1890s Art

Paul Fischer (1860–1934) Denmark Portrait of a Young Girl in a Striped Dress, c. 1895-1905.  signed lower right “Paul Fischer” oil on canvas unframed 34 × 23 cm (13.4 × 9.1 in...

George Paice (1854–1925) “The Colonel,” a Grey Horse in a Stable, circa 1900 Oil on board Signed lower right: “G. Paice” Titled “The Colonel” Circa 1900 Presented in a gilded frame...

"Portrait of a Yorkshire Terrier with a Red Bow" Amable Bouillier (French, 1867-1940) Oil on wood panel Signed to lower right 9 3/4 x 8 2/3 ( 12 7/8 x 11 3/8 frame) inches. Though ...

Olof Arborelius (1842–1915) Sweden Fishing Boats in Moonlight, probably Stockholm Archipelago signed lower right O. Arborelius oil on canvas unframed 59 × 89 cm (23.2 × 35 in) fram...

Auguste RODIN (1840–1917) (after) Lust, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 x 1...

Stunning late 19th century landscape of misty purple hills dotted with small sheep in the Scottish highlands near Dunkeld by Boston artist Miss H. L. Radford (19th Century). Signed a...

Mary Kirschbaum, Sweden Woman by a Lake at Sunset, c. 1890 signed oil on canvas unframed 23 × 33 cm (9.1 × 13 in) framed 33 × 43 cm (13 × 16.9 in) Provenance: Private collection, ...

Created by Jules Chéret and issued in this format in 1896, this original French poster advertises the Palais de Glace, the fashionable indoor ice-skating rink situated on the Champs-...

This magnificent large-scale oil on canvas is an outstanding example of European academic painting, created in the late nineteenth to early twentieth century and executed in the gran...

Richard Edward Elliot Chambers Irish–British, 1863–1944 Late October in the Rockies, Colorado 1890 Graphite on cream wove paper Inscribed lower right: “Late Oct. in / Rockies 1890 / ...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 Monogrammed lower left This charming late Victorian farmyard scene captures the quiet...

Carl Johansson (1863–1944) Sweden Lavaklippstrand, Tenerife (Lava Coast, Tenerife), 1894 signed lower left “Carl Johansson” oil on canvas, executed in grisaille unframed 27.5 × 49.5 cm (10.8 × 19.5 in) framed 39 × 61 cm (15.4 × 24 in) Literature: För Svenska Hem. Illustrerad Familjetidskrift, first year, 1895–1896, issue 26, pp. 416–417, reproduced across the centre spread. The contemporary caption reads: “Bild från Tenerife: Lavaklippstrand. Efter en oljemålning för ‘För Sv. Hem’ af Carl Johansson.” Condition report: Please contact the gallery for a detailed condition report. Essay: Painted during Carl Johansson’s journey to Tenerife in 1894, Lavaklippstrand presents the volcanic Atlantic coastline as an austere study of rock, water and light. Jagged formations of dark lava dominate the foreground and middle distance, breaking the surface of the sea in an irregular progression towards the horizon. Behind them, the coast dissolves gradually into mist, while the almost colourless sky occupies the upper half of the composition. The painting is unusually restrained for a landscape executed during a period when Johansson had recently encountered the brighter palette of modern French painting. Here, instead, he deliberately reduces the scene to a near monochrome range of blacks, greys, browns and white. Johansson was born in Härnösand in 1863 and studied at the Royal Swedish Academy of Fine Arts in Stockholm between 1882 and 1885, where his teachers included Edvard Perséus and the landscape painter Per Daniel Holm. He belonged to the generation of Swedish artists that increasingly looked beyond academic landscape conventions during the 1880s and 1890s. A period in France in 1891 and 1892 brought him into closer contact with contemporary French landscape painting...

An atmospheric twilight scene by Alessandro Altamura, depicting a tranquil river teeming with activity, likely set near the forest landscape of Fontainebleau in France. The compositi...

George Paice (1854–1925) Portrait of a Bay Horse in a Stable, circa 1900 Oil on artist’s card Signed lower left: “G. Paice” Circa 1900 Presented in an antique rosewood frame with g...

Signed lower right, 'C. J. Dickman' for Charles John Dickman (American, 1863-1943), titled lower right 'Etaples' and dated 1899. Born in Germany, Dickman came to the United States ...

William Albert Clark (1851–1925) “Broadwood” – Portrait of a Hunter in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A distinguished late Victoria...

A very handsome tall antique French patinated bronze statue of a Greco-Roman warrior, circa 1890, by Émile Louis Picault (1833–1915). This very dynamic bronze at almost three feet t...

An atmospheric sunset after the rain. The light reflected on the still-wet street is creating the most beautifully shimmering light. Two village women carrying baskets are chatting, ...

The hat-maker or the milliner is depicting a kitchen interior with a young woman making a straw hat with ribbon and flowers. Watercolor, late 19th century, signed "Carlton A Smith". Dressed in a pale blouse, green apron and deep crimson skirt, she carefully threads a bright green ribbon through a broad straw hat adorned with poppy flowers. At her feet stands an open workbox overflowing with fabrics, ribbons and millinery materials, while baskets and worktables in the softly shadowed background reinforce the impression of a busy artisan's studio. Warm daylight entering from the side illuminates the figure and her work, creating a pleasing contrast between the richly colored foreground and the subdued interior. Executed with delicacy, the watercolor demonstrates Carlton Alfred Smith...

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measures 4 1/4 x 6 1...

Galleons at Sea Sir Frank Brangwyn (1867 - 1956) Oil on mahogany panel Signed and titled on the reverse Picture Size: 16 x 24" (41 x 61cm) Framed Size: 23 x 31" (58 x 78cm) A fanta...

La obra va firmada en la parte inferior "Roig Soler" La obra se presenta enmarcada con un marco de la época de la obra en madera estucada y dorada (el marco presenta varias faltas y...

Emil Ferdinand Heinrich VOLKERS Oil painting on canvas signed and dated A fantastic painting for all sporting and equestrian collectors. Picture Size: 10 x 13" (26 x 33cm) Framed ...

Alfred Henry Vickers (1853–1925) Continental River Landscape with Fisherfolk and Sailboats Circa 1890 Oil on canvas Signed lower right A charming late nineteenth-century river land...

Medium: original etching. Published in Paris in 1897 by Gazette des Beaux Arts. Catalogue reference: Sanchez & Seydoux 1897-13. A lovely impression in sanguine ink printed on cre...

Original L'Andalouise au Temps des Maures vintage art nouveau poster. L'Andalousie au Temps des Maures. Exposition de 1900. Imprimerie C...

This remarkable double-sided devotional painting on copper showcases exceptional craftsmanship and deep spiritual reverence. On the recto, a finely rendered portrait of Saint Bernade...

Portrait of a Genovese Sailor, ca. 1890. Watercolor on cardboard measuring 4 x 5.5 inches; 9 x 11 inches framed.

Antique American impressionist landscape oil painting with an elegant woman. Oil on canvas. Framed. Unsigned. Measuring: 15 by 23 inches overall, and 7 by 9 painting alone. Excel...

Charles Dudley British, Late 19th – Early 20th Century The Three Graces: Portrait of Three Jack Russell Terriers, circa 1900 Oil on canvas Signed lower right Original frame A charm...

Georg Stoopendaal (1866–1953) A Woman in the Field oil on board signed G.S unframed 23 × 31 cm (9 × 12 ¼ in) framed 33 × 41 cm (13 × 16 ⅛ in) In this quietly atmospheric scene, a ...

PIERRE-AUGUSTE RENOR (1841 - 1919) SUR LA PLAGE, a BERNEVAL (D.: S. 5) Drypoint on laid paper. The plate was created in c. 1892. Plate 5 3/8 x 3 3/4". Sheet 11 1/4 x 10 1/8". This...

Danish School, 19th Century A charming late 19th-century Scandinavian composition depicting a solitary woman making her way towards a garden gate. Paintings of this kind invite the ...

Samuel Henry Baker (British, 1824–1909) Ullswater from Gowbarrow Park, Cumberland, late 19th century Oil on canvas In this sweeping view of Ullswater, nestled in the heart of the La...

Henri MARTIN Divine Comedy : Dante and Beatrice, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Li...

“A Lady in Black, 1894” by Paul-Marie Lapierre Renouard (1854-1940) This exceptional pastel portrait of an elegant woman in black is among the artist’s finest works. A close examina...

Signed lower left, 'Ch. Baker' for Charles Edward Baker (American, 1844-1906) and dated 1891. Displayed in a fine and period, carved gilt-wood frame. Framed dimensions: 16 H x 2 D ...

Antique European still life oil painting. Oil on canvas. Framed. Measuring: 27 by 21 inches overall, and 22 by 16 painting alone. Excellent condition, ready to hang and enjoy.

Antique European impressionist portrait oil painting . Oil on canvas. Signed. Framed. Measuring: 26 by 32 inches overall, and 21.5 by 26.5 painting alone. Handsomely framed in a gi...

HOHENSTEIN Iris, Comic Opera, 1899 Original Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 180 of "Les Maîtres de l'Affiche", Paris, 1899, printed by l'Imprimerie Chaix. Bears the blind stamp of the editor in the lower right corner . This image was created for the italian comic...

This late 19th-century oil painting by English artist John Horace Hooper (1852-1906) depicts a quiet tree-lined road near Purley in Berkshire. Beneath a dense canopy of mature trees...

This stunning large British Victorian Scottish landscape oil painting is by noted Kent artist William Sidney Cooper. William trained with his great-uncle Thomas Sidney Cooper at his ...

Wonderful seascape in the evening with the moon shrouded in clouds. Painted by British artist James Nesfield Forsyth in 1899. Oil on board, signed lower left, in a beautiful Dutch st...

A beautiful signed and dated 1901 oil on paper laid on board by Auguste Grass-Mick, the French impressionist painter who was friends with Edgar Degas and Henri Toulouse-Lautrec. Gr...

19th Century English Landscape, with a cottage, pond and trees. This exquisite English Victorian 19th-century landscape by Charles Morris, circa 1890, beautifully captures the idyll...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 signed lower left This charming late Victorian farmyard scene captures the quiet beau...

HENRI de TOULOUSE-LAUTREC (French 1864 - 1901) EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92) Original lithograph, cover of music / song sheet words by Maur...

Cuban impressionist landscape oil painting. Oil painting circa 1890. Framed. Measuring: 13 by 16 inches overall, and 12 by 9 painting alone. Excellent condition, ready to hang and...

Thomas Theodor Heine was a central figure in German fin de siècle culture, best known as one of the leading illustrators of the satirical magazine Simplicissimus, where his sharply o...

Georges de FEURE (1868 - 1943) Return,1897 Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12") INFORMATION : Publis...

John Emms 1896 Signed and dated 1896 Canvas Size: 26 x 33" (68 x 105cm) Framed Size: 34 x 41" (88 x 105cm) Provenance: An Irish Country Estate Born on 21 April 1841at Blofield, ...

KATHE KOLLWITZ (German 1867 -1945) ENDE, (Klipstein 37 ) Etching and aquatint with the von de Becke blind stamp in the lower right. Printed around 1945. Unsigned posthumous impres...

The circa 1890 original poster titled "José Tinchant y Gonzales & Cie La Flor de Don José Anvers" is a vibrant and detailed example of late 19th-century commercial art. Created to ad...

This dignified lithographic portrait of His Imperial Majesty Tsar Nicholas II stands as a visual tribute to the last Emperor of Russia, created during the final years of Europe’s gre...

Hours of Idleness – Normandy, 1894. This intimate pastel portrait depicts a woman seated quietly on a wooden chair beside a small table supporting a potted flowering plant, positione...

Constantine (Algeria) Claude Firmin-Goy (1864-1944) Oil on canvas Signed and dated lower right 11 3/4 x 15 1/2 (17 1/2 x 21 1/4 frame) inches This bright and luminous work by the Av...

Daniel Sherrin (British, 1868-1940) Signed: D. Sherrin (Lower, Left) " Figures by a Highland Stream ", circa 1895-1915 Oil on Canvas 20" x 30" Housed in a 4" Period Carved Frame...

Cattle By Pond At Dusk, Mid-19th Century Tonalist Landscape by William Keith Gorgeous mid-19th century landscape painting by William Keith (American, 1838-1911), circa 1860. This impressive Tonalist landscape, titled "In the Woods", depicts cattle beside a pond in the forest at dusk. Keith uses loose, blended brush strokes and a muted earthy palette to create an atmospheric mood that Tonalism is known for. Signed "W. Keith" lower left. Museum label on verso from Santa Barbara Museum of Art. Presented in an antique giltwood frame. Image size: 9"H x 13"W. With frame measures: 16"H x 20"W x 3"D. Provenance: Mrs. Eugene Patterson; Santa Barbara Museum of Art. Authenticity guaranteed and certificate include. Condition: Very good. Cleaning and restoration required signature to be re-touched, original images pre-restoration available. About the Artist: Brought to New York City in 1850, William Keith was apprenticed to a wood engraver in 1856 working for "Harper's" magazine. In 1858 (or 1859) he visited California for "Harper's" and then after a trip to Great Britain, settled in California as an engraver in 1862. He began exhibiting paintings in 1864 in San Francisco where he opened his studio, after having been taught painting by his wife. The Northern Pacific Railroad...

A charming late 19th century French oil on canvas portrait of a young man wearing a loose grey suit and patterned tie. The work is signed with initials and dated April 1892 lower lef...

The original 1898 lithography entitled "Le Concert" by Henri de Toulouse-Lautrec is a work of great artistic finesse, capturing both the artist's distinctive style and the elegant scene of society at the time. This lithograph features a well-dressed, wealthy couple in a red theater box. The gentleman is Gabriel Tapié de Céleyran and the lady is Émilienne d'Alençon. The woman is dressed in fur and wears an elaborate black hat, exuding undeniable elegance and sophistication. Lautrec meticulously captures the details of their clothing and expressions, creating a striking depiction of 19th-century high society. This lithograph was commissioned from Toulouse-Lautrec by Ault and Wiborg, American manufacturers of lithographic ink. It was part of a limited edition printed in Paris, with the original zinc plates subsequently shipped to America for printing in the main edition. The four original zinc plates are now housed at the Art Institute of Chicago. This work is all the more remarkable as it is believed to be the only lithograph Lautrec...