Wheel Paintings

Canadian artist Matt Belval Hand Painted oil on canvas - graffiti vintage car - 1/1 original Signed on reverse At a young age, he was introduced to pain...

A photorealist painting of the vintage Porsche 911. This beauty is a classic and one of my favorite subject matters. I love the cultural aesthetic of vintage cars and their historic...

Canadian artist Matt Belval Hand Painted oil on canvas - graffiti vintage car - 1/1 original Signed on reverse At a young age, he was introduced to pain...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Volkswagen 1500 car in realistic style. The color is vibrant and saturated. Michal Wojtysiak p...

"Havana Hot Rod" is a fine example of Bryan Mark Taylor's modern approach to Impressionism. This relatively large oil on panel packs a lot of the modern energy of a uniquely Havana ...

As a Mexican musician sings and plays the guitar dressed for the day of the dead. He is being unknowingly stalked by a mythical beast. Little does he know that he is singing about ...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts mercedes car in realistic style. MICHAŁ WOJTYSIAK (ur. 1984) Graduated of Academy of Fine Art...

5141 Amsterdam city veiws with streets ful of bicycles Oversized canvas unframed

Rodion Petroff (b. 1985) graduated from the Vilnius Academy of Fine Arts and has been exhibiting in Europe and abroad since 2005. He has had 15 solo exhibitions in Lithuania, Sweden...

Philip Reisman (1904-1992) Oil on Board, 1948. This wonderful New York image is titled “Delancey Street” on the verso. The work is signed by the artist “P. Reisman” lower right and...

Portrait of Juliet Hyneman by Jewish American artist Herman N. Hyneman Signature lower left Framed dimensions: 25 1/2 x 21 1/2 in. The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel...

Captured in rich, painterly oils is this charming scene of a watermill, by British painter William Thornton Brocklebank. Signed to the lower right. Well presented in a painted gilt f...

5107 Word War II Biplanes

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Jaguar car in realistic style. MICHAŁ WOJTYSIAK (ur. 1984) Graduated of Academy of Fine Arts ...

An original charming 1940's modernist painting depicting an antique store in the countryside. This piece comes housed in its original period frame.

"Englishtown New Almaden, 1890 by Milton K. Lanyon (American, 20th Century). Presented in a wooden frame. Signed "Lanyon" lower right. Titled "Englishtown New Almaden. 1890" and sign...

Delicate watercolor of a carriage in front of two buildings by an unknown artist (20th Century). A carriage sits in front of two buildings, with bare trees framing the scene. This pi...

Original artwork, acrylic paints on canvas by Joseph Gilgun With a mixture of street, abstract and fine art influences, most of Joe's work is created using a blend of acrylics, spra...

Coffee Peloton XXXVII By Eliza Southwood [2023] Original Coffee on paper Image size: H:42 cm x W:60 cm Complete Size of Unframed Work: H:42 cm x W:60 cm x D:0.1cm Sold Unframed Plea...

Painting is on an unstretched canvas MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw...

Robin Cole's 2023 piece, "Remember When," is a poignant example of the artist's engagement with the classical landscape genre, presented in oil on mounted linen. The dimensions of th...

"And They're Off!" (2023) by Dianne L Massey Dunbar is a playful oil painting that depicts a toy monster truck. This piece measures 6 x 6 inches and 10 x 10 i...

"Cutting Power" features black, white and grey with pops of purple. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interdisciplinary artist and design...

"It's your road. Oters can ride it with you but no one can ride it for you."

Title: Church in Qingdao Series III Medium: Oil on canvas Size: 19 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. N...

A charming farmyard scene depicting chickens roaming by a small pond. Signed to the lower left. On canvas.

In this oil painting, I delve into the exhilarating freedom of a motorcycle ride under an expansive blue sky. I've captured the raw energy and motion of the bike, contrasted against ...

A detailed realistic/surrealistic landscape acrylic painting on large scale canvas.

ACRYLIC ON PAPER 60X85cm :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Sig...

Two photographic motifs, which can by no means fit together in real life, result in a coherent and at the same time completely absurd image on a painting level. It may symbolize wishful thinking which can never be realized in reality. keywords; americana, surrealism, yellow banana, vintage, oil painting, men figurative painting...

John Powell has worked in the arts throughout his life. Born in Hollywood, California, he began to paint at the age of 16. Over the past 45 years he has melded his life experiences i...

Valarie Wolf's painting "Night Travel" is an excellent example of her charming narrative horse paintings. The way she portrays the misty breath of the carriage horse on a charming c...

Caterpillar road grader idling during the evening sun in Texas, after a long day of work :: Painting :: Illustration :: This piece comes with an official certificate of authenticity ...

This lovely Edwardian oil painting is by French artist William Albert Ablett. Dated 1901, the brush work and use of light are superb. Ablett has perfectly captured the movement and f...

"Day(')s End (Funeral Pyre)" features hues of purple, blue, green, yellow and orange. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interdisciplinary...

"We know that everything around us is energy, the energy of the universe. When an artist paints, images sometimes suddenly appear in her mind. This only means that she is conducting ...

To see our other Modern British Art, including others by Hennes, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Hilary Hennes (née Hilary Miller) (1919-1993) 'The Old Bicycle...

Signed verso, 'Keith Longcor', dated 1989 and titled, 'Diamond Auto Electric'. A kinetic, post-industrial landscape showing a view of various automobiles parked on a garage forecour...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘78’, in upper left corner, German copyright label on...

A portable surf shack waits on a beach to serve its surfing public in need of a board as the relaxed owner takes a nap in the sun on the tailgate of her cla...

ARTIFACTS, 2015, Acrylic painting on paper artist mounted to panel, Hand signed and dated right side Dimensions: 24 x 43 x 1 ¾” This depicts an old cast iron Mickey Mouse, Felix the Cat, an old tin can of pop corn and other vintage, nostalgic, Americana. Born in 1938, Ralph Allen Massey is a talented American artist, sculptor and jewelry designer. Prior to the 1980s, in his work he preferred sculpture. However, in the early 1980s, together with the artist Sylvia Bennett, he opened the art studio “Raven”. using his creativity, has become the creation of jewelry decorations and jewelry boxes. An interesting collection was “Wildlife”, brooches, earrings and rings in the form of animals and birds. Also, no less interesting was the line of jewellery inspired by the characters of the books “Alice in Wonderland...

Artist: John McCormick, American Title: 1959 Corvette Year: 1983 Medium: Oil on Canvas, signed Size: 18 in. x 32 in. (45.72 cm x 81.28 cm)

James C. Litz is a self-taught artist who has a "primitive-naive" style of oil and acrylic paintings that features colorful and humorous characters and scenes. His paintings have a very child-like quality to them and you can see the artist's active imagination at work transforming everyday life into art. In 1994, the fine arts magazine Sunstorm, described him as having a "natural wit and style". Permanent displays: The National and International Vietnam Veterans War Art Museum, Chicago, IL; the American Folk Art Museum, NYC; the President Bush Library, Houston, TX; Museé D'Art Naïf de l'lle De France; the International Folk Art Museum, La Jolla, CA; and the James Fennimore Coopers Museum, Cooperstown, NY. Private Collections: Jackie Gleason (deceased); Roy Rogers (deceased); the Flamenco guitarist Carlos Montoya (deceased); opera singer Patrice Munsel, cellist Lynn Harrell, and Bill Cosby.

Reflecting back on the 60s, my rendition takes me to the time when my first car was a yellow VW Beetle. I had that car for many years. :: Painting :: Fine Art :: This piece comes ...

Oil on canvas Tatiana Radsivilko is a Belarussian artist born in 1968 who lives & works in Minsk in Belarus. She is graduated from the Belarusian ...

This intriguing architectural painting depicts a view of a French mill house from across a quiet square in Sainte Eulalie. The artist has signed to the lowe...

Artist: James Feriola, American (1925 - 1997) Title: Farmhouse in Winter Medium: Watercolor on Paper, Signed in Black Ink Size: 20 x 28.5 inches

Valerio D'Ospina's (US based) "Fiat 500" is an oil painting depicting a white Fiat on a city street. Valerio D’Ospina was born in Taranto in 1980. On July 14, 1999 he received an a...

Provenance Acquired by the gallery directly from the artist FRAMED: 9.875" x 15.875" x 1.375" UNFRAMED: 16" x 24" Artist's Statement: "While driving south on the 5 Freeway, I spotted this classic 1965 Falcon Futura convertible and had to follow it for a while. The design was beautiful -- sleek and moderne with personality and character. The light blue color blended into the perfect southern California sky...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Colin Allbrook Winter Dusk, Brugge Original Contemporary Oil Painting Oil Paint on Board Board Size: 31 cm x 41 cm x 0.5 cm Sold framed Winter Dusk, Brugge is an original painting b...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Painting Institute in Beijing. This painting Red and Green Farce is based on the author Bernini's classic sculpture Robbing Parsephone as the creation of the cornerstone. From three-dimensional monochrome sculptures to paintings of figures with urban backgrounds and baroque colors. This distinguishes mechanical painting...

Dans cette œuvre vibrante, j'ai canalisé une énergie vive et colorée, évoquant la nostalgie des années disco. La peinture à l'huile donne vie aux couleurs éclatantes, et ch...

C. 20th Century Truman Toland " Tools of The Trade " Oil on Canvas

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘76’, in upper left corner, German copyright label on verso. [Berlin 1930] Finished in green with contrasting light green roof and matching solid disc wheels, presented against a silhouette of a grand palace, this imposing 4-door cabriolet was one of the more luxurious variant designs around the underpinnings of the company’s straight-8 engine and drive train. It evolved from the Single Eight, so-called as it replaced the earlier V-12 known as the Double Six. Founded in 1899 by brothers James and William Packard, the eponymous company was not only one of the pioneers of North American motor...

Wonder Valley (Sidewinder) - 2005 Edition of 5, 156x125cm. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory No. 3094. Not mounted. "pr...

R.P. Cochran Austin Artist Image Size: 16 x 20 Frame Size: 23 x27 Medium: Oil "Ranch House"

Pragnesh Patel - Untitled - 12 x 12 inches Oil & Acrylic on Canvas with Fiber Glass ( Set of 10 works ) Inclusive of shipment in Stretched Form This wo...