1890s Art

Carl Johansson (1863–1944) Sweden A Summer Day in Finistère, Brittany, 1891 signed, inscribed and dated Carl Johansson Finistère 91 lower left oil on canvas unframed 63.5 × 103 cm ...

Paul Fischer (1860–1934) Denmark Portrait of a Young Girl in a Striped Dress, c. 1895-1905.  signed lower right “Paul Fischer” oil on canvas unframed 34 × 23 cm (13.4 × 9.1 in...

Giuseppe Faccin (Schio 1874 - Vicenza 1916) - View of the interior of the Basilica of St. Mark, Venice. 75 x 57 cm (without frame) - 89.5 x 71 cm (with frame). Oil on canvas, in a ...

A Canal in Venice by American artist Frank LeBrun Kirkpatrick (1853-1917) Watercolor on paper, image measuring 15 x 21 inches; framed measurement: 25 x 31 inches. Signed by the art...

Fritz Lindström (1874–1962) Sweden Light over a Rocky Shore, 1892 signed Fritz Lindström lower left and prominently dated 1892 lower right oil on canvas unframed dimensions to be c...

Auguste RODIN (1840–1917) (after) Lust, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7 x 1...

"Portrait of a Yorkshire Terrier with a Red Bow" Amable Bouillier (French, 1867-1940) Oil on wood panel Signed to lower right 9 3/4 x 8 2/3 ( 12 7/8 x 11 3/8 frame) inches. Though ...

Olof Arborelius (1842–1915) Sweden Fishing Boats in Moonlight, probably Stockholm Archipelago signed lower right O. Arborelius oil on canvas unframed 59 × 89 cm (23.2 × 35 in) fram...

George Paice (1854–1925) Portrait of a Bay Horse in a Stable, circa 1900 Oil on artist’s card Signed lower left: “G. Paice” Circa 1900 Presented in an antique rosewood frame with g...

View across Lake Garda towards Monte Baldo, Italy. Signed H. Lund lower left, oil on canvas, circa 1900. The painting depicts a tranquil and atmospheric view across Lake Garda, with ...

Albert-Paul Guilmet (1853-1924) Portrait of a young woman Charcoal on paper, signed upper left 5 1/8 x 5 7/8 in. (13 x 15 cm) Framed: 6 1/4 x 7 1/8 in. (16 x 18 cm) This delicate c...

George Paice (1854–1925) “The Colonel,” a Grey Horse in a Stable, circa 1900 Oil on board Signed lower right: “G. Paice” Titled “The Colonel” Circa 1900 Presented in a gilded frame...

La obra va firmada en la parte inferior "Roig Soler" La obra se presenta enmarcada con un marco de la época de la obra en madera estucada y dorada (el marco presenta varias faltas y...

A charming 19th century Belgian oil on canvas laid on board portrait of a young gentleman wearing a dark jacket, silk scarf and snazzy red waistcoat. Presented in a painted and gilde...

An atmospheric twilight scene by Alessandro Altamura, depicting a tranquil river teeming with activity, likely set near the forest landscape of Fontainebleau in France. The compositi...

Created by Jules Chéret and issued in this format in 1896, this original French poster advertises the Palais de Glace, the fashionable indoor ice-skating rink situated on the Champs-...

A charming late 19th century French oil on canvas portrait of a young man wearing a loose grey suit and patterned tie. The work is signed with initials and dated April 1892 lower lef...

Carl Johansson (1863–1944) Sweden Lavaklippstrand, Tenerife (Lava Coast, Tenerife), 1894 signed lower left “Carl Johansson” oil on canvas, executed in grisaille unframed 27.5 × 49.5 cm (10.8 × 19.5 in) framed 39 × 61 cm (15.4 × 24 in) Literature: För Svenska Hem. Illustrerad Familjetidskrift, first year, 1895–1896, issue 26, pp. 416–417, reproduced across the centre spread. The contemporary caption reads: “Bild från Tenerife: Lavaklippstrand. Efter en oljemålning för ‘För Sv. Hem’ af Carl Johansson.” Condition report: Please contact the gallery for a detailed condition report. Essay: Painted during Carl Johansson’s journey to Tenerife in 1894, Lavaklippstrand presents the volcanic Atlantic coastline as an austere study of rock, water and light. Jagged formations of dark lava dominate the foreground and middle distance, breaking the surface of the sea in an irregular progression towards the horizon. Behind them, the coast dissolves gradually into mist, while the almost colourless sky occupies the upper half of the composition. The painting is unusually restrained for a landscape executed during a period when Johansson had recently encountered the brighter palette of modern French painting. Here, instead, he deliberately reduces the scene to a near monochrome range of blacks, greys, browns and white. Johansson was born in Härnösand in 1863 and studied at the Royal Swedish Academy of Fine Arts in Stockholm between 1882 and 1885, where his teachers included Edvard Perséus and the landscape painter Per Daniel Holm. He belonged to the generation of Swedish artists that increasingly looked beyond academic landscape conventions during the 1880s and 1890s. A period in France in 1891 and 1892 brought him into closer contact with contemporary French landscape painting...

An atmospheric sunset after the rain. The light reflected on the still-wet street is creating the most beautifully shimmering light. Two village women carrying baskets are chatting, ...

Late 19th Century Crozant School French Plein Air Landscape - Heath and Stream of Corbigny Edouard Pail's plein air paintings combines the naturalistic landscape tradition of Barbiz...

William Albert Clark (1851–1925) “Broadwood” – Portrait of a Hunter in a Stable Circa 1890 Oil on canvas Signed lower right Original English oak frame A distinguished late Victoria...

Ferdinand Hernlund (1837–1902) Sweden By a Forest Lake in Småland signed lower right “Ferd. Hernlund” oil on canvas unframed 45 × 78 cm (17.7 × 30.7 in) framed 60 × 93 cm (23.6 × 3...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 Monogrammed lower left This charming late Victorian farmyard scene captures the quiet...

Monogrammed "TG", Late 19th Century Symbolist / Pre-Raphaelite Oil Painting A captivating late 19th-century oil painting imbued with imaginative symbolism and strong Pre-Raphaelite ...

Mori Sōsen, 'Deer Beneath Falling Maple Leaves', color woodblock print after the artist's watercolor, 1899. Signed Sosen in black ink with the artist's seal in red, lower right. A su...

Auguste RODIN (1840–1917) (after) The Kiss, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 cm (16.7...

About this work: An extraordinary example of pyro-engraving by Félix Pardo de Tavera, one of the most accomplished Filipino sculptors of the nineteenth century, this work combines the artist’s remarkable technical ingenuity with classical European Belle Époque elegance. Born in Manila in 1859, Pardo de Tavera achieved international fame at a time when few Filipino artists enjoyed comparable success abroad. His distinguished career brought him medals at major international exhibitions including Madrid, Paris, Barcelona, and eventually St. Louis, where he received a gold medal at the 1904 World's Fair. Although primarily working in bronze, Pardo de Tavera also experimented with unconventional materials, such as this richly textured wood panel with pyro-engraved details. Depicting a young Roman woman in profile, her flowing robes accented with vivid red and delicate botanical ornament, the composition reflects the late 19th century fascination with antiquity. Pardo de Tavera belonged to one of the Philippines' most prominent intellectual families and was a remarkable figure in the country's artistic and cultural history. After studying at Manila's Academia de Dibujo y Pintura, he moved to Paris, where he earned a medical degree in 1882 while pursuing his passion for sculpture. His artistic education brought him into contact with leading European masters, including Mariano Benlliure and, according to biographical accounts, Auguste Rodin. He was the younger brother of the influential scholar and statesman Trinidad Pardo de Tavera, a friend of the Filipino national hero José Rizal, and the brother-in-law of the celebrated painter Juan Luna...

Medium: original etching. Published in Paris in 1897 by Gazette des Beaux Arts. Catalogue reference: Sanchez & Seydoux 1897-13. A lovely impression in sanguine ink printed on cre...

A very handsome tall antique French patinated bronze statue of a Greco-Roman warrior, circa 1890, by Émile Louis Picault (1833–1915). This very dynamic bronze at almost three feet t...

Medium: etching. Etched by C. Bertaut after Corot and published in 1890 in an edition of 200. This is a nice impression printed on a japon-style paper. The image measures 4 1/4 x 6 1...

Signed lower right, 'C. J. Dickman' for Charles John Dickman (American, 1863-1943), titled lower right 'Etaples' and dated 1899. Born in Germany, Dickman came to the United States ...

Emil Ferdinand Heinrich VOLKERS Oil painting on canvas signed and dated A fantastic painting for all sporting and equestrian collectors. Picture Size: 10 x 13" (26 x 33cm) Framed ...

Portrait of a Genovese Sailor, ca. 1890. Watercolor on cardboard measuring 4 x 5.5 inches; 9 x 11 inches framed.

Circle of George Earl Portrait of an English Terrier Circa 1890 Oil on board Unsigned 14 x 12 inches A delightful late nineteenth-century portrait of an English Terrier, painted...

Thomas Theodor Heine was a central figure in German fin de siècle culture, best known as one of the leading illustrators of the satirical magazine Simplicissimus, where his sharply o...

Charles Dudley British, Late 19th – Early 20th Century The Three Graces: Portrait of Three Jack Russell Terriers, circa 1900 Oil on canvas Signed lower right Original frame A charm...

* No US duty or taxes to pay on this item * A beautiful late 19th century oil on board portrait of a terrier in a landscape, by H. Jackson. The work is inscribed by the artist on the reverse and dated 1898. Presented in it's original gilt frame and in very good original condition. A superb Victorian dog painting...

Original L'Andalouise au Temps des Maures vintage art nouveau poster. L'Andalousie au Temps des Maures. Exposition de 1900. Imprimerie C...

Jane Atché Rêverie, circa 1897 Signed in plate Poster Image 14 x 14 inches Provenance Felix Transport, New York Estate of the above Jane Atché (1872–1937) was a French painter, il...

Henri Pearson (French, 19th Century) Harbour Scene with Fishing Boats and Figures on the Shore Oil on wood panel, circa 1880–1890 This evocative harbour scene by the French painter H...

Antique American impressionist landscape oil painting with an elegant woman. Oil on canvas. Framed. Unsigned. Measuring: 15 by 23 inches overall, and 7 by 9 painting alone. Excel...

John Emms 1896 Signed and dated 1896 Canvas Size: 26 x 33" (68 x 105cm) Framed Size: 34 x 41" (88 x 105cm) Provenance: An Irish Country Estate Born on 21 April 1841at Blofield, ...

Daniel Sherrin (British, 1868-1940) Signed: D. Sherrin (Lower, Left) " Figures by a Highland Stream ", circa 1895-1915 Oil on Canvas 20" x 30" Housed in a 4" Period Carved Frame...

Georg Stoopendaal (1866–1953) A Woman in the Field oil on board signed G.S unframed 23 × 31 cm (9 × 12 ¼ in) framed 33 × 41 cm (13 × 16 ⅛ in) In this quietly atmospheric scene, a ...

A beautiful signed and dated 1901 oil on paper laid on board by Auguste Grass-Mick, the French impressionist painter who was friends with Edgar Degas and Henri Toulouse-Lautrec. Gr...

John Mair Looking Towards Otterton and Ladram from Woodbury Common, Devon 19th Century Oil on canvas Signed lower right A particularly attractive panoramic landscape by the English ...

Henri MARTIN Divine Comedy : Dante and Beatrice, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Li...

Stanford White (1853-1906) Sketches of Two Sofas and Chair Graphite on paper, c. 1890 Unsigned Provenance: Davis Galleries, 1963, New York Davis Galleries organized the important 1963 exhibition Stanford White: Works on Paper, one of the earliest concentrated presentations of White’s drawings. The firm’s own historical exhibition list confirms that show. Davis and Langdale exhibition history. Reviewed in TIME Magazine, 1963 Condition: Mounted to support sheet, slight staining Image size: 5 1/8 x 8 1/4 inches Frame size: : 10 3/4 x 14 inches Alan Wanzenberg is a distinguished New York architect and interior designer whose work emphasizes architectural proportion, craftsmanship, historic furniture and the integration of art with interiors. His ownership is particularly appropriate for a Stanford White furniture study and gives the sheet a stronger design-history provenance than an anonymous private collection would provide. “Possibly exhibited, Davis Galleries, New York, Stanford White: Works on Paper, 1963; not confirmed in the exhibition checklist.” Stanford White was born in New York City in 1853. After training in the office of Henry Hobson Richardson...

Antique European still life oil painting. Oil on canvas. Framed. Measuring: 27 by 21 inches overall, and 22 by 16 painting alone. Excellent condition, ready to hang and enjoy.

Mary Kirschbaum, Sweden Woman by a Lake at Sunset, c. 1890 signed oil on canvas unframed 23 × 33 cm (9.1 × 13 in) framed 33 × 43 cm (13 × 16.9 in) Provenance: Private collection, ...

Samuel Henry Baker (British, 1824–1909) Ullswater from Gowbarrow Park, Cumberland, late 19th century Oil on canvas In this sweeping view of Ullswater, nestled in the heart of the La...

Signed lower left, 'Ch. Baker' for Charles Edward Baker (American, 1844-1906) and dated 1891. Displayed in a fine and period, carved gilt-wood frame. Framed dimensions: 16 H x 2 D ...

HOHENSTEIN Iris, Comic Opera, 1899 Original Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 180 of "Les Maîtres de l'Affiche", Paris, 1899, printed by l'Imprimerie Chaix. Bears the blind stamp of the editor in the lower right corner . This image was created for the italian comic...

In this atmospheric landscape at sunset, Fredrik Lagerström captures a fleeting twilight moment with vivid intensity. The sky is aglow with brilliant gold and amber hues, which are m...

Frances Mabel Hollams Signed and dated 1898 Picture Size: 29 x 37" (74 x 94cm) Framed Size: 38 x 46" (97 x 117cm) Oil on canvas Most of her work are painted beautifully on panel...

This magnificent large-scale oil on canvas is an outstanding example of European academic painting, created in the late nineteenth to early twentieth century and executed in the gran...

Maurice Denis, Untitled (Mother and Child), lithograph, 1897, edition not stated. Signed in the stone, lower right. Annotated in linotype 'MAURICE DENIS, ORIGINAL LITHOGRAPHIE PAN III' in the lower left sheet corner. A fine, atmospheric impression, in warm, dark gray ink, on buff wove paper, with full margins (2 1/2 to 1 3/4 inches); a small discoloration in the bottom left sheet corner, otherwise in good condition. Image size 8 5/8 x 6 7/8 inches; sheet size 13 7/8 x 10 5/8 inches. As published in 'Pan', the leading German magazine of the period devoted to art and literature. Matted to museum standards, unframed. Collection: Los Angeles County Museum of Art. Reproduced: German Expressionist Prints...

Signed lower left 'Emerson' for William Otto Emerson (American, 1856-1940) and dated 1891. Additionally titled, verso, in graphite on stretcher ba...

KATHE KOLLWITZ (German 1867 -1945) BERATUNG, 1895 (1945) (Klipstein vii/vii) Etching and aquatint, 1895 (Later Imp), Image 11 ½” x 7", sheet 19 x 13 ¾”. Unsigned, with the von de B...

19th Century English Landscape, with a cottage, pond and trees. This exquisite English Victorian 19th-century landscape by Charles Morris, circa 1890, beautifully captures the idyll...