Modern Paintings

Edwin Dickinson (1891-1978) View Of Wellfleet, Massachusetts, 1942 Oil on canvas, 10 x 12 inches (25.4 x 30.5 cm) Framed dimensions: 15 1/4 x 17 1/4 in Signed in the wet, vertically ...

Joseph Edward Hennah. Welsh ( b.1896 - d.1963 ). St Catherine’s Chapel, The Fleet, Chesil Beach & Portland From Abbotsbury Hill. Dorset. Oil On Canvas. Signed Lower Right. Image size...

Artist/ School: Benard Labbe Title: The Old Church Medium: oil painting on board, unframed Size: board: 8.75 x 7.25 inches Provenance: private collec...

Helene and Eric Bess are a team who have been collaborating for over 20 years. Both are professional artists with extensive experience in both the commercial and fine art fields. They presently work out of their studio in Florida, creating original art for gallery display, fine art crafts and taking commissions for murals & embellishments. Helene was born in Canada in 1949. She studied art in Europe as a young adult and attended Phoenix Pratt School of Design in New York and St. Petersburg Community College in Florida. She worked for advertising agencies and freelance art projects such as theater design and t-shirt designs for several companies. She owned and operated an art studio (“Artistic Endeavors”) in Melbourne, Fl. for five years. She started doing murals and embellishments (residential and commercial) from 1992 till present. She considers her early life in Europe the major source of her artistic influence as well as the works of Modigliani. Eric was born in Missouri in 1950. He started drawing literally as an infant and has never stopped. He was taking commissions for book covers & wall designs in his teens and studied art at Auburn University and The University of Alabama. He taught art in public schools in Alabama in the ‘70s. He worked as art director at Huntsville Educational Television for 6 years, as art director at Southern Sportswear in Daytona for 9 years, at Creative Signs & Designs in Flagler, Fl. for 6 years, and as a freelance artist and co-owner (with his wife Helene) of “BessStudio” (formerly “Artistic Innovations Inc.”) since 1998. His artistic influences include Michelangelo, Vermeer, Blake, Maxfield Parish...

"The Model" by Jean Marc (French 1949-2019) gouache paint painting: 18.25 x 15 inches provenance: private collection, South of France Superb original painting by the widely exhibit...

Nancy Bailey. English ( b.1913 - d.2012 ). Working Boats, Porthleven, Cornwall, 1973. Oil On Canvas. Signed Lower Right. Image size 18.9 inches x 34.8 inches ( 48cm x 88.5cm ). Fram...

Genevieve Hamel Love Bubbles Oil on Wood Panel Year: 2024 Size: 12 x 12 x 1.5 inches Signed by hand COA provided *wired and ready to hang Genevieve Hamel’s passions for design and...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper, mounted in a card frame size: 20 x 20 inches condition: very good and ready to be enjoy...

Interior Scene by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache on artist paper, unframed size: 12 x 9 inches...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Breton Fishing Fleet by Henri Miloch (1898-1979) signed lower right and dated watercolour painting, with gouache and some graphite on artist's paper, unframed measurement of framea...

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Artist: Charles Burk– American (1947-) Title: Doorway, old Building Year: unknown Medium: Watercolor on watercolor paper Size: 10 x 15 inches. Framed size: 19 x 23.5 inches Signatu...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

This lovely mid 20th century English oil on board by Tom White depicts a view over the rooftops of period houses in Spring. A quintessentially English view in the modern/impressioni...

Oval Watercolor Landscape watercolour on artist paper, stuck on black paper painting: 12.75 x 10 inches provenance: private collection condition: very good and sound condition

Roger Murrey Modern British view of Whitby Harbor, Yorkshire, UK This striking modern British view of Whitby Harbor by Roger Murrey, circa 1960, is a captivating representation of ...

A study in neutrals, the essence of timeless Taos comes together in this picture. The backdrop of the Sangre de Cristo Mountains and particularly notice the brilliant light on the st...

Subdued bronzes and saddle leather tones provide a rich background for a cluster of mysterious, ghostlike figures--"The Visitors" of the painting's title--imagined as weathered paint...

Antique American modernist street scene oil painting. Oil on board. Framed. Signed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent conditio...

The Georgian interior is a picture of an amazing southern atmosphere, where simple-shaped furniture, but bright colors and whimsical patterns together create a special space for livi...

Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...

Born in Byblos lebanon, in 1946, is a contemporary plastician artist franco-canadian. Artistic journey Early days (1970-1975) Paris (1976-2001) Quebec...

This artwork "Au Cafe (Three Women Sitting)" is an oil painting on canvas by noted Israeli artist Isaac Maimon, b.1955. It is signed at the lower right corner by the artist. The canvas size is 19.75 x 23.75 inches, framed size is 37.75 x 33.75 inches. It is custom framed in a gold frame, with double liner. It is in excellent condition. About the artist: Painting in bold colors society scenes, Isaac Maimon was born in Israel in 1951 to French-speaking parents, and in his artwork, he shows much influence of the "boulevard culture" of French society and the Paris school of art...

"A Day by the Sea" French School, 20th century oil on canvas, unframed canvas: 29 x 21 inches provenance: private collection, France condition: very good and sound condition

Work on canvas Gilded wooden frame 66,5 x 90 x 3,5 cm CÉELLE is an artist born in France in 1929 and died in 2018. Her works have been sold at public auction 64 times, mainly in the...

Original Sierra Mountain Cabin Abstract Expressionist Landscape Original acrylic painting depicting a cabin in the Sierra Mountains by Honora Berg (American, 1897-1985), circa 1950....

Molly Guion (American, 1910-1982), Portrait of a Woman, Oil on Canvas, depicting woman in dark dress with pearl necklace and gold brooch, signed to reverse, unframed. 30.25" H x 24.2...

by Paul-Louis Bolot (French 1918-2003) signed verso original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edg...

Fernand Blondin (1887-1967) was a Swiss painter and teacher, celebrated for his depictions of idyllic rural life, interiors, female nudes, portraits, still-lifes, religious subjects ...

Few artists in Venezuela have the fortune of the affection and the overwhelming admiration of the city that saw them born, like the one expressed by Barquisimeto and the Barquisimeta...

Katherine Bello Bits of Magenta Diptych Mixed Media on Board 2025 Size: 12 x 12 inches (30.48 x 30.48cm) (each) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) (each) Signed ...

Julio Tejada was born in 1971 in the city of Moca in the Dominican Republic, where he received his first artistic education in the school of Fine Arts. From an early age, Julio Teja...

Title: French Gouache Painting of Acoma Pueblo Corn Dance in New Mexico by Emile GALLOIS (1882-1965, French) Signed: Yes Medium: Original gouache painting on thick unframed paper, Si...

Portrait of a Young Lady by Anna de Banguy (French mid 20th century) signed oil on board, framed framed: 29 x 23 inches painting: 23 x 17 inches provenance: private collection, Franc...

Very well painted period cubist still life. Oil on canvasboard. Framed. No signature found.

A Stunning Mid-Century Modern Cubist Watercolor, Harbor Scene & Rooftops by Noted Chicago Artist, Rudolph T. Pen. A vivid European harbor scene, depicting the whitewashed buildings ...

Title: Modern French Oil Painting Reclining Woman in a Turquoise Dress by Bernadette Kelly (French b. 1933) Unsigned Medium: oil painting on board, unframed Painting size: 4.75 inche...

Work on canvas

Hock Tee Tan was born in Malaysia and studied Fine Art at Nanyang Academy of Fine Art in Singapore. He came to London in 1976 and has been working as a Fine Artist ever since. He use...

Michael Sarraille Rocky Mountain Landscape Oil Painting Remarkably elegant Western mountain landscape oil painting by noted Bay Area artist Michael Sarraille. Original oil on canvas. Dimensions 14" x 11". The frame measures 18.25" x 15.5". Painting needs a cleaning. Frame shows dings and nicks. The painting shows some craquelure at the upper left in the trees, and could use a cleaning in the upper right portion on the painting (please see all images). Even with these condition issues, we consider this to be one of the finest realism paintings in our collection. With a closer look, we think you'll agree. This is really a beautiful illuminated scene of the Rocky Mountain Front, possibly in Montana. Michael Sarraille expresses the beauty of the land in his works. Intricate in his detail, yet simple in his compositions, this unique combination brings to focus a feeling of unpretentious realism. His mountains stand tall with a magnificence of crisp beauty. Sarraille has delved into the areas of both surrealism and realism. Perhaps this is why his combination of color, rhythm and design mix so beautifully in his landscape scenes. His paintings seldom appear on the market. Even though this needs a bit of a cleaning, it's still a great American West painting.

Born in Moscow, Idaho,and raised in Seattle, Robert Jessup received his BFA from the University of Washington in 1975 and his MFA from the University of Iowa in 1979. His work has been exhibited extensively since 1981 and is in numerous private and public collections including the metropolitan Museum of Art, the Brooklyn Museum, the University of Virginia, the University of Texas, the Anderson Museum of Contemporary Art, and the Dallas Museum of Art. He is a Professor Emeritus from the University of North Texas where he taught painting in the College of Visual Arts and Design from 1991 to 2018. His work is represented by the Conduit Gallery in Dallas, Texas. In 2019, Jessup and his wife, Faith Scott Jessup, moved to Whidbey Island...

An Early Morning Light, Isle of Gigha by John Lowrie Morrison - "Jolomo" OBE Scottish born 1948 Oil on canvas Canvas size: 16 x 16 inches Framed size: 25.5 x 25.5 inches Signed low...

Genevieve Hamel Secret Gardens Oil on Wood Canvas Year: 2023 Size: 36x24x1.625in Signed and inscribed by hand COA provided Ref.: 924802-1682 Get Lost in this mesmerizing Secreet Gar...

"Allegro Barbaro " Homage to Bela Bartok the Famous Hungarian Composer. Painting with individual plastic Technique, Erika Baktay. Dimensions: with frame cm 150 x 150 Biography; ...

Bay Area Expressionist Standing Nude Standing nude woman by Honora Berg (American, 1897-1985). Bold depiction of a nude woman with dark hair. The model is rendered in dark greys, w...

George Gustav Adomeit (American, 1879-1967) Summer Landscape Oil on canvas board Signed lower right 13 x 14.25 inches 18.25 x 19.5 inches, framed A major painter of American scene s...

Impressive early American modernist still life oil painting. Framed. Oil on board. Signed.

Work on canvas sold without frame Signed work. Eduard Sturzenegger (1854-1932) was a Swiss manufacturer and art collector, rather than a painter. Although he was not primarily known...

Mid Century Floral Still-Life in Oil on Canvas-Wrapped Illustration Board Classic mid century floral still-life with impasto in warm, autumn colors by Frances Christensen American, ...

The beaches of Luigi Christopher Veggetti Kanku represent a pictorial exploration that goes beyond the mere representation of the subject itself. The artist seeks to convey a poetry ...

Oil on wooden panel realized in the early 20th Century. Good condition except for some missing parts on edges.

THE QUIET ROAD HOME Size: 48 x 56 cm (including frame) Oil on board A soothing mid-century oil painting that captures a quiet street scene lined with houses and trees, bathed in the...

THE KETTLE Size: 58 x 53 cm (including frame) Oil on canvas An expressive and wonderfully textured mid-century still life composition that presents a simple yet compelling arrangeme...

FRUIT & VASE ON A TABLE Size: 44.5 x 52.5 cm (including frame) Oil on board An energetic mid-century still life painting that presents a lively arrangement of everyday objects, infu...

RIVERSIDE COTTAGES Size: 49 x 79 cm (including frame) Oil on canvas A lively mid-century painting that captures a tranquil riverside scene, and executed in oil onto canvas and dated...

DITTISHAM FROM THE DART Size: 49.5 x 59 cm (including frame) Oil on board An excellently executed coastal composition, painted in oil onto board. In the foreground, the water shimm...

Albert ZAVARO (1925-) Fauvist Still Life with Fruits and Flowers, 1967 Oil on canvas Signed lower right corner On canvas 60 x 73 cm (c. 24 x 29 in) PROVENANCE: Galerie Framond, Par...

Shops on Key Lime Lane - Illustration on Canvas in Acrylic and Ink Delightful street scene by Ann Irvine (American, b. 1943). A series of storefronts are shown in white silhouette w...

Judy and Rita on Porch at Afton, c. 1936, oil on canvas, 24 x 36 inches, title inscribed on tacking margin; “Judy” and “Rita” inscribed verso, NB: purchased together with The New Roa...