Wheel Paintings

Valerio D'Ospina's (US based) "Fiat 500" is an oil painting depicting a white Fiat on a city street. Valerio D’Ospina was born in Taranto in 1980. On July 14, 1999 he received an a...

"Gold Country Homestead", California Farmhouse Landscape with Red Barn & Wagon Pastoral oil on canvas landscape painting entitled "Gold Country Homestead...

"People on the Move 1" by RU8ICON1 is a monochromatic oil painting on canvas, from 2019. It depicts box trucks in motion. The palette is t...

A charming farmyard scene depicting chickens roaming by a small pond. Signed to the lower left. On canvas.

"Study for Long Beach" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan Daniel Ralph Celantano (1902-1980) "Study for Long Beach" 8 x 10 inches Oil on artist bo...

"Horse & Caravan" by Fernand Audet (French, Tarascon 1923- Mulhouse 2016) signed lower right oil painting on board, unframed painting: 21.5 x 18 inches A fine "mid century" oil pa...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1992, signed to the front and inscribed verso Title - Scots Pine in a Cornish Farmyard, depicting chickens...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1994, signed to the front and inscribed verso Title - Watermill at Tresmeer, Cornwall Figures busy working...

Oil on board. Framed. Great quality!

This is acrylic on a shaped ragboard panel in an artist-made frame.

Work on canvas Beige wooden frame 80 x 69 x 5 cm

Work on cardboard Beige wooden frame 67.5 x 86 x 4 cm

Nigerian artist Akingbade Mayowa (born in 1988) titled this piece “Love.” Was he referring to the universal love of a father for his sons? Or perhaps ...

Alexandra Rozenman’s “Morning of the First Act” is a 16 x 20 x 2 inch oil painting on canvas. It gives us a feeling that something magical is about to happen. Bright morning light of a blue sky shines on the two green chairs...

Honoré BARMONT Paris, 1810 – Paris, 1851 Oil on canvas 36 x 25 cm (48 x 38 cm with the frame) Signed and dated lower right “Honoré Barmont / 1842” Beautiful 19th century frame in gil...

This scene depicts a scene from the 1930s. It is of a fictitious narrative with old cars, a motorbike, and bicycles. This scene depicts a mob chase through the roaring hills of Calif...

A photorealist painting of a vintage Lotus Elan S2. This classic British sports car was released in 1964 and has a mid century style and shape that I love! Set in Savannah, Georgia t...

Artist: Reginald Marsh, American (1898 - 1954) Title: The "Cannonball" Year: 1936 Medium: Watercolor on Paper, signed, titled, and dated l.r. Size: 16.5 in. x 22.5 in. (41.91 cm x 57...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Porsche Panamera car in realistic style. MICHAŁ WOJTYSIAK (ur. 1984) Graduated of Academy of Fine Arts in Łódź...

Can't Stop, Can't Hold The work is devoted to the struggle of the Belarusian people against the dictatorship. Hundreds of thousands of citizens took to the streets to express their ...

Since childhood, I have been indifferent to horses, I love to draw them very much, conveying their grace and beauty, play of colors on the skin like mother of pearl. This horse and c...

This art - work is part of the project REFLEXUS. The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a variety of texture...

Gone in 60 seconds

Vintage American modernist farm landscape oil painting. Oil on board. Framed. Signed verso. In excellent original condition. Handsomely framed in a wood molding. Excellent condi...

Forbes Mill, Los Gatos - Historic Landscape in Acrylic on Masonite Idyllic California watermill landscape by Stella Leis (American, b. 1922). This autumn-themed painting depicts For...

Delicate watercolor of a carriage in front of two buildings by an unknown artist (20th Century). A carriage sits in front of two buildings, with bare trees framing the scene. This pi...

This is my best work that I have done in 30 years of my work. I am a dreamer, a futurologist. This work tells us what awaits us in the future. How the human body mutates and will ada...

Antique European street scene oil painting. Oil on panel. Framed. Measuring 14 by 19 inches overall and 10 by 14 painting alone. In excellent original condition. Handsomely framed ...

"Dr. Snapp House" Oil Painting Don Prechtel (born 1936, American). The historic Dr. Snapp House in Cottage Grove, Oregon was built in 1886, by one of the ...

This charming oil by Charles Edwin Baldock depicts a loyal farm dog resting atop an old oak barrel. Baldock's skilful rendering of the scene, from the dog's coat to the wooden barrel...

Muramuzi JohnBosco 1991 - Current Delivery trucks in the village, 2024 Acrylic on canvas 140 x 160 cm 55 1/8 x 63 in

Title: Rush Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is un...

“Sixties” by Marcello Petisci captures the bold energy, color, and cultural style of the 1960s. The composition centers on a sleek vintage race car wi...

Painting is on an unstretched canvas MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw...

LOOK FOR FREE SHIPPING AT CHECKOUT The Affected Memory 46" x 36" x 2" The Affected Memory shows the hyperrealism of modern Cuban art that is now available to the international art m...

Provenance Acquired by the gallery directly from the artist Signed "Peters" on lower right corner. FRAMED: 9.875" x 15.875" x 1.375" UNFRAMED: 16" x 24" Artist's Statement: "While driving south on the 5 Freeway, I spotted this classic 1965 Falcon Futura convertible and had to follow it for a while. The design was beautiful -- sleek and moderne with personality and character. The light blue color blended into the perfect southern California sky...

Oil on canvas Relined with new stretcher bars Overall with gold leaf frame 30 x 36 inches

An oil painting of the South Ferry touching down in Sag Harbor at night. A pickup truck leads the line of cars exiting the ferry from Shelter Island. Headl...

Innocent Chikezie (Nigerian, born 1982) "Riding the Bike" 2020 Acrylic paint, canvas, stretcher bars The artist signed the bottom right of the painti...

ARTIFACTS, 2015, Acrylic painting on paper artist mounted to panel, Hand signed and dated right side Dimensions: 24 x 43 x 1 ¾” This depicts an old cast iron Mickey Mouse, Felix the Cat, an old tin can of pop corn and other vintage, nostalgic, Americana. Born in 1938, Ralph Allen Massey is a talented American artist, sculptor and jewelry designer. Prior to the 1980s, in his work he preferred sculpture. However, in the early 1980s, together with the artist Sylvia Bennett, he opened the art studio “Raven”. using his creativity, has become the creation of jewelry decorations and jewelry boxes. An interesting collection was “Wildlife”, brooches, earrings and rings in the form of animals and birds. Also, no less interesting was the line of jewellery inspired by the characters of the books “Alice in Wonderland...

A retrospective study of early 20th century Tunstall. Inscribed to the lower margin 'Calling for the Mail, Market Place, Tunstall, 1909'. Unsigned. On canvas laid to board.

This charming scene depicts two shire horse hauling timer across a shallow creek. A man guides the heavy set horses into the water, gently encouraging them with the reins. The artist captures charming details within the scene such as the small cottage in the distance and the way the water splashes...

Ann Solomon Terminal at Gov. Island, c. Late 20th Century Oil on canvas 23 3/4 x 18 in. Framed: 27 5/8 x 21 1/2 x 1 in. Signed lower right This painting depicts a detail of the buil...

A detailed view of Højbro Plads with the equestrian statue of Absalon dominant on the right. Well presented in a decorative gilt-effect frame. Signed in the lower right and dated 193...

A dramatic and busy harbour scene with a multitude of boats on the sand at low tide with crowds of fishermen tending to the boats, loading them up, smoking their pipes as crowds of p...

This intriguing architectural painting depicts a view of a French mill house from across a quiet square in Sainte Eulalie. The artist has signed to the lowe...

"Englishtown New Almaden, 1890 by Milton K. Lanyon (American, 20th Century). Presented in a wooden frame. Signed "Lanyon" lower right. Titled "Englishtown New Almaden. 1890" and sign...

Electric Coffin is a Seattle-based artist collaboration between Duffy De Armas and Stefan Hofmann. Electric Coffin are based in Seattle, Washington but exhibit nationally and interna...

Kent Ten Cote, Danish Summer Logging Scene by Water Early 20th century 15.75 x 23.75 unframed

Original oil painting on canvas by Elena Mardashova 70x50 cm. is recreates the atmosphere of the joyful ride and anticipation of it. Realized in 2020.

An impressionistic pointillist landscape depicting a large riverside home with private boat house, surrounded by beautiful woodlands. The artist's choice of painting technique create...

A series of abstract paintings. I like to paint instinctively, without thinking about what I'm doing. These paintings express only feelings and emotions. I enjoy exploring new ho...

YURI MARTINEZ RAMOS "SILLY TOPIC OF TWO LOVERS" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2000 31.5 X 39.5 INCHES Silly Topic for Two Lovers is exactly what you can appreciate in the painting, by the time every young couple was using the bicycle as a way of transportation in Havana, I saw that silly imagery as an excuse to talk about love. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

RIGHT FLANK is an acrylic on canvas surrealist painting by Brooklyn, New York artist Tony Geiger. It measures 40x40" and is a unique artwork. It's a classi...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Girl on a bicycle. I was inspired to paint this picture by a girl. Which I taught to ride a bicycle. As a result, she became my muse, I repeatedly drew her in the Bricks series! By b...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Painting Institute in Beijing. This painting Red and Green Farce is based on the author Bernini's classic sculpture Robbing Parsephone as the creation of the cornerstone. From three-dimensional monochrome sculptures to paintings of figures with urban backgrounds and baroque colors. This distinguishes mechanical painting...

Captured in rich, painterly oils is this charming scene of a watermill, by British painter William Thornton Brocklebank. Signed to the lower right. Well presented in a painted gilt f...

In the market square. cardboard, oil, 41x81 cm Biruta Baumane (1922-2017) Born in Kalnamuizha in Tervetes school, in the teachers family. Since 1941, she studied at the Latvian State Academy of Arts, where she graduated painting department in 1948. In 1951 married with sculptor Karlis Baumanis. Daughter Laine Kainaze also is an artist. Since 1959, member of the Union of Artists, Biruta repeatedly was a manager of the union. In 1986 she became the honored worker of arts of the Latvian SSR. She has been involved in television and radio programs, movies, and has published articles in periodicals. In 1976 she received a diploma of the Union of Latvian SSR for the best creative work. One of the most important Latvian artists...