Impressionist Paintings

The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

"Scene de Plage" by Henri-Andre Martin (French 1918-2004) stamped verso oil painting on canvas, unframed Canvas: 25.5 x 36 inches Provenance: Private collection, Cannes, South of Fra...

In Katharina Husslein's floral-themed paintings, her profound connection to nature and deep inspiration drawn from flowers are unmistakable. Through her textural and abstract approac...

Artist: Vahe Yeremyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic on Plexiglass Year: 2025 Style: Contemporary Art, Title: Signature in Gold Size: 14"...

This artwork titled "San Jacinto Peak" c.1970, is an oil painting on canvas by noted Palm Spring artist Darwin Taylor, 1921-1975. It is signed at the lower right corner by the artist...

Antique American impressionist beach seascape oil painting. Oil on canvas board. Framed. Measuring 11 by 14 inches overall and 9 by 12 painting alone.

A beautiful late 19th century English impressionist oil on board depicting an extensive landscape at sunset. Excellent quality work by an accomplished artist. Indistinctly signed lo...

Y. Gonez (French, mid-20th century) Market Scene, Montmartre with Sacré-Cœur, ca. 1950s Oil on canvas, in a Montparnasse-style frame In this lively street scene, Y. Gonez captures t...

This stunning still life, bursting with vibrant hues, captures the essence of an expressive European style, likely from the heart of Germany at the dawn of the 20th century. The bouq...

Signed lower left, 'Pauline Palmer' (American, 1867-1938) and painted circa 1915, two years after the artist's first solo exhibition at the Art Institute of Chicago. Exhibited: Chicago Galleries Association and titled, 'Sunny Yards' (attached, partial label from original frame) A staunch proponent of pure Impressionism at the turn of the twentieth century, Pauline Palmer influenced the world of American art far beyond her Midwestern art community. Primarily known for her landscapes and portraits, Palmer rejected the waves of modernism that hit the United States in the teens and twenties, remaining true to the traditions of Impressionism. In 1923, she established the Association of Chicago Painters and Sculptors as an alternative to the increasing number of institutions celebrating Abstraction and Cubism. Pauline Palmer was enrolled at the Art Institute of Chicago from 1893 to 1898, and studied with some of the most prominent artists of the period, including William Merritt Chase and Frank Duveneck. Following her graduation, Palmer moved to Paris and attended the Académie de la Grande Chaumiére and the Académie Colarossi, where she studied under Raphael Collin. While in France, she exhibited with success including at the Paris Salon each year from 1903-06 and, again, in 1911. Her principal teacher and friend in Paris was the American Impressionist, Richard Emil Miller, whose shimmering handling of light made a profound impression upon her. Palmer also traveled extensively throughout Europe, a rite of passage for aspiring artists of her time. Returning to Paris, she studied with Gustave Courtois and Lucien Simon, both exemplars of compositional structure. Upon her return to the United States, Palmer set up her first American studio in the legendary Tree Studios building in Chicago. The artist's husband, Dr. Albert Palmer, whom she had married in 1891, both supported and encouraged his wife's artistic development. The couple kept a summer home in Provincetown, Massachusetts, where she made friends with many of the Portuguese fishermen's families, often using their children and the routines of their daily lives as subject matter for her painting. Pauline Palmer exhibited widely and with success, including in Italy, France, Norway and throughout the United States. Her works were shown at the National Association of Women Painters and Sculptors and, beginning in 1899, she exhibited at the Art Institute of Chicago for twenty-seven consecutive years. Over the course of her long career, she exhibited over 250 paintings at the Art Institute of Chicago, including at two solo exhibitions. She was the recipient of numerous prizes, medals and juried awards including nearly all the AIC's major awards, purchase prizes and honorable mention citations. Palmer also received a gold medal from the Colarossi Academy in Paris. Involved in numerous artist organizations, she was a member of the Chicago Municipal Art League, the Chicago Art Guild, the Chicago Arts Club and a charter member of the Chicago Women's Salon. Elected the first woman president of the Chicago Society of Artists, she went on to serve as president of both the Art Institute Alumni Association and the Chicago Association of Painters and Sculptors. Considered by the Modernists of her day to be a traditionalist, Pauline Palmer remained true to her artistic vision and she continues to be regarded as one of the leading women of American Impressionism. Her light-filled, colorful compositions captured landscapes and scenes of American daily life with unusual freshness and seeming effortlessness. Celebrated during her life as "Chicago's Painter Lady," Palmer was honored twelve years after her death by a posthumous retrospective at the Art Institute of Chicago and the establishment of an annual scholarship awarded in her honor by the Art Institute of Chicago. (with thanks to Hali Thurber) CHRONOLOGY 1867, Born in McHenry, IL 1885, Moves to Chicago to teach art 1891, Marries Dr. Albert Elwood Palmer 1893, Exhibits, World's Columbian Exposition, Chicago 1896, First exhibits at the Art institute of Chicago 1898, Exhibits at Exposition in Omaha, NE 1899, First exhibit, Pennsylvania Academy of Fine Arts 1900-1902, Studies with various artists in Paris 1901, Exhibits at Exposition in Buffalo 1903-1906, Exhibits at Paris Salon 1904, Exhibits at Universal Exposition in St. Louis, 1907, Four prizes at the Art Institute of Chicago 1911, Exhibits at the Paris Salon 1911, Exhibits at the Expositione de Belle Arti, Naples 1913, Solo exhibition, Art Institute of Chicago 1915, First prize, Society of Western Artists 1917, Opens first American studio in Chicago 1918, First woman president, Chicago Society of Artists 1918-1929, holds position of president for 11 years 1918-1921, Silver medals, Society of Chicago Artists 1921, Silver medal at Peoria Society of Allied Artists 1927, President, The Art Institute Alumni Association 1929-1931, President, Chicago Association of Painters and Sculptors 1938, Dies, Trondheim, Norway AWARDS 1904, Universal Exposition in St. Louis, bronze medal 1907, Art Institute 's Chicago Artists' Exhibition 1915, Society of Western Artists exhibition, first prize 1918, Society of Chicago Artists, silver medal 1921, Peoria Society of Allied, silver medal Solo Exhibitions: 1913, Art Institute of Chicago 1939, Art Institute of Chicago, memorial exhibition Union League Club of Chicago, memorial exhibition Group Exhibitions: 1893, World's Columbian Exposition in Chicago 1896, Art institute of Chicago 1898, Exposition in Omaha, NE 1899, Pennsylvania Academy of Fine Arts 1899-1926, Art Institute of Chicago 1901, Exposition in Buffalo 1903-06 Paris Salon 1904, Universal Exposition in St. Louis 1911, Paris Salon 1911, Expositione de Belle Arti, Naples 1915, Exposition in San Francisco 1950, Chicago Galleries Association 1984, Lakeview Museum of Arts and Sciences, Peoria Memberships: 1918-29, First woman President,Chicago Society of Artists 1927, President of The Art Institute Alumni Association 1929-31, President of Chicago Association of Painters and Sculptors Reference: E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. X, page 523; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. XXVI, page 129; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. III, page 2512; Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, Glen B. Opitz, Apollo Press 1983, page 708; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. II, page 1047; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, page 326; Pauline Lennards Palmer...

Title: Acrylic Still Life Painting of Sunflowers in Vase by Sunlit Window by Minty Ramsey Signed: Verso Medium: Acrylic on Paper Size: 11.5 inches (height) x 8.25 inches (width) Cond...

Portrait of a Horse in a Field English artist "M. Lees" signed and dated 1971 oil painting on canvas, framed framed: 26 x 30 inches canvas: 20 x 24 inches Provenance: private collect...

William Merritt Chase Still Life of Fish Signed lower right Oil on canvas 32 x 39 1/2 inches Provenance Francis E. Myers, III, Ashland, Ohio Butler Institute of American Art, Youngs...

Jos Leurs is a Dutch Impressionistic Plein Air Painter who lived in France for almost 30 years. Since 2011 he lives in Holland again. His work is very popula...

Artist/ School: Deborah Poynton, British contemporary, signed Title: Summer Landscape Medium: oil painting on canvas, framed Size: painting: 20 x 30 inches, frame: 22.75 x 32.75 ...

Figure standing with window

Portrait in bright colors and shapes

Pink and White Water Lilies on the Pond, READY TO HANG PAINTING - the painting contine on the edges. A beautiful large modern floral painting, a marvelous water liliy on the pond ar...

Born in Connecticut near the end of the Civil War, Josephine Granger Cochrane went abroad and studied in Paris at The Academie Julian. She toured Europe, painting mainly in France an...

This is an original oil painting on panel by Ginny Williams. An avid gardener, Williams is known for her floral paintings. Here, she has shown a woman in her garden, "Before the Heat...

Artist/ School: French School, early 20th century Title: River Landscape Medium: watercolour painting on board, unframed painting: 15 x 21 inches Provenance: private collection,...

A beautiful, heavy impasto landscape of a scene south of San Luis Obispo, California by Mike Wright (American, b.1959). Signed "M. Wright 17" lower right c...

Nicely painted Flamenco dancer portrait. Framed. Oil on board. Signed. Image size, 20H by 16L.

Casual Nude Portrait, Oil Painting By J.B.Holmes, British artist, 20th Century Oil painting on board, unframed Board size: 12x10 inches Nude portrait of a lady sat in a casual man...

In this oil painting, I poured my fascination with the interplay of light on architecture and water. I strove to capture the essence of a serene harbor town, where vibrant colors dan...

signed by Fanch Lel (French b. 1930) Size: 11 x 9 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of aging. Provenance: All...

Impressive early French impressionist Paris street scene oil painting. Framed. Oil on canvas. Signed. Image size, 24H by 40L.

Artist: Vadim Zang Title: Red House in the Country Medium: Oil on Linen Year: 2011 Style: Impressionism Dimensions: 11" x 15" x 0.8" inch (28 x 38 x 2cm) Presentation: Unframed, Gall...

Vivid late 1970's floral still-life featuring a colorful bouquet by Doro (American, 20th Century), 1979. Signed and dated "Doro 1979" lower left. Unframed. Image size, 24"H x 18"L.

This vibrant oil painting on stretched canvas captures the mesmerizing energy of the underwater world. Created with a palette knife, the artist has layered rich, textured strokes to ...

Off The Maine Coast oil/canvas 12 x 16 unframed, 20.25 x 24.25 framed original frame as purchased with a chip on the upper left inside silver section hardly noticeable as pictured in...

Clyde Steadman's "Going Round the Bend" is an original, handmade oil painting that depicts an impasto painting of a two lane road going around the bend with mountains in the backgrou...

Impressive early American impressionist coastal seascape oil painting. Feels like a Maine scene with a bustling dock! Nicely framed. Oil on canvas. Signed illegibly. Image size,...

Daymer bay beach, wet sand and soft light Oil Paint on Canvas 28 H x 33 W x 3 D cm (11.02 x 12.99 x 1.18 in) Sold framed Image size: Height: 25cm (9.84 in) Width: 30cm (11.81 in) ...

A gorgeous early 20th century landscape oil painting of fields of yellow and blue wildflowers in bloom by Northern Californi...

"Around the Bend" by Clyde Steadman (United States) is a handmade still-life painting that is unframed, but ready to hang. Clyde Steadman got his start as an artist drawing people i...

Figures Strolling Through Village signed by Fanch Lel (French b. 1930) Size: 21.5 x 18 inches Oil painting on canvas, unframed Condition: The painting is in good condition, with mino...

Paris by Claude Marin (French 1914-2001) signed and dated 83 oil on artist card stuck on board, unframed board: 8 x 9.75 inches Provenance: private collection, Paris, France Conditio...

Title: French Town Square Impressionist Painting with Figures and Market Stalls by Fanch Lel Size: 8.75 inches (height) x 10.5 inches (wi...

Anton Genberg’s coastal painting captures a tranquil harbor scene along Sweden’s west coast. In this 1923 oil painting, a cluster of weathered boathouses stands by the water’s edge, ...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The sketch is original, vintage and me...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 24 x 36 Frame Size: 34 x 46 Medium: Oil on Canvas "Texas Autumn" Biography Robert Wood (G. Day) (1889 -1979) A painte...

Signed and dated oil on canvas seascape painting by French impressionist painter Maxime Maufra. The piece depicts a ship sailing on the horizon in a stormy sea at evening time. Sign...

Born in Riga, Edgars Vinters was the only child of the facade and decoration painter Hermanis Vinters (1874–1939) and his wife Anna, née Kalniņa, (1879–...

Title: French Impressionist Oil Painting of Harbor Scene with Boats and Waterfront By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Signed: Yes Oil painting o...

This artwork "Mexican Market with Couple" 1976 is an oil painting on canvas by Mexican artist Antonio Vasquez Parra, 1927-1984. It is signed and dated at the lower right corner by th...

Ferdinand Kaufmann (1864 1942) Harbor Scene with Boats oil/canvas, laid to board, masonite. Signed lower right. 11.5 x 12.5 unframed, 15.75 x 19.75 framed A nice marine by Kaufmann...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

The Studio Model French Impressionist artist, circa 1890's oil on canvas: 27.5 x 16.5 inches provenance: private collection, France condition: very good and sound condition

Nicely painted early American impressionist seacape painting by Elmer Ellsworth Garnsey (1862 - 1946). Oil on board. Framed. Signed verso. Image s...

Le Pont Marie, Paris French Impressionist artist, signed and dated 58' oil on canvas, framed in original Montparnasse frame. framed: 28 x 35 inches canvas: 22 x 29 inches Provenanc...

Paris street scene by a French street artist signed lower right. Label on verso "Angelo Ponza" Art Gallery Naples, Italy. Image, 16"H x 20"W Frame, 20"H x 24"W

Early Spring is an oil painting on canvas panel that showcases the beautiful light of a spring day with flowering trees, etc. Painting is unframed. SELLERS STATEMENT I have been in t...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 25 x 30 Frame Size: 34 x 39 Medium: Oil on Canvas Circa 1950 "Lazy Day Blues" Texas Bluebonnet Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas is in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit, and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Peaceful pastoral landscape by Abraham Hulk, the Younger (1844-1922), renowned for his landscape paintings with Dutch and English training. With his Dutch father as an artist, Hulk l...

Signed lower right, 'Dambourgez' for Edouard-Jean Dambourgez (French, 1844-1931), titled, 'Paris' and painted circa 1880. Titled with inscription, verso, on old backing, ''Taverne Pausset', grands boulevards a Paris". A fine and detailed, cabinet-size oil painting showing an elegant Parisian cafe and bar, the interior lit by luminous, floor-to-ceiling stained-glass windows and filled with fashionably-dressed patrons drinking and socializing beneath a haze of pipe and cigar smoke. A minor, period masterpiece, providing an animated view of the city's fin-de-siècle nightlife, and characterised by finely observed and fully-realized figures showing an unusual degree of both social commentary and psychological penetration. Edouard-Jean Dambourgez first studied with Jules Lefebvre and, subsequently, as an engraver and chromo-lithographer under Gustave Boulanger. In 1880, Dambourgez commenced exhibiting at the Salon des Artistes Français, and, in 1883, was elected a member of the Society. Throughout the 1880's, he exhibited frequently and with success at the major Paris salons including the Salon d'Automne, the Salon des Independants and the Salon des Champs-de-Mars. In 1884, he was commissioned by the Louvre to engrave all illustrations for the catalog to the Thiers Collection, recently bequeathed to the Museum. The recipient of numerous prizes, medals and juried awards, Dambourgez was awarded an honorable distinction by the Salon in 1888, and an honorable mention in 1891. In 1888, the critic Albert Wolff recommended his painting, 'A Cheese Shop', for inclusion at the Salon des Artistes Français. In 1891, the city of Paris bought his large canvas, 'The Cream and Cheese Market...