Wheel Paintings

Havana, Cuba - They say for every building they manage to save and renovate in Havana, ten others fall down. It is a daunting task trying to re-build and entire city after so many ye...

Vinales, Cuba - An escape from the city to Vinales, a small town on the eastern tip of the island, where the house are all painted vibrant colours and people spend a lot of time in r...

Havana, Cuba - Keeping those vintage cars on the road is a constant challenge. In Cuba they have a famous saying - “Inventamos” – and this is indeed what they do every day, taking ma...

Matanzas, Cuba – Mantanzas is a smaller city about an hour west of Havana on the north shore of the island. It is where three rivers meet and is sometimes referred to as the Venice o...

A wonderful 1950s oil on Masonite painting of a truck in a Martha's Vineyard dockyard by notable artist Francis Chapin in a grey, painted wood frame. Estate stamped on reverse. Art...

As a Mexican musician sings and plays the guitar dressed for the day of the dead. He is being unknowingly stalked by a mythical beast. Little does he know that he is singing about ...

Delicate watercolor of a carriage in front of two buildings by an unknown artist (20th Century). A carriage sits in front of two buildings, with bare trees framing the scene. This pi...

Aaron Bohrod Autobiography, 1991 Signed lower right Oil on gesso board 12 x 16 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Coffee Peloton XXXIII by Eliza Southwood [2022] original Coffee on Paper Image size: H:59.5 cm x W:42.5 cm Complete Size of Unframed Work: H:59.5 cm ...

Canadian artist Matt Belval Hand Painted oil on canvas - graffiti vintage car - 1/1 original Signed on reverse At a young age, he was introduced to pain...

Rodion Petroff (b. 1985) graduated from the Vilnius Academy of Fine Arts and has been exhibiting in Europe and abroad since 2005. He has had 15 solo exhibitions in Lithuania, Sweden...

Canadian artist Matt Belval Hand Painted oil on canvas - graffiti vintage car - 1/1 original Signed on reverse At a young age, he was introduced to pain...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts mercedes car in realistic style. MICHAŁ WOJTYSIAK (ur. 1984) Graduated of Academy of Fine Art...

LOOK FOR FREE SHIPPING AT CHECKOUT The Affected Memory 46" x 36" x 2" The Affected Memory shows the hyperrealism of modern Cuban art that is now available to the international art m...

Rustic Farmyard Scene signed by Édouard Righetti (1924-2001) mounted in a card frame oil painted on artist paper, beautifully painted. very good condition framed: 21.5 x 29 inches ar...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Angela Stones (1914 - 1995) French Street Scene Oil on board 56 x 41 cm A delightful mid-century oil painting. A couple and their dog meander down a cobbled French lane under a bright blue sky. Stones was educated at the Chelsea School of Art, and was a member of an artistic dynasty. Her mother Dorothy Bradshaw (1893 - 1983) studied under Jack Merriott – the artist famous for his British Rail posters...

Colonel Bates Leads the 30th Colored Infantry at the Battle of the Crater Watercolor on Paper Circa 1903 15 ½ x 21 ½ Inches 25 ½ x 33 ½ Inches Framed LR: Graves This rare portrait of African American troops serving in battle during the Civil War depicts the 30th United States Colored Infantry at the Battle of the Crater, at Petersburg, Virginia. The regiment was composed of African American enlisted men commanded by white officers and was authorized by the Bureau of Colored Troops which was created by the United States War Department on May 22, 1863. The Battle of the Crater, July 30th, 1864, was part of the Siege of Petersburg, fought between the Confederate Army of Northern Virginia, commanded by General Robert E. Lee and the Union Army of the Potomac, commanded by Maj. Gen. George G. Meade (under the direct supervision of the general-in-chief, Lt. Gen. Ulysses S. Grant). At the top of the painting, Colonel Delevan Bates raises his saber to lead the charge of the 30th United States Colored Infantry. Bates was promoted to this command just prior to this battle, having served with distinction in the 121st New York Infantry at the Battles of Fredericksburg, Chancellorsville and Gettysburg. Though the Battle of the Crater would eventually be won by the Confederacy, it was here that Bates and 23 other troops would be award the United States highest award for bravery during combat, the Medal of Honor. After weeks of preparation, on July 30, Union forces exploded a mine in Maj. Gen. Ambrose E. Burnside's IX Corps sector, blowing a gap in the Confederate defenses of Petersburg, Virginia. From this propitious beginning, everything deteriorated rapidly for the Union attackers. Unit after unit charged into and around the crater, where soldiers milled in confusion. Grant considered the assault "the saddest affair I have witnessed in this war." The Confederates quickly recovered and launched several counterattacks led by Brig. Gen. William Mahone. The breach was sealed off, and Union forces were repulsed with severe casualties. Brig. Gen. Edward Ferrero's division of black soldiers...

keywords; surrealism, car portrait, car accident, oil painting, representation painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, car, automobile, old car wreck...

Signed lower left, 'K. Loncor' and dated 1999; retains original artist card, verso. A view of a California auto shop with a Jeep International Harvester...

"Havana Hot Rod" is a fine example of Bryan Mark Taylor's modern approach to Impressionism. This relatively large oil on panel packs a lot of the modern energy of a uniquely Havana ...

Title: Church in Qingdao Series III Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. N...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

From our collection of original designs. To see more, scroll down to 'More from this seller'. George Horace Davis (1888-1963) Design for publication in The Illustrated London News...

A large original painting of the LeMans 24-hour winning car from 1971. The is a Porsche 917K Salzburg, created on 92x73cm stretched canvas using acrylic paint, partially airbrushed. ...

Acrylic & ink on canvas Irakli Chikovani is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. In 2010, he was graduated from Tbilisi State Academy. He is memb...

Painting is on an unstretched canvas MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw...

Artist: Leslie Bostrom Title: Quiet Afternoon Size: 90 x 72 inches Medium: Oil on Canvas Year: 2018 Leslie Bostrom is a Professor of Art at Brown University who is primarily interes...

A portable surf shack waits on a beach to serve its surfing public in need of a board as the relaxed owner takes a nap in the sun on the tailgate of her cla...

Louis Roberts Dougherty (American, 1876-1948) Installation of the Liberty Bell at Independence Hall in 1754, c. 1915 Oil on canvas, 34 1/2 x 24 3/4 inches; Framed: 43 1/2 x 33 3/4 i...

"Englishtown New Almaden, 1890 by Milton K. Lanyon (American, 20th Century). Presented in a wooden frame. Signed "Lanyon" lower right. Titled "Englishtown New Almaden. 1890" and sign...

"Day(')s End (Funeral Pyre)" features hues of purple, blue, green, yellow and orange. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interdisciplinary...

Cortés, Costa Rica - Just another day in the. small village of Cortés. Costa Rica. A man walks slowly in the sunny street with his bicycle, unaware of two young lovers sharing a kiss...

Pullman Limousine Adler Standard. Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘93’, in upper lef...

This painting is presented on canvas covered 3mm thick MDF. This painting of a 1960 Ford Thunderbird has been created using acrylic paints and measures 40x50cm ( approx 16" x 20" ) :...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘76’, in upper left corner, German copyright label on verso. [Berlin 1930] Finished in green with contrasting light green roof and matching solid disc wheels, presented against a silhouette of a grand palace, this imposing 4-door cabriolet was one of the more luxurious variant designs around the underpinnings of the company’s straight-8 engine and drive train. It evolved from the Single Eight, so-called as it replaced the earlier V-12 known as the Double Six. Founded in 1899 by brothers James and William Packard, the eponymous company was not only one of the pioneers of North American motor...

Barbara Mauldin Fredericksburg Artist Image Size: 15 x 30 Frame Size: 22 x 36 Medium: Oil on canvas "Willow City Still Life" Texas Hill Country Landscape Barbara and her husband Chu...

Impotent and aggressive 2010, canvas, mixed media, 140x120 cm Juris Utāns (1959-2022) was a Latvian painter. Worked in the field of critical realism...

Artist: John McCormick, American Title: 1959 Corvette Year: 1983 Medium: Oil on Canvas, signed Size: 18 in. x 32 in. (45.72 cm x 81.28 cm)

Artist: Reginald Marsh, American (1898 - 1954) Title: The "Cannonball" Year: 1936 Medium: Watercolor on Paper, signed, titled, and dated l.r. Size: 16.5 in. x 22.5 in. (41.91 cm x 57...

In this oil painting, I delve into the exhilarating freedom of a motorcycle ride under an expansive blue sky. I've captured the raw energy and motion of the bike, contrasted against ...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

A detailed realistic/surrealistic landscape acrylic painting on large scale canvas.

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘78’, in upper left corner, German copyright label on...

C. 20th Century Truman Toland " Tools of The Trade " Oil on Canvas

Oil on board, signed lower left Inscribed and dated 1905 on reverse Image size: 8 1/4 x 10 1/2 inches (21 x 27 cm) Contemporary style hand made frame This is a scene of the outskirts of the village of East Ruston, found near the coast in Norfolk. The setting is a sand and gravel pit with the houses of the village just identifiable through the trees in the background. This small sand pit...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘77’, in upper left corner, German copyright label on...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, dream, men , portrait, earth tones, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, brown, car, automobile, tractor, old car wreck...

Signed verso, 'Keith Longcor', dated 1989 and titled, 'Diamond Auto Electric'. A kinetic, post-industrial landscape showing a view of various automobiles parked on a garage forecour...

Artist: Anton Solomoukha, Russian (1945 - ) Title: Alligator, Celluloid, Rattles, Trumpet Year: 1991 Medium: Oil and Collage on Canvas, signed and dated l.r. Size: 63.5 x 51 inches [...

Date: 1920 Medium: Oil on Canvas Dimensions: 24.00" x 30.00" Signature: Signed Lower Right 1920 Cosmopolitan - page 63 of cornwell book Nicknamed "The Dean of Illustrators" by his peers. A cartoonist at 18 for Louisville Herald. By 1911 he was in the Chicago Tribune's Art department while studying at the city's Art Institute. In 1915, a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt Jemima...

Artist: John McCormick, American Title: Rolls Royce Year: 1983 Medium: Oil on Canvas Size: 18 in. x 32 in. (45.72 cm x 81.28 cm)

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)

Acrylic on cardboard Tengiz Cholokava is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. He is graduated from Fine Arts School of Iakob Nikoladze in Tbilisi,...

Wonder Valley (Sidewinder) - 2005 Edition of 5, 156x125cm. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory No. 3094. Not mounted. "pr...

This intriguing architectural painting depicts a view of a French mill house from across a quiet square in Sainte Eulalie. The artist has signed to the lowe...

Coffee Espresso Series 2 is an original artwork by Eliza Southwood. It features one cyclist Eliza Southwood cycling prints available for sale with Wychwood art...

RIGHT FLANK is an acrylic on canvas surrealist painting by Brooklyn, New York artist Tony Geiger. It measures 40x40" and is a unique artwork. It's a classi...

Provenance Acquired by the gallery directly from the artist FRAMED: 9.875" x 15.875" x 1.375" UNFRAMED: 16" x 24" Artist's Statement: "While driving south on the 5 Freeway, I spotted this classic 1965 Falcon Futura convertible and had to follow it for a while. The design was beautiful -- sleek and moderne with personality and character. The light blue color blended into the perfect southern California sky...

The old granary. Oil on cardboard, 24,5x45 cm

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed dated 1938 Size: painting: 13...