Impressionist Paintings

Original painting by Natalia Yangalycheva Size: 96 × 109 cm Additional 5 cm of canvas on each side for stretching and framing Medium: Acrylic on canvas The artwork will be shipped ro...

This landscape from 1938 depicts the countryside around Ramsele in Ångermanland, northern Sweden. A winding country road leads the viewer into the composition, passing open fields an...

Artist: Alexander Shandor Title: Wonderful Summer Day Medium: Oil on Canvas Year: 2026 Style: Impressionism Dimensions: 14" x 23" x 1" inch (35 x 58 x 2cm) Presentation: Unframed, G...

Path through Trees in Forest with Figures, Northern Ireland, Oil On Canvas, Circa 1980, by 20th Century Artist, Allan Ardies (1918 - 2014) Art measures 26 x 18 inches Frame measur...

The painting is painted with oil paints on canvas in the style of modern impressionism and is ready to hang on the wall. It is equipped with hooks, the sides are painted with dark pa...

Nestor Fruge (1916-2012). Pirate's Alley, French Quarter, New Orleans, ca. 1970. Watercolor on paper, 14.5 x 20.5 inches. Measuring 21.5 x 27.5 inches framed. Born in Bayou L...

Artist: Anna Privaloff Title: Pink Almond Blossom Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 36 x 47" x 1" inch (90 x 120 x 3cm) Presentation: Unframed, Galler...

Artist: Alexander Shandor Title: Autumn Medium: Oil on Hardboard Year: 2022 Style: Impressionism Dimensions: 17.5 x 22.5" x 0.3" inch (45 x 57 x 1cm) Presentation: Unframed, Type: ...

"A celebration of feminine beauty, abundance and the pleasure of surrounding oneself with beautiful things. Flowers, ornamental vessels and geometric patterns come together like frag...

A true celebration of contemporary impressionism, this original fine art oil painting by Nikolay Dmitriev is a masterclass in rich, tactile texture. The artist uses heavy impasto tec...

Acquired by the gallery directly from the artist UNFRAMED: 6" x 8" FRAMED: 9.5" x 11.5" x 1.5" SIGNED: Lower Left

The painting is executed with incredible exuberance and enthusiasm. Abstract painting radiates positivity. It is not only extraordinarily popular; it also offers scope for imaginatio...

Title: British Countryside Landscape Dramatic Sky Green Fields Watercolor Painting Artist: British School (mid 20th century) Medium: watercolor painting on artists paper, unframed Si...

'The Royal Review, Edinburgh - 1905' by Robert Gemmell Hutchison (British 1855-1936) signed lower front corner, oil on canvas signed, titled on plaque canvas: 14.25 x 19.5 inches ...

This original oil on canvas by Italian artist Renato Longanesi (b. 1931) depicts a magnificent fully rigged sailing vessel moving through a powerful open sea. The dramatic ship domin...

These blue flowers are among the first to appear in the forest each spring. Their extraordinary blue color brings the earth back to life after the long winter. "For me, they have a...

Winter Farm Study oil/canvas panel 6 x 8 image unframed, 9.75 x 11.75 x 1.5 framed signed LL I enjoy playing with light in my paintings and creating a mood while trying to push the r...

Soft Coastal Harbour with Boats and Pastel Village Reflections French Post Impressionist Oil Painting by Fanch Lel signed lower left oil on board, unframed Board: 13 x 16 inches Prov...

"Water lilies" Original Oil painting by Ukrainian artist Evgeny Chernyakovsky 65.0 X 80.0 CM / 25.5 X 31.4 IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2026 Good...

Evening Retreat Egret This image measures 24 x 48 unframed and 30 x 54 framed. Evening Retreat Egret is an oil painting on Masonite panel by award winning contemporary artist Michae...

Title: Stylised Woodland Landscape Trees Riverbank Decorative Gouache Painting Artist: Unknown artist (mid 20th century) Medium: Gouache on artists paper, unframed Size: 3.25 x 6 inc...

A charming impressionist pastoral scene depicting Spring in Tuckamony Farm Solebury PA Pleasant, Pennsylvania. This piece is executed in an intimate yet energetic manner. Christopher...

Title: French Impressionist Oil Painting of Harbor Scene with Boats and Waterfront By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Signed: Yes Oil painting o...

Set against a luminous landscape of water, distant houses, and vibrant fields, two women occupy the same space while remaining immersed in their own inner worlds. One gazes across th...

Artist: Vahe Yeremyan Title: Lake View Medium: Oil on Canvas Year: 2026 Style: Impressionism Dimensions: 44.5" x 30.5" x 1" inch (113 x 77 x 3cm) Presentation: Unframed, Gallery Wrap...

Seascape oil Painting on Canvas Artist: Anna Privaloff Title: The Waterfall Medium: Oil on Canvas Year: 2026 Style: Impressionism Dimensions: 39 x 55" x 1" inch (100 x 140 x 2cm) Pre...

Two figures sit quietly by the water, suspended in a moment that feels both ordinary and timeless. Facing the glowing landscape, they share a silence that needs no words. Across the ...

Medium: Acrylic on canvas. Image size: 97 × 97 cm. Canvas size: 107 × 107 cm (an additional 5 cm on each side for stretching). Presentation: Shipped rolled in a tube. This work refl...

Medium: Acrylic on canvas. Size: 90 * 90 * 2 cm. Presentation: Stretched on a wooden stretcher, ready to hang. This work is a reflection on the beauty of slowing down and embracing ...

Rugged California Coast, 1930's Impressionistic Seascape, Signed 18x24 Charming 1930's impressionistic seascape of blue waves crashing on a rocky shore with distant sail boats on th...

ARTIST: P J V Russell ? (Mid/Late 20th century) British TITLE: "View From A London Window" SIGNED: labelled verso MEDIUM: oil on canvas SIZE: 45 x 35cm inclusive frame CONDITION: ...

"The Corn Field" by Alfred Bennet (British, 1861-1916) This beautifully executed oil on canvas painting titled "The Corn Field", signed and dated 1886 by British artist Alfred Benne...

Charles Allen Winter: 1869-1942. Very well listed American artist with Auction results over $114,000. He mostly painted in the Gloucester Massachusetts and St. Louis Missouri area. T...

Paris café interior scene, watercolour (20th century) Watercolour on paper, unframed. Size: 14.75 x 12.25 inches (height x width) Unsigned. Condition: good vintage condition with vis...

A wonderful impressionist-style winter landscape with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate yet energetic way and has packed much feel...

Beautiful vintage oil on canvas depicting a classic sailing ship navigating rolling ocean waves under a bright sky filled with soft clouds. The composition captures both movement and...

Large Post-Impressionist Night Café Terrace Scene Oil Painting After Van Gogh, Expressive Impasto Oil on canvas Post-Impressionist style Contemporary European school Dimensions: 120...

This beautiful original oil painting by Finn Wennervald captures the tranquil beauty of a flowering lakeside village nestled beneath majestic mountains. Painted with expressive palet...

This moonlit harbor scene is painted with remarkable spontaneity and freedom. A dark sailing vessel rises against a glowing path of reflected moonlight, while the surrounding boats, ...

This impressive large-scale oil painting depicts a classic fox hunting scene, capturing riders, horses, and hounds in full pursuit across the countryside. Richly detailed and full of...

Karl Albert Buehr (1866-1952) Giverny Landscape Oil on board, c. 1910 Unsigned Condition: Excellent Image size: 5 7/8 x 7 1/8 inches Frame: 11-1/2 x 12-3/4 x 1-1/2" Provenance: Estat...

Jersey Shore, Manasquan Inlet oil/panel 12.5 x 17 unframed, 18.23 x 23 framed Jersey Shore, Manasquan Inlet is an oil painting on canvas by award winning contemporary artist Michael ...

Artist: Garry Nalbandyan Title: Cloudy Day Medium: Oil on Canvas Year: 2026 Style: Impressionism Dimensions: 12" x 18.5" x 0.8" inch (30 x 47 x 2cm) Presentation: Unframed, Gallery W...

This impressive large oil on canvas painting depicts a dramatic fox hunting scene, capturing a rider in a classic red hunting coat mid-jump as the horse clears a rustic fence. In the...

ean-Luc Gérard Olive Trees, Côte d’Azur Circa 1930 Oil on Canvas Signed and inscribed on the reverse Presented in an ornate French-style frame This vibrant and richly textured lands...

Galleons at Sea Sir Frank Brangwyn (1867 - 1956) Oil on mahogany panel Signed and titled on the reverse Picture Size: 16 x 24" (41 x 61cm) Framed Size: 23 x 31" (58 x 78cm) A fanta...

Artwork signed by the artist. Sold with frame (101 x 140 cm) Jakob Wagner (1861–1915) was a Swiss painter known for his serene landscapes, tranquil waterscapes, and evocative scene...

A charming Impressionist pastoral scene depicting Spring in Point Pleasant, Pennsylvania. This piece is executed in an intimate yet energetic manner. Christopher is known for capturi...

Provençal hillside landscape with Cypress trees and houses in oil on board by French artist Jean Perret. Signed bottom right. This painting captures a serene landscape, characterize...

The work is executed in the style of naive art (primitivism) with elements of modern interior minimalism. Flat imagery: An absence of complex, classical chiaroscuro and linear perspe...

Karl Albert Buehr (1866-1952) Strolling in the Park Oil on canvas, relined, c. 1910 Unsigned Provenance: Gift of the Artist to his wife, Mary Hess Beuhr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art, Chicago, exhibited 1994 Karl Albert Buehr at Robert Henry Adams Fine Art, Chicago Exhibition dates The exhibition was held in 1994 at Robert Henry Adams Fine Art, 715 North Franklin Street, Chicago. Surviving provenance records describe it as the gallery’s first exhibition at its North Franklin Street location. Works documented as included include Woman on a Patio, Rocky Inlet (France), and apparently other paintings and studies acquired through David Saltzman from the family of Buehr’s wife, Mary Hess Buehr. The 1994 Karl Albert Buehr exhibition at Robert Henry Adams Fine Art represented an important act of historical recovery. Although Buehr enjoyed considerable recognition during his lifetime—as an exhibiting painter, prizewinner, and influential teacher at the School of the Art Institute of Chicago—his reputation had become less visible in the decades following his death. By bringing together paintings and works on paper that had descended through the artist’s family, the Adams exhibition helped restore Buehr to his proper position among the leading exponents of American Impressionism and the most important Chicago-trained painters working in France before the First World War. Giverny was crucial to Buehr’s mature development. American painters had been drawn to the Norman village since the late 1880s, attracted both by Monet’s presence and by the region’s gardens, river valleys, cultivated fields, and distinctive northern light. Buehr did not simply imitate Monet. His figure compositions remained grounded in the academic training he received in Chicago and Paris, but he enlivened that structure with broken brushwork, heightened complementary color, and an increasingly luminous palette. His characteristic compositions place elegantly dressed young women on terraces, beside windows, or within flowering gardens. These figures are neither conventional society portraits nor anonymous decorative accessories. They occupy a carefully balanced space between individual presence and pictorial harmony. Faces and gestures are often quietly observed, while dresses, parasols, flowers, foliage, and shifting sunlight become vehicles for color. Lavender shadows, rose and coral fabrics, emerald foliage, and brilliant passages of yellow or blue transform the garden into a chromatic environment surrounding the sitter. Works associated with the Adams exhibition illuminate the breadth of Buehr’s French production. The pastel Woman on a Patio, circa 1915, demonstrates his ability to translate Impressionist color into the immediacy of a dry medium. Pastel allowed him to place one hue directly beside another without losing intensity. The resulting surface possesses a soft atmospheric unity while retaining the energy of individual strokes. The work’s history—gifted by Buehr to Mary Hess Buehr and subsequently descending through her family—also gives it a particularly intimate character. Rocky Inlet (France) presents another aspect of Buehr’s practice. In place of the cultivated garden and poised female figure, the artist confronts a rugged coastal landscape. Yet his essential concern remains light acting upon color. Rock, water, and vegetation are constructed through abbreviated touches rather than continuous modeling. The small scale suggests direct observation, possibly an outdoor study made during Buehr’s travels in Normandy. Its provenance likewise begins with Mary Hess Buehr and passes through the family before reaching David Saltzman and Robert Henry Adams Fine Art. This family provenance was central to the significance of the 1994 exhibition. The works had not merely circulated anonymously through the market; many retained a direct association with the artist’s household. Such a group could include informal studies, experimental compositions, and personal gifts that Buehr elected to keep rather than send to public exhibitions. Together they offered a more private and exploratory view of his career. Condition: relined canvas and cleaned Image/Canvas size: 10 x 9 inches Frame: 16-3/4 x 15-3/4 x 1-3/4 inches Karl Albert Buehr (1866–1952): France and the Giverny Years Karl Albert Buehr—whose surname is sometimes misspelled “Beuhr”—was a German-born American painter and influential teacher associated with the second generation of American Impressionists working at Giverny. Although his artistic identity was rooted in Chicago, the years he spent in France transformed his palette, subject matter, and approach to painting. Born on February 14, 1866, in Feuerbach, near Stuttgart, Buehr immigrated with his family to Chicago, probably in 1881. After working briefly for a commercial lithographer, he enrolled at the School of the Art Institute of Chicago in 1888. He studied with John H. Vanderpoel and graduated with honors in 1894, after which the school invited him to teach. He also served in the Illinois cavalry during the Spanish-American War and married Mary Guion Hess, one of his students and an accomplished artist in her own right. Early study in Europe Buehr’s European education unfolded in several stages. Around 1900 he settled in Paris and studied at the Académie Julian, principally under the French painter Raphaël Collin. Collin was known for idealized female figures placed in luminous outdoor settings, a combination of academic draftsmanship and Impressionist light that anticipated Buehr’s mature work. Buehr reportedly received a gold medal at the Académie in 1901. His early European paintings included portraits, landscapes, and scenes of rural labor. Visits to Holland exposed him to the restrained tonalism of the Hague School, while his travels in Italy—particularly Taormina, Sicily, during 1906 and 1907—encouraged a brighter response to Mediterranean sunlight. He also studied in London, where his contacts with Frank Brangwyn and the decorative currents of British painting strengthened his interest in broad design, rhythmic composition, and large arrangements of figures. A decisive factor in this extended European residence was the patronage of Chicago philanthropist Lydia Coonley Ward. From approximately 1906 until 1913, Ward provided Buehr with a monthly stipend, enabling the artist, his wife, and their children to remain abroad and pursue their work without the immediate pressures of the American market. Buehr at Giverny Buehr entered the Anglo-American artistic community at Giverny around 1909, probably through his friendship with Henry Salem Hubbell, another American figure painter supported by Lydia Coonley Ward. From approximately 1909 through 1912, Buehr generally spent winters in Paris and the warmer months at Giverny. In 1912 and the summer of 1913, the family reportedly lived at Sainte-Geneviève-lès-Gasny, close to Giverny. By this date Giverny was no longer merely the village in which Claude Monet lived. It had become an international artists’ colony, particularly attractive to American painters who admired Impressionist color but wished to retain firm drawing and carefully organized figure compositions. Buehr’s associates included Frederick Carl Frieseke, Richard Edward Miller, Guy Rose, Lawton Parker, Louis Ritman, Edmund Greacen, Karl Anderson, and Theodore Earl Butler. Buehr was especially close to the circle of Frieseke and Miller. These artists specialized in decorative paintings of fashionably dressed women reading, sewing, taking tea, or resting in sunlit gardens. Their figures were surrounded by flowers, patterned fabrics, parasols, and flickering passages of colored light. Buehr adopted this repertoire, but his paintings usually retained a stronger structural organization and a more assertive contrast between complementary colors. During his first months at Giverny, Buehr worked on a large decorative panel of dancing figures. The composition received an honorable mention at the Paris Salon of 1910, an important professional recognition. That summer, however, he increasingly turned toward intimate garden scenes and outdoor figure studies. The influence of Richard Miller can be detected in the decorative arrangement of the figures, while Frieseke’s example encouraged Buehr s use of brilliant sunlight, patterned surfaces, and saturated hues. Relationship with Claude Monet Claude Monet was Buehr’s artistic hero, but the extent of their personal relationship should not be overstated. Buehr’s children played with the children of Theodore Butler, Monet’s son-in-law, and they visited the Monet household. Buehr’s daughter Kathleen later recalled that Monet was gracious to the children. Nevertheless, the best available scholarship suggests that no close personal association between Buehr and Monet has been documented. Monet’s importance to Buehr was therefore primarily artistic. At Giverny, Buehr learned to regard colored light as a central subject rather than merely a means of describing objects. Shadows became violet, blue, or green; white dresses reflected the surrounding garden; and faces and arms were modeled through small strokes of warm and cool color. The enclosed garden also became a kind of outdoor studio in which human figures, flowers, fabrics, and sunlight could be orchestrated into a unified decorative design. The Giverny style Buehr became best known for paintings of young women seated or standing in gardens, often accompanied by colorful parasols. Works such as Springtime in Giverny, Under the Parasol, and related pictures of women reading or conversing exemplify his mature style. Although inspired by French Impressionism, these paintings are not spontaneous transcriptions of fleeting visual experience in the strict Monet tradition. They are carefully staged figure compositions. Buehr himself explained that the outdoor figure painter should concentrate upon the ensemble—grouping, arrangement, and color—rather than laboriously describing every feature. This principle helps distinguish his Giverny paintings...

Artist: Alexander Shandor Title: Early Spring Medium: Oil on Hardboard Year: 2017 Style: Impressionism Dimensions: 8" x 18" x 0.3" inch (36 x 46 x 1cm) Presentation: Unframed, Type...

In this work, the artist reflects on the nature of hierarchy as something subtle and often unseen. Rather than being defined by size, power, or position, importance emerges through a...

Summer Sky oil/panel 6 x 8 unframed, 9.5 x 11.5 framed Summer Sky is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases a beautiful day at t...

Fields of Gold Sunflower Field Landscape French Impressionist Style Oil Painting by Georges Bordonave (French, contemporary) signed and dated 1992 oil on canvas, unframed canvas: 20 x 26 inches private collection, western Paris, France very good condition; presents exceptionally well A radiant French landscape alive with colour and movement, this 1992 oil on canvas by Georges Bordonove...

A pair of mid-century Impressionist beach landscapes depicting Rio de Janeiro , ca. 1960. Oil on canvas, each measures 12 x 16 inches; 15 x 19 inches framed. Signed indistinctly lo...

Serene mid-century landscape of mountains reflecting over a fjord in Norway by an unknown artist, Circa 1940's. Unsigned. Displayed in a rustic giltwood frame. Image, 20"H x 24"W. Fr...

Artist: Alexander Shandor Title: Winter Ways Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 20.5" x 29" x 1" inch (52 x 74 x 2cm) Presentation: Unframed, Gallery ...

Large vintage oil painting on canvas depicting a traditional English fox hunting scene with riders on horseback accompanied by a pack of hunting hounds moving across an autumn countr...

Artist: Alexander Shandor Title: In the Garden Medium: Oil on Hardboard Year: 2024 Style: Impressionism Dimensions: 22 x 33.5" x 0.2" inch (55 x 85 x 1 cm) Presentation: Unframed, ...