Impressionist Paintings

This artwork Titled "Mount Shasta in Spring" c.1970 is an oil painting on canvas by California artist Robert Wagner. It is signed at the lower right corner by the artist. The canvas ...

Avenue of Trees French School, circa 1930's indistinctly signed and dated oil painting on canvas, laid over board painting size: 28 x 39 inches condition: overall very good, some sl...

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Two large white hydrangea blooms fill a simple vase, their presence creating a quiet, intimate focus. Painted alla prima with a palette knife, the work is rich ...

Title: Gondolas on the Grand Canal with Santa Maria della Salute Venice By Tony Herbert (1927-2024) Signed: Bottom right corner Medium: Watercolor on paper, unframed Size: 11.25 inch...

Roy Henry Brown Souhegan Hills, circa 1926 Signed lower right Oil on canvas 40 x 50 inches Provenance Private collection New York, 1940s Thence by decent through the family Exhibit...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "Look at This Beauty, Honey" captures a moment of...

Beautiful California seascape of Rocky Point in Big Sur, California by an unknown artist (American, 20th Century). Unsigned. Presented in a gold toned meta...

Sunrise by Georges Bordonave (French contemporary) signed oil painting on canvas, framed dated framed: 13 x 15 inches condition: very good provenance: from a large private collect...

Julian Onderdonk "Summer Evening S. W. Texas" Texas Hill Country (1882 - 1922) San Antonio Artist Image Size: 9 x 12 Frame Size: 15 x 18 Medium: Oil on panel Dated 1909 "Summer Evening S. W. Texas" "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New...

Artist/ School: signed French School, Bouchet (19th-20th Century) Title: Portrait of a bearded man Medium: oil on board Size: 11 x 8.5 inches Provenance: private collection, Fran...

Mystery European Artist Untitled (Countryside Farmette), c. 1880 Oil on canvas 12 x 10 in. Framed: 16 x 13 1/2 x 1 1/2 in.

Maroniez is best known as an accomplished painter of the sea and the life of fishermen. He painted mainly in Brittany ( France ) Museums and galleries holdings : Boulogne: Mussel b...

Paris Street Scene French artist, circa 1960's Oil on canvas, framed Framed: 21.5 x 25.5 inches Canvas: 16.5 x 20 inches Provenance: Private collection Condition: This painting is in...

I am inspired by the area I live in California. The hills are alive with beauty in the spring. I hope the viewer can feel that excitement from this painting from the way it has been ...

La Rosaire Monet's Garden, Giverny French School, signed inscribed verso oil painting on canvas, unframed canvas: 8.75 x 10.75 inches provenance: private collection, France condition...

Provenance Consigned to the gallery by private collectors Signed "Jack Wilkinson Smith" lower left Description Jack Wilkinson Smith was a New York-based illustrator before moving o...

This vibrant artwork is a masterful still life depicting a lush bouquet housed in a dark, elegant vase. Bold, vivid flowers such as peonies and tulips bloom with striking presence, t...

Robert Fowler (British, active late 19th–early 20th century) River Landscape, circa 1900 Oil on canvas, signed lower right This atmospheric river landscape is a fine example of Robe...

House overlooking the Sea by Charles Martin-Sauvaigo (French 1881-1970) * see notes below French Impressionist painter oil painting on wooden panel unframed size: 9.5 x 6.25 inches c...

Portrait of Man by Maurice Georges Poncelet (French, 1897-1978) oil painting on board, signed initials - datedf 1929 11 x 14 inches condition: overall good and sound though a little ...

Title: Impressionist Outdoor Café Scene with Seated Figures and Dappled Light by Fanch Lel Signed: Yes Size: 8.75 inches (height) x 10.5 inches (width) Medium: Oil on board, unframed...

The Old Harbor French Impressionist artist, mid 20th century oil on canvas laid over board, framed painting: 9 x 9 inches framed: 9.5 x 9.5 inches condition: overall very good, a few...

Landscape. 1937, oil on cardboard, 34x40 cm Reinhold Kasparsons (born 13/9/1889 in Cēsis, died 14/1966 in Riga), painter. Born in a craftsman's family. Studied at Nītaure school, a...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 10 x 8 Frame Size: 15.5 x 13.5 Medium: Oil on Panel Applied by Palette Knife Dated 1971 "Wild Flowers" Biography Jose Viv...

This painting is part of the Modern Muses series, where simple everyday scenes become spaces of subtle emotional presence. The faceless figure sits at a table beside her elegant comp...

Vintage French Painting signed by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 14 high by 10.75 inches wi...

Josep Miquel Serrano (1912-1982) - Still Life of Flowers - Oil on canvas Oil measures 92x73 cm. Frameless. Josep Miquel Serrano, of a Santander family, was born in Barcelona in 1912...

Title: French Coastal Painting of Boats at Low Tide in La Richardais in Brittany By Fanch Lel Signed: yes Size: 8.75 x 10.5 inches (height x width) Oil painting on board, unframed Co...

Wonderful mid century landscape of Ojai, California with charming stucco cottage and almond trees in bloom and mountains in background titled, "Storm over Ojai" by Margaret Anna Dobson (American, 1888-1981), 1959. Signed faintly, lower right. Signed in pencil "Margaret Dobson", titled "Storm Over Ojai" and dated "1959" on verso. Presented in vintage gilt-toned wood frame. Image size: 12"H x 16"W. Framed size: 14"H x 17.75"W. Margaret Dobson was a painter, illustrator, muralist, etcher. Born in Baltimore, MD on Nov. 9, 1888. Dobson studied at the Maryland Institute, PAFA, Fontainebleau School of Art (Paris), and Syracuse University. She studied privately with Daniel Garber, Cecilia Beaux, Violet Oakley, Emil Carlsen, Robert Vonnoh, Hugh Breckenridge, and others. She was active in London, England until 1933. She then settled in Los Angeles where she remained until her death on Jan. 20, 1981. Primarily a muralist, she also painted floral still lifes and landscapes of the Sierra and southern California. Member: NAC; Royal Society of Etchers (London); Laguna Beach AA; Women Painters of the West; Santa Monica AA; Calif. Art Club; LAAA; Artists of the SW. Exhibits: Fontainebleau, 1927 (prize); Egan Gallery (LA), 1933; Calif. PM Society, 1935, 1936; Ebell Club (LA) 1936 (1st prize); Academy of Western Painters, LACMA, 1937; Santa Cruz Art League, 1938; Friday Morning Club (LA), 1939; GGIE, 1939; Society for Sanity in Art, CPLH, 1944. Murals: Santa Monica Women's Club; Palace of Fontainebleau and Fontainebleau Hospital (France); Kaufman (TX) Post Office (Driving the Steers); Girl Scouts...

This artwork expresses feminine strength and quiet confidence. The red background conveys intensity, while gold accents symbolize inner value and resilience. The turned figure repres...

Artist: Vahe Yeremyan Title: Sail Boats Medium: Oil on Linen Year: 2025 Style: Contemporary Art Dimensions: 44" x 63" x 1" inch (112 x 160 x 3cm) Presentation: Unframed, Gallery Wrap...

A wonderful example of Peterson’s views of the Florida Coast during her winter trips down south. Painted during Peterson’s mature period, this lively work underscores the energy of ...

Justus Lundegård grew up in the Swedish village Hörby. He started his art studies at the Royal Swedish Academy of Fine Arts 1880–84 and later in Munich and Paris where he switched to an Impressionist style. In this painting, we can see his later talent for painting white light...

John Joseph Enneking: 1841-1916. Very well listed and very important 19th and early 20th century American artist. he painted in several styles, including tonalist,limpressionist and ...

This artwork masterfully captures a bouquet of vibrant flowers, rendered in a textured, mosaic-like style. The arrangement features an array of large, blooming roses in shades of red...

Dennis Sheehan Still Life, circa 2025 Signed lower left, lower right Oil on canvas 24 x 30 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon Sch...

Peonies, pink and white Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies in Dn...

A fine impressionist beach scene by American artist Charles Herbert Woodbury (1864-1940). Woodbury was born in Lynn, MA, and sold his first painting when he was fifteen years old and...

Title: British Impressionist Watercolor of Snow-Covered Church at Sunset by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 in...

Albert Herter (American, 1871 - 1950) Still Life of Flowers and Fruit Dimensions: 30 in (76.2 cm) x 22 in (55.88 cm) Medium: Oil on canvas Signed upper left Gallery label on reverse...

This artwork showcases a vivid bouquet of flowers in a textured, ceramic vase. The composition bursts with a variety of floral species, each detailed with rich and vibrant hues. Soft...

Artist/ School: Italian School, mid 20th century Title: The Neapolitan Coast Medium: oil on board, framed Framed: 21 x 29 inches Board: 19 x 26 inches Provenance: private collect...

A Quiet Companion captures a gentle moment of intimacy and reflection. A young woman sits quietly with a small dog resting on her arm, creating a scene filled with calm and tendernes...

"La Couture au Jardin, Gisors 1897,” is an oil on panel painting by French Impressionist artist, Maximilien Luce depicting a garden scene of two women sewing. While the majority of L...

Title: Figural Group Study Pencil Drawing L J Wortley No 10 Artist: L. J Wortley Medium: pencil on paper, mounted Size with mounting: 8.75 x 11 inches (height x width) Inscribed: upp...

Title: Towards the Sea at Southwold with Church and High Street Figures Watercolour By Tony Herbert (1927-2024) Signed: Bottom right Medium: Watercolor on paper, mounted Size: 13.5 i...

➡️ Landscape River scene⬅️ ⏩It is signed Bernard Héranval⏪ Rouen on the banks of the Seine ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size...

Artist/ School: A. Davy, French School, late 20th century Title: Olive Trees, Manosque (Provence). Medium: signed, oil painting on canvas, framed and inscribed verso. Size: ...

Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Size: 20 x 30 Frame: 26 x 36 Medium: Oil Wash? Watercolor? Dated: 1917 "Misty Bayou" Housed in the original magnificent frame. Alexander John Drysdale (1870-1934) New Orleans Louisiana / New York Artist Alexander John (A.J.) Drysdale was an early 20th century Louisiana artist who specialized in landscapes using the technique of oil wash, that gave his works a characteristic of a hazy look. Drysdale made use of this technique by diluting the oil paint with kerosene and applying it with cotton balls. Alexander John Drysdale, born in Marietta, Georgia on March 2, 1870, came to New Orleans at the age of fifteen with his parents. His father, Reverend Alexander J. Drysdale, became the rector of Christ Church Cathedral. Alex received private tutoring from a Professor Mehado and art lessons from Ida Hackell at the Southern Art Union. Later in New Orleans (1887) he studied art under Paul Poincy (1833-1909). The exact date of Drysdale's arrival in New York is unknown, but he enrolled in the Art Students League where he received instruction from Charles C. Curran and Frank Vincent DuMond. Apparently, he remained in New York for about five years and did not go to Europe for further study. After some time, Drysdale began specializing in landscapes, executed in a tonalist manner. Back in New Orleans, Drysdale was inspired by local subjects, especially swamp or bayou areas and other desolate wetlands. Over a period of many years Drysdale's landscapes evolved to a unique stylistic maturity. In 1909 he received a gold medal from the New Orleans Art Association. It is easy to see the influence of two artists that he admired: Corot and Inness. Working equally well in oil and watercolor (he also did scenes in charcoal), Drysdale usually divided his scene into halves or thirds, typically, a foreground consisting of tall swamp grasses achieved with broad vertical strokes; a middle ground consisting of a backdrop row of trees at the horizon line executed with staccato, jabbing strokes resulting in textural contrast; and a background devoted totally to a tonalist-like moisture-laden sky often hazy with no clouds or only a slight indication of them. This formulaic compositional format rendered with an economy of technique resulted in imagery with repetitious forms and shapes diffused in a nebulous space. In this regard, Drysdale's works are impressionistic; he also tended to use the violets and blues of the impressionist palette. Yet he lacked a specific interest in color and light. Although his expression of the Louisiana scenery is very personal, even mystical, the artist appears to have been very limited in subject matter. One of his last works was a mural for the Shushan (New York) Airport administration building, and shortly before his death he was employed as an artist by the Civil Works Administration. Drysdale was a member of the Arts and Crafts Club of New Orleans, and his work was in the permanent collection of the Delgado Museum for many years. The artist worked at his studio at 320 Exchange Place in the picturesque Vieux Carré until his death at the age of sixty-three. Stewart (in Painting in the South, 1983), describes how Drysdale was a shrewd businessman. He would solicit new homeowners who might need a canvas to decorate a wall, or a cotton broker who recently made the headlines. Drysdale died in New Orleans, on February 9, 1934. Sources: Louisiana Artists from the Collection of Dr. and Mrs. James W. Nelson. Baton Rouge, LA: Louisiana State University, 1968; Wiesendanger, Martin and Margaret Wiesendanger, Nineteenth Century Louisiana Painters and Paintings from the Collection of W. E. Groves. New Orleans: W. E. Groves Gallery, 1971, pp. 44-45; Painting in the South: 1584-1980, Exh. cat. Richmond, VA: Virginia Museum, 1983, pp. 106-107, 114, 276; Chambers, Bruce W., Art and Artists of the South: The Robert P. Coggins Collection of American Paintings. Exh. cat. Rochester, NY: Memorial Art Gallery of the University of Rochester, 1984, p. 88; Zellman, Michael David, 300 Years of American Art. Seacacus, NJ: Wellfleet Press, 1987, p. 634; Gerdts, William H., Art across America: Two Centuries of Regional Painting, 1710-1920. New York: Abbeville Press, 1990, vol. 2, pp. 110-111. Submitted by Richard H. Love and Michael Preston Worley, Ph.D. Biography from The Johnson Collection ALEXANDER JOHN DRYSDALE (1870–1934) Born in Marietta, Georgia, Alexander John Drysdale was the only son of an ordained Episcopal priest whose ministry required frequent moves to parishes in Georgia, Alabama, and Tennessee. In 1883, he accepted the call to become dean of Christ Church Cathedral, New Orleans, and was later elected a bishop. Alexander, thirteen years old when the family settled in New Orleans, began his art studies under the instruction of Ida C. Haskell, a California-born artist who was on the faculty of the recently established Southern Art Union. The local academy had been founded by several leading artists, including Andres Molinary, William Henry Buck...

"Fantasy with Flowers" (series of 300+ pictures) paper 59x42cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Sold and sent unframed -V...

These flowers seem to drift in quiet light, as if the morning learned how to whisper through petals. Soft pink tones glow like remembered tenderness, fragile yet endlessly alive. Eac...

In this painting, I've blended acrylic and oil, embracing expressionist and impressionist techniques to capture a vibrant, emotional landscape. It’s a symphony of colors and textures...

Firmado por el artista en la parte inferior Estado de conservación bueno La obra se presenta sin enmarcar Medidas obra: 65 cm altura x 81 cm ancho. ::::::::::::::::::::::::::::::...

Eric Harrison (Born 1971) Texas Hill Country Artist Image Size: 40 X 60 Frame Size: 53 x 73 Medium: Acrylic on Canvas Signed 2015 "Kendall County Ranch" Longhorn Bluebonnet Eric Harrison (Born 1971) Texas Hill Country Artist Bluebonnet painting...

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People wander along the shoreline in an easy, unhurried rhythm. The wide stretch of sand, blue sky, and fresh salt air evoke the simple pleasure of a beach day....

Beautiful Skies Series oil/panel 14 x 18 image unframed, 19.5 x 23.5 framed signed LR Beautiful Skies is an oil painting on canvas panel by award winning contemporary artist Michael ...

Pierre Montezin, French (1874 - 1946) - Les Foins, Year: 1938, Medium: Oil on Canvas, signed lower right, Size: 23.75 x 31.75 in. (60.33 x 80.65 cm), Frame Size: 31.25 x 39.5 inc...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Jim Beckner's (US based) "Sidewalks in Greys" is an oil painting that depicts a busy city sidewalk and street at night cast in the fluorescent light of the signs and cars and passers...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 16 x 20 Frame Size: 25 x 28.75 Medium: Oil on Canvas Applied by Palette Knife "River Bend" Biography Jose Vives-Atsara (1919-2004) His list of Pallbearers says it all. They were not just buyers of his art they were some of his closest friends. Pallbearers: E. Glenn Biggs, James M. Cavender, III, Tom C. Frost, Jr., James W. Gorman, Jr., George B. Irish, Joseph R. Krier, Robert L. Mooney and H. Bartell Zachry, Jr. Jose Vives-Atsara was born April 13, 1919, in Villafranca del Penedes near Barcelona, Spain. A native Spaniard, he developed a love of painting at an early age, and by age 11 had committed himself to becoming an artist. He studied at Colegio de San Ramon and had his first one-person show at age 14. The Spanish Civil interrupted his idyllic young life as he was forced to serve in the Communist Army, and then was imprisoned, suffering many hardships. Soon after the war he married Emilia Hill Domenech, and in 1947 set out to move with his wife and child aboard a tramp steamer to the United States. Unfortunately, immigration quotas did not allow them to move directly to the United States, and it was eight years before they achieved that goal. During this interim before obtaining temporary visas, he and his family lived first, in Caracas, Venezuela and then in Mexico City, Mexico. The family settled in San Antonio, Texas, where he had made friends on a previous visit. He and his wife and children gained citizenship in time for their first Christmas in the United States. He became such an exemplary immigrant citizen that officials of the U.S. District Court for the Western District Court regularly invited him to share his thoughts and advice for living in America with newly naturalized citizens Vives-Atsara also developed a close relationship with the Incarnate Word College, becoming, over the years, both a professor of art, and Artist in Residence. As a painter, he depicted many local scenes including San Antonio missions and the San Antonio River. For special guests such as Pope John Paul II, heads of state, and royalty from foreign countries, he was commissioned to provide paintings as gifts. His paintings were also commissioned for Frost Bank and the San Antonio Chamber of Commerce. For his vibrant oil paintings, he used only nine colors, mixed in a variety of ways. They have been described as both realistic and impressionistic. "Vives-Atsara believed that art is a reflection of the artist's soul, if this is true; his paintings reflect a beautiful, bright spirit." (Richardson) Jose Vives-Atsara died in San Antonio on January 13, 2004 and is buried there in Sunset Memorial Park Mausoleum. Jose Vives-Atsara was born in Vilafranca del Panades in the Catalonian region of Spain on April 30, 1919. As a small boy he loved to sketch with pencil and paper. He began painting at the age of eleven. His first one-man show came at the ripe old age of fourteen. From that time on, painting has been his love and his way of life. Jose studied art at Saint Raymond College and School of Fine Arts in Barcelona. He is quick to admit that his most inspirational teacher has been nature itself. Mr. Vives-Atsara came to San Antonio in 1956 where he has established his art career. His use of a palette knife in painting allows him to blend rich pure pigments to achieve his goal of creating a powerful statement of color directly on the canvas. This style is intended to produce works that are distinctively 'Vives-Atsara'. Vives-Atsara is represented in public collections including the Museum of Modern Art, Spain; Fort Worth Art Museum, Texas; His Royal Highness Juan Carlos...