Modern Paintings

VIVID BLOSSOMS Size: 64.5 x 55.5 cm (including frame) Oil on canvas A vibrant and expressive mid-century still life painting with wonderful texture, executed in oil onto canvas. Th...

This bold and expressive mixed-media portrait by artist Serg Graff presents a fantastical reimagining of a young George Washington (1732-1799) - the Founding Father of the United Sta...

August Frederick Biehle (1885-1979) Farm in Berlin Heights, c. 1930 Oil on masonite Signed lower right 22 x 30 inches 27.75 x 36 inches, framed A versatile painter who worked in a v...

Painted circa 1955, this evocative California landscape by Jon Blanchette captures the quiet optimism of postwar American life through a finely balanced rural composition. A red barn...

Colorful urban street scene of Brooklyn Bridge, NYC City Landscape Painting by William Clutz "Roebling's Dream, The Great East River Bridge", 1990 oil on canvas 40 x 70 inches, 41 3/...

Nude Portrait In Blue Sun Lit Interior by Jacqueline Boisselot, French late 20th century size : 7 x 6 inches oil on canvas, unframed condition: very good and ready to enjoy provenan...

1960's British Modernist Drawing by Irina Hale (British 1932-2022) watercolour painting on artist paper, unframed overall size: 7 x 5 inches provenance: private collection, Cotswolds...

Finely painted contemporary tropical landscape. Oil on canvas. Framed. Signed verso.

Portrait of J. L. David (Portrait), c. 1930, oil on canvas adhered to board, apparently unsigned, 26 x 20 inches, exhibited: 1) Fourth Annual State-Wide Exhibition, Santa Cruz Art Le...

Paired Studies of Lions in Profile 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on brown artist paper stuck on A4 artsit paper, unframed ove...

About this work: “Mascara (Mask)" 2000 by Justino Alves (Portuguese, 1940-2015). A magnetic work by one of Portugal’s most distinguished postwar painters. This painting has all of t...

“The Champ, 1942” by Theodore Fried (1902-1980) This important portrait by Hungarian-American artist Theodore Fried depicts the legendary boxer Joe Louis aka “The Brown Bomber” and ...

'French Boy in Bloomers', gouache on art paper (circa 1960s-70s), by Raymond Debiève. A young boy emerges from a beach cabana wearing a bloomer bathing costume that was still in use ...

Colorful Modernist Still Life with Fruit and Water Jug by Ellis Hopkins (American, b. 1952). This bold still life depicts a bowl of fruit resting on a table with a large green jug....

'Portrait of a Young Woman', oil on board, by Anna Costa (circa 1960s). This is a beautiful, expressive portrait of a young woman painted by the artist using her trademark vibrant c...

Very finely painted American modernist flower still life oil painting. Framed. Oil on board. Signed lower right. Image size, 12H by 17L.

Michael Lyne (1912-1989) The Necessary Ingredients Signed lower left Oil on canvas Canvas size - 20 x 40 in Framed size - 25 x 45 in 'The Necessary Ingredients' is a charming and c...

Signed and titled oil on canvas by French modernist painter Roger Muhl. The piece depicts a view of hills of Tahiti, an island in French Polynesia. Signature: Signed lower right and...

Silent stillness and transient atmospherics draw me to paint the water and its reflections. There is a mystical infinite quality to the light, in particular the exquisite, vaporous a...

CHARLES LEVIER – UNTITLED STREET SCENE Oil on Board ⚜ Signed Lower Right ⚜ Original Gilt Frame A VIBRANT MIDCENTURY CITYSCAPE BY A MODERN MASTER This original oil on board by Charle...

A charming, vintage 1930s Modern forest landscape scene painted in Algonquin Park, Ontario, Canada by notable Chicago artist, Harold Haydon. Many of Haydon's early landscape paintin...

Peter Hoffer portrays trees. He invites the audience to take a closer look at their posture, their details and their expressions. The subject is as important as the technique: the wa...

The painting is called "Lady in a Green Room." It features a luxurious interior with subdued lighting. The figure itself is painted in an abstract style. Everything about this painti...

Figurative oil on canvas painting of a young athletic male 24 x 20 inches, 29.5 x 23.5 inches vintage gold painted wood frame signed B. Sargeant in red in upper right hand corner T...

Wild Flowers by Irina Hale (British 1932-2022) oil painting on thick artist paper, unframed size: 8.5 x 6.5 inches provenance: private collection, Cotswolds condition: very good Iri...

Work on canvas

Vintage American modernist oil painting. Oil on canvas. Signed verso. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 25 by 31 inches overall. Handsomely framed. Ex...

Trees in the Field Mixed meia on masonite panel, 1967 Signed on the right edge oif the image (see photo) One from a series of similar examples, all with caligraphic trees and figures surrounding the composition. Part of the late 1960’s Black Emergency Cultural Coalition along with Benny Andrews The Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Members of this initial group that protested against the exhibit included several prominent African American artists, including Benny Andrews and Clifford R. Joseph, cofounders of the BECC. The primary goal of the group was to agitate for change in the major art museums in New York City for greater representation of African American artists and their work in these museums. Condition: Excellent Image size: 12 5/8 x 10 inches Board size: 20 x 16 inches Frame size: 21 x 17 inches Russ Thompson (Born 1922- Jamaica Part of the late 1960’s Black Emergency Cultural Coalition along with Benny Andrews The Black Emergency Cultural Coalition Inc. (BECC) was organized in January 1969 by a group of African American artists in response to the Metropolitan Museum of Art's "Harlem on My Mind" exhibit, which omitted the contributions of African American painters and sculptors to the Harlem community. Members of this initial group that protested against the exhibit included several prominent African American artists, including Benny Andrews and Clifford R. Joseph, cofounders of the BECC. The primary goal of the group was to agitate for change in the major art museums in New York City for greater representation of African American artists and their work in these museums. Studied: Pratt Inst.; Carlyle College; NY Sch. Mod. Photography Exhibited: MoMA; BM, 1968; Nordness Gals., NYC; Phila. Civic Center; Ruder & Finn FA, 1969; Smithsonian Inst.; Mount Holyoke College, 1969; BMFA, 1970; RISD, 1969; Mem. Art Gal., Rochester, NY, 1969; SFMA, 1969; Contemp. Arts Mus., Houston, TX, 1970; NJ State Mus., 1970; Roberson Center for the Arts & Sciences, Binghampton, NY, 1970; UC Santa Barbara, 1970; Plaza Hotel, NYC; Westchester Art Soc. Gal. (prize); Nassau Community College; Brooklyn Pub. Lib.; Allentown (PA) Art Festival; Quinnipiac College, CT; Parrish Art Mus.; NY State Pavillion; Huntington Township Art Lg. Awards: Mitchell College, CT; BM; Armonk Lib. Show Award; Bedford Hills Lib. Show Award. Sources: Cederholm, Afro-American Artists. Public Collections: Zimmerli Art Museum, Rutgers Museum of Fine Arts, Boston Brooklyn Museum Museum of Modern Art, New York Smithsonian American Art Museum Exhibitions: MOMA Brooklyn Museum, 1968 Nordness Galleries, NYC Smithsonian Institution Museum of Fine Arts, Boston, 1970 Rhode Island School of Design, 1969 San Francisco Museum of Art, 1969 Contemporary Arts Museum, Houston, 1970 Parrish Art Museum Courtesy of Afro-American Artist; a biographical directory THOMPSON, RUSS (Born Jamaica, 1922) Painter. Born in Kingston, Jamaica, 1922. Studied at the Pratt Institute; Carlyle College; New York School of Modern Photography. Works: Cloud Flowers ; My Breath Is One with the Clouds ; The Acrobats; Relatives; Thoreau; Clothes to the Body; America- Amer- ica; Hanging Garden; Poor Room, Rich Room; Epigram a Bromide; Passage, 1969 (wood, epoxy, iron). Exhibited: Museum of Modern Art; Brooklyn Museum Fence Show, 1968; Nordness Gal- leries, NY; Phila. Civic Center; Ruder & Finn Fine Arts, 1969; Smithsonian Institution; Mount Holyoke College, 1969; Boston Museum of Fine Arts, 1970; Rhode Island School of Design, 1969; Memorial Art Gallery, Rochester, NY, 1969; San Francisco Museum of Art, 1969; Contemporary Arts Museum, Houston, 1970; NJ State Museum, 1970; Roberson Center for the Arts & Sciences, Binghamton, NY, 1970; Art Galleries, Univ. of Cal. at Santa Barbara, 1970; Plaza Hotel, NYC; Westchester Art So- ciety Gallery; Nassau Community College; Brooklyn Public Library; Allentown (Pa.) Art Festival; Quinnipiac College; Parrish Art Mu- seum; NY State Pavillion; Huntington Town- ship Art League. Collections: Frederick Douglass Institute, Wash- ington, DC; Spiro & Levinson Corp.; Mr. William Haber; Mr. & Mrs. B. Friedman; Mr. & Mrs. Samuel J. Rosen; Mr. David Scribner; Unigraphic Corp.; Mr. Benny An- drews; Jeanne Paris; Mr. & Mrs. Joseph Strauss. Awards: Westchester Art Society; Mitchell College, Conn.; Brooklyn Museum; Armonk Library Show Award; Bedford Hills Library Show Award. Sources: Boston Museum of Fine Arts. Afro- American Artists: New York/ Boston, 1970; Nordness Galleries. 12 Afro-American Artists, 1969; Mount Holyoke College. Ten Afro- American Artists, 1969; Ghent, Henri. “The Community Art Gallery,” Art Gallery, April 1970; Paris, Jean. “Black Art Experience in Art,” Long Island Press, Jamaica, NY, June 14, 1970; Ruder & Finn Fine Arts. Contemporary Black Artists’, Brooklyn College. Afro-Amer- ican Artists: Since 1950, 1969; Walker, Roslyn. A Resource Guide to the Visual Arts of Afro- Americans, South Bend, Ind., 1971. NEW YORK (NY). Acts of Art, Inc. Rebuttal to Whitney Museum Exhibition: Black Artists in Rebuttal at Acts of Art Gallery. 1971. Unpag. (20 pp.) exhib. cat., 54 b&w illus., brief biogs. of 48 artists. The text consists of an unsigned foreword (probably by Nigel L. Jackson, director of Acts of Art); a reprint of Z. D. Allen's review of the exhibition, "Rebuttal to the Whitney," from Chelsea Clinton News (Apr. 15, 1971). The catalogue was published after the show opened. Artists included: Benny Andrews, James Belfon, Betty Blayton, Lynn (Chuck) Bowers, Vivian Browne, Calvin Burnett, Jo Butler, Robert Carter, Art Coppedge, Adger Cowans, Joseph Delaney, J. Brooks Dendy, III, James Denmark, Reginald Gammon, Moses Paul Groves, Lester Gunter, Byron Hall, William Charles Henderson, II, Leon Hicks, Nigel L. Jackson, Kenneth Vrook Johnson, Cliff Joseph, Philip Martin, Kenneth Matthews, Richard Mayhew, Dindga McCannon, Alexander S. McMath, Ademola Olugebefola, William Payne, James Phillips, Kenneth Radcliffe, Junius Redwood, Enid Richardson, Gregory Ridley, Jr., Haywood (Bill) Rivers, Donald J. Robertson, Philippe G. Smith, Ann Tanksley, Bob Thompson, Russell Thompson, Robert Threadgill, Lloyd Toone, Bennie White, Timothy Wilkins, Walter H. Williams, Ed Wilson, Frank W. Wimberley, Hale Woodruff. Sq. 8vo, stapled tan wraps, lettered in brown, illus. of wire sculpture by James Denmark.. BOSTON (MA). Museum of the National Center of Afro-American Artists. Afro-American Artists: New York and Boston. May 19-June 23, 1970. 92 pp. exhib. cat, 67 b&w illus. of work by 69 artists, exhib. checklist. Intro. by Edmund B. Gaither. Important early exhibition. Includes Emma Amos, Benny Andrews, Ellsworth Ausby, Malcolm Bailey, Ellen Banks, Romare Bearden, Robert Blackburn, Betty Blayton, Ronald Boutte, Lynn Bowers, Frank Bowling, Marvin Brown, Calvin Burnett, Dana C. Chandler, John Chandler, Barbara Chase-Riboud, Ed Clark, Eldzier Cortor, Ernest Crichlow, Emilio Cruz, Avel DeKnight, Henry DeLeon, Stanley Pinckney, James Denmark, Reginald Gammon, Felrath Hines, Alvin C. Hollingsworth, Bill Howell, Zell Ingram, Gerald Jackson, Daniel L. Johnson, Milton Johnson, Ben Jones, Lois Mailou Jones, Tonnie O. Jones, Cliff Joseph, Harriet Kennedy, Hughie Lee-Smith, Norman Lewis, Tom Lloyd, Al Loving, Richard Mayhew, Edward McCluney, Jr., Algernon Miller, Joe Overstreet, Louise Parks, Stanley Pinckney, Jerry Pinkney, John W. Rhoden, Bill Rivers, Mahler Ryder, Raymond Saunders, Thomas Sills, Al Smith, Vincent D. Smith, Richard Stroud, Alma Thomas, Bob Thompson, Lovett Thompson, Russ Thompson, Lloyd Toone, Luther Vann, Paul Waters...

This vibrant and texturally rich acrylic mixed media painting titled "Arizona Grand Canyon Adventures" by Serg Graff captures the wild spirit of the American Southwest in a uniquely ...

Arthur B. Carles (1882-1952) Still Life with Flowers Oil on canvas, 21 1/8 x 16 inches (53.7 x 40.6 cm) Framed dimensions: 28 x 22 7/8 inches Signed lower right: CARLES Provenance M...

A vibrant 1950s Modern watercolor of a standing male bather in red & orange tones by notable French artist Andre Delfau. Painted in the south of France along the Cote d' azure (...

American artist Samuel Brecher (active NY, 1897-1982) Oil on Canvas, Signed lower right ‘S. Brecher’ It is signed at the lower right. Brecher was a very accomplished painter who w...

Oil on canvas. Hand monogrammed lower right. Exhibited at the 19th Biennale di Venezia, in 1934. Framed, in very good condition.

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to P...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Man with a Glass of Wine -  is a modern artwork realized by the painter Adriano De Laurentis. Mixed colored oil painting on canvas. Includes frame. Hand signed on the lower margin.

Sunlit French Village Street with Red Roofs and Figures Post Impressionist Style Oil Painting French School, early 20th century signed lower right (indistinct) oil on board, unframed...

Pastel Landscape by Irina Hale (British 1932-2022) pastel sketch on brown artist tracing paper , unframed painting: 4.5 x 3.75 inches provenance: private collection, Cotswolds condit...

Berthoud Prize - 1957 Maurice Redard (1922–1987) A Swiss painter active in Geneva, Maurice Redard developed a body of work focused on the representation of everyday objects and spac...

Inspired by an old blues record, one of only a few where I've started with a title for a piece. normally they come to mind whilst painting. ADDITIONAL INFORMATION: Acrylic paint on ...

Orville Bulman (American, 1904 - 1978 Signed: Bulman (Lower, Left) “ Little Mother ”, 1960 Oil on Canvas 14" x 18" Housed in a 2" Husar Frame with a 3/4" Linen liner and a Gold ...

Oil on canvas realized by Sirio Pellegrini in 1960s. Hand signed lower right. Includes a wooden frame 37.5x27 cm. Very good condition. Sirio Pellegrini, born in Rome on March 1, ...

Artist: Irving Amen, American (1918 - 2011) Title: Reading Girl Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 24 x 20 in. (60.96 x 50.8 cm)

Théobald Charles Henri Weissenbach (1891–1966) was a Swiss visual artist known for his contributions to painting. Born in Fribourg, Switzerland, and later active in Geneva, Weissenb...

"Translucent Purple Bubbles" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 6...

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Seated Nude Woman by Jacqueline Boisselot, French late 20th century 11 x 7.5 inches oil on canvas, unframed condition: very good and ready to enjoy provenance: from a private collect...

A Day at the Beach by unkown American School painter, circa 1940-1950, oil on canvas. Framed: 31 x 29 inches

A Fabulous, 1950s Mid-Century Modern Still Life Painting of a Colorful Bouquet of Spring Flowers by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Completed in the vibrant,...

Antique American modernist landscape pastel painting. Pastel on board. Framed in plexi box.

A beautiful mid 20th century French modernist oil on canvas board depciting a head study of a boy. Excellent quality work in very good original condition. Indistinctly signed lower ...

Nude Portrait by Jacqueline Boisselot, French late 20th century 25.5 x 19.75 inches oil on artist paper, unframed condition: very good and ready to enjoy provenance: from a private ...

Floral Still Life, 1928 Oil on canvas, 18 1/4 x 24 inches (46.4 x 61 cm) Framed dimensions: 23 3/4 x 29 1/2 inches Signed and dated lower right: Blanche Lazzell 1928 Provenance By d...

Vintage American modernist framed still life painting. Oil on canvas. Framed. Signed. Image size, 16 by 20 inches.

'The French Rooster', gouache on art paper, by Raymond Debiève (circa 1960s). A Mid-Century modern depiction of the French coq, or rooster. The origin o...

The Guildhall, Worcester English School, mid 20th century indistinctly signed verso oil on canvas canvas: 20 x 24 inches provenance: private collection, UK condition: very good and sound condition The Worcester Guildhall was originally built as a meeting place for Worcester merchants around 1227. As with many other guildhalls, it became the centre for civic administration, a role it maintained after the merchant guild had disappeared. The present Worcester Guildhall is a superb Queen Anne building, begun in 1722 by Thomas White, a pupil of Sir Christopher Wren. White was badly paid for his efforts, and he died in poverty in 1738, bestowing the money he was owed on the Worcester Royal Infirmary. The city finally paid its debt in 1753. The exterior of the Guildhall is brick, dressed with stone. White himself is said to have carved the figure of Queen Anne over the entry, as well as those of Charles I and II, a reminder of the city's long history of royal support. The interior is superb, boasting exceptional period decoration. The Tourist Information Centre is now located in the Guildhall. HISTORY In 1227 Henry III granted the citizens of Worcester a royal charter granting them the right to establish a guild of merchants. The guild was responsible for controlling trade in the city, but their meeting place gradually became the main centre of administration for city government and acted as a courthouse. So, in effect, the Guildhall was the town hall, and though the city guilds have long since vanished, the Guildhall name lives on. The medieval guild merchants would not recognise the building that faces onto High Street now. Their guildhall was a large timber-framed building, occupying the same site, with a piazza for shops fronting the street, courts of justice at each end, and a prison to the north of the building. Part of the prison was a cell called 'the peephole', which gained a notorious reputation. There was a gaoler's house, and attached to it an alehouse from which the gaoler sold ale at extremely high prices to any prisoner who could afford the cost. In 1717 the city administration decided on a new Guildhall, and they knew just who to call; upon to build it. Thomas White was not an architect in the way we think of it today, but a stonemason. In 1705 he had carved a statue of Queen Anne to stand in front of the medieval Guildhall and was made a Freeman of the City. The total cost of the fashionable new red-brick building was £3727. The Corporation only put forward £800, and the rest had to be raised by public subscription. The centre section of the new Guildhall was finished by 1724 and has remained almost unchanged since then. The central facade is a wonderful example of early Georgian style, with three bays flanked by Corinthian pillars. Over the entrance is a huge carving incorporating the Hanoverian royal arms. White's earlier statue of Queen Anne was placed in a niche over the door, and on either side were statues of Charles I, depicted holding a church, and Charles II, with an orb and royal sceptre. On the rooftop are figures of Labour, Peace, Justice, Plenty, and Chastisement. North and south wings were added within a few years of the central block. The south wing was used as a judge's lodging when the assizes were taking place, but throughout the rest of the year it housed a coffee shop. The most striking external feature of the Guildhall is a set of iron gates...

Pastel Landscape by Irina Hale (British 1932-2022) pastel on brown artist tracing paper , unframed painting: 3.75 x 4.5 inches provenance: private collection, Cotswolds condition: ve...

Clarence Holbrook Carter (American, 1904–2000) Over and Above: No. 6, 1963 Oil, sand & fish bones on canvas Signed and dated upper left 53 x 31 inches Clarence Holbrook Carter achie...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Bright Flowers in Vase by Irina Hale (British 1932-2022) signed initials gouache painting on board unframed size: 6.5 x 6 inches provenance: private collection, Cotswolds condition:...