
You May Also Like
1988 Abstract Cubist Original Oil Painting on Canvas C. Martin Tschaen
By Georges Braque
Located in Chula Vista, CA
Abstract Modern Cubist Oil on Canvas artist signed C Martin Tschaen 1988
39.5 x 39.5 x 1 d
Colors of orange, green and yellow geometric shapes.
In the style ...
Category
Vintage 1980s Mid-Century Modern Paintings
Materials
Canvas, Paint
“Untitled (CVS113)” Contemporary Blue, Green & Orange Geometric Abstract
Located in Houston, TX
Contemporary geometric colorful abstract painting by Texas-based artist Max Manning. The work features organic and geometric shapes in orange, green, and blue tones. Signed, titled, ...
Category
2010s Contemporary Abstract Paintings
Materials
Canvas, Mixed Media, Acrylic
Blue and Orange Space 2 by Fleur Park, Original painting, Abstract art
Located in Deddington, GB
Blue and Orange Space 2 by Fleur Park [2022]
original and hand signed by the artist
Acrylic on Canvas
Image size: H:80 cm x W:60 cm
Complete Size of Unframed Work: H:80 cm x W:60 cm...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Canvas, Acrylic
Abstract expressionist blue, black & green mid-century geometric painting
By Richard Andres
Located in Beachwood, OH
Richard Andres (American, 1927-2013)
Untitled, c. 1949
oil on canvas
18 x 32 inches
Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University.
Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school.
They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages.
At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute).
He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.”
Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art.
The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery.
In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting.
Andres described himself as a 1950’s...
Category
1940s Abstract Expressionist Abstract Paintings
Materials
Oil
Overlapping Blue w/ Orange 47 x 47 Abstract Art Bold Colors $4400 Shapes
Located in Houston, TX
Overlapping Blue w/ Orange 47 x 47 Abstract Art Bold Colors $4400 Shapes
Other painting by Marilyn Biles shown in images
As life often does, the life of Marilyn Biles has come f...
Category
1990s Abstract Abstract Paintings
Materials
Canvas, Oil
Blue and Orange, Abstract Landscape Painting, Bold Contemporary Artwork
Located in Deddington, GB
Fleur Parks art is influenced by the push and pull of her country life vs her old city life. The juxtaposition of these two is seen in most of her work. The fields that surround her ...
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Acrylic
More Ways To Browse
Ken Meads
Klimt Eisler
La Belle Et La Bete
Laura Gilpin
Linen Backed Jazz Posters
Liza Minelli
Lobo Bronze
Luigi Rossini Rome
M A Hadley
Marcel Masson
Mark Beard Polaroid
Mark Cross Watch
Max Jaffe Print
Max Jaffe
Maxfield Parrish Vintage
Mike Figgis
Modeling Vintage Cindy Crawford
Morocco Original Vintage Travel Posters