Modern Paintings

Raja Ravi Varma - Laxmi, 19 x 14 inches Oleograph with embellishments, Circa (Unframed & Delivered) Raja Ravi Varma (29 April 1848 – 2 October 1906) was an Indian painter and artist...

Portrait of Woman is an original oil on canvas realized in 1930s by Antonio Feltrinelli. Very good condition. Not signed. Antonio Feltrinelli (Milan, 1887 – Gargnano, 1942) He was ...

American modernist Fauvist portrait of a woman. Signed oil on board, framed. Overall dimensions: 28 x 20 inches. Artwork alone: 20 x 12 inches.

Vintage modernist still life painting. Oil on canvas. Image size, 18L x 24H.

This is a beautiful painting by Alberto de Blobs (Barcleona, 1982). Alberto is a talented painter whose elaborate mixture of figurative and free form abstraction create a highly illu...

La Cuisine by George Leveque (French, 1919-2021) signed lower front, signed & dated verso 2013 oil on canvas, unframed canvas: 39 x 20 inches provenance: the artists estate, France c...

Mediterranean Catalan Village and River Landscape Oil Painting Artist: Francesc / Francisco Galofré Surís Title: Catalan Village and Ri...

Antique American modernist signed scene oil painting. Oil on paper. Signed. Framed. Image size, 20L x 15H.

Summer on the Beach Huguette Ginet-Lasnier (French 1927-2020) signed oil painting on canvas 20 x 24 inches. All the paintings we have for sale by this artist have come from the artis...

Antique American modernist abstract landscape oil painting. Oil on canvas. Framed.

Colourful, large, modern Cubist oil on canvas nude by Isabelle Pardoe. The painting is not signed but came directly from the atelier of the artist. Isabell Pardoe trained at the Sl...

Medium: Oil on canvas Dimensions: 61 × 46 cm (24.02 × 18.11 in) Signature: Signed lower area Date: 1977 Condition: Very good. Stable canvas and well-preserved paint layer. Framed: No. The painting is currently unframed. Style: Post-Impressionist Subject: Mediterranean hill town landscape Expressive Mediterranean landscape depicting a historic Spanish hill town crowned by a fortified structure overlooking clustered white and terracotta buildings. The composition is constructed through energetic, visible brushwork and a vibrant palette of warm earth tones contrasted with an intense blue sky. The artist organizes the architecture in rhythmic planes that guide the viewer’s eye upward toward the monumental structure dominating the skyline. The painting reflects the Mediterranean post-impressionist tradition, where color and structure take precedence over strict realism, resulting in a lively and decorative interpretation of the landscape. Works of this kind are particularly sought after for interior design projects thanks to their warm palette, architectural subject matter and timeless Mediterranean atmosphere. An attractive original painting combining decorative strength with the charm of mid-20th-century Spanish landscape painting. Josep Moscardó (Barcelona, 1953) is a Spanish painter, sculptor and draftsman associated with the Mediterranean post-impressionist tradition. His work is characterized by vibrant color, spontaneous brushwork and a strong interest in landscape and architectural subjects. Throughout his career he has portrayed scenes from Catalonia, the Balearic Islands and other European locations, developing a style that balances expressive color with structural composition. Alongside his painting practice, he has also explored sculpture and drawing, expanding his artistic language into three-dimensional forms. His paintings appear regularly in galleries and private collections and are appreciated for their decorative strength and Mediterranean character. Spanish landscape Mediterranean landscape Spanish village painting...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art ...

Antique American modernist portrait oil painting. Oil on canvas. Signed. Framed. Measuring: 19 by 17 inches overall, and 13 by 11 painting alone. Excellent condition, ready to hang ...

Wonderful abstract 20th-century painting by the important Venetian post-war artist Roberto Ferruzzi (VENICE 1927 - 2010) "Interno con Helene R Ferruzzi 1978" “Interior with Helene”,...

Antique American modernist cityscape oil painting. Oil on board. Framed. Signed. Measuring: 34 by 48 inches overall, and 28 by 42 painting alone. In excellent original condition. H...

French Interior Still Life with Lamp and Dresser, Post-Impressionist Oil Painting by Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote oil on canvas, unframed Canvas: 1...

"Picos" is an abstract painting created in 1971 by Modernist artist, Stanley Bate. The piece features an earthy, muted palette, giving it a serene feeling with deep grey, muted brown...

Pink Meaddows by Irina Hale (British 1932-2022) oil painting on artist paper, unframed painting: 9 x 11.25 inches provenance: private collection, Cotswolds condition: very good Irin...

Signed and titled with Yiddish inscription verso. 9 X 12 inches board size. beng sold unframed. Painter, New York, N.Y. Samuel David Lev-Landau was born in Warsaw, Poland and emigr...

Wind Flowers in a Tzu Chow Vase, 1933, oil on canvas board, signed and dated lower right, 20 x 16 inches, label verso with title and original price ($185.00), exhibited 44th Annual E...

Female Figure is an original artwork realized in the 1930s by Antonio Feltrinelli (Milan, 1887 - Gargnano, 1942). Original Painting on canvas. Hand-signed on the lower right corne...

Work on cardboard

French Still Life with Coffee Pot and Oranges, Modernist Oil Painting by Laure Noetzlin-Azam (French, 1929–2024), pupil of André Lhote oil on canvas, unframed Canvas: 15 x 18 inche...

Morton Roberts (American, 1927-1964) Antiques, c. 1950 Oil on canvas 12 1/4 x 15 in. Framed: 15 x 17 3/4 x 2 in. Signed lower left: Morton Roberts He was a promising artist, who die...

In Full Pursuit Hunting Hounds clearing a Fence by Jean Terry, British 20th century signed and dated 1998 oil on board, framed framed: 28.5 x 45 inches board: 23 x 42 inches provenan...

Signed and dated lower right: Burlin 1914 Oil on board 8 x 10 inches (20.3 x 25.4 cm) Framed dimensions 14 1/2 x 16 1/2 inches Provenance Private collection Born in New York City, Paul Berlin...

ABSTRACT HORIZON Size: 72 x 91.5 cm (including frame) Oil on canvas A mid-century modernist abstract landscape painting that captures a rugged, windswept terrain through expressive ...

Title: Still Life With Blue Flowers and Green Drapery French Modern Gouache Painting Guy Nicod (French 1923 - 2021) Gouache on artist paper, unframed Size: 22.5 x 19 inches (height ...

Mid Century Modern Chichen Itza Ruins Landscape Wonderful mid century modern abstracted landscape oil painting of the ruins at Chichen Itza by Jose Nacho (Mexican, 20th Century), 19...

Vintage French modernist still life oil painting. Oil on canvas. Framed. Signed. Measuring: 35 by 20 inches overall. In excellent original condition. Handsomely framed in a modern...

Antique American modernist landscape oil painting. Oil on canvas, circa 1940. Signed illegibly lower left. Image size, 36L x 24H. Housed in a period modern frame.

Still life / stilleben by Swedish painter Emil Johan Olsson (1890-1964) depicting a bowl of plums arranged before a bookshelf in a quietly balanced interior. Expressive brushwork, su...

Sefton summers ADDITIONAL INFORMATION: Acrylic paint on Canvas 100 H x 150 W x 2 D cm (39.37 x 59.06 x 0.79 in) Sold unframed Image size: Height: 100cm (39.37 in) Width: 150cm (5...

'Uncatalogued VII', oil on board, from a collection of Postwar European Abstractions by STM (circa 1950s–90s). This generously-sized painting is part of this gallery's new series fro...

Jean Jansem (Hovhannes Semerdjian) 1920-2013 Hand signed upper left corner Dimensions: 14 X 9.5 Framed 21 X 16.75 Jean Jansem (Hovhannes Semerdjian) 1920-2013 Bursa, Ottoman Turki...

Minou Burnham (French-American, 20th century) Untitled, c. late 20th century/early 21st century Acrylic on canvas 12 x 16 x 3/4 in. Signed lower right, inscribed verso Minou Burnham...

A Large, Dynamic 1950s Mid-Century Modern Watercolor of Lower Manhattan, New York City by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). The image is watercolor, pastel and c...

This evocative watercolor by Martha Burchfield presents a quiet rural homestead nestled among evergreens and autumn foliage, rendered with confident brushwork and a restrained, harmo...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Road Repairing, Lower Manhattan at Night, 1934, oil on Masonite, signed and dated lower right, 24 x 16 inches; original label verso has title and address Margit Varga was an artist,...

Impressive early American modernist seascape painting by Lawrence Butcher, Jr. (Born 1936). Watercolor and gouache on paper. Framed. Signed. Image size, 8 by 11 inches.

Oil on canvas sold with frame Total size with frame 47x65 cm Signed Christian Axtmann, Swiss artist from the 19th and 20th century. 8 artworks from him were sold in public auctions...

Oil on canvas, 24 x 19 inches overall, 20 x 15.75 inches image size. A modernist still life. Cubist elements as well. Signed lower right and presented in an a modernist frame. ...

Original Southern California Seascape in Oil Paint on Canvas Beautiful seascape that captures the ruggedness and beauty of the Southern California coast by Nadine Pollard (American,...

Still Life by Max Toutain (French 1935-2006) signed oil on canvas, framed framed: 10 x 12 inches canvas : 7 x 9 inches Provenance: all the paintings we have for sale by this artist h...

Painting size without frame: 15"x20 1/2" Painting size with frame: 21"x26 1/2" Period Foster Brothers Frame Painting is signed lower right. A lively boardwalk scene by Theresa Ber...

OPEN DOORS TO SUMMER Size: 58.5 x 49.5 cm (including frame) Oil on canvas A wonderfully serene mid-century interior scene that captures the quiet pleasure of a sunlit room opening o...

Antique English modernist landscape oil painting by Phillip Castle (Born 1943). Oil on canvas. Framed. Signed verso.

“The Champ, 1942” by Theodore Fried (1902-1980) This important portrait by Hungarian-American artist Theodore Fried depicts the legendary boxer Joe Louis aka “The Brown Bomber” and ...

George Denholm Armour (1864-1949) Out Duck Shooting Oil on panel Painting size 10 x 14 in Framed size 15 x 19 in George Denholm Armour (1864–1949) was one of Scotland's most accompl...

An ink drawing Judaic painting by modern artist Ben-Zion Weinman. It depicts a portrait of an old Jewish man. Coming over from Europe on a ship crossing. The work is signed "Ben-Zion...

Title: Cavalier King Charles Spaniel Bill Dog Portrait Oil Painting Artist: Dorothy Johnson Medium: Oil on canvas laid to board, mounted within card mat, unframed. Size (including mo...

Artist/ School: Jill Jackson, British contemporary, signed initials lower right corner Title: Interior scene with a writing desk or bureau, illuminated b...

Paired Studies of Lions in Profile 1960's British Modernist Drawing by Irina Hale (British 1932-2022) oil crayon drawings on brown artist paper stuck on A4 artsit paper, unframed ove...

Artist: Elisabeth Hahn (German 1924-2021), Elisabeth Hahn was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studie...

Signed "P. Bisiaux" at lower right The overall dimensions, including the frame, are 29 x 34 7/8 inches

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

Moshe Katz (Romanian Israeli), 1937- an Israeli citizen, studied art at the Bezalel Academy of Art in Jerusalem, as well as at the Chicago Academy of Fine Arts. Although not an expo...