Impressionist Paintings

Evening Light 8 x 10 unframed, 13.13 x 15 framed Evening Light is a beautiful impressionistic winter landscape snow scene that shows the view behind my studio. The painting is on a ...

Afternoon Sky is an oil on panel painting just completed in the studio. The painting exudes the rich qualities of oil paint with bright strong color, a variety of lost and found edge...

Artist/ School: Alfred Quertant, French circa 1930's, signed lower right Title: The Old Town, Nice Medium: oil on panel, unframed Size: painting: 46...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter years to become a full time painter. ...

Lester Hughes (1938-2021) El Paso Artist Image Size: 18 x 36 Frame Size: 20 x 38 Medium: Oil on Canvas "Stagecoach To Nowhere" Biography Lester Hughes (1938-2021) From El Paso, Texas...

Vintage American impressionist landscape oil painting. Oil on board. Framed. Measuring: 15 by 18 inches overall, and 11 by 14 painting alone. In excellent original condition. Handso...

Antique American impressionist landscape oil painting. Oil on canvasboard. Framed. Signed. Measuring: 12 by 15 inches overall, and 8 by 10 painting alone. In excellent original cond...

Firmado por el artista en la parte inferior Estado de conservación bueno Se presenta bien enmarcada la obra Medidas obra: 60 cm altura x 20 cm ancho. Medidas marco: 76 cm altura ...

Hjalmar Sandberg (1847-1888) Sweden Harvest Time, 1876 oil on canvas canvas size 14.96 x 18.11 inches (38 x 46 cm) frame 18.70 x 25.59 inches (47.5 ...

Artist/ School: French School, circa 1950's, signed H. Eubriet Title: 'Bathing' Medium: oil on canvas, framed Framed: 29 x 45 inches Painting: 24 x 30 inches Provenance: private ...

75CM X 75CM (29,5" x 29,5") 2025 The beauty of the evening light, pond with water lilies fills the picture of elegance, the blue tones add a depth of feeling in the picture. Bold te...

"The Barque" oil/canvas 25.25 x 30 image The painting is lined and would benefit from a cleaning. The canvas has shifted a little in the frame and needs to be moved back as seen in p...

A truly stunning jewel and pertinent example of Berthelsen's charming New York City winter scenes depicting Washington Square Park in the snow. An iconic scene that so many have come...

In this vibrant tapestry of color, I've melded acrylic, oil, and oil pastel to craft an impassioned dance of poppies. My strokes brim with the spirit of expressionism and touch of im...

This vibrant artwork captures a serene lakeside scene with vivid clarity. Central to the composition are rustic boathouses, their weathered wood harmoniously blending with nature. A ...

Still Life of a Vase of Red & White Flowers by 20th Century American Artist, Robert Cox (1934-2001) Art measures 24 x 20 inches Frame measures 29 x 25 inc...

Antique French impressionist portrait landscape oil painting. Oil on canvas, lain to board. Signed. Framed. Measuring: 12 by 15 inches overall, and 6 by 9 painting alone.. In excell...

Dinton Church by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22.25 inches titled and dated 'April 82' *FREE SHIPPING ON THIS P...

Title: Spring Flower Medium: Oil on canvas Size: 10 x 10 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

Signed oil on canvas board figures in cityscape circa 1940 by sought after French impressionist painter Edouard Cortes. The work depicts an autumnal scene of the the Arc de Triomphe,...

José Miret Aleu (1912-1999) - Still life of peaches and cherries - Oil on canvas Oil measurements 50x61 cm. Frameless. Painter born in Barcelona in 1912. He studied drawing at the B...

"Of Ships and Men" - Nautical Trompe l'Oeil Composition in Oil on Board Maritime still life by Russell Tripp (American, 1942-2025). This hyper-realistic painting captures a collecti...

Creixams PICÓ, Pere (Barcelona, 1893-1965). Self - taught painter, Creixams began his career as a cabinetmaker and typographer. In 1918 he traveled to Paris and in contact with the ...

Since I have long been fascinated by colored glass and stained glass, in this work, I explored the effect of blending brushstrokes of different colors and the stylized representation...

The painting "Waiting" is painted on canvas with oil paints in impasto style. A very cute story with a cat sitting in the window of an old house, waiting for its owner. A wonderful...

Up for sale is a beautiful original antique oil painting on canvas, dating to the mid-to-late 19th century, featuring a refined female portrait. This classic Victorian-style portrai...

Title: Impressionist Sunset Harbour Scene with Sailboats and Reflections in France by Fanch Lel Signed: Yes Size: 8.25 inches (height) x 10 inches (width) (size excluding frame; 4.75...

Agnes Richmond Gloucester Rocks, Ten Pound Island, circa 1914-15 Estate stamp on verso Oil on canvas 20 x 24 inches Provenance Estate of the artist Kno...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 13 x 19 inch...

Josep María Riera i Aragó (1954) - Landscape - Oil on canvas Oil measurements 73x100 cm. Frame measurements 77x104 cm. Painter and sculptor,...

Edward Dufner Road in the Mountains No. 33, circa 1910 Signed lower left; signed and titled on the reverse Oil on board 8 x 10 inches With a long-time career as an art teacher and ...

This exquisite artwork captures the vivid beauty of a floral arrangement in a clear glass vase. The painting showcases a harmonious blend of rich colors, with deep reds, soft pinks, ...

Charles P Gruppe 1860-1940 Harvest Time, Farm Scene with Cow oil panel signed LR 8x10 unframed, 11.5 x 13.5 framed Colors are fresh and vibrant as the painting was recently clean...

This artwork showcases a vibrant bouquet of sunflowers arranged in a simple white vase, capturing the essence of rustic charm. The sunflowers are depicted in varying stages of bloom,...

Venice Russian School, indistinctly signed front and back oil painting on canvas, unframed canvas: 24 x 20 inches provenance: private collection, UK condition: very good and sound co...

Antique American impressionist landscape oil painting by Frances M. Lichten (1889 - 1961). Oil on board. Signed. Framed. Measuring: 24 by 26 inches overall, and 16 by 18 painting alo...

Aaron E. Kilpatrick Landscape painter. Born in St Thomas, Canada on April 7, 1872. Kilpatrick was educated in the public schools of Winnipeg and moved to the U.S. in 1892. By 1907 he...

Antique French impressionist landscape oil painting. Oil on canvas, lain to board. Framed. Signed. In excellent original condition. Handsomely framed in a period impressionist mo...

A beautiful large late 19th century French impressionist oil on canvas depicting an extensive landscape with trees in the foreground and an atmosph...

A very beautiful large French impressionist oil on canvas still life depicting a plant and brass kettle, probably in a kitchen. The work is very well painted and atmospheric on a gen...

Still Life by Liudmila Shabazova from Spain. A magnificent flower is surrounded by green leaves. The composition is simple but brightly colored. The...

Off The Maine Coast oil/canvas 12 x 16 unframed, 20.25 x 24.25 framed original frame as purchased with a chip on the upper left inside silver section hardly noticeable as pictured in...

Early 20th century watercolour on paper of a tranquil river, bridge and village scene. The painting is presented in a plain wood frame under glass. This charming watercolour portra...

From the series Rhythms of streets 4 acr. on canvas size - 31,5" x 31,5" (80cm x 80cm), 2023 Night city. A modern day city and a night city are two completely different cities. Dark...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 27x33 inches. Americo Makk...

Artist: Vahe Yeremyan Work: Original oil Painting, One of a Kind Medium: Oil on Canvas Year: 2016 Subject: Piece of Garden SIZE: 23" x 43" x 3/4''inch Unframed, Stretched on the wood...

Catalogue raisonné reference: Publisher: Tvorchestvo (2015) Language: English Russian ISBN-10: 5000280512 ISBN-13: 978-5000280515. Shipping from the gallery in Switzerland with a ce...

Impressionist oil on canvas in lovely pastel green-blue shades, this summertime painting of trees, river and path is in the In the style of Camille Pissaro and other French impressio...

Title: Rainy Street Scene Watercolour With Umbrellas And Shoppers In Urban High Street By Tony Herbert (1927-2024) Signed: Lower right corner Medium: Watercolor on paper, unframed Si...

A charming depiction of Snow on 5th Avenue New York City with figures walking and cars in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whites, and burnt sienna's. An iconic street scene with beautiful brushwork and whimsical details, this piece captures the essence of New York in snow. This work is a following of Guy Wiggins. This painting is signed by the artist lower right and it comes housed in a beautiful antique ornate gold tone giltwood frame with hanging wire on verso ready to be displayed. Art measures 13 x 8.5 inches Frame measures 17.5 x 13 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art...

A luminous mid-century floral still life by noted artist Miriam Tabor. This elegant composition features soft pink blooms in a dark vase, set before a sunlit window. Tabor’s fluid br...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Impressive early American impressionist winter landscape snow scene oil painting. Framed. Oil on canvas. Image size, 20H by 24L.

Antique Italian impressionist seascape oil painting. Oil on canvas, lain to board. Framed. Signed. Measuring: 30 by 42 inches overall, and 24.5 by 36.5 painting alone. In excellen...

Title: Red-crowned Cranes Medium: Oil on canvas Size: 23 x 32 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childhood in the American Far West and, upon marrying the artist William C. McNulty, relocated to Manhattan at the age of 18 in 1914. She took classes at the Art Students League where her teachers included two realist artists of the Ashcan School, George Luks and John Sloan. Her career as an illustrator began in 1919 with cover art for four issues of a fiction monthly called Live Stories. She continued providing cover art and illustrations for popular magazines and books until 1930 when she transitioned from illustrator to professional artist. From that year until her death in 1943, she took part regularly in group and solo exhibitions, receiving a growing amount of critical recognition and praise. In 1939 she told an interviewer that making money as an illustrator was so easy that it "almost spoiled [her] chances of ever being an artist."[1] In reviewing a solo exhibition of her work in 1939, the artist and critic A.Z Kruse wrote: "She paints and composes with a thorough understanding of form and without the slightest hesitancy about anatomical structure. Add to this a magnificent sense of proportion, and impeccable feeling for color and an unmistakable knowledge of what it takes to balance the elements of good pictorial composition and you have a typical Ann Brockman canvas."[2] Early life and training Brockman was born in Northern California in 1895 and spent much of her youth in nearby Oregon, Washington, and Utah.[1][3] She met the artist William C. McNulty in Seattle where he was employed as an editorial cartoonist. They married in March 1914 and promptly moved to Manhattan where he worked as a freelance illustrator.[4][5] At the time of their marriage, Brockman was 18 years old.[6] Over the next few years, her career generally followed that path that her husband had previously taken. His art training had been at the Art Students League beginning in 1908; she began her training there after moving to New York in 1914.[1] After an early career as an editorial cartoonist, he freelanced as a magazine and book illustrator beginning in 1914; she began her career as a magazine and book illustrator in 1919.[7] He embarked on a teaching career in the early 1930s and not long after, she began giving art instruction.[8][9] While they both adhered to the realist tradition in art, their usual subjects were different. His prominently depicted urban cityscapes in the social realist whereas hers generally focused on rural landscapes. He was best known for his etchings and she for her oils and watercolors.[8][10] Brockman returned to the Art Students League in 1926 to take individual instruction for a month at a time from George Luks and John Sloan.[1] Despite their help, one critic said McNulty's "sympathetic encouragement and guidance" was more important to her development as a professional artist.[11] Career in art In the course of her career as illustrator, Brockman would sometimes paint portraits of celebrities before drawing them, as for example in 1923 when she painted the French actress Andrée Lafayette who had traveled to New York to play title role in a film called Trilby.[12] She would also sometimes accept commissions to make portrait paintings and in 1929 painted two Scottish terriers on one such commission.[13] During this time, she also produced landscapes. In 1924 she displayed a New England village street scene painting in the Second Annual Exhibition of Paintings, Watercolors, and Drawings in the J. Wanamaker Gallery of Modern Decorative Art.[14] Available sources show no further exhibitions until in 1930 a critic for the Boston Globe described one of her portraits as "well done" in a review of a Rockport Art Association exhibition held that summer.[15] Between 1931 and her death in 1943, Brockman participated in over thirty group exhibitions and five solos.[note 1] Her paintings appeared in shows of the artists' associations to which she belonged, including the Rockport Art Association, Salons of America, Society of Independent Artists, and National Association of Women Painters and Sculptors.[17][19]Between 1932 and 1935, her paintings appeared frequently in New York's Macbeth Gallery.[20][23][25][27] She won an award for a painting she showed at the Art Institute of Chicago in 1940.[41] In 1942, the Whitney Museum bought one of the paintings she showed in its Biennial of that year.[10] Critical praise for her work steadily increased during the decade that ended with her untimely death in 1943. In 1932, her painting called "The Camera Man" was called "a clever piece of illustration."[21] Three years later, a painting called "Small Town" gave a critic "the impression of freshness, honesty, and skill".[29] In 1938, a critic described her "Folly Cove" as "masterful" and said "Pigeon Hill Picnic" was "sustained by excellence of execution".[48] At that time, Howard Devree of the New York Times saw "evidence of gathering powers" in her work and wrote "she imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Three years later, a Times critic reported Brockman had "set herself a new high" in the watercolors she presented,[52] and another critic said the gallery where she was showing had not "for some time" shown "so outstanding a solo exhibitor as Ann Brockman."[2] Shortly before her death, a critic for Art News maintained that she was "one of America's most talented women painters".[46] After she had died, a critic said Brockman's paintings "displayed real power", adding that she was "highly rated among the nation's professional artists" and was known to give "aid and encouragement, always with a smile," both artists and to her students.[10] in reviewing the memorial exhibition at the Kraushaar Galleries held in 1945, reviewers wrote about the strength and vibrancy of her personality, the quality of her painting ("every bit as good, possibly better than people had thought"),[53] called her "one of the best of our twentieth century women painters", and credited "her sense of the vividness of life" as a contributor to "the unusual breadth that is so characteristic of her work.[11] One noted that her work was "widely recognized throughout the country" and could be found in the collections of prominent museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Art Institute of Chicago.[54] Writing in the Times, Devree wrote, "even those who had followed the steady growth of this artist for more than a decade, each successive show being at once an evidence of new achievement and an augury of still better work to come, may well be surprised at the combined impact of the selected paintings in the present showing,"[55] and writing in the Brooklyn Daily Eagle, A.Z Kruse said she had made "extraorginary accomplishments", painted with "inordinate distinction" showing a "lyrical majesty," and possessed "a keen esthetic sense which did not deviate from truth."[54] Artistic style (1) Ann Brockman, undated drawing, black chalk on paper, 18 x 22 inches (2) Ann Brockman, High School Picnic, about 1935, oil on canvas, 34 1/4 x 44 1/4 inches (3) Ann Brockman, untitled landscape, about 1943, watercolor and pencil on paper, 15 1/4 x 22 1/2 inches (4) Ann Brockman, North Coast, undated watercolor, 21 1/2 x 30 inches (5) Ann Brockman, On the Beach, 1942, watercolor on paper, 16 1/2 x 20 inches (6) Ann Brockman, Lot's Wife, 1942, oil on canvas, 46 x 35 inches (7) Ann Brockman, New York Harbor, 1934, watercolor on paper, 13 1/2 x 19 1/4 inches (8) Ann Brockman, Youth, 1942, oil on board, 13 1/2 x 11 1/2 inches Brockman was a figurative painter whose main subjects were rural landscapes and small-town and coastal scenes. She worked in oils and watercolors, becoming better known for the latter late in her career. Most of her paintings were relatively small. Although she made figure pieces infrequently, the nudes and circus and Biblical scenes she painted were seen to be among her best works. In 1938, Howard Devree wrote: "Her gray-day marines and coast scenes are familiar to gallery goers and are favorites with her fellow artists. Her figure pieces have attained a sculptural quality without losing warmth or taking on stiffness. One spirited circus incident of equestriennes about to enter the big tent compares not unfavorably with many of the similar pictures by a long line of painters who have been fascinated by the theme. She imparts a dramatic feeling to landscape. She even manages this time to do trees touched by Autumn tints without calendar effect, which is no small praise."[51] Similarly, a critic for Art Digest wrote that year: "Fluently and virilely painted, [her] canvases suggest a close affinity between nature and humans. The artist takes her subjects out in the open where they may picnic or bathe with space and air about them. A fast tempo is felt in the compositions of restless horses and nimble entertainers busily alert for the coming performance. Miss Brockman is also interested in portraying frightened groups of people, hurrying to safety or standing half-clad in the lowering storm light."[56] Her palette ranged from vivid colors in bright sunlight to somber ones in the overcast skies of stormy weather. Of the former, one critic spoke of the rich colors and "sun-drenched rocks" of her coastal scenes and another of her "summery landscapes of coves and picnics."[11][50] Of the latter, Howard Devree said she "painted so many moody Maine coast vignettes of lowering skies and uneasy seas that artists have been heard to refer to an effect as 'an Ann Brockman day'".[57] Brockman's handling of Biblical subjects can be seen in the oil called "Lot's Wife", shown above, Image No. 6. Her watercolor called "On the Beach" and her oil portrait called "Youth" may both indicate the "sculptural quality" that Devree said was typical of her figure pieces (Image No. 8, above). An example of Brockman's bright palette in a typical summer theme is the oil painting called "High School Picnic" shown above, Image No. 2. Next to it is a painting, an untitled landscape of about 1943 whose medium, watercolor on paper, shows off the sunny palette she often used (Image No. 3). Among the darkest of her works was an untitled 1942 drawing she made in black chalk (shown above, Image No. 1). In a book called Drawings by American Artists (1947), the artist and art editor Norman Kent noted that this study influenced her painting through its use of "forms" that were "elastic" and suggested "color". He said its "massing of dark and light" created "a definite mood" that was "impressionistic" and had "the strength of a man's work".[58] Brockman's undated watercolor called "North Coast" (shown above, Image No. 4) is an example of the paintings to which Kent referred. Illustrator (9) Ann Brockman, cover, March 12, 1917, Every Week magazine (10) Illustration of an article, "The Taking of a Salient" by Henry Russell...

A fine impressionist landscape of a Vermont farm by American artist Paul Starrett Sample (1896-1974). Sample was born in Louisville, Kentucky and went to school at Dartmouth College,...

Artist: Carol Sideman– American (1925-2021) Title: Blue Sea #57 Year: circa 1975 Medium: Acrylic paint, gouache, chine colle on heavy watercolor paper Si...