Wheel Paintings

Captured in rich, painterly oils is this charming scene of a watermill, by British painter William Thornton Brocklebank. Signed to the lower right. Well presented in a painted gilt f...

An oil painting of the South Ferry touching down in Sag Harbor at night. A pickup truck leads the line of cars exiting the ferry from Shelter Island. Headl...

“Expectation” is a moment of pause—a snapshot of the universal experience of waiting. Through the eyes of the face, we feel the weight of hopes and dreams held in limbo. The tricycle...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

In the market square. cardboard, oil, 41x81 cm Biruta Baumane (1922-2017) Born in Kalnamuizha in Tervetes school, in the teachers family. Since 1941, she studied at the Latvian State Academy of Arts, where she graduated painting department in 1948. In 1951 married with sculptor Karlis Baumanis. Daughter Laine Kainaze also is an artist. Since 1959, member of the Union of Artists, Biruta repeatedly was a manager of the union. In 1986 she became the honored worker of arts of the Latvian SSR. She has been involved in television and radio programs, movies, and has published articles in periodicals. In 1976 she received a diploma of the Union of Latvian SSR for the best creative work. One of the most important Latvian artists...

Jean Porcher, French, 1927, La vieille 'Fiat abandonnée', Oil on canvas modernist painting Provenance: verso gallery label "Galerie Drouant-David St Honore Paris" Hand signed and dated verso and along top to upper left 19 3/4 x 29, framed 22 x 31 1/2 It depicts an antique abandoned Italian Fiat car...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Painting Institute in Beijing. This painting Red and Green Farce is based on the author Bernini's classic sculpture Robbing Parsephone as the creation of the cornerstone. From three-dimensional monochrome sculptures to paintings of figures with urban backgrounds and baroque colors. This distinguishes mechanical painting...

Broadway, Cotswold [2022] Award Winning Painting from the 'Great paintoff' at the Broadway Festival, Painted plein air, All Prima Additional information: Original Oil on Board Imag...

Pharaohs hunting. 2001. Oil on linen, 70x100 cm

Intersection 18x14, oil on panel City Scene Landscape The artist is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. and to the Rocky Mountains The artist is in corporate and private collections around the world. Garrett Middaugh is a regional landscape painter working in oils and pastels whose subject matter varies from the mountains and desert of west Texas to the wetlands along the Texas coast, with a strong focus on Texas forests and trees. His palette is muted, stark, embracing the neutral colors of everyday experience. Avoiding the romantic, his landscapes are often painted at high noon or in the dead of winter. He paints in a fluid hyper realist style and feels most influenced by other landscape artists such as Neil Welliver and Rackstraw Downes. He sees landscape painting as a form of meditation, projecting outward, while solving equations and mapping the scene, realizing accuracy of objects and relationships, of light, color, textures, distances. "Landscape painting is for me a means of projecting outward, of meditating, examining the here and now of place. The process often feels similar to the satisfaction of solving math equations, intuitively realizing accuracy of objects and relationships, of light, color, textures, distances. For the most part I paint Texas. For several years I devoted a significant amount of time to painting its forests -- the complexity of forest alleviated my sense and the nearness and density of growth was comforting. I have also ventured into west Texas and Big Bend, and occasionally have attempted to capture the mesmerizing serenity of central Texas farm and ranchland." Garrett Middaugh Also shown is a new Texas tractor painting...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hints about the story in the piec...

"It's your road. Oters can ride it with you but no one can ride it for you."

A very fine and detailed Victorian street scene. Crowds of figures mill about the streets, children playing with hoops along the cobbles and woman carrying baskets...

Havana, Cuba - Keeping those vintage cars on the road is a constant challenge. In Cuba they have a famous saying - “Inventamos” – and this is indeed what they do every day, taking ma...

Matanzas, Cuba – Mantanzas is a smaller city about an hour west of Havana on the north shore of the island. It is where three rivers meet and is sometimes referred to as the Venice o...

this is an acrylic painting of a headlight on a gallery wrap canvas. My desire was to show the reflected light from daylight illuminating the lamp and revealing facets of broken refl...

The picture was created for people who cannot imagine their life without a Motorcycle.

A view of Tullyree Mill in the Mourne Mountains, Northern Ireland. Inscribed with the location to the lower-left edge. Unsigned. On canvas on stretche...

Story illustration for “Benny and her Familee” by Kennett Harris for The Saturday Evening Post, published January 10, 1920, illustrated page 11. This western scene captures a moment...

A lion strolls in front of a Range Rover in this photorealistic painting entitled "Dark Mane" by Rick Pas. Though small in scale this painting delivers gr...

Village Church signed by Y. Blanchon, French 1950's Impressionist artist gouache on artist paper, unframed painting: 12.5 x 16.5 inches provenance: from a large private collection o...

Wonder Valley (Sidewinder) - 2005 Edition of 5, 156x125cm. Archival C-Print based on a Polaroid. Signature label and Certificate. Artist Inventory No. 3094. Not mounted. "pr...

Coffee Peloton XXXVII By Eliza Southwood [2023] Original Coffee on paper Image size: H:42 cm x W:60 cm Complete Size of Unframed Work: H:42 cm x W:60 cm x D:0.1cm Sold Unframed Plea...

Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘78’, in upper left corner, German copyright label on...

Philip Verhoeven Une Forêt (nature, relaxation, inspiration) Acrylic and Marker on Canvas Year: 2024 Size: 15.75 x 15.75 inches Signed and titled by hand COA provided *Unframed. Cou...

Pullman Limousine Adler Standard. Gouache and watercolour heightened with gum-arabic on very dark green card, annotated in pale ink with body type below, numbered ‘93’, in upper lef...

The Sluice Gates by Helen Greenfield (British 20th century) oil painting on board, unframed board: 16 x 24 inches condition: overall very good proven...

Doug Reina is a two time Pollock-Krasner grant recipient whose studio is in Setauket, New York. Reina is a full-time artist who creates paintings both on location, as well as in his...

Artist: John McCormick, American Title: 1959 Corvette Year: 1983 Medium: Oil on Canvas, signed Size: 18 in. x 32 in. (45.72 cm x 81.28 cm)

Angel Alonzo "El Graduado" Original Painting Late 20th Century Original acrylic on paper Dimensions 25" wide x 19" high The distressed frame measures 35" wide x 29" high The fram...

"Bold. Fast. Unstoppable. This original oil on canvas painting captures the ferocity of the Porsche 917-10 — the turbocharged beast that dominated the American Can-Am series in the e...

LOOK FOR FREE SHIPPING AT CHECKOUT Affected Memory shows the hyperrealism of modern Cuban art that is now available to art market. Affected Memory is one of many of the hyperrealism paintings by the artist. Brian Sanchez...

Colin Allbrook Winter Dusk, Brugge Original Contemporary Oil Painting Oil Paint on Board Board Size: 31 cm x 41 cm x 0.5 cm Sold framed Winter Dusk, Brugge is an original painting b...

The painting "Sowing" is a penetrating image of preparation for one of the most important stages of the agricultural cycle. Oleksandr Khrapachov, a master of Ukrainian painting, thro...

Coffee Espresso Series 2 is an original artwork by Eliza Southwood. It features one cyclist Eliza Southwood cycling prints available for sale with Wychwood art...

An original charming 1940's modernist painting depicting an antique store in the countryside. This piece comes housed in its original period frame.

Contemporary FINE ART Original PAINTING, acrylics on 100% cotton stretched wrapped canvas. Title: Life in Colors 62, ready to hang, 2021 Size: 71''x 35''(180x90cm) Room views ...

The original photograph was taken by myself in 2016, it was literally a flying visit by the "Flying Scotsman" to Grantham Station. The title "Reflectio...

Artist: Carlos Irizarry Title: Child with Doll and Buggy Year: circa 1965 Medium: Oil on Canvas, signed l.r. Size: 30 in. x 24 in. (76.2 cm x 60.96 cm)...

Coffee Peloton XXXI by Eliza Southwood [2022] Coffee Peloton XXXI is an original coffee on paper drawing by artist Eliza Southwood. It features a peloton of cyclists painted in coff...

Artist: Anton Solomoukha, Russian (1945 - ) Title: Alligator, Celluloid, Rattles, Trumpet Year: 1991 Medium: Oil and Collage on Canvas, signed and dated l.r. Size: 63.5 x 51 inches [...

Coffee Espresso #12 by Eliza Southwood [2022] Coffee Espresso #12 is an original drawing in coffee on paper by artist Eliza Southwood. It features one cyclist painted in coffee, com...

Artist: James Feriola, American (1925 - 1997) Title: Farmhouse in Winter Medium: Watercolor on Paper, Signed in Black Ink Size: 20 x 28.5 inches

Coffee Espresso #13 by Eliza Southwood [2022] original and hand signed by the artist Coffee on Paper Image size: H:42 cm x W:60 cm Complete Size of Unframed Work: H:42 cm x W:60 cm ...

Coffee Espresso #18 By Eliza southwood [2023] Original Coffee on Paper. Coffee Espresso #18 by Eliza Southwood [2023] original Coffee on Paper Image Size: H:42.5 cm x W:60 cm Comple...

Coffee Peloton XXXIII by Eliza Southwood [2022] original Coffee on Paper Image size: H:59.5 cm x W:42.5 cm Complete Size of Unframed Work: H:59.5 cm ...

Coffee Peloton XXI by Eliza Southwood [2021] original Coffee on paper Image size: H:64 cm x W:97 cm Complete Size of Unframed Work: H:64 cm x W:97 cm x...

This artwork masterfully blends surrealism and pop culture, presenting a vivid, retro-futuristic scene against a dark, dreamlike backdrop. At its center is a bright yellow vintage ca...

This artwork captures a solitary moment in a remote desert setting. The scene focuses on a vintage motel, "Desert Inn," with its bright yellow façade standing out against the dark, m...

This is a one of a kind original acrylic and gold leaf painting by San Diego artist, Duke Windsor. Windsor’s success as a contemporary artist lies in his ability to infuse ordinary s...

David Cheifetz's (US based) "Ebb and Flow" is an oil painting featuring a red apple still life with various objects. About the artist: David is an internationally acclaimed and col...

Work on canvas Not signed

Bruce Adams often references historical painting themes and styles in order to throw into relief western tropes in figurative art. Here as part of the artist's series Myths and Lies,...

Georgina Lara British, (fl. 1862-1871) A Busy Village Oil on canvas, unsigned Image size: 11.75 inches x 19.25 inches Size including frame: 16.25 inches x 24.25 inches Provenance: Cooling Galleries, Bond Street, London A pleasing village scene featuring figures, horse and other animals in a village square. To the left, a team of horses with a hay cart can be seen resting whilst a group of people chat outside a village store. In the foreground a group of children play marbles by a dog as two women chat by a log. Meanwhile, a horse and cart is shown entering the village alongside a barn. Georgina Lara also known as Edwina Lara was a London painter of rustic farmyard and village scenes. Her work also closely resembles that of Edward Masters...

Medium: Mix media, hand painted with Oil and Acrylics, finished with Spray paint, stencils on Canvas Size: 39 x 39 in Movement & Style: Pop Art, Urban Art, Contemporary Art ...

Warm tonal landscape western painting with a cow skull in the immediate foreground and a wagon in the midground. The painting is signed by the artist Lem Pa...

Signed (lower right): Robert Vickrey

Coffee Peloton XXII by Eliza Southwood [2021] original Coffee on paper Image size: H:64 cm x W:97 cm Complete Size of Unframed Work: H:64 cm x W:97 cm ...

As a Mexican musician sings and plays the guitar dressed for the day of the dead. He is being unknowingly stalked by a mythical beast. Little does he know that he is singing about ...

It's good to have someone to smoke with on the way. In this painting, I captured a moment between two individuals during a smoking break in a vast desert. Using stark acrylic contras...